The Feast of St Mary Magdalene 2026

To Him that in the excess of His compassion did willingly live in my poverty, even Christ our God, o Mary Magdalene, thou didst faithfully minister as a disciple, and having beheld Him stretched out upon the Tree, and enclosed within the tomb, thou didst cry out while shedding many tears, “What strange sight is this? How is He that giveth life to the dead reckoned among the dead? What perfumes shall I bring to Him who removed from me the foul smell of the demons? What tears shall I shed for Him who wiped away the tears of my foremother?” (i.e. of Eve.) But the Lord of all appeared like the guardian of Paradise, and with the dew of His words took away the burning heat, saying to her, “Go to My brethren, and cry out to them the good tidings of joy! I shall ascend to my Father and yours, and my God and yours, that I may bestow upon the world great mercy!” (A hymn for Vespers of St Mary Magdalene in the Byzantine Rite.)

A 16th-century Cretan icon of the meeting of the Risen Christ and Mary Magdalene at the tomb. (Public domain image from Wikmedia Commons.)

Τῷ ἑκουσίως πτωχεύσαντι τὴν πτωχείαν τὴν ἐμὴν ὑπερβολῇ εὐσπλαγχνίας, Χριστῷ τῷ Θεῷ, ἡ Μαγδαληνὴ Μαρία, ὡς μαθήτρια πιστῶς διακονήσασα, ἐπὶ ξύλου ταθέντα, καὶ τάφῳ συγκλεισθέντα κατιδοῦσα, ἐβόα δακρυρροοῦσα· Τί τὸ ξένον θέαμα; ὁ νεκροὺς ζωοποιῶν, πῶς νεκρὸς λογίζεται; Ποῖα μύρα κομίσω τῷ ἀπαλλάξαντί με δυσωδίας τῶν δαιμόνων; Ποῖα δάκρυα χέω, τῷ δακρύων τὴν ἐμὴν μεταμφιάσαντι προμήτορα; Ἀλλ’ ὁ τοῦ σύμπαντος Ἄναξ, ὡς Παραδείσου φύλαξ φανείς, δροσισμῷ τῶν αὐτοῦ ῥημάτων τὸν καύσωνα ἀφανίζει, λέξας πρὸς αὐτήν· Τοῖς ἀδελφοῖς μου πορευθεῖσα, εὐαγγέλια χαρᾶς ἀναβόησον· Ἀναβαίνω πρὸς τὸν Πατέρα μου καὶ Πατέρα ὑμῶν, καὶ Θεόν μου καὶ Θεὸν ὑμῶν, ὅπως παράσχω τῷ κόσμῳ τὸ μέγα ἔλεος.

This hymn, attributed to an 8th-century hymnographer named Byzas of whom apparently very little is known, meditates on salvation in Christ by a beautifully constructed series of contrasts, broadly arranged in a “chiasmus”, a rhetorical structure in which the elements of the first part are repeated in reverse order in the second part. Christ takes on our “poverty”, (not our material poverty, but the poverty of our human existence, as opposed to His divine life), in order to “bestow” the largess of His great mercy on humanity. Mary Magdalene ministers to Christ “as a disciple”, and is therefore sent to proclaim the Resurrection to His brethren, for which she is traditionally called “Apostle of the Apostles.” The word “Tree” is used instead of “Cross” to remind us that the garden of Eden, lost by the transgression of our first parents, is restored to us in the garden (note the tree and the greenery in the icon) where the Lord’s tomb is situated, and where the tears of both Mary Magdalene and of her and our foremother Eve are wiped away. An angel was set to block the entrance to Eden with a fiery sword; its heat is now quenched by the dew of Christ’s words. At the center of the hymn, “He that giveth life to the dead is reckoned among the dead”, and the “perfumes” which Mary brings to Him are contrasted with the foul smell that He drove away from her when He “expelled from her seven demons,” as stated in the Byzantine Gospel for her feast day, St Luke, 8, 1-3.

An Icon of the Prophet Elijah

In the liturgical Calendar of the Byzantine Rite, and in the two Carmelite Orders, July 20th is the feast of the Prophet Elijah. The Eastern tradition keeps almost all of the Prophets as Saints, and honors them as such in the liturgy. Veneration of Saints of the Old Testament is hardly known to the West, however, and where it is observed in the Latin rites, it arose under Eastern influence. The Carmelites, who came into existence as an Order in the Holy Land, honor Elijah as their founder, and keep his day as one of their patronal feasts, along with that of his disciple Elisha, on June 14th.

Here is a very beautiful icon of Elijah in the desert, with six episodes of his life in the bands above and below the central panel. This was painted in Bulgaria in the first quarter of the 18th century by an unknown artist; the western influence on the style is quite obvious.

In the central band, Elijah looks toward the crow that brings him food after he, in obedience to the Lord, has gone out to live in the desert. (3 Kings 17, 6) On the banderole in his hand are written in Greek the words of 3 Kings 19, 10, “Great hath been my zeal for the Lord almighty; for the sons of Israel have abandoned Thy covenant, they have dug down Thy altars.” The first part of this is often used as a motto among the Carmelites.

In the upper band, Elijah speaks with the widow of Sarephta (3 Kings 17, 8-15), raises the son of another woman from the dead (17-24), and contends with the prophets of Baal. (18, 19-40)

In the lower band, he is comforted by the angel in the desert as he rests under the juniper tree (3 Kings 19, 1-8), parts the Jordan with his cloak, and is taken up to heaven in a fiery chariot. (4 Kings 2, 1-12) All of these episodes except the fourth one are read at Vespers of the prophet’s feast in the Byzantine Rite.

The Troparion of the Prophet Elijah The angel in the flesh, and foundation of the prophets, the second forerunner of the coming of Christ, the glorious Elijah sent down from on high grace upon Elisha to dispel infirmities and to cleanse lepers; wherefore, he poureth forth healings upon those who honor him.

The Kontakion O prophet, foreseer of the mighty works of our God, Elijah of great renown, who by thy voice didst restrain the raining clouds, entreat for us Him who alone is the Lover of mankind.

St Macrina the Younger, and the Phos Hilaron

In the Byzantine Rite, today is the feast of St Macrina (327 ca. – 379), the older sister of Ss Basil the Great and Gregory of Nyssa. She is traditionally given the epithet “the Younger” to distinguish her from their sainted paternal grandmother, who was a disciple of St Gregory the Wonderworker. Their parents, Basil the Elder and Emmelia, their brother Peter, bishop of Sebaste, and another brother named Naucratius are all also Saints, and all but the last of them are named in the Roman Martyrology. (right: an 11th-century fresco of St Macrina in the cathedral of Holy Wisdom in Kyiv, Ukraine; public domain image from Wikimedia Commons.)

