Elements supporting the above, which survive to this day in various liturgical traditions
1. The right palm held in the left hand2. The paten on the table
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Elements supporting the above, which survive to this day in various liturgical traditions
1. The right palm held in the left handThe Testimony of Written Records
In fact, such confirmation may well exist. To be sure, we lack a direct and unambiguous primary source that explicitly states – alongside other elements of the reconstructed rite – that “the priest places the Holy Body upon the believer’s tongue.” Nowhere is this ritual described in every minute detail; indeed, this very silence justifies the reconstruction attempted here.
At first glance, the available written records seem to confirm this rite only indirectly, insofar as they do not exclude, but rather permit, the interpretation I have presented. However, upon closer inspection, looking beyond popular translations that often embed their own interpretations, we find confirmation for this rite in the most unexpected places.
In the next section, while listing elements of the rite that survive to this day, I will demonstrate that most components of this reconstructed ritual have been preserved in the Coptic Liturgy. Since Christian liturgical traditions prior to the Novus Ordo did not develop ex nihilo, it is likely that the Coptic tradition did not emerge ex nihilo either, but was characterized by a continuity faithful to its origins. Consequently, elements of today’s practice may well have ancient roots.
If this is the case, the few remaining textual witnesses may indeed validate the reconstruction. Therefore, as witnesses to the reconstructed rite, I cite a frequently invoked Alexandrian example from Eusebius, and one from Saint Cyril of Jerusalem, along with a Syriac text often mentioned as another ancient precedent for the practice.
In his Historia ecclesiastica, Eusebius quotes a letter from Bishop Dionysius of Alexandria to the pope (book VII, chapter 9) regarding a believer who came from a heretical sect. Upon witnessing a true baptism for the first time, the man realized his own baptism had borne no resemblance to the real one and began to doubt its validity. From this letter, the following passage is often cited: “...and stretching forth his hands to receive the holy sustinence, and receiving it, and partaking of the Body and Blood of our Lord.” (“καὶ χεῖρας εἰς ὑποδοχὴν τῆς ἁγίας τροφῆς καὶ ταύτην καταδεξάμενον καὶ τοῦ σώματος καὶ τοῦ αἵματος τοῦ κυρίου ἡμῶν μετασχόντα.”)Popular interpretation holds that “hands stretched forth to receive” clearly indicates communion in the hand. In reality, however, in nearly every Greek text cited as evidence for this practice, the word used for receiving Communion is the same one found here, yet its meaning is not what many assume. Among ancient Christians, the Greek word term hypodoché (ὑποδοχή) did not signify taking something into one’s palm. Originally, it was a Scriptural term for welcoming a guest (cf. Luke 10, 38 or 19, 6), and from there, it became a terminus technicus for Communion. This evolution is easily understood by anyone who recognizes that in Communion, we welcome the most Precious Guest. Furthermore, the text describes these hands as proteinanta (προτείναντα), meaning “stretched forward.” Thus, the actual meaning of the full expression used for Communion is: hands stretched forward for the welcoming / receiving of the Guest. This is correctly understood only when viewed through the lens of the practical ritual shown by the physical artifacts analysed earlier.
The second text is from the 17th Homily of Narsai of Edessa. This, too, is often presented as proof of communion in the hand; indeed, it cannot be ruled out that Alphonse Mingana, who discovered the text and was not above occasional forgery, sought to ensure it was read that way. In Dom R. H. Connolly’s translation, it reads:“He who approaches to receive the Body stretches forth his hands, lifting up his right hand and placing it over its fellow. In the form of a cross the receiver joins his hands; and thus he receives the Body of our Lord upon a cross... And the priest who gives says unto him: ‘The Body of our Lord’... He receives in his hands the adorable Body of the Lord of all; and he embraces it and kisses it with love and affection.” (The liturgical homilies of Narsai online; see p. 108; in the original, p. 28)
Yet, in Mingana’s “original” Syriac text, the expression used for receiving the Host – just as in Eusebius – does not denote taking it with the hands. Instead, we find the same Scriptural term for “welcoming / receiving” as in the Greek. This term stems from the root Q-B-L, which in this context refers to the internal, spiritual, or faithful reception of the Sacrifice, much like in the Peshitta version of John 1, 12: “as many as received Him” (d-qabbelūhy).
Beyond the spiritual interpretation, the part of the expression referring to the hands allows for two grammatical readings. The preposition b- (b-īdayhī) can be either locative (‘in’) or instrumental (‘with/by means of’). In the latter case, Narsai’s text may not imply the Body being placed into the hands, but rather approaching the reception of the Body with hands outstretched in a gesture of welcome. The Syriac expression clearly supports this possibility precisely because of the aforementioned primary meaning of the terminus for communion. If, however, one still wishes to interpret the preposition as a locative, they may view it as a spiritual ‘place,’ much like the Father’s hands in Luke 23, 46, which feature the same preposition (b’idayk).
