Wednesday, January 28, 2026

The Question of the Traditional Mass in Pope Leo XIV’s Pontificate

A guest article by the Canon of Shaftesbury, who serves as a canonist in a major archdiocese.

We find ourselves in the early days of Pope Leo XIV’s pontificate, and there are reasons for cautious optimism. Several signs suggest that the Holy Father wishes to address some of the more pressing challenges inherited from his predecessor.

Among these is the thorny question of access to the Traditional Latin Mass (what was once called the Extraordinary Form or Tridentine Mass) and the restrictions imposed by Traditiones Custodes.

I approach this question with the disposition we ought to have toward any successor of Peter: giving the benefit of the doubt, assuming good faith, and trusting in his pastoral intentions. Thus far, I do not detect in Pope Leo XIV any ill will toward those attached to the Traditional Mass. Yet good intentions alone do not guarantee wise policy, and two proposals currently being discussed as potential ‘solutions’ to the current impasse give me serious pause. Both, I would argue, fail to address the underlying problems and may even compound them.

The Ordinariate Proposal: A Gilded Cage
The first proposal involves creating some form of personal ordinariate to oversee communities attached to the Traditional Mass. This has a certain administrative logic to it: provide a dedicated structure, remove these communities from the direct oversight of potentially hostile diocesan bishops, and create a stable canonical framework for their existence.

But this apparent solution conceals a fundamental problem: it would create a liturgical ghetto. The genius of Pope Benedict XVI’s Summorum Pontificum was precisely that it refused this ghettoization. Pope Benedict recognized the Traditional Mass not as some exotic rite requiring special permissions and separate hierarchical structures, but as part of the Roman Rite itself: never abrogated, always legitimate, and available as a right to the faithful and to priests. The ordinary-extraordinary form distinction was meant to emphasize continuity, not division. It acknowledged that the Church prays in two forms of the same rite, both equally Roman, both equally Catholic.

An ordinariate structure, by contrast, would effectively declare: ‘This Mass is so problematic, so divisive, so other, that it cannot exist within normal diocesan structures.’ It would enshrine in canon law the very separation that Pope Benedict sought to overcome. Worse still, it would do nothing to address the problem of hostile bishops. In fact, it might embolden them. A bishop who has shown himself ungenerous—or outright antagonistic—toward the faithful attached to the Traditional Mass would simply have his prejudices validated: ‘See, these people and their liturgy are so different they need their own separate structure. They don’t really belong here.’

The faithful would be protected, perhaps, but at the cost of being formally marginalized. This is not a solution; it is an institutionalized retreat.

The “Reform of the Reform”: Necessary but Insufficient
The second proposal focuses on improving celebrations of the Novus Ordo; what is often called the ‘reform of the reform.’ Proponents argue that if the Ordinary Form were celebrated with greater reverence, solemnity, and attention to the sacred, many of the concerns driving people toward the Traditional Mass would dissipate.

This is not entirely wrong. Much of what ails Catholic liturgy today stems not from the Novus Ordo itself in its official form, but from the liberties, innovations, and abuses that have become routine in its celebration. A more reverent Novus Ordo: celebrated ad orientem, with Gregorian chant, in Latin where appropriate, with careful attention to rubrics, etc. This would undoubtedly be a vast improvement over what many Catholics experience on a typical Sunday.

But this approach, while laudable, does not go far enough. It treats the problem as primarily one of implementation when there are also questions of structure and theology embedded in the rite itself.

The Novus Ordo was not the product of organic liturgical development but of committee design. This is not a polemical claim but a historical fact. The post-Vatican II liturgical reform, whatever its intentions, created a rite that was substantially different from what preceded it; not through the gradual, Spirit-guided evolution that characterized liturgical development for centuries, but through deliberate committee construction in a remarkably short period of time.

Pope Benedict XVI himself was deeply aware of this problem. In his writings both as Cardinal Ratzinger and as Pope, he expressed concerns about the rupture in liturgical continuity and the dangers of treating the liturgy as something we construct rather than something we receive. His whole project in Summorum Pontificum was, in part, to restore that sense of organic continuity.