Her brother Gregory wrote two works about her, one, a general account of her life, and the other, a work titled “A Dialogue on the Soul and the Resurrection.” The latter is modeled on Plato’s Phaedo, the account of Socrates’ conversation on the nature of the soul with a student of that name, which takes place as he is in prison and awaiting execution. St Gregory’s work is cast as a conversation which he had with Macrina as she lay on her deathbed, and it says a great deal about what a change Christianity had brought to the world that the protagonist of a philosophical work of this kind could be a woman. (The same change is also evidenced by the participation of St Augustine’s mother St Monica, who was rather less educated than Macrina, in his Cassiciacum Dialogues.)

When she was young, her father had arranged a marriage for Macrina, but her fiancé died before the wedding could take place, and she decided that she preferred to not marry, and dedicate her life entirely to Christ. (That a woman could make such a choice at all is also a very significant change from the pagan world.) Not long after, the elder Basil died, and she devoted her life to caring for her mother, and assisting her in raising the younger children. Together with several other women, they withdrew to a country estate owned by their family, and lived as a religious community. Naucratius had renounced a promising career as a rhetorician in order to live nearby in solitude and poverty, and take care of the local poor, but in 357, he and a servant were both killed in a hunting accident. This profoundly upset their mother Emmelia, and St Gregory shows us Macrina as her mother’s chief support in her grief.

“…then above all, the sublime and exalted soul of the young girl made itself manifest, because her nature also experienced its own suffering; for it was… her most beloved brother, who had been snatched away by death … Nevertheless, she rose above nature, and by means of her own reasoned reflections she lifted her mother up together with her and placed her beyond suffering, guiding her to patience and courage by her own example.”

St Gregory’s description of Macrina’s death, six-and-a-half months after St Basil’s, is particularly beautiful, and contains a famous reference to the hymn Phos Hilaron. (Basil himself mentions the use of this hymn as already a long-standing custom in their time.)

“Most of the day had already passed and the sun was starting to set. … the more (Macrina) neared her departure, the more she contemplated the beauty of the bridegroom and longed to rush impulsively to her beloved. She no longer spoke to us who were present, but to that One alone upon whom she held her eyes intently. … Meanwhile, evening had come on and a light had been brought in. At once Macrina opened her eyes wide, directed their attention to the gleam of light, and made it clear that she also wished to say the evening prayer of thanksgiving; but as her voice failed her, she realized her desire in her heart… When she had completed the prayer of thanksgiving and, by bringing her hand to her face for the sign of the cross, had indicated that she had finished her prayer, she took a strong, deep breath, and with that she died.”

The Phos Hilaron is still sung every day at Vespers in the Byzantine Rite. In this first video, it is sung in Greek at the Iveron Monastery on Mt Athos.

“Φῶς ἱλαρὸν ἁγίας δόξης ἀθανάτου Πατρός, οὐρανίου, ἁγίου, μάκαρος, Ἰησοῦ Χριστέ, ἐλθόντες ἐπὶ τὴν ἡλίου δύσιν, ἰδόντες φῶς ἑσπερινόν, ὑμνοῦμεν Πατέρα, Υἱόν, καὶ ἅγιον Πνεῦμα, Θεόν. Ἄξιόν σε ἐν πᾶσι καιροῖς ὑμνεῖσθαι φωναῖς αἰσίαις, Υἱὲ Θεοῦ, ζωὴν ὁ διδούς· διὸ ὁ κόσμος σὲ δοξάζει. – O gladsome Light of the holy glory of the immortal Father, the Heavenly, the Holy, the Blessed, o Jesus Christ, having come to the setting of the sun, having seen the evening light, we praise the Father, the Son, and the Holy Spirit, God. Worthy it is at all times to praise Thee with fitting voices, o Son of God, Giver of Life, for which the world glorifies Thee.”

A polyphonic setting in Church Slavonic by the composer Artemy Vedel (1767-1808).

Свѣте тихїй свѧтыѧ славы, безсмертнагω Отца небеснагω, свѧтагω блаженнагω, Іисусе христе: пришедше на западъ солнца, видѣвше свѣтъ вечернїй, поемъ Отца, Сына, и Свѧтагω Духа, Бога. достоинъ єси во всѧ времена пѣтъ бити гласы преподобными, Сыне Божїй, животъ даѧй: тѣмже міръ тѧ славитъ.

“Deification and the Sacraments: Perspectives East and West” - Conference in London, June 25-26

There are still some places left for anyone interested in attending the conference which will take place on June 25-26 in London, on “Deification and Sacraments: Perspectives East and West.” My good friend Fr Andrew Marlborough, who is an occasional contributor to the NLM writing about sacred art, is one of the organizers of what promises to be a great event, with a spectacular lineup of great speakers. (Two that caught my eye are Dr Matthew Levering and Fr Uwe Michael Lang.)

To register, go to the St Mary’s University Online Store here, or scan the QR code below.

Liturgical Synaxes in the Byzantine Calendar

Once again, we are happy to share an article by our friend Fr Philip Gilbert, this time on the special commemorations called “synaxes” in the Byzantine tradition. Father Philip is a priest of the Ukrainian Greco-Catholic Church; we have previously published his articles on the feasts of the Holy Cross, the week preceding Great Lent, Vespers of Forgiveness Sunday, etc. We also published photographs and a video of his priestly ordination in 2024.

In the liturgical calendar of the Byzantine Rite, there are several days designated as “Synaxes.” The word “synaxis” means a gathering together, and is also used as the name of the volumes containing a collection of the lives of the Saints (similar to the western Martyrology), i.e., The Synaxarion. But as a title for saints’ and feast days, one may encounter two uses of it.

The first use of “synaxis” is most often seen in iconography, meaning a common celebration or depiction of many or all the saints of a certain place or class. For example, one may see an icon of “The Synaxis of all the Holy Unmercenary Healers”, showing together in a group all the saints of various places and centuries who rendered aid and gave treatment without asking for payment. Or one may see depictions of all the saints who come from the same place, for example, “The Synaxis of all the Venerable Fathers of the Kyiv Caves Lavra who Repose in the Far Caves” (August 28th) or “All Saints of Mount Athos.” Local synods may add such feasts of saints from their region to their own liturgical calendars, and most would not be celebrated universally. One such synaxis that is celebrated universally is the feast of the holy Archangels Michael, Gabriel, Raphael and all the bodiless hosts of Heaven on November 8th.

A 17th-century icon of the Three Holy Herarchs. (image from wikipedia)

Another notable celebration, though not designated as a synaxis in the calendar, is the feast of the Three Holy Hierarchs, Saints Basil the Great, Gregory the Theologian (Nazianzen) and John Chrysostom on January 30th. This feast was instituted because each of these great fathers has his own feast in January, and disagreements and divisions arose over which of them was the greatest. Thus, a common feast of the three was instituted so that they would be celebrated together in harmony.

The second use of this term, and the sense that is the focus of this article, denotes a sort of minor feast as part of the celebrations of a preceding greater feast. The synaxis of a great feast highlights a figure or group who have a role in the event being celebrated, but are, so to speak, overshadowed by the main figure; its placement on the calendar is thus determined by the primary feast, rather than by chronology or historical considerations. This sort of synaxis is usually celebrated either on the second day of the greater feast or on the following Sunday.