While the grammatical reading would ideally be determined by the subsequent parts of the text, the interpretation of the entire passage ultimately depends on what one considers a conceivable or plausible practice; thus, even the grammatical reading is decided primarily along extra-textual presuppositions. For example, it depends on whether one can imagine that the embracing and kissing of the Eucharist was not spiritual in sense, but an actual physical practice. Since I find this difficult to imagine, I more readily assume that the preposition has an instrumental meaning grammatically, involving a kind of spiritual instrumentality. Outstretched hands are symbols representing and signaling a readiness for reception, which practically served only to prevent crumbs from falling; thus, they are primarily spiritual instruments of a clearly spiritual reception. Therefore, in this text, the Body is perhaps not placed into the hands, but rather the communicant approaches for reception with outstretched hands, bowing.
The final example is the Fifth Mystagogical Catechesis of Saint Cyril of Jerusalem – often considered the “ultimate weapon” for proponents of communion in the hand. The passage in English reads:“When, therefore, you approach, do not draw near with your wrists extended, nor with your fingers spread; but making your left hand a throne for the right, as for that which is about to receive the King, and hollowing your palm, receive the Body of Christ, saying, ‘Amen’.”
Migne’s edition: “Προσιὼν οὖν, μὴ τεταμένoις ταῖς τῶν χειρῶν καρποῖς προσέρχου, μηδὲ διῃρημένοις τοῖς δακτύλοις· ἀλλὰ τὴν ἀριστερὰν θρόνον ποιήσας τῇ δεξιᾷ, ὡς μελλούσῃ Βασιλέα ὑποδέχεσθαι· καὶ κοίλανας τὴν παλάμην, δέχου τὸ σῶμα τοῦ Χριστοῦ, ἐπιλέγων τὸ, Ἀμήν.” (PG 33, 1124-25, pdf pp. 562-3.)
Here again, we see the author using the technical term hypodechomai (ὑποδέχομαι) for the act of receiving. Even more interestingly: if we can momentarily set aside the ‘communion in the hand’ narrative, we discover that the scene described here is entirely compatible with the reconstructed rite, without the Holy Body ever touching the palm. Because the text does not forbid approaching with hands extended; rather, it forbids approaching with wrists separated, with the right palm not resting in the left, with the right palm not facing upward, or with fingers spread and arms flung wide. The purpose of closing the fingers and slightly hollowing the palms is obvious: to prevent any fragments of the holy Body from falling, an issue the text explicitly addresses with its analogy of gold dust.
Essentially, the text forbids the very hand gesture before reception that the images above depict as the posture of thanksgiving – after communion. If we recall the educational intent mentioned earlier, the Apostle on the Stuma paten – standing with arms wide and fingers spread – shows that the posture St. Cyril forbade before communion was actually the correct posture after communion, during the time of thanksgiving. This was a point of such significance that it demanded the instruction of the faithful; hence, its representation was deliberately sought, even while navigating the inherent constraints of pictorial composition.
It is also worth taking a closer look at the following passage:
“So then after having carefully hallowed thine eyes by the touch of the Holy Body, partake of it; giving heed lest thou lose any portion thereof; for whatever thou losest, is evidently a loss to thee as it were from one of thine own members. For tell me, if any one gave thee grains of gold, wouldest thou not hold them with all carefulness, being on thy guard against losing any of them, and suffering loss? Wilt thou not then much more carefully keep watch, that not a crumb fall from thee of what is more precious than gold and precious stones?” (Μετ’ ἀσφαλείας οὖν ἁγιάσας τοὺς ὀφθαλμοὺς τῇ ἐπαφῇ τοῦ ἁγίου σώματος μεταλάμβανε, προσέχων μὴ παραπολέσῃς τι ἐκ τούτου: ὅπερ γὰρ ἐὰν ἀπολέσῃς, τοῦτο ὡς ἀπὸ οἰκείου ἐζημιώθης μέλους. Εἰπὲ γάρ μοι, εἴ τίς σοι ἔδωκε ψήγματα χρυσίου, οὐκ ἂν μετὰ πάσης ἀσφαλείας ἐκράτεις, φυλαττόμενος μή τι αὐτῶν παραπολέσῃς καὶ ζημίαν ὑποστῇς; Οὐ πολλῷ οὖν μᾶλλον ἀσφαλέστερον τοῦ χρυσίου καὶ λίθων τιμίων τιμιωτέρον διασκοπήσεις ὑπὲρ τοῦ μὴ ψῖχα ἐκπεσεῖν.)