More troubling still is the way the Novus Ordo, in its typical celebration, places the priest at the center of the liturgical action. The structure of the rite, particularly when celebrated versus populum, tends to make the priest’s personality, choices, and even charisma central to the experience. The priest becomes, whether he wishes it or not, a kind of performer. The liturgy becomes, to a troubling degree, his creation.

This is not to say that priests celebrating the Novus Ordo are acting in bad faith or that Christ cannot be encountered there; of course He can and is. But the structure of the rite makes the centrality of Christ dependent on the priest’s willingness and ability to efface himself, to suppress his own personality, to resist the temptation to innovate or ‘personalize’ the liturgy.

In the Traditional Mass, by contrast, the priest’s personality is structurally suppressed. Facing the same direction as the people, following a more fixed and detailed rubrical structure, praying large portions of the Mass quietly, the priest becomes almost anonymous; a mediator rather than a protagonist. Christ is at the center not because the priest is particularly holy or particularly skilled, but because the structure of the rite itself directs all attention away from the priest and toward the altar, toward the sacrifice, toward the Lord.

It is no accident that so many churches built or renovated in the Novus Ordo era look like stadiums or auditoriums rather than sacred spaces. If the liturgy is fundamentally about what the priest does, about the community’s celebration, about active participation understood primarily as external activity, then the architectural logic follows: create a space where everyone can see the action, where the priest is visible and audible to all, where the focus is on the human gathering rather than on the divine presence.

A more reverent celebration of the Novus Ordo can mitigate some of these problems, but it cannot fully overcome them without structural changes so substantial that we would be, in effect, creating a different rite.

The Pastoral Ends
The real solution is not complicated, though it requires courage and perhaps a willingness to disappoint certain constituencies who have grown attached to the restrictions of Traditiones Custodes. The solution is to return to the dispensation of Summorum Pontificum. Pope Benedict’s motu proprio was wise precisely because it addressed all the problems that the current proposals fail to solve:

1. It dealt with hostile bishops. By establishing that priests have a right to celebrate the Traditional Mass without needing episcopal permission, and that faithful have a right to request it, Pope Benedict removed the question from the realm of episcopal whim and placed it on firmer canonical ground. A bishop could not simply forbid what the universal law of the Church permitted.

2. It refused ghettoization. By insisting on the ordinary-extraordinary form distinction, Pope Benedict kept the Traditional Mass within the normal life of dioceses and parishes. It was not an exotic import requiring special structures, but part of the Church’s living tradition.

3. It respected the freedom of the faithful. Pope Benedict understood that the faithful have a right (not merely a privilege) to access the Church’s liturgical heritage. The liturgy is not the property of bishops or popes to manipulate at will, but a sacred trust handed down through generations.

4. It created space for mutual enrichment. Pope Benedict hoped that the two forms of the Roman Rite would enrich each other: that the reverence and sacral character of the old would influence the new, while the new rite would encourage Catholics to engage actively with the liturgy, to better understand the texts, and to participate vocally in their appointed parts. These devotional habits, once cultivated, naturally enhance one’s experience of the traditional rite as well. But for this enrichment to work, it requires proximity, not separation.

Conclusion
Pope Leo XIV faces a difficult situation, and I do not envy him the task of navigating these troubled liturgical waters. But the path forward should not require novel structures or half-measures. Pope Benedict XVI, in his wisdom, already showed us the way. Summorum Pontificum was not perfect (no merely human legislation ever is) but it was fundamentally sound in its principles and generous in its pastoral vision.

What is needed now is not innovation but restoration: restoration of the freedom Pope Benedict granted, restoration of trust in the faithful, restoration of confidence that the Church is big enough to hold both forms of her Roman liturgical tradition without one threatening the other.

The Traditional Mass is not a problem to be managed or a crisis to be solved. It is a gift to be received, a treasure to be preserved, and a heritage to be passed on. The sooner we return to treating it as such, the sooner we can move past these exhausting controversies and return to the real work of the Church: the sanctification of souls and the worship of Almighty God.

Monday, December 18, 2023

Rorate Mass Photopost 2023 (Part 2)

The response to our photopost request for Rorate Masses has been overwhelming, and there will definitely be at least two more posts in this series... not to mention the fact that Gaudete Sunday was only yesterday, so hopefully, photos of rose-colored vestments will be arriving soon. There is always room and time for more, so please feel free to send in photos of any and all of your Advent liturgies to photopost@newliturgicalmovement.org; don’t forget to include the name and location of the church, and any other information you think important.