The most notable examples of day-after synaxes are those of the Holy Spirit on the Monday after Pentecost Sunday; of the Theotokos on December 26th, following the Nativity of Christ, and of the Prophet and Forerunner John the Baptist on January 7th, following the feast of the Lord’s Baptism on January 6th. Others of this category include: the Synaxis of the Holy and Righteous Ancestors of God Joachim and Anna on September 9th, after the Nativity of the Theotokos on the 8th; of the Holy and Righteous God-receiver Symeon and the Prophetess Anna on February 3rd, after the feast of the Meeting of the Lord (also known as the Encounter, or in the west, Candlemas) on February 2nd; of the Holy Glorious and All-Praiseworthy 12 Apostles on June 30th, after the feast of the apostles Peter and Paul on June 29th, which ranks among the highest of feasts; and of the Archangel Gabriel on March 26th, following the Annunciation. Interestingly, there is another feast called the “Synaxis of the Archangel Gabriel” on July 13th; the reason for its institution is not clear, but perhaps due to the dedication of a church in his honor in Constantinople.

A Ukrainian icon of the Protection of the Mother of God, ca. 1740, artist unknown. 

On October 1st there falls the feast of the Holy Protection of the Theotokos, which is ironically neglected among the Greeks, but greatly beloved among Slavs, who celebrate it in a fashion similar to the twelve great feasts. October 1st is also the feast of St. Romanos the Melodist to whom is attributed some of the hymnography of the feast, such as the kontakion “Triumphant leader”. This is the day of his death, meaning that despite his connection with the feast of the Protection, his commemoration on that day, is a historical one, and not a synaxis. However, on October 2nd there is the feast of Andrew the Fool-for-Christ, to whom was given the vision of the Protection as the people of Constantinople gathered in the church at Blachernae pleading for deliverance from the enemy siege taking place outside the city walls. Due to his connection to the events of the Holy Protection, it would be reasonable to classify this feast of St. Andrew as a synactic commemoration.

A second type of synactic feast is celebrated on the Sunday after a great feast. There are three great feasts that have Sundays before and after celebrated as preparation for or in continuation of the greater feast. The Exaltation of the Holy Cross and the Theophany (Baptism) of our Lord have these designated Sundays; they are observed with special epistle and gospel readings at the Divine Liturgy, and other hymnography, but with no festal observation of saints. However, on the Sunday following the Nativity of our Lord Jesus Christ, (which, as already mentioned, has a synaxis on the following day) there is a commemoration of some of the members of Jesus’ family: the holy prophet and psalmist King David, Christ’s ancestor in the flesh; Christ’s foster-father Joseph the Betrothed; and James the Brother of God, who according to the Eastern tradition was Joseph’s son from a previous marriage. Similarly, the two Sundays preceding the Nativity of our Lord commemorate the righteous prophets, ancestors and forefathers of Christ.

There are several commemorations in the movable period of the Lenten Triodion that function in the same way. On the Saturdays and Sundays of Lent there are a number of commemorations of figures important for monks; some of these are transferred to the weekend due to the somber nature of the penitential weekdays. Without taking these into account, there are several synactic feasts as well.

The first of these, on the last Saturday before the Great Fast (Lent), is the Synaxis of All Our Holy Ascetical Fathers and Mothers, given to us as an inspiration for the coming labors of the fast.

The first Sunday of the fast is a historical commemoration of the restoration of the icons to the churches after the iconoclast period, known as the Sunday of Orthodoxy. This commemoration became a celebration of the Church’s triumph over all heresies, not just iconoclasm. For this reason, in most churches that use the Byzantine Rite, the second Sunday of the fast is a synactic feast of the 14th century Athonite monk and bishop St. Gregory Palamas. This commemoration was instituted by the Greeks after the triumph of the hesychasts (of which St. Gregory was a leading defender) over their heretical opponents.

A Greek icon of the late 14th or early 15th century, representing the restoration of the icons, with the Empress St Theodora, her young son Michael III, and the Father of the Second Council of Nicea. From the icon collection of the British Museum.

The fourth and fifth Sundays of the fast are the feasts of Saints John Climacus (“of the Ladder”) and Mary of Egypt, both greatly beloved by monastics. In monasteries, St. John’s work The Ladder of Divine Ascent is read at 6th Hour throughout the entire fast, while the life of St. Mary is read at matins on Thursday of the 5th week, together with the Great Canon of St. Andrew of Crete. These two saints are placed before us in these latter weeks of the Fast, when our energy and enthusiasm wane, as examples of great monastic asceticism and conversion.

In the Paschal season, the Sunday after Easter is commonly known as Thomas Sunday, since we read on this day the gospel account of St. Thomas’ encounter with the risen Christ in the upper room. This is certainly a continuation of the feast of Pascha, but not a synactic feast in the same sense, since it simply follows the order of events as recounted in the Gospel.

A fresco of the Myrrh-Bearing Women in the Dionysiou Monastery on Mt Athos.

However, the third Sunday of Pascha is a synactic commemoration of the Holy Myrrh-bearing Women, Mary Magdalene, Joanna, Susanna, Salome, and the others, as well as Joseph of Arimathea and Nicodemus, those who attended to Christ’s burial by asking Pilate for His body, bringing costly myrrh and spices, and placing Him in the tomb. The noble actions of Joseph and Nicodemus for which they are commemorated took place before the resurrection, meaning that their feast is placed on this third Sunday out of chronological order. As for the myrrh-bearing women, they do of course have a connection to the feast of Pascha itself, since they came to the Lord’s tomb on the third day and found it empty, thus being the first to witness and proclaim the Resurrection. The icon of the myrrh-bearers usually depicts them conversing with the angel in front of the empty tomb. Here it is worth noting that their coming to the empty tomb is not a new act, but a continuation of their faithfully attending to and following Christ through His ministry, passion, and death, and so not exclusively related to the Resurrection. They were, after all, coming to His tomb to finish the appropriate burial rites. A second point to note here is that were this a historical and not synactic commemoration, the myrrh-bearers would be commemorated on the day of Pascha itself, or if transferred for the sake of Bright Week (the octave of Pascha), on the following Sunday.

A modern icon of All Saints of Ukraine

The Sunday after Pentecost is the feast of All Saints, a placement which makes the most sense when seen in the framework of these great feasts and their synaxes. It is through the preaching of the apostles, sent forth with the gifts and guidance of the Holy Spirit, that we, the Gentiles, come to share in the life of God and achieve sanctity. Thus, All Saints is a feast of those who have also received the grace of the Spirit through the Church from the original descent of the Holy Spirit in Jerusalem all those many years ago. This point is further driven home by the second Sunday after Pentecost, which is a commonly kept as a feast of all saints of a particular place, i.e., the feast of All Saints of Greece, of Ukraine, of Mount Athos, of North America, etc., those who have walked the same ground that you walk. The gifts of the Holy Spirit and the preaching of the Apostles have been received even here, so we have no excuse for not becoming saints ourselves. After Pentecost we begin the “regular” (I hesitate to say “ordinary”) time of the year, counting the “Sundays after Pentecost” until we come again to the beginning of the Lenten cycle. The significance of this is that we are living in the age of Pentecost, of the working of the Spirit and the preaching of the Gospel to all the nations.