Those who view the above quote as irrefutable evidence for Communion in the hand generally fail to address what exactly was to be done after receiving the Most Holy Body. If this text were meant in a literal sense, then the Eucharist would have had to be touched to the eyes, just as later the remaining drops of the Holy Blood on the lips would have been smeared onto the sensory organs. Yet, it is highly contradictory that the author argues against dropping Eucharistic fragments using the gold dust metaphor, while simultaneously prescribing that it be kissed and touched to the eyes, acts that would obviously increase the risk of crumbs falling.
Furthermore, smearing droplets of the Holy Blood would almost inevitably result in dripping. Such a practice is highly improbable because – as proponents of Communion in the hand often overlook – those who possess an “excessive fear” of losing a single particle, likening it to the loss of their own limbs, do not typically handle the Blessed Sacrament in their hands, much less touch or smear it onto various parts of their body. Therefore, a sober interpretation suggests that the quote refers to actions in a spiritual sense; thus, the eyes are sanctified by gazing upon the Eucharist rather than by physical contact.
This is further supported by grammatical analysis, specifically the presence of the instrumental dative (dativus instrumenti) in the phrase τῇ ἐπαφῇ. This term, denoting contact or touch, can be rightly interpreted here as a kind of dativus instrumenti spiritualis.
Thus, this text serves as a vital supplement to the reconstructed ritual of the faithful’s Communion. With this detail, the action immediately preceding the reception of the Holy Body can be visualized: the communicant, approaching with hands extended and covered by the himation, raised his gaze to the Holy Body before receiving it, saying “Amen,” and then receiving it from the priest’s hand directly into his mouth.
Beyond its spiritual significance, the act of raising the eyes may have served a practical purpose. The phrase “carefully” (Μετ’ ἀσφαλείας) emphasizes the mindfulness with which the eyes are raised to gaze upon the Holy Body. This suggests a practical role for the gesture: by looking up at the Host, the face and mouth of the communicant, who approaches bowing with hands extended and covered, are placed in the optimal position for receiving Communion, thereby ensuring the safety of the metadosis (the priest’s handing over of the Holy Body). This aspect of safety is paramount, underscored by the Greek word for great care, “ἀσφάλεια”, a constant liturgical technical term in the Byzantine tradition. This very care is traditionally prescribed in Byzantine rubrics for priests administering the Eucharist. An example of this consistency is found in the Great Horologion (Horologion to Mega, p. 70), published in Venice in 1856, where the rubric for the priests’ communion prescribes: “And thus he takes what is in his hand with fear and great care.” (Καὶ οὕτω μεταλαμβάνει τοῦ ἐν χερσὶ μετὰ φόβου, καὶ πάσης ἀσφαλείας.)
In summary, it can be asserted with confidence that the texts presented here do not exclude the possibility of the reconstructed Communion rite. On the contrary, if we understand the spiritual state of the faithful – approaching bowed, with covered and extended hands as a humble sign of readiness to receive – we discover a posture identical to the traditional gesture of requesting a blessing preserved in Eastern traditions to this day, as we shall see in the final part of this essay.
The following article was sent to us by Zsolt Orbán, to whom we offer thanks. Mr. Orbán proposes a most intriguing hypothesis to account for what is depicted in a number of religious images and has survived to the present day in the customs of certain churches; the hypothesis also calls into question some of the changes in Eucharistic praxis characteristic of the twentieth-century liturgical reform. – PAK
The problem with this narrative is that it has no basis in reality: no text corroborates it, and no evidence in support of it can be found in the surviving pictorial records either.
In fact, none of the surviving wall paintings in the catacombs depict an actual liturgy. These images can only be regarded as symbolic references to the Holy Mass, to Christ, and to the Eucharist, and it is only in the case of depictions of Gospel scenes that they can be said to be artistic representations of historical events. Common themes include the wedding at Cana, the miraculous multiplication of the loaves, and the Last Supper; as symbols, the most frequent are the fish as a symbol of Christ (the fish – ichthys – is a Christian acronym: Jesus Christ, Son of God, Saviour), bread, and grapes all refer to the truths of the faith associated with the Holy Mass. In none of these symbolic references do we find any guidance regarding the Holy Mass or the manner of receiving Communion.
A major innovation in depiction appeared sometime in the 4th or 5th century, perhaps first in the murals or mosaics surrounding the altar of a Christian basilica in Jerusalem. According to researchers’ assumptions, the archetype of such depictions may have been a mural or mosaic in a church in Jerusalem or Constantinople; most suspect that the former paintings of the destroyed Church of the Last Supper served as the model composition. Following this example, the motif of the Communion of the Apostles appears on liturgical metalwork and in books – at least according to the surviving works, generally dated to the 6th century, which survived iconoclasm. During this period, the motif of the Communion of the Apostles appears on several such liturgical objects and in Gospel books.