In this post, we also have Spanish blue vestments for Immaculate Conception, and pictures of a Mass in the Ordinariate Rite, all good signs of the steady recovery of our authentic Catholic liturgical traditions. The good work of evangelizing through beauty continues apace!

Nuestra Señora del Pilar – Guadalajara, Mexico (FSSP)
Tradition will always be for the young!

Friday, January 20, 2023

Candlemas in the Ordinariate Rite in Louisville, KY

On Thursday, February 2nd, at 7:00pm Our Lady & Saint John Catholic Church, the Ordinariate Parish in Louisville, Kentucky, will celebrate Candlemas at St Martin of Tours Catholic Church, with Holy Mass preceded by a procession and the blessing of candles. Music will include Gustav Holst’s setting of the Nunc Dimittis, Hail, Gladdening Light by Charles Wood, Second Eve by Ola Gjeilo, and Healey Willan’s Missa Brevis no. 4 “Corde natus.” The church is located downtown at 639 South Shelby Street.

Thursday, April 21, 2022

Ordinariate Pontifical Vespers and Benediction in NYC Tomorrow Evening

Tomorrow, Easter Friday, beginning at 7 p.m., the church of St Vincent Ferrer in New York City will have a celebration of Pontifical Evensong according to the Ordinariate Office, followed by Benediction of the Blessed Sacrament, sponsored by The Durandus Institute for Sacred Liturgy and Music. The musical program will feature the Magnificat and Nunc Dimittis in B Flat, Op. 52, by Craig Sellar Lang, Blest pair of sirens, by Sir Charles Hubert Hastings Parry, and Phos hilaron, by Bruce Neswick; the church is located at 869 Lexington Avenue.

Friday, October 22, 2021

An Ordinariate Pilgrimage in Scotland

On Saturday, October 16th, the Personal Ordinariate of Our Lady of Walsingham held a highly successful day pilgrimage to St Ninian’s, Tynet and St Gregory’s, Preshome in Morayshire, northern Scotland. The theme of the day was to look at the ways the Catholic community had survived the penal periods of the 17th and 18th centuries, and to acknowledge that many of the same strictures faced Episcopalians in Scotland at that time. Indeed, many who attended the day had been received into full communion with the Catholic Church from the Scottish Episcopal Church.

The day began at St Ninian’s with a glorious Sung Mass according to the Ordinariate Rite. This church, sometimes referred to as ‘the Bethlehem of Banffshire’, is a place where the Catholic Faith was ‘cradled’ during the harsh and difficult days following the Reformation in Scotland. It was built in 1755, at a time when Catholic worship was still not legally permitted in Scotland, the oldest surviving Catholic church in the country to have been built after the Reformation. On the outside, it looks like a row of cottages…
however when one enters there is a simple but beautiful 18th century church.
The liturgy was enriched by a small schola of talented singers from Aberdeen, brought together for the day by Dr Shelagh Noden. Matthew McVey played the organ superbly, which his grandfather actually built, and which had its first public performance at the Mass. The principal celebrant of the Mass was Fr Len Black, Group Pastor of the Scottish Mission of the Ordinariate with fellow Ordinariate priests, Fr Cameron Macdonald and Fr Stanley Bennie concelebrating. It was a great joy to be able to welcome 3 novices from Pluscarden Abbey, who with Fr Abbot’s permission, joined us for the day pilgrimage and served at the Mass.

Monday, December 28, 2020

Cardinal Zen, Motets, the Ordinariate, Converts, and Dominican Chant

What do these diverse topics have to do with one another? They’re the topics of the latest episodes of Square Notes: The Sacred Music Podcast.

Catch up on episodes here on YouTube, or on our podcast feed

Thursday, July 16, 2020

A Recent Ordinariate Mass in North Carolina

On Sunday, July 5th, St Barnabas Catholic Church in Arden, North Carolina, hosted the first Mass to be celebrated in that area according to the Ordinariate Rite in Divine Worship: The Missal. Because of the ongoing COVID restrictions, the Mass was held outdoors, but the organizers did good job in setting up a very nice temporary altar. A group of the local faithful hopes this will be the first step to the establishment of a permanent Ordinariate parish, and so priests of the Ordinariate will be traveling to the area to offer the Mass in this form over the course of the summer. To learn more or sign up for local updates, call or text Joshua Johnson at 828-748-6251 or email him at johnsotics@gmail.com; our thanks to Mr Johnson for sharing these pictures of the Mass with us.
Getting ready - tradition will always be for the young!