The Foundation of Constantinople

On this day in 330 AD, the emperor Constantine presided over the dedication of a new capital of the Roman Empire, after six years of building on the site of the ancient city of Byzantium. The Greek historian Herodotus (ca. 485-425 B.C.) places the founding of Byzantium in 656 B.C., and in 334 AD, Constantine also presided over celebrations of its millennial anniversary; this indicates that he did not view his new city as a complete erasure of the old one, and indeed, its older name never dropped out of use. But of course, it was as “Constantine’s city – Constantinople” that it would become one of the greatest cities of human civilization, although its official name was always “New Rome.” It would continue as the capital of the Eastern Roman Empire until its fall to the Ottoman Turks in 1453, and remains the spiritual capital, so to speak, of Orthodox Christianity to this day.

A coin minted in 330AD to commemorate the founding of Constantinople; the image of Romulus and Remus being nursed by the she-wolf on the reverse is clearly a sign of continuity between the new and old Rome. (Image from Wikimedia Commons by Ancientcointraders, CC BY-SA 4.0)

Much has been written and debated as to why exactly Constantine felt the need to create a new capital at all, but some things seem very certain. Despite its prestige and antiquity (which were in many ways synonymous concepts for the ancient Romans), the old Rome was no longer the empire’s political center of gravity. And indeed, in the period of the Tetrarchy which preceded Constantine’s accession to the throne, the emperors often kept their capitals elsewhere. Byzantium had never served in this role, but had the advantage of being a Mediterranean port with access to the Black Sea, and the crossing point of major roads running both East and West, by which an emperor could quickly reach the frontiers of either the Danube in Europe or the Euphrates in Asia.

Historians have often represented the founding of New Rome as Constantine’s project to recreate the ancient capital as a purely Christian city. This is unquestionably an exaggeration, although one which has unfortunately driven other historians to the opposite exaggeration, the complete denial of his Christian faith. Constantine unquestionably favored Christianity, granting it a privileged status and acting as its benefactor in a way which is not true of his behavior towards any other religion.

The column of Constantine, built in 328 AD, and dedicated along with the rest of New Rome on May 11, 330; this is the oldest monument that survives in the city from the era of Constantine himself. (Image from Wikimedia Commons by Dmitry A. Mottl, CC BY-SA 4.0)

In the Byzantine Rite, this foundation of the city is commemorated liturgically on this day. It has often been charged against the Byzantine Church, and not unjustly, that it was and is far too beholden to the imperial power, or whoever happens to hold that power since empires have fallen out of fashion. However, we may note here in fairness that this commemoration is kept at a very low rank, does not have a full office, and that although Constantine is regarded as a Saint among the Byzantines, he is mentioned by name only obliquely in the title of the feast, but not in any of the hymns. Instead, the city is repeatedly referred to as the city of the Virgin Mary, as in the most frequently used of the proper liturgical texts, the tropar:

“The city of the Mother of God fittingly dedicates its establishment unto Her; for in Her it has been made steadfast to remain, and through Her it is saved and strengthened, as it cries out to Her, ‘Rejoice, o hope of all the ends of the earth!’ ”

A mosaic of the Virgin and Child in the apse of Hagia Sophia, the cathedral of Constantinople. This was installed in 867, 20 years after the definitive defeat of the iconoclast heresy which had wracked the Byzantine empire for nearly a century. (Image from Wikimedia Commons by Dosseman, CC BY-SA 4.0)

Last week, we saw a bit of the novelist Evelyn Waugh’s treatment of the discovery of the True Cross by Constantine’s mother, St Helena. Here is how he imagines the emperor’s decision to found the new city.

“ ‘Take the place,’ said Constantine to Pope Sylvester. ‘It’s all yours. I am leaving and I shan’t come back – ever. When the time comes my sarcophagus … must lie in Christian surroundings. Rome is heathen and always will be. Yes, I know, you’ve got the tombs of Peter and Paul. I hope I have not shown myself insensible to that distinction. (This refers to his construction of the first Christian basilicas over the tombs of Saints Peter and Paul.) But why are they here? Simply because the Romans murdered them. That’s the plain truth. Why, they even thought of murdering me. It’s an ungodly place, your holiness, and you’re welcome to it.

One must start something new. I’ve got the site, very central; it will make a sublime port. (This is a pun on one of Constantinople’s many nicknames, ‘the Sublime Port.’) The plans are drawn. Work will start at once on a great Christian capital, in the very centre of Christendom; a city built round two great new Churches dedicated to – what do you think? – Wisdom and Peace. (Constantine did in fact build a church dedicated to Holy Peace as the new city’s cathedral, but the first Holy Wisdom, or ‘Hagia Sophia’ was built by his son.) … You can have your old Rome, Holy Father, with its Peter and Paul and its tunnels full of martyrs. We start with no unpleasant associations;” …

“Unpleasant associations are the seed of the Church,” said Pope Sylvester. (Another pun, on a famous saying of the Christian writer Tertullian, that “the blood of the martyrs is the seed of the Church.”)

The Feast of St John at the Latin Gate

John was an Apostle, an Evangelist, and a Prophet: an Apostle, because he wrote to the churches as a teacher; an Evangelist, because he wrote a book of the Gospels, which the other twelve Apostles did not do, apart from Matthew; and a Prophet, for on the island of Patmos, whither he had been banished by Domitian because of his testimony to the Lord, he beheld the Apocalypse, which contains such infinite mysteries of the future. And Tertullian says (De praescript. 36, ca. 200 A.D.) that at Rome, he was put into a vessel of boiling oil, but he came out cleaner and healthier than he went in.” (St Jerome in his treatise against Jovinian, the fifth lesson of Matins of the feast. In the homily on the day’s Gospel, St Matthew 20, 20-23, St Jerome explains the Lord’s prophecy to the sons of Zebedee that they will drink the cup of His Passion.)

The Martyrdom of St John the Evangelist, by Charles le Brun, 1641-42, from the church of St Nicholas du Chardonnet in Paris.

“The question arises how the sons of Zebedee, namely, James and John, drank the cup of martyrdom, since Scripture tells that only that James the Apostle was beheaded by Herod, but John died a natural death. But if we read the history of the Church, in which it is told that he also for the sake of his witness (to Christ) was cast into a vessel of boiling oil, and thence went forth as a champion of Christ to receive his crown, and was at once exiled to the island of Patmos, we see that his spirit did not fail at the prospect of martyrdom, and that John did drink the cup of confession that the three children in the fiery furnace also drank, although the persecutor did not shed their blood.” (Commentary on Matthew, book 3, chap. 20)

The right wing of the St John Altarpiece, by Hans Memling, ca. 1479, showing the Apostle John and his vision of the Trinity.