A characteristic feature of this mode of representation is that it depicts an explicit and specific reception of Holy Communion. On the two halves of the image, Christ himself administers communion to the apostles, giving them their share separately in the two species; this is the metadosis, the handing over of the Holy Body, and the metalepsis, signifying their partaking of the Holy Blood.
Of the earliest such depictions, I shall now examine the three earliest, and thus, from our perspective, the most significant examples, because unlike the speculations regarding the early Christian depictions mentioned above – which lack any concrete basis – these truly do depict an interpretable sacrificial practice, which is moreover supported by written texts. From these, it is indeed possible to reconstruct a highly probable communion practice which, according to the evidence of these artefacts, may have been widespread in the 5th and 6th centuries.
This is an illuminated Gospel manuscript dating to the second half of the sixth century. It was discovered in the treasury of the cathedral in Rossano (southern Italy) and became widely known in the 19th century.
In this beautiful Gospel volume, with its crimson-coloured pages and delicate miniatures, two illustrations clearly depict a sacramental rite – the apostles receiving the Eucharist on their tongues. This, of course, has caused some difficult moments for ideologically driven researchers. For example, Franz Xaver von Funk, having established that the depiction shows Christ administering the Eucharist to the apostles on the tongue, declared – as a textbook example of a circular argument – that despite the many corroborating signs, the work could not date from the sixth century, because the practice of administering the Eucharist on the tongue did not exist before the eighth century.
The Receiving of the Holy Body
The scene is explained by the inscription at the top: “He took the bread, gave thanks, gave it to them, saying: This is my body.”
Christ stands on the left-hand side of the painting; the apostles approach him in a line, while in the segment below, Old Testament prophets point to the scene, their messages depicted on their pulpits with scriptural quotations (from left to right):
“O taste, and see that the Lord is sweet” (Psalm 33, 9); “This is the bread which the Lord hath given you to eat” (Exodus 16, 15); “And had rained down manna upon them to eat, and had given them the bread of heaven. Man ate the bread of angels.” (Psalm 77, 24-25); “And one of the seraphim flew to me… and said: ‘Behold this hath touched thy lips, and thy iniquities shall be taken away, and thy sin shall be cleansed.’ ” (Isaiah 6, 6-7)
What we see in the “communion” scene:
| A close-up of the reception of the Body of Christ |
The reception of the Holy Blood
Christ stands here on the right, holding a chalice in both hands. The inscription above him reads: “Then he took the chalice in his hands, gave thanks, and gave it to them, saying, ‘This is my blood.’”
Below the Eucharist, there are again four Old Testament prophets; from left to right, the texts read: “This is the blood of the covenant, which the Lord hath made with you.” (Exodus 24, 8); “I take the chalice of salvation, and I call upon the name of the Lord.” (Ps. 115, 4); “And your chalice inebriateth me, like the finest wine.” (Ps 22, 5); “They that drink me shall yet thirst.” (Sir 24, 21)
What we see in the scene of the Eucharist:
| A close-up of the reception of the chalice |
This is a communion dish belonging to a hoard of liturgical vessels unearthed in Syria at the beginning of the 20th century. Bbased on the imperial seal found on the bottom of the vessel, it may have been made in Constantinople during the reign of Emperor Justinian II (565–578).
Christ himself is offering the Eucharist to the apostles; the two scenes of the reception of the two species are depicted in a single composition. Researchers believe that this type of depiction was originally modelled on a scene on the walls flanking the altar of a church in Jerusalem, from where it was copied and arranged into one composition on vessels and icons.
The reception of the Holy Blood is depicted on the left side of the paten:
| Close-up of the Communion scene |
The chalice used for communion can be seen on the right side of the altar. Below is a photograph of a similar 6th century chalice.
The reception of the Holy Body on the right side of the paten:
| The “communion” scene enlarged |
This paten is of the same period as the Riha paten and belongs to the same treasure hoard found at Caper Koraon (modern day Kurin, Syria). Based on the imperial seal visible on it, the paten was likely made in 577-78.
The reception of the Holy Body on the right-hand side of the paten:
The reception of the Holy Blood on the left side of the paten:
Regarding the depiction on the patens, researchers note that, contrary to the order of the liturgy, the wine appears on the left and the bread on the right, although in eighty percent of cases this is usually the reverse. Christ always gives the bread with his right hand and holds the chalice in both hands.