Thursday, July 02, 2020

First Ordinariate Mass in Western North Carolina This Sunday

This coming Sunday, July 5th, St Barnabas Catholic Church in Arden, North Carolina, will host the first Mass to be celebrated in that area according to the Ordinariate Rite in Divine Worship: The Missal, beginning at 10 am, with Confessions beforehand, and lunch and fellowship to follow. The church is located at 109 Crescent Hill Rd; due to current COVID restrictions, the Mass will be held outdoors. The liturgy will also be live-streamed on the Facebook page of St James Catholic Church in Jacksonville, Florida.

A group of the local faithful hopes this will be the first step to the establishment of a permanent Ordinariate parish. Ordinariate priests will be traveling to the area to offer Ordinariate Form Masses starting in the summer of 2020. Fr. Adrian Porras has graciously offered St Barnabas’s facilities as this new parish community seeks to get started. To learn more or sign up for local updates, call or text Joshua Johnson at 828-748-6251 or email him at johnsotics@gmail.com.

Thursday, December 12, 2019

Advent Lessons and Carols in San Diego This Sunday

This Sunday, St Augustine of Canterbury, a church of the Ordinariate in San Diego, will present Advent Lessons and Carols in the English tradition, starting at 5:00 pm, with a reception to follow; those who attend are invited to make free will offering. The church will welcome as special guests the San Diego Youth Schola, the Tyburn Choristers Schola from Holy Martyrs of England & Wales Catholic Church, and the Brothers of the Little Oratory in San Diego. The event will be held at the church were the community regularly celebrates the liturgy, the St Thérèse Chapel on the Cathedral Catholic High School Campus, located at 5555 Del Mar Heights Road in San Diego.

PLEASE NOTE! Due to an error on my part, this post originally said Saturday instead of Sunday; the latter is the correct day.


Friday, September 20, 2019

Ordinariate Mass in Philadelphia to Celebrate Newman Canonization, October 15

On Tuesday, October 15th, a solemn Mass in the Ordinariate Use will take place at the Cathedral Basilica of Ss Peter and Paul in Philadelphia, to celebrate the canonization of Bl. John Henry Newman. The vicar general of the Ordinariate of the Chair of St Peter, Father Timothy Perkins, will celebrate and preach; a polyphonic choir will sing Harold Darke’s Communion in F for the Ordinary, and a chancel schola will sing the Propers of Mass in Gregorian chant. The Mass will begin at 7pm; the cathedral is located at 1723 Race Street.


Thursday, September 12, 2019

Ordinariate Celebrations of Our Lady of Sorrows in Louisville, Kentucky

The weekend of September 15th marks the patronal feast day of Our Lady of Sorrows for the Ordinariate Community of Our Lady and St John in Louisville, Kentucky. The community will celebrate the feast with a Choral Evensong on September 14th at 6:30 pm at St Martin of Tours Catholic Church; the service will be lead by the choir of St Martin’s under the direction of Dr Emily Meixner, and will feature local organist Dr Shawn Dawson. The feast of Our Lady of Sorrows will be observed on September 15th with a Procession and Holy Mass, beginning at 3:00 pm, and featuring music by J.G. Rheinberger and Healey Willan. The church is located at 639 South Shelby Street.


Wednesday, December 12, 2018

Ordinariate Events in Bridgeport, Pennsylvania and Louisville, Kentucky

The church of St John the Baptist in Bridgeport, Pennsylvania, (in the greater Philadelphia metropolitan area), a church of the Personal Ordinariate of the Chair of St Peter, will have choral Evensong and Benediction this Friday evening, starting at 7:30 p.m. The church is located at 502 Ford St.