From the lessons at Matins cited above, one would reasonably assume that the principle object of today’s feast is the Apostle’s martyrdom. However, in the Pre-Tridentine Roman Breviary, different lessons were read which make no mention of it, although it is spoken of in the Magnificat antiphon, which carried over into the Breviary of St Pius V: “In ferventis olei dolium missus beatus Joannes Apostolus, divina se protegente gratia, illaesus exivit, alleluia. - Cast into a pot of boiling oil, the blessed Apostle John, protected by divine grace, came out unharmed, alleluia.” From its first appearance in the late 8th-century, it is known as the feast of St John “before the Latin Gate”, even though the walls of which the Latin Gate are a part were built 200 years after St John’s time. The feast therefore most likely originated, like many secondary feasts, as the dedication feast of the small church built in St John’s honor near the Latin Gate, and was only later associated with the episode of the pot of oil.

The church of St John at the Latin Gate is the station church of the Saturday before Palm Sunday, here photographed by our Roman pilgrim friend Agnese on that occasion in 2014. (interior below)

Next door to the main church is the small oratory known as “Saint John in oleo”, said to be on the very spot where the pot of oil was set up; it is attributed to Donatello Bramante, the original architect in charge of rebuilding St Peter’s Basilica in the early 16th-century.

It is also unlikely a mere coincidence that the Byzantine Rite also keeps a secondary feast of St John only two days later. His principal feast is on September 26; since the Byzantine liturgical year begins on September 1st, he is the first in the year among the Twelve Apostles. On May 8th, a commemoration is made of a miracle whereby a manna-like substance came forth from his tomb in the city of Ephesus, which healed the faithful both physically and spiritually. This day was already occupied in the West, from very ancient times, by the feast of the Apparition of St Michael, and this might explain the slight discrepancy in the dates.

St John the Evangelist writing his Gospel on a scroll, ca. 1450, by the Cretan icon painter Andreas Ritzos (1421-92)  

Good Shepherd Sunday 2026

Alleluia, I am the Good Shepherd, and I know my sheep, and mine know me, alleluja. (The second Alleluia of Good Shepherd Sunday.)

The Good Shepherd, by Cristóbal García Salmerón (1603-66), originally painted for the church of St Genesius in Arles, France, now in the Prado Museum in Madrid. (Public domain image from Wikimedia Commons.)

Alleluja, Ego sum pastor bonus, et cognosco oves meas, et cognoscunt me meae, alleluia.

In the Ambrosian Rite, the Gospel for today is St John’s account of the Baptism of Christ, chapter 1, 29-34, which the Roman Rite reads on the octave of Epiphany. In the oldest Ambrosian lectionary, the Gospels for the Sundays between Low Sunday and the Ascension continue the instruction of those who were baptized at Easter, and are centered on the figure of Christ. Today John calls him “the Lamb of God”, and on the following Sunday (John 1, 15-28), “the only-begotten Son who is in the bosom of the Father.” On the next two Sundays, Christ speaks of Himself as “the light of the world” (John 8, 12-20) and “the way, the truth and the light (John 14, 1-14).” In the Carolingian era, when the Ambrosian Rite underwent a significant Romanization, the latter three were replaced with the traditional Roman Gospels for these Sundays, but the Gospel of today remained; it is accompanied by the following particularly beautiful preface.

John the Baptist Indicates the Lamb of God to Ss Peter and Andrew; fresco by Domenico Zampieri (1581-1641), generally known as Domenichino, in the ceiling of the apse of the church of Sant’Andrea della Valle in Rome, 1622-28. (Image by AlfvanBeem released to the public domain, from Wikimedia Commons.)

VD... Aeterne Deus: Qui omnia mundi elementa fecisti, et varias disposuisti témporum vices: atque hómini ad tuam imáginem cóndito, universa simul animantia, rerumque mirácula subjecisti. Cui licet orígo terréna sit: tamen, regeneratióne Baptísmatis, caelestis ei vita confertur. Nam devicto mortis auctóre, immortalitátis est gratiam consecútus: et, praevaricatiónis erróre quassáto, viam réperit veritátis. Per Christum.

Truly ... eternal God: Who made all the elements of the world, and arranged the various changes of time, and subjected to man, who was made in Thy image, all living things, and the wonders of creation. And though his origin is of earth, nonetheless, the life of heaven is conferred upon him in the regeneration of baptism. For then the author of death was conquered, he obtained the grace of immortality, and when the error of his transgression was broken, he found the way of truth. Through Christ...

In the Byzantine Rite, today is called the Sunday of the Myrrh-bearing Women from its Gospel, Mark 15, 43 – 16, 8. In the first part of this reading, Joseph of Arimathea requests from Pilate and receives the body of the Lord for burial, wraps Him in the shroud, and lays Him in the tomb; in the second (which the Roman Rite reads on Easter itself, minus the last verse), the women come to the tomb to anoint the body, and meet the angel who tells them that He has risen, and bids them go tell the disciples.

A fresco of the Myrrh-Bearing Women in the Dionysiou Monastery on Mt Athos.

At Matins of Holy Saturday, which is usually sung on the evening of Good Friday, the first set of proper chants at the beginning of the service is based on this Gospel. (The traditional setting in Church Slavonic is one of the best loved and most moving pieces of music among the Slavs.)

The noble Joseph took down from the Cross Thy spotless Body, and when he had wrapped It in a clean shroud with spices, he laid It for burial in a new sepulchre. – Glory be.

When Thou went down to death, o immortal Life, then didst Thou slay Hades by the brightness of the Godhead; and when Thou raised up the dead from the netherworld, all the powers of heaven cried out, ‘Christ our God, Giver of life, glory to Thee.’ – Now and ever.

The angel stood by the tomb and cried to the myrrh-bearing women, ‘Myrrh is fitting for the dead, but Christ has been shown free from corruption.’

At Vespers of the Sunday of the Myrrh-bearing Women, these same chants are sung at the end, but the first two change places, and the second and third have additions (marked here with *) which make them more appropriate for the Easter season.

When Thou went down to death, o immortal Life, then didst Thou slay Hades by the brightness of the Godhead; and when Thou raised up the dead from the netherworld, all the powers of heaven cried out, ‘Christ our God, Giver of life, glory to Thee.’ – Glory be.
The noble Joseph took down from the Cross Thy spotless Body, and when he had wrapped It in a clean shroud with spices, he laid It for burial in a new sepulchre; * but Thou didst rise on the third day, o Lord, granting great mercy to the world. – Now and ever.
The angel stood by the tomb and cried to the myrrh-bearing women, “Myrrh is fitting for the dead, but Christ has been shown free from corruption. * But cry out, ‘The Lord is risen, granting great mercy to the world!’ ”

This video includes only the first one, which has a rather more cheerful melody in its Paschal version.

An Especially Beautiful Byzantine Chant for Easter

In the Divine Office of the Byzantine Rite, a chant called the Exapostilarion is sung at the hour of Orthros between the section known as the Canon (explained here) and the Laudate Psalms. As in every liturgical tradition, some of the most beautiful texts and musical settings of them are found in Holy Week and Easter; here is an absolutely extraordinary version of the one for Easter, performed in a concert given in Rome in October of 2012 by the National “Dumka” Choir, which is very famous in Ukraine, conducted by Yevgeny Savchuk. This particular chant comes from the tradition of the Monastery of the Holy Dormition in Pochayiv, about 85 miles to the east of Lviv.