Based on the images presented, in my opinion, despite the differences in the individual details visible in them, common features can be identified, on the basis of which a communion rite can be reconstructed using the following interpretative principles. The principles are:
a. the same rite
A common feature of the objects presented is that researchers generally associate them with the eastern, Syrian regions: this applies not only to the two patens but also to the Rossano Codex, which, according to several researchers, may have been brought to Italy to escape the wrath of iconoclasts. And since their dates of origin can also be placed in the same period, we may rightly assume that the sacrificial features depicted on them may be representations of the same sacrificial rite.
b. the simultaneous depiction of a sequence of actions occurring one after the other
Another important point concerns the relationship between the depicted reality and the medium of representation: in these images, a dynamic sequence of events is narrated using static visual elements. Consequently, these compositions are series of cartoon-like images, woven together from several scene fragments determined by the constraints of space and composition. This can be observed in the procession of the apostles approaching the Eucharist, in which the preparations before the Eucharist, the moment of the Eucharist itself, and the actions preceding or following it in chronological order all appear simultaneously.
c. didactic nature
The third aspect concerns the function of the depictions. These were not originally mere decorations, narrative accounts or illustrations, but depictions of a didactic nature. This is particularly true if the researchers’ theory regarding the archetype of the depiction is correct and the Communion of the Apostles did indeed first appear in the wall paintings of a church. For this very reason, these depictions do not merely portray an ancient event – for which it would have sufficed to capture the moment of communion – but the depicted scene fragments also convey a kind of teaching. Simultaneously they present a chronological arrangement of the event’s parts in accordance with the essence of the given teaching – precisely in the spirit of didactic intent.
Based on the above considerations, the specific rite of communion can be reconstructed from these depictions, despite the variations visible on individual objects.
To begin with, it is worth paying attention to the himations.
In this regard, we can see that in the Rossano Codex, in the part of the scene closest to the moment of the communion, the hands of the apostle receiving communion are not concealed in the himation; this is only visible with the apostle behind the communicant. On the Riha paten, the himation is on the hands only when receiving the Holy Blood, whereas on the Stuma paten, it is present when receiving both species. Based on the first point outlined above, these differences cannot be attributed to a different rite; therefore, there must be another reason for the variation in the depictions.
Regarding the use of the himation, rather than some more abstract, elusive spiritual significance in holding it horizontally like a cloth, we may surmise a more concrete, practical-spiritual reason stemming from reverence for the Holy Eucharist: the endeavour to prevent the Body and Blood from falling. If, however, this is the case, it is at first incomprehensible why, in the Rossano Codex, we see hands concealed within the himation only in the case of the apostle preparing for communion. Why does the Rossano Codex not show hands covered by the himation in the case of the apostle closest to Christ? And why is the himation absent from the Riha paten during the reception of the Body?
The reason for this is that, due to the limited scope of the composition, only the scene depicting the teaching intended to be conveyed could be included: the frame from the ‘cartoon’ that carries a very essential teaching.
The use of the himation at the moment of communion probably took place in every instance as depicted on the Stuma paten.
The reconstructed sequence of the Eucharist:
Instead of the reception of the Holy Body, all three objects depicted show a kiss given to the back of Christ’s right hand; for if they were to depict the Body being placed in the mouth, the celebrant would not be leaning towards the back of the hand. If there was indeed a kiss on the minister’s hand immediately after Communion, this would not have been possible during the reception of the Precious Blood, as the minister held the chalice with both hands, and its contents could easily have spilled if the communicant had leaned towards the minister’s hand. And since, due to the narrow frames, only the essentials could be depicted in such a pictorial composition, the moment of receiving the Body is not visible in any of them.
The reason for this may well be found in the didactic nature of the church scene, which can be regarded as the archetype for the depiction of the Apostles’ Communion: since there is a difference regarding whether a kiss of the hand takes place during the reception of the two elements, it was necessary to emphasise to the congregation when depicting the Communion that the teaching should be before their eyes: one may only kiss the minister’s hand after receiving the Body, but not after receiving the Precious Blood.
To be concluded next week.
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| Figure 1: The Ballustrade of S. Maria in Cosmedin, Rome (source: Liturgical Arts Journal) |
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| Figure 2: The layout of the Temple (source: Wikimedia Commons) |
In this regard it is not possible to be silent about… abuses, even quite grave ones, against the nature of the Liturgy and the Sacraments as well as the tradition and the authority of the Church, which in our day not infrequently plague liturgical celebrations in one ecclesial environment or another. In some places the perpetration of liturgical abuses has become almost habitual, a fact which obviously cannot be allowed and must cease” (RS, 4).The point in the promulgation of this document, as stated above is to root out liturgical abuses from the preceding decades. It further seeks to restore liturgical celebrations to the “tradition and authority” of the Church, as opposed to the innovations which had been introduced since the promulgation of the New Mass in 1969, often by priest celebrants.