On Saturday, December 15th, at 6:30 p.m. Saint Martin of Tours Catholic Church in Louisville Kentucky, and the Ordinariate Community of Our Lady of Saint John, will co-host a Christmas Lessons & Carols service, featuring the Choir of Saint Martin’s singing works by Palestrina, Rheinberger, Victoria, Bruckner, and Poulenc, as well as many favorite Christmas carols. This event is free and open to all ages. A light reception will follow in the parish hall; the church is located at 639 South Shelby St.

Friday, September 21, 2018

Ordinariate Rite Masses for Our Lady of Walsingham, September 24

Tampa, Florida
On Monday, September 24th, Fr Edwin Palka of Epiphany of Our Lord Catholic Church in St Petersburg, Florida, will offer Mass according to Divine Worship: The Missal for the feast of Our Lady of Walsingham, in pastoral response to some canonical members of the Ordinariate of the Chair of St Peter. This will be the first Mass of its kind in the Diocese of St Petersburg. While Epiphany of Our Lord was designated as the center for the Traditional Latin Mass by Bishop Emeritus Robert N. Lynch in 2015, the celebration of the Mass according to the rite used in the Ordinariate is in absolute continuity with the mission statement of the parish, which is (in part) “to encourage all men to be fully, faithfully, joyfully and unapologetically Catholic in all aspects of life; and to bring about, through the mercy of God and the intercession of the Blessed Mother and all the Saints, the conversion of sinners and the salvation of souls.” It is our hope that this Mass will contribute to the sanctification of our parish and diocese, and whose grace will lead the Church Universal to greater unity. The church is located at 2510 East Hanna Avenue; the Mass will begin at 7 pm.
Philadelphia, Pennsylvania
On the same day, September 24, the Cathedral Basilica of Ss Peter and Paul in Philadelphia will host a solemn Mass offered according to Divine Worship: The Missal for the feast of Our Lady of Walsingham. Fr David Ousley, pastor of St. John the Baptist Church in Bridgeport, the Ordinariate parish in the Philadelphia area, will celebrate the Mass, with the assistance of Fr Eric Bergman as deacon and homilist, and Fr Albert Scharbach as subdeacon. The faithful will be able to hear sacred music from the Anglican tradition, including Oldroyd’s Mass of the Quiet Hour, motets by Elgar and Stainer, Anglican chant, and a chancel choir rendering English adaptations of the Gregorian Proper antiphons. Clergy and seminarians are most welcome to attend in-choir. The Mass will begin at 7pm, and be followed by a reception; the basilica is located at 1723 Race Street.

Ottawa, Ontario
St Therea’s Catholic Church in Ottawa, Ontario, will keep the same celebration in the Ordinariate Rite, also starting at 7 pm. The church is located at 95 Somerset Street West.

Friday, September 29, 2017

Bishop Morlino on Beauty in the Liturgy

On September 6th, His Excellency Robert Morlino, Bishop of Madison, Wisconsin, while visiting his hometown of Scranton, Pennsylvania, celebrated a votive Mass of Saint Joseph according to the Divine Worship Missal (“Anglican Use”) at the local Ordinariate parish, Saint Thomas More. Afterwards, he delivered a talk “Liturgy as an Aid in Evangelization”, focusing on the beauty of the liturgy as a necessary tool for evangelization in our modern world. A recording of the talk has just been posted via the parish website.

http://www.stmscranton.org/AdultEdAudio/09-06-17.mp3

In his address, Bishop Morlino enlarged on his vision of the liturgically beautiful: beauty does not lie in the eye of the beholder; it is not a matter of majority opinion; that which is beautiful must also be true. Our readers know that His Excellency has been strenuous in promoting sound liturgical practice in the diocese of Madison, following Cardinal Sarah’s call for greater use of ad orientem, and often celebrating Pontifical Mass in the Extraordinary Form.


Parishioner Robert Kurland writes about the celebration of the Mass according to the Ordinariate Use:

It was particularly appropriate for Bishop Morlino to talk on beauty in the liturgy at an anniversary celebration of St Thomas More Parish, a parish the Personal Ordinariate of the Chair of St. Peter. The Anglican Usage liturgy is part of the Roman Rite, but has important differences in language, being based in part on the Book of Common Prayer, written by masters of the English language from Elizabethan times and later. I quote from the Ordinariate website: “The mission of the Ordinariate is particularly experienced in the reverence and beauty of our liturgy, which features Anglican traditions of worship while conforming to Catholic doctrinal, sacramental and liturgical standards. Through Divine Worship: The Missal — the liturgy that unites the Ordinariates throughout the English-speaking world — we share our distinctive commitment to praising God in the eloquence of the Anglican liturgical patrimony and Prayer Book English.”