To all those who follow the Julian Calendar, and are now in the middle of Bright Week, a most blessed and happy Easter - Christ is risen!

Having fallen asleep in the flesh as a mortal man, o King and Lord, Thou didst rise on the third day, raising Adam from corruption, and destroying death: O Pascha of incorruption, the Salvation of the world!

Плотїю oуснув, яко мертвъ, Царю и Господи, тридневенъ воскреслъ еси, Адама воздвигъ ѿ тли, и oупразднивъ смерть: Пасха нетлѣнїѧ, мїра спасенїе.

Σαρκὶ ὑπνώσας ὡς θνητός, ὁ Βασιλεὺς καὶ Κύριος, τριήμερος ἐξανέστης, Ἀδὰμ ἐγείρας ἐκ φθορᾶς, καὶ καταργήσας θάνατον, Πάσχα τῆς ἀφθαρσίας, τοῦ κόσμου σωτήριον.

Holy Saturday 2026

When Joseph saw that the sun had hidden its rays, and the veil of the temple was rent at the death of the Savior, he went to Pilate and besought him: “Give me this stranger, who from infancy has been as a stranger, a sojourner in the world. Give me this stranger, whom His own race has hated and delivered unto death as a stranger. Give me this stranger, whose death I am astonished to behold. Give me this stranger, who knew how received the poor and the strangers. Give me this stranger, whom the Hebrews from envy estranged from the world. Give me this stranger, that I may hide him in a tomb, who as a stranger hath no place to lay His head. Give me this stranger, whose Mother seeing Him put to death cried out, ‘O my Son and my God, though I am sorely wounded within me and my heart is rent, seeing Thee as one dead, I do yet take courage in Thy Resurrection and magnify Thee.’ And entreating Pilate with these words, the noble Joseph receives the body of the Savior, which with fear he wrapped in a shroud with myrrh, and laid in a tomb, even Him Who bestows upon all eternal life and great mercy.” (A Byzantine hymn for Holy Saturday.)

An embroidered cloth icon of the Burial of Christ, known as an “ἐπιτάφιος (epitafios)” in Greek, an adjective meaning “above the tomb”; in Church Slavonic, it is called “плащаница (plashchanitsa) – the shroud.” At Vespers of Good Friday, this is laid on the altar, and at the end of the ceremony, brought down into the nave and set on a special table, which becomes the focal point of much of the liturgy until Easter night, when it is brought back to the altar, and covered with a white cloth, remaining there until the Easter season is over. Around the inner border are written the tropars of the Sunday of the Myrrh-bearing woman. (1682, from the Benaki Museum in Athens. Public domain image from Wikimedia Commons.)

Τὸν ἥλιον κρύψαντα τὰς ἰδίας ἀκτίνας, καὶ τὸ καταπέτασμα τοῦ ναοῦ διαρραγέν, τῷ τοῦ Σωτῆρος θανάτῳ, ὁ Ἰωσὴφ θεασάμενος, προσῆλθε τῷ Πιλάτῳ καὶ καθικετεύει λέγων· δός μοι τοῦτον τὸν ξένον, τὸν ἐκ βρέφους ὡς ξένον ξενωθέντα ἐν κόσμῳ· δός μοι τοῦτον τὸν ξένον, ὃν ὁμόφυλοι μισοῦντες θανατοῦσιν ὡς ξένον· δός μοι τοῦτον τὸν ξένον, ὃν ξενίζομαι βλέπειν τοῦ θανάτου τὸ ξένον· δός μοι τοῦτον τὸν ξένον, ὅστις οἶδεν ξενίζειν τοὺς πτωχούς τε καὶ ξένους· δός μοι τοῦτον τὸν ξένον, ὃν Ἑβραῖοι τῷ φθόνῳ ἀπεξένωσαν κόσμῳ· δός μοι τοῦτον τὸν ξένον, ἵνα κρύψω ἐν τάφῳ, ὃς ὡς ξένος οὐκ ἔχει τὴν κεφαλὴν ποῦ κλῖναι· δός μοι τοῦτον τὸν ξένον, ὃν ἡ Μήτηρ καθορῶσα νεκρωθέντα ἐβόα· Ὦ Υἱὲ καὶ Θεέ μου, εἰ καὶ τὰ σπλάγχνα τιτρώσκομαι, καὶ καρδίαν σπαράττομαι, νεκρόν σε καθορῶσα, ἀλλὰ τῇ σῇ ἀναστάσει θαρροῦσα μεγαλύνω. Καὶ τούτοις τοίνυν τοῖς λόγοις δυσωπῶν τὸν Πιλᾶτον ὁ εὐσχήμων λαμβάνει τοῦ Σωτῆρος τὸ σῶμα, ὃ καὶ φόβῳ ἐν σινδόνι ἐνειλήσας καὶ σμύρνῃ, κατέθετο ἐν τάφῳ τὸν παρέχοντα πᾶσι ζωὴν αἰώνιον καὶ τὸ μέγα ἔλεος.

Sung by the monks of the Vatopedia monastery on Mt Athos

This extraordinary hymn is based on a homily on the burial of Christ traditionally attributed to the Church Father St Epiphanius of Salamis (ca. 310/20 - 403), but now recognized to be from at least 150 years later. In the classic style of later Byzantine rhetoric, the homily itself has eight more sentences which begin with the words “Give me this stranger”, for a total of fifteen. Most of the modern liturgical books that I consult, both Greek and Slavonic, do not include it at all. Among the Slavs, however, it is often sung in a different and much shorter recension, after Vespers of Good Friday and Matins of Holy Saturday, as people come up to the epitaphios table to venerate the shroud. The setting by the Ukrainian composer Dmitry Bortniansky (1751-1825) is deservedly the most famous.

Come, let us bless Joseph of eternal memory, who came by night to Pilate and begged for the life of all: “Give me this stranger, Who has no place to lay His head. Give me this stranger Whom an evil disciple betrayed to death. Give me this stranger Whom His mother saw hanging upon the cross, and with a mother’s sorrow cried, weeping: Woe is me, O my child, light of my eyes and beloved of my bosom! For what Simeon foretold in the temple now has come to pass: A sword has pierced my heart, but change my grief to gladness by Your Resurrection!” We worship Your Passion, O Christ! We worship Your Passion, O Christ! We worship Your Passion, O Christ and Your holy Resurrection!

Another Chant for the Byzantine Liturgy of the Presanctified

Now the powers of heaven invisibly worship with us, for behold, the King of Glory entereth! Behold, the mystical sacrifice, being perfected, is carried forth in triumph. With faith and love, let us come forth, that we may become partakers of eternal life, Alleluia, Alleluia, Alleluia!