It pertains to the diocesan bishop, then, ‘within the limits of his competence, to set forth liturgical norms in his diocese, by which all are bound.’ Still, the bishop must take care not to allow the removal of that liberty foreseen by the norms of the liturgical books so that the celebration may be adapted in an intelligent manner to the Church building, or to the group of the faithful who are present, or to particular pastoral circumstances in such a way that the universal sacred rite is truly accommodated to human understanding. The bishop governs the particular Church entrusted to him, and it is his task to regulate, to direct, to encourage, and sometimes also to reprove; this is a sacred task that he has received through episcopal ordination, which he fulfills in order to build up his flock in truth and holiness (RS, 21-22).It is within the rights of the bishop to create liturgical norms for his diocese. These liturgical norms are for the accomplishment of the same task laid out in Redemptionis Sacramentum itself, that is, to stop liturgical abuses and to educate. Many abuses occur out of “ignorance, in that they involve a rejection of those elements whose deeper meaning is not understood and whose antiquity is not recognized” (RS, 9).
X. The Lord’s Prayer and everything else up to the end of Communion…Thus, for the actual rubrics in the missal. The general principle is that any time the Priest and ministers interact with the Blessed Sacrament, a reverence is shown. This is also the case when the proximity between the ministers and the Blessed Sacrament changes, such as when the Tabernacle opens or shuts.
6. If there are some to communicate during the Mass, the minister [read “server”] warns them a little beforehand with a ring of the bell. The Priest, after drinking the Blood, places the Chalice a little toward the Gospel side, but still within the Corporal, and covers it with the Pall.He takes the Pyx/Ciborium or Paten with the Sacrament in his left hand, and takes one Host in his right, which he holds somewhat elevated over the Pyx/Ciborium or Paten with his thumb and index finger, and standing at the center of the Altar, facing the communicants, says: Ecce Agnus Dei, ecce qui tollit peccata mundi. Then he says: Domine, non sum dignus, ut intres sub tectum meum, sed tantum dic verbo, et sanabitur anima mea. After repeating this the third time, he goes to their right, that is, to the Epistle side, and facing each one, holding the Sacrament, he makes the sign of the cross with It over the Pyx or Paten, saying at the same time: Corpus Domini nostri Jesu Christi custodiat animam tuam in vitam aeternam. Amen.
- Then, if there are consecrated Hosts upon the Corporal, having made a genuflection, he places Them upon the Paten.
- If They have been consecrated in the same Mass within a Pyx/Ciborium, he places the Pyx/Ciborium in the middle of the Altar, uncovers It, and genuflects.
- If the Hosts to be administered have been consecrated beforehand, having opened the Tabernacle, he genuflects, extracts the Pyx/Ciborium and uncovers It.
7. After the Faithful have communicated, the Celebrant returns to the Altar. Then, if there have been any Hosts upon the Corporal, he wipes it with the Paten, and if there are Fragments upon it, places them in the Chalice. If Hosts remain in the Pyx/Ciborium, he places It upon the Corporal, covers It, replaces It in the Tabernacle, genuflects, and closes the door.
Afterward he places in the Chalice any Fragments, which he happens to find upon the Paten, which was placed under the mouths of the communicants. Then he says secretly Quod ore sumpsimus, etc., and purifies himself, saying Corpus tuum, Domine, quod sumpsi, etc., and does everything as above. If there is a Tabernacle upon the Altar, and a Pyx/Ciborium with consecrated Hosts remains upon the Altar until the end of Mass, They are saved, which is prescribed at the end of Mass on Holy Thursday.
Even not considering the Confiteor before Communion, there would have been two additional genuflections pre-62, one when the ciborium is uncovered and one at returning from the distribution (presumably connected with the immediate or somewhat immediate covering). Yet another indication of the involvement, in the code of rubrics for the 1962 missal, of the same reductionistic and horizontalizing reformers who would later, as part of the Consilium, take advantage of a wide permission to deconstruct and destroy.
In practice, as would be expected, the strict following of the ’62 Ritus is not universal, with the older practice still finding a place, even as occurs with the repetition of the Confiteor and other carryovers from the past.
Back to the point at hand, I would recommend that every celebrant of the TLM obtain a copy of a translation of the Ritus (it is in the Missal itself in Latin), which the FSSP sells here (along with other items). It is important to be familiar with the Ritus along with the rubrics to get a full picture of how Mass is to be celebrated.
Photos by Allison Girone.