The language, including all the thee’s and thou’s, is beautiful and a reminder of our heritage. (Unlike the prescriptions of some present day liturgists, there is no attempt to debase the English language by subscribing to politically correct gender neutrality and inclusiveness.) There is also frequent and appropriate use of Latin, again as a reminder of the Church’s heritage from Rome. The music is without guitars and drums, using hymns from the English Hymnal compiled by Ralph Vaughan Williams. Communion is given on the tongue, kneeling at the altar rail, with the Host distributed by the priest with intinction in the Precious Blood.

After this Mass, I feel that Bishop Morlino’s goal has been achieved: “[The Mass] must be nothing less than beautiful, reflecting the perfect beauty, unity, truth, and goodness of the object of our worship and adoration Themselves, the Father, the Son, and the Holy Spirit.” —Bishop Robert Morlino, Madison Catholic Herald, Oct. 20, 2011.  

Thursday, September 28, 2017

The Feast of Bl John Henry Newman in London, Oct. 8

The church of Our Lady of the Assumption and St Gregory, located on Warwick St in London, England, will celebrate the feast of Bl. John Henry Newman, Co-Patron of the English Ordinariate, with Solemn Evensong according to the Ordinariate Use, a sermon, and Benediction, on October 8th, starting at 3:30 pm. The St Paul’s Service by Herbert Howell and Blessed City by Edward Bairstow will be sung; Fr Julian Large, Provost of the London Oratory, will be the preacher.


Friday, January 20, 2017

Ordinariate Evensong in the Philadelphia Area

On Friday, February 3rd, at 8 p.m., the church of St John the Baptist in Bridgeport, Pennsylvania, a parish of the Personal Ordinariate of the Chair of St Peter, will begin a series of celebrations of choral Evensong and Benediction of the Blessed Sacrament, featuring the music of composers such as Thomas Tallis, Orlando Gibbons, Jacques Arcedelt and Tomás Luis de Victoria.


Tuesday, December 06, 2016

Please! A Simple Version of the Anglican Ordinariate Office for Lay People

Here is a both a request and proposal for the Anglican Ordinariate, if I may be so bold.

Can you produce a version that can be reduced to a short booklet containing the Psalter and the unchanging prayers? If, in addition to that, we can find a way for the changing parts to be supplied by smart phone, then I think that you will have something that will really catch on. It will be simple to use and cheap.

If the Ordinariate would produce something like this, then I for one would use it and promote it tirelessly. I know of several others who would be just as enthusiastic to see such a thing. Furthermore, I am ready to create online courses at Pontifex University that teach the singing of the Office in the home, and this would be my preferred option to recommend to families and lay people.

The Customary of Our Lady of Walsingham is wonderful, but complicated to use, and I’m never quite sure if I am getting right those parts proper to the day - and I am reasonable adept at breviary navigation. I have spoken to a number of lay people who bought it and gave up. It would works well for religious and those especially devoted to the Office, who are likely to take the time to figure out what to say.

I am a great fan of the Divine Office as given to us by the Ordinariate, because I think that it gives lay people a greater possibility to take up the praying of the Office. It offers the chance of praying the full Psalter (i.e. no missing cursing psalms) in English, in a translation that is both poetic and accessible. I have written about this in previous articles, such as this one here: The Anglican Ordinariate Divine Office - A Wonderful Gift for Lay People and a Source of Hope for the Transformation of Western Culture. (And incidentally, if you think I was resorting to hyperbole in the title of that article, I wasn’t. I really to do believe that it has this potential.)

Looking at the general guide for Morning and Evening Prayer for the Personal Ordinariates, which constitutes a recitation of the full Office, and drawing on its application in the Customary, I think that I can get the psalms for the day and all that is specified in the table below, which comes from the St Dunstan’s Psalter. I would prefer to be using something similar that came with an endorsement from the Ordinariate.