Нынѣ Силы Небесныѧ съ нами невидимо служать, се бо входитъ Царь Славы: се Жертва тайнаѧ совершена дориноситсѧ. Вѣрою и любовию приступимъ, да причастницы жизни вѣчныѧ будемъ. Аллилуїа, аллилуїа, аллилуїа.

Earlier this month, I posted a setting of Psalm 140, “Let my prayer rise as incense etc.”, composed for the Byzantine Liturgy of the Presanctified gifts, along with a brief description of the first part of the ceremony. For the second part, the Litany of Fervent Supplication and special litanies for the catechumens are said, after which the royal doors are opened. The first part of the chant above is sung, then the Presanctified gifts are carried out the side-door, and back through the royal doors, followed by the second part (“With faith and love...”). This chant, therefore, replaces the hymn “We who mystically represent the Cherubim,” which is sung at the Divine Liturgy as the bread and wine are brought to the altar. The rest of the service is basically identical to the regular order of the Divine Liturgy.

Here is the Greek version:

Νῦν αἱ δυνάμεις τῶν οὐρανῶν σὺν ἡμῖν ἀοράτως λατρεύουσιν· ἰδοὺ γὰρ εἰσπορεύεται ὁ Βασιλεὺς τῆς δόξης. Ἰδοὺ θυσία μυστικὴ τετελειωμένη δορυφορεῖται· πίστει καὶ πόθῳ προσέλθωμεν, ἵνα μέτοχοι ζωῆς ἀιωνίου γενώμεθα. Ἀλληλούϊα, Ἀλληλούϊα, Ἀλληλούϊα.

I also make note here of two particularly beautiful prayers which are said in this second part of the service. The first of these is read silently by the celebrating priest while the deacon chants the litany that leads into the Lord’s Prayer.

“O God of ineffable and unseen mysteries, with whom are the hidden treasures of wisdom and knowledge, who did reveal the service of this liturgy to us, and appointed us hast appointed us sinners through Thy great love for mankind, to offer unto Thee gifts and sacrifices for our sins and for the deeds of ignorance of the people: do Thou Thyself, unseen King, who dost great and inscrutable things, glorious and extraordinary, of which there is no number, look upon us, Thy unworthy servants, who stand at this Thy holy altar as if at Thy cherubic throne, upon which rests Thy only-begotten Son and our God in the dread mysteries set forth thereon; and having delivered us and Thy faithful people from every impurity, sanctify all our souls and bodies with the sanctification which cannot be taken away, so that, partaking of these divine, hallowed things with a pure conscience, with an unashamed face, and with an illuminated heart, and being enlivened by them, we may be united to Christ Himself, our true God, who said, ‘He that eateth My flesh and drinketh My blood, abideth in me, and I in him,’ so that as Thy Word, O Lord, dwelleth in us and sojourneth among us, we may become a temple of Thy all-holy and adorable Spirit, redeemed from every wile of the devil, done either by deed or word or thought, and may obtain the good things promised to us with all Thy saints who from the beginning have been well-pleasing to Thee.”

The second prayer, said just before dismissal at the end of the rite, is known as “the prayer behind the ambo” (ὀπισθάμβωνος εὐχή in Greek, молитва заамвоннаѧ in Church Slavonic), because in Hagia Sophia, it was said by a priest who exited the main sanctuary and recited it while standing behind the great ambo in the nave. (It is seen in this digital reconstruction of the Great Church at about 3:55.)

This prayer originally could vary according to the liturgical occasion, and often included references to the day’s Gospel; many texts of it are preserved in ancient manuscripts. It is now reduced to only two forms, one which is said at the Eucharistic liturgy, and the other at the liturgy of the Presanctified, as follows.

“O Master almighty, who made all creation in wisdom, who through Thy ineffable providence and great goodness hast brought us to these all-revered days for the purification of souls and bodies, for the restraint of passions, for hope of resurrection, who during the forty days didst hand over to Thy servant Moses the tablets (of the Law), letters divinely carved: grant also to us, o good one, to fight the good fight, to complete the course of the fast, to preserve the faith unchanged, to crush the heads of the invisible serpents, to shine forth as victors over sin, and without condemnation to attain unto and worship the Holy Resurrection. For blessed and glorified is Thy all-honorable and magnificent name, of the Father, and of the Son, and of the Holy Spirit; now and ever, and unto ages of ages. Amen.”

The Samaritan Woman in the Liturgy of Lent

In the lectionaries of the various Latin rites, one of the most prominent Gospels of the Lenten season is that of the Samaritan woman who spoke to Christ at the well of Jacob (St John 4, 5-42). Although the Roman, Ambrosian and Byzantine Rites each read this Gospel on a different day, it appears in all three as a lesson of particular importance for the preparation of those who will be baptized at Easter or Pentecost.

In the Roman Rite, it is read on the Friday of the third week, joined with one of the most important epistles of Lent, Numbers 20, 1-13, in which Moses makes water run from the rock in the desert. This story was understood by the early Christians as a prefiguration of the sacrament of baptism, starting with St Paul himself, who tells us that “our fathers were all under the cloud, and all passed through the sea. And all in Moses were baptized, in the cloud, and in the sea: and did all eat the same spiritual food, and all drank the same spiritual drink; and they drank of the spiritual rock that followed them, and the rock was Christ.” (1 Cor. 10, 1-4) Moses striking the rock to make the water run from it is one of the most frequently depicted Biblical scenes in early Christian art; just in the paintings of the Roman catacombs, it appears over 70 times, along with numerous other representations on ancient sarcophagi.

Moses making the water run from the rock in a fourth-century fresco in the Catacomb of St Callixtus.

On the previous Sunday, the Lenten station is kept at the church of St Lawrence Outside-the-Walls, where anciently the catechumens underwent a formal examination of their Christian faith, the ritual known as the scrutiny. The Gelasian Sacramentary contains a beautiful prayer for them to be said on that day, “that they may worthily and wisely come to the confession of Thy praise; so that through Thy glory they may be reformed to the former dignity which they had lost in the original transgression.” At the same Mass, the Memento of the living has an interpolation to pray for their future godparents, and during the Hanc igitur, the names of the catechumens were read out loud. On the following Friday, the station is kept at another church of Rome’s most venerated martyr, St Lawrence ‘in Lucina’, nicknamed, like so many sacred places in the city, for the woman upon whose property it was originally built. Here, they would hear Christ speaking to the Samaritan woman of the “living water … springing up unto life everlasting”, and understand His words as a clear reference to baptism.

A piece of the gridiron of St Lawrence’s martyrdom, preserved in a reliquary in a side-altar of San Lorenzo in Lucina. Photo courtesy of Orbis Catholicus.

In his treatise on the Gospel of St John (Tract 15, 10), St Augustine explains the woman as a type of the Church, “not yet justified, but waiting to be justified”, like the catechumens themselves. He also reminds us that the Samaritans were not part of the Jewish people; indeed, the Bible itself says that they were a mixed nation of Jews and pagans, observing the customs of both. (4 Kings 17, 24-41) So too, the early Church was a mixture of Jews and pagans, now united in Christ in whom “there is neither Jew nor Greek … for you are all one in Christ Jesus.” (Galatians 3, 28) Augustine continues by saying, “Therefore, in her, let us hear ourselves (spoken of), and in her, let us recognize ourselves, and in her, let us give thanks to God for ourselves.” (i.e. for what He has done for us.)