Posted Wednesday, July 09, 2025
Labels: 1962, genuflection, kneeling, Peter Kwasniewski, Reception of Holy Communion, Rubrics
There are others, again, who, because of this gluttony, know so little of their own unworthiness and misery and have thrust so far from them the loving fear and reverence which they owe to the greatness of God, that they hesitate not to insist continually that their confessors shall allow them to communicate often. And, what is worse, they frequently dare to communicate without the leave and consent of the minister and steward of Christ, merely acting on their own opinion, and contriving to conceal the truth from him. And for this reason, because they desire to communicate continually, they make their confessions carelessly, being more eager to eat than to eat cleanly and perfectly, although it would be healthier and holier for them had they the contrary inclination and begged their confessors not to command them to approach the altar so frequently: between these two extremes, however, the better way is that of humble resignation. But the boldness referred to is a thing that does great harm, and men may fear to be punished for such temerity. [1]
Now, although it is undeniably true that the Holy Eucharist was received less in past centuries, we can still find many great saints who recommended more frequent reception, which can be seen as the background for Pius X’s encouragement for the same — even for daily Communion, provided one is in a state of grace and fulfills the other conditions. I have taken up this topic in other places [2], but I would like to offer just one medieval witness, namely, St. Bonaventure (1221–1274), who takes a line that is, one might say, between the rigorism of St. John of the Cross and the apparent relaxedness of St. Pius X:
If a person were always prepared, it would always be beneficial for him to receive this sacrament; provided, that is, that the abode of his soul is pure and he can receive this food with reverence and devotion. In the early Church, therefore, when Christians were clean through baptismal innocence and fervent with charity through the gift of the Holy Spirit, it was proper for them to communicate every day. But later on, as charity grew cold and many lost their baptismal innocence by sin, it was left to the judgment and conscience of each individual to receive when he felt himself suitably disposed, lest otherwise he receive to his damnation.
If he sees himself in the condition of the primitive Church, he is to be praised if he receives daily. If he finds himself in the state of the present-day Church [!], namely, cold and torpid, he does well to receive rarely. And if he believes he is in mid-way, he should act accordingly, that is, at times stasy away from Communion in order to restore his devotion. For this Guest is to be received with due honor and love. So that as a man finds himself inclined in one direction or the other, he should act accordingly — which is to be learned by experience. Consequently all the reasons given in favor of the first class (i.e., daily reception) are to be understood with the proviso that worthy dispositions are present — a condition which is generally fulfilled in very few cases. [3]
Another medieval scholastic, Meister Eckhart (c. 1260–c. 1328), imagines a Christian raising a heartfelt objection, and then gives a response:
Now you might say: Sir, I find that I am so empty and cold and worn out that I dare not go to our Lord. And I shall say: then all the greater is your need to go to your God, for it is in Him that you will be warmed and kindled, and in Him you will be made holy, to Him alone will you be joined and with Him alone made one, for you will find that the Sacrament possesses, as does nothing else, the grace by which your bodily strength will be united and collected through the wonderful power of our Lord’s bodily presence, so that all man’s distracted thoughts and intentions are here united and gathered together, and what was dispersed and debased is here raised up again and its due order restored as it is offered to God. . . . For we shall be transformed into Him and wholly united with Him so that what is His becomes ours, and all that is ours becomes His, our heart and His one heart, our body and His one Body.[4]A great spiritual writer who addresses this topic in many places is Mother Mectilde of the Blessed Sacrament (1614–1698), who was well connected with all the currents of spirituality in the Grand Siècle. Here are some excerpts, written to laywomen:
He wants to come to you and nevertheless you do not receive Him. You have many small weaknesses that will be eradicated only by availing yourself of this Eucharistic bread. Why deprive your soul of an infinite good? Listen to the voice of this marvelous Savior who calls from the depth of your heart, “Aperi, aperi, mihi soror, mea sponsa. Open to Me, open to Me, My sister, My bride, My beloved, your heart, that I may make My eternal dwelling in it and take My rest in you.” He wants to be united to you, in order to make you entirely one with Him… Surely, if you do not listen to this divine voice I will be a thousand times more aggrieved than if I were condemned to death. I see the moments passing, the weeks and months, and, by I do not know what temptation, you delay your eternal happiness. I beg you not to go on any longer like this, for fear that, when you desire to receive Communion, you are no longer able; and meanwhile you deprive your soul of the divine life. [5]