What is missing in the St Dunstan’s Psalter are the readings and collect for the day. I can get most of this from Universalis.com via my smart phone. The morning readings are the same as those that are in the Office of Readings. What I don’t have is a readily accessible source for the Old and New Testament Lessons for Evening Prayer according to an established lectionary - can anyone tell me a website or other source where I might get this easily?

Although the hymn is not mandatory, if I want to use a traditional Office hymn for the day I always go to the Illuminare Publications hymnal.


The other request relates to the way that the psalms are set out. My goal is to sing everything, so please point the psalms in such a way that the natural emphasis of speech is pointed. Then people will compose psalm tones, ideally based upon the traditional Gregorian tones, that will conform to this method. If this becomes standard, then there will be the following advantages:

Every psalm tone can be applied to any psalm. That means that for people who are just learning, all they need to know is one psalm tone and they can sing the whole Psalter. If they gradually learn two, three or more psalm tones, then they can use those too, and it will quickly become interesting enough for them to be likely to keep doing it. In this system, people can learn many tones and still use this Psalter - i.e, it allows for those with the knowledge of just one tone or those who wish to use 120 tones to have the same Psalter. Also, if this pointing method becomes standard, then many people will start to compose, and as new and better tones are developed, they can easily be adopted. This allows for the possibility of chant for the vernacular as a living tradition which steadily improves and develops. and really starts to connect with people.

When I sing tones to the St Dunstan’s Psalter, I ignore the pointing and the tones they give, and I have pointed the text myself according to this method, and then I sing tones developed as above. This allows me to teach people to sing it very quickly, and I have a regular men’s group consisting mostly of people who have never sung the Office before, who are now enthusiastically singing it each Wednesday evening!

This would be in contrast to nearly every other Psalter that I have seen, (e.g. the Mundelein Psalter) in which even if there is some accommodation for singing, the psalms are pointed to fit a particular melody. The disadvantage of this is that unless you know every tone already, or are musically literate enough to be able to sight read chant, you cannot sing the whole Psalter. Beginners tend not to persevere. At the other end of the spectrum, those who are experienced with chant find it too dull. There are only eight or so tones, and this becomes boring very quickly. Furthermore, there is no scope for development of new tones that can be used with this Psalter, as every psalm is pointed to fit a particular melody. The result is that you use their tones or nothing, and if you don’t like them, you’re stuck with them.

FYI: The first week of the Pontifex University free Advent meditation has a class on singing the Office complete with a description of how to point the psalms and apply our psalm tones.

Tuesday, November 22, 2016

The Dies Irae in English

One of the gifts which the Church has received through the promulgation of the Ordinariate Liturgy is a model for vernacular liturgy that preserves some of the great treasures of the Catholic liturgical tradition, treasures which in one way or another were lost to the liturgical reform. Here we see a Mass for All Souls’ Day celebrated at Incarnation Catholic Church in Orlando, Florida, celebrated ad orientem and in black vestments; particularly noteworthy is the singing of the famous sequence of the Requiem Mass, the Dies irae, in an English translation which perfectly preserves the music of the Latin original (starting at 9:57).


Anglo-Catholic churches produced quite a lot of music which the English-speaking Catholic world would have done well to adopt when vernacular liturgy came in the 1960s. (A friend of mine who grew up in a very famous Anglo-Catholic parish knew how to sing the Introit of Corpus Christi, also in an English setting that followed the original Gregorian chant exactly.)

In the Liturgy of the Hours, the Dies irae is given as an optional hymn (split into three parts) for the Office of Readings, Lauds and Vespers on the ferias between Christ the King and First Advent. In his book Te decet laus, Dom Anselmo Lentini, O.S.B., who led the committee that revised the Office hymns, leaves little doubt as to what he really thought of the removal of the Sequence from the Requiem Mass, referring to it as something which the faithful knew very well and sung with enthusiasm. The committee decided to give it a place in the Office, lest it be lost altogether from the liturgy, since the revisers of the Mass had decided that death was henceforth to be treated as a rather cheerier affair.

Thursday, March 03, 2016

Ordinariate Use Chrism Mass in Washington, D.C., March 17

On March 17 at 7 pm, Bishop Steven J. Lopes, the recently ordained first bishop of the Personal Ordinariate of the Chair of St. Peter, will come to Washington, D.C. to celebrate a Chrism Mass, at St. Luke’s at Immaculate Conception Church, an Ordinariate parish in downtown Washington. This will be the very first Chrism Mass for the Ordinariate.