The dedicatory inscription on the counter-façade of Santa Sabina in Rome, the only part of the church’s original mosaic decoration which survives, ca. 425 A.D. The two figures on the sides are “the church from the circumcision” on the left, and “the church from the gentiles” on the right. Photo courtesy of Fr. Lawrence Lew, O.P.

In the Ambrosian Rite, the first Sunday of Lent is called “in capite jejunii – at the beginning of the fast”, a title also used for Ash Wednesday in medieval liturgical books of the Roman Rite. The remaining Sundays are named for their Gospels, all taken from St John, the second Sunday being that of the Samaritan woman, the third ‘of Abraham’ (chap. 8, 31-59), the fourth ‘of the man born blind,’ (9, 1-38), the fifth of Lazarus (11, 1-45) and the sixth ‘of the Palms’ (11, 55 – 12, 11). On the second Sunday, the following antiphon is sung after the Gospel, while the deacon spreads the corporal on the altar in preparation for the Offertory. (As in the Roman Rite, most of the Mass propers use the Old Latin version of the Scriptures.)

For I will take you from among the gentiles, and I will pour upon you clean water; you shall be cleansed from all your iniquities. I will give you a new heart, and renew a righteous spirit within you. (Ezechiel 36, 24, 25 and 26.)

In the Roman Rite, the same prophecy of Ezechiel (though not exactly the same words) provides both the introit and the first epistle of the Mass of the Wednesday of the fourth week of Lent, on which day the catechumens were exorcized and blessed at the tomb of St Paul, the great Apostle of the gentiles.

The Ambrosian Missal contains proper prefaces for nearly every Mass of the temporal cycle, generally rather longer than those of the Roman Rite. The Lenten prefaces of the Sundays are each based on the Gospel of the day, and that of the Samaritan woman reads as follows:

Truly it is worthy and just…through Christ our Lord. Who, to instill (in us) the mystery of His humility, being tired, sat at the well, and * asked of the Samaritan woman that a drink of water be given Him, even He that had created the gift of faith in her; and so He deigned to thirst for her faith, so that, as He asked water of her, He might enkindle in her the fire of divine love. * We therefore beseech Thy boundless compassion, that defying the dark depths of vice, and leaving behind the vessel of harmful desires, we may ever thirst for Thee, that art the fountain of life, and source of all goodness, and may please Thee by the observance of our fast. Through the same etc.

The words here noted between the stars form the basis of a Preface used in the post-Conciliar Rite in the first year of the three-year lectionary cycle, when the story of the Samaritan woman is read on the third Sunday of Lent. Since this crucial passage is not included among the readings of the second and third years, a rubric provides that it may be read on Sunday in place of the Gospels assigned to those years, or it may displace one of the ferial Gospels; a similar provision is made for the blind man and Lazarus.

The Orthodox church of Jacob’s Well, also known as St Photini’s, in the city of Nablus on the West Bank. The current church is the fifth structure to stand over the site, which has been venerated by Christians as the Well of Jacob since the fourth century.

In the Byzantine tradition, the story of the Samaritan woman is read in Eastertide rather than Lent, as is that of the man born blind; however, the association of it with the sacrament of baptism is just as clear as in the Latin rites. On the fifth Sunday of Easter, the following three exapostilaria are sung at the end of Matins; the first is that of the Easter season, the second relates to the Gospel of the day’s Divine Liturgy, and the third to the feast of Mid-Pentecost.

Exapostilarion of Easter  Having fallen asleep in the flesh as a mortal, O King and Lord, You rose again on the third day, raising up Adam from corruption, and abolishing death. O Pascha of incorruption, O salvation of the world!
of the Samaritan Woman  You reached Samaria, and talking with a woman, sought water to drink, my all-powerful Savior, who poured out water for the Hebrews from a sharp rock, and led her to belief in you: and now she enjoys life eternally in heaven.
of Mid-Pentecost  At the mid-point of the feast, Lover of mankind, you came to the temple and said: You who are full of thirst, come to me and draw living water welling up, through which you will all revel in delight and grace and immortal life.

Note how the exapostilarion of the Samaritan woman makes the same association between the Lord’s revelations to her and the episode of the water running from the rock that is made in the Roman Rite by the readings of the Mass. This reference to the waters of baptism continues in the third text, which quotes Christ’s second reference to the “living waters” in the Gospel of John, when He speaks in the temple during the feast of Tabernacles. (chapter 7, 37-39.)

The text of this second Gospel of the “living waters” is deferred by the Byzantine Rite to Pentecost itself, a custom which it shares with the Ambrosian and Roman Rites in different ways. The church of Milan preserves to this very day an ancient custom of celebrating two Masses on both Easter and Pentecost, the traditional days for the administration of baptism; one is the Mass “of the solemnity” itself, and another “for the (newly) baptized.” On Easter Sunday, the Gospel at the Mass for the baptized is John 7, 37-39, with the second part of the last verse omitted.

On great day of the festivity, the Lord Jesus stood and cried, saying: If any man thirst, let him come to me, and drink. He that believeth in me, as the scripture saith, Out of his belly shall flow rivers of living water. Now this he said of the Spirit which they should receive, who believed in him.

At the Mass for the baptized on Pentecost, this Gospel is repeated, adding the final words of verse 39 which are not said on Easter, “for as yet the Spirit was not given, because Jesus was not yet glorified.” In the Roman Rite, the same text provides the Communion antiphon for the Mass of the vigil of Pentecost, although the Gospel itself is read on the Monday of Passion Week.

The Byzantine Rite has traditionally honored the Samaritan woman as a Saint, and she was often called both an Apostle and Evangelist. Her legend states that she, her five sisters and two sons were among those baptized by St Peter and the other Apostles on the first Pentecost, and afterwards traveled to preach in many places; after evangelizing Carthage, they came to Rome, where they were martyred under Nero. Her given name is Photeine (or “Photini” in the modern pronunciation), the Greek word for “bright”; the cognate “photistes – illuminator” is used in the Byzantine tradition as a title for the saint who first evangelizes a people, the best-known example of this being perhaps St Gregory the Illuminator of Armenia. With the latinized form of her name, Photina, she was added to the Tridentine edition of the Roman Martyrology by Cardinal Baronius, along with her family members, on March 20th, the day of her feast in the Byzantine Rite. Her troparion makes the same association between the waters of baptism and the coming of the Holy Spirit on Pentecost indicated by the placement of her Gospel on the Sunday after Mid-Pentecost.

Wholly illuminated by the divine Spirit, and sated of your thirst by the springs, you drank deeply of the water of salvation from Christ the Savior, all praiseworthy one, and shared it abundantly with them that thirst; o Great Martyr and Equal to the Apostles, Photini, entreat Christ our God to save our souls.