My desire would be to see you receive Communion often… You cannot give yourself too much to Jesus Christ, nor can you surrender too much to His intentions to possess you through this adorable Sacrament. You need to drown your weakness in His divine power and in the desire to be completely filled with Him. “As I live for My Father,” says Jesus Christ, “so all those who receive Me live for Me.”3 O blessed life, to live for Jesus Christ and from Jesus Christ, to be nourished and sustained by Him! This is why He is in the Host and will be there until the end of the world. And His desire is to be received now, so that He may continually work the effects of His love and His mercy, that He might live in us and we in Him — in short, that we be transformed in His love, being completely engulfed in the divinity and made absolutely one with Jesus Christ. It seems to me that a soul who communicates frequently receives a great deal more strength, grace, and blessing than those who refrain. [6]
[T]here is a temptation to refrain, under the pretext of seeing yourself little disposed to receive it. Go to God with trust and love, do not deprive yourself of Him out of fear. Alas! What presumption to think that we are able to prepare for Communion! It is God alone who can prepare us by His graces and His mercies. Accordingly, you have nothing and can do nothing unless God gives it to you. Present yourself to Him so that you may receive what He desires to give you, and ask Jesus to receive Himself in you and to glorify Himself there, since you are incapable of being able to do this well. Let His love supply for everything. And in this simple disposition, receive Communion often. [7]
We will never be worthy of Communion, having no such power in ourselves; but Jesus Christ, through His part in Holy Communion, has sanctified ours and has merited for us the grace to receive Communion. Do not allow this favor which Jesus Christ granted you to be fruitless. [8]
Mother Mectilde adds a new aspect by reminding us that Communion has a “cosmic” purpose that goes beyond anything we can do by or for ourselves. It is, in fact, the heaven-supplied way in which we can allow Our Lord to do for us and in us what we can never do:
In the Mass, all the mysteries of Jesus Christ Our Lord are represented to us. A soul who is a little enlightened finds there all the dispositions with which He acted and suffered during the course of His holy life. The Mass is an ineffable mystery in which the eternal Father receives infinite homage: in it He is adored, loved, and praised as much as He deserves; and that is why we are advised to receive Communion frequently, in order to render to God, through Jesus, all the duties we owe Him. This is impossible without Jesus Christ who comes into us in order to accomplish [in us] the same sacrifice as that of the Holy Mass. [9]A saint closer to our times, St. Gemma Galgani (1878–1903), was madly devoted to receiving the Lord Jesus daily, to such an extent that her confessor had to forbid her to think about the next day’s Communion, otherwise she would get no sleep! She, as a mystic of the Passion of Christ, understood far better than most of us will ever do the gap between man and God: “It [Communion] is a question of uniting two extremes: God Who is everything and the creature who is nothing; God Who is light and the creature who is darkness; God Who is holiness and the creature who is sin.” This thought afflicted her, but the thought of the love of God overcame her fears. In her own words:
Yes, I know, Jesus, it is better to receive Thee than to look at Thee, but I am afflicted because I feel that were I to prepare myself for years and years like the Angels, yet I should never be worthy to receive Thee. O Jesus, it is sweet to confess my misery before Thee. Help me, O Lord! Ah! I can still cast myself at Thy feet. I still love the Faith, and a thousand times I repeat and will continue to repeat, it is always better to receive Thee than to look at Thee. [10]
NOTES
[1] Dark Night of the Soul, Book 1, chapter VI, paragraph 4 (Image Books, 1959).
[2] See, e.g., here, here, here, and here, all of which migrated into my book Holy Bread of Eternal Life; see especially “The Blessings—and Dangers—of Holy Communion,” which quotes, inter alia, Augustine and Aquinas on our question.
[3] In IV Sent., dist. 12, pars 2, a. 2, q. 2 (Opera omnia [Paris, 1866], 5:535).
[4] From Rede der underscheidunge, chapter 20; translation adapted from that of Edmund Colledge, O.S.A., and Bernard McGinn in Meister Eckhart: The Essential Sermons (Mahwah, NJ: Paulist Press, 1981), 271, and that of Oliver Davies in Meister Eckhart: Selected Writings (New York: Penguin, 1994), 34.
[5] The Mystery of Incomprehensible Love. The Eucharistic Message of Mother Mectilde of the Blessed Sacrament (Brooklyn, NY: Angelico Press, 2020), 34.
[6] Ibid., 35.
[7] Ibid., 36.
[8] Ibid., 54. To a nun she writes: “Do your utmost to not abstain from taking Communion. You must go to God for Himself, so that He may come into you to fight for His interests Himself” (ibid., 36).
[9] Ibid., 30–31.
[10] From The Life of Gemma Galgani by Fr. Germanus of St. Stanislaus (Charlotte, NC: TAN Books, 2012); see 288–90, excerpts of which may be found here.
During this octave of Corpus Christi, and just before the feast of the Most Precious Blood on July 1st, it seems appropriate to publish the following letter, which I wrote in response to an inquiry from a person burdened with an extreme wheat allergy, whereby any exposure to wheat, even gluten-free, causes strong adverse reactions. Since this question comes up more and more often nowadays, it is well that it be dealt with in a principled and practical way. I am aware, of course, that opinions vary a lot, and I would be particularly interested in hearing from clergy in the comments. Let me clarify at the outset that I am not at all in favor, in the Latin rite, of a blanket policy of “communion under both kinds” for the laity (see here for a good explanation of the traditional viewpoint) and that I see the use of the chalice, as described in the letter, as a reasonable concession to be made only for those who cannot communicate with low-gluten hosts, which already have the Church's approval.
Posted Monday, June 20, 2022
Labels: celiac, chalice, Eucharist, Peter Kwasniewski, Reception of Holy Communion, Rubrics, usus antiquior