The Most Reverend Carlo Maria Viganò, Apostolic Nuncio to the United States, will be in attendance. As the Holy Father’s personal representative to the U.S., Archbishop Viganò’s presence at the Ordinariate’s Chrism Mass is a powerful sign of the Holy See’s support and encouragement for the Personal Ordinariate of the Chair of St. Peter.

Since only a bishop can bless the holy oils, Ordinariate priests have until now obtained the oils used for anointing from the geographical dioceses in which they reside. During the Mass, the priests of the Ordinariate will renew their priestly promises, as well.

The Chrism Mass at St. Luke’s at Immaculate Conception will be additionally interesting because it will be the first such Mass in the Catholic Church celebrated with Divine Worship: The Missal, the newly propagated Missal which blends language from the Anglican tradition with a fully Catholic Mass.

If you are in the D.C. area March 17th, you owe it to yourself to be present for this unique and beautiful ceremony. There will be a wine and cheese reception immediately after the Mass. Mark your calendar!

For more information about the Personal Ordinariate of the Chair of Saint Peter, visit ordinariate.net.
(reproduced from the website of St Luke’s at Immaculate Conception parish.)

Wednesday, February 10, 2016

New Altar Cards for the Ordinariate Liturgy


Following the promulgation of Divine Worship: The Missal on the First Sunday of Advent 2015, the communities of the personal ordinariates in the United States and Canada, England and Wales, and Australia, have been adjusting to the texts and ceremonies of the new missal, which draws from the tradition of the Book of Common Prayer, and the Anglican missals of the early to mid twentieth century. As the liturgical life of the ordinariates begins now to develop and to flourish, communities and their clergy will no doubt wish to commission works of art to accompany their worship. Examples of this have already been seen with a chalice and paten, commissioned by Saint Gregory the Great in Beverly Farms, MA [http://www.newliturgicalmovement.org/2013/09/photos-of-completed-chalice-and-paten.html].


Another example of this is a newly designed handmade set of altar cards, by DC-based artist Katherine Quan [http://www.designqstudio.com/bradley-central-card]. The cards seek to reflect the medieval illuminated manuscript tradition of the 13th and 14th centuries, while also acknowledging the artistic heritage and ongoing life of the personal ordinariates. Painted with egg tempera and natural pigments, gold gouache was added for the leaves that decorate the cards, and 23k gold was used for the halos, outer frames, letters, and central crucifix. To create this effect the artist boiled down a bottle of stout for six hours, until it condensed into a molasses-like consistency, and then painted it onto the cards. The next day she breathed onto the beer-based glue, warming it up in order to allow the direct application of the gold leaf.


Each element of cards has symbolic meaning. The focal point of the central card is obviously the crucifix, based on the 13th century Weingarten Missal. The crucified Christ, whose halo is reminiscent of the work of Martin Travers (whose own work adorns the pages of Divine Worship: The Missal), is the source of all things, and it is from his sacrifice that the life of the Church flows. Thus from his wounded side comes the first of twenty-four branches, which each represent one of the Ritual Churches in communion with the See of Peter.

These, in turn, are made of three trees: the olive (Ps. 52:8), the sycamore fig (Song of Songs 2:13; John 1:48), and the holly (the symbol of the crown of the thorns). The olive leaf has single point representing the unity of the Godhead, the sycamore fig has three points representing the Most Holy Trinity, and the holly has seven points representing not only the passion of Christ but also, drawing on the heraldic tradition, truth, the guiding principle of the journey of former Anglicans into the Catholic Church.


Each of these branches is also decorated with flora, many drawn from Sacred Scripture. These are, the Crown Flower (Rev. 12:1); lily (Song of Songs 2:1, Hos. 14:5, Matt. 6:28); mustard blossom (Matt. 13:32); violet (the humility of Our Lady); myrtle blossom (Isa. 41:19, 55:13); pomegranate (Deut. 8:8; Song of Songs 4:3; Hag. 2:19); grapes (John 2:11; 15:1); wheat (John 12:24); fig (Deut. 8:8; Luke 21:29); cedar of Lebanon (Ps. 92:12; Hos. 14:5-6, Song of Songs 15:5).

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