Wednesday, September 11, 2019
A New Daily TLM in Crestwood, New York
Gregory DiPippo
Fr Benedict Andersen from Silverstream Priory writes in to let us know the following: “As I am currently resident at Annunciation-Our Lady of Fatima Parish in Crestwood (Yonkers), New York (writing a Th.M. thesis at St Vladimir's Orthodox Theological Seminary), I have begun, with the enthusiastic support of the Rev. Robert Grippo, pastor of that parish, a daily Mass in the Usus Antiquior. Sunday Mass (Low Masses, at least for now) will be celebrated at 11:15 am, and daily low Masses at 6:45 am. All Masses will be held in the lower church of Annunciation, a most congenial location with a beautiful altar and carved reredos depicting the Annunciation and the early events in the life of Our Lord. The church is located at 470 Westchester Avenue.”
the lower church
Friday, April 06, 2018
A Hand-decorated Paschal Candle from Ireland
Peter Kwasniewski
The decoration of the Paschal candle for 2018 at Silverstream Monastery was the work of the community’s subprior, Dom Benedict Maria Andersen, whose typographical work we have featured before.
Dom Benedict took his inspiration from an authentic Irish penal crucifix in the possession of a friend of the monastery. The penal crucifix, which was loaned to the monastery for all to admire and venerate, dates from the 1700s.
This is a splendid example of the kind of customized work that we need to see flourish once again in local communities, be they religious houses, parishes, or school chapels. It is refreshing and inspiring to see something that is made by hand, made for only one place, and offered up for only one year. Hand-decorated candles are returning slowly, following in the wake of better vestments and works of all sorts in recent years. May the renewal of fine arts in the service of the Church find more and more success.
Dom Benedict took his inspiration from an authentic Irish penal crucifix in the possession of a friend of the monastery. The penal crucifix, which was loaned to the monastery for all to admire and venerate, dates from the 1700s.
This is a splendid example of the kind of customized work that we need to see flourish once again in local communities, be they religious houses, parishes, or school chapels. It is refreshing and inspiring to see something that is made by hand, made for only one place, and offered up for only one year. Hand-decorated candles are returning slowly, following in the wake of better vestments and works of all sorts in recent years. May the renewal of fine arts in the service of the Church find more and more success.
Posted Friday, April 06, 2018
Labels: Benedict Andersen, Ireland, Paschal Candle, Sacred Art, Silverstream Priory
Thursday, December 22, 2016
Dom Benedict Andersen's Lecture on Benedictine Liturgical Ideals and the New Evangelisation
Peter Kwasniewski
Dom Benedict Andersen, Sub-Prior of Silverstream Monastery in Ireland, gave a lecture at the last Society for Catholic Liturgy conference and has asked NLM to make available a link to the audio recording. I will say this much: the talk is dynamite. It is quite possibly the best statement I have seen of the intimate relationship between a serious commitment to liturgy as central in the Christian life and the success of any attempted evangelization of the modern world. Yes, it is a theme familiar to the pages of NLM, but Dom Benedict brings together a veritable compendium of the best authors and ideas on the topic, and synthesizes them with great skill. Highly recommended.
With his permission, I am attaching a short excerpt of the talk, to whet the appetite.
Cardinal Ratzinger once wrote: “How we attend to liturgy determines the fate of the faith and the Church.” When we cannot pray aright, we as a Church can’t think aright, we can’t live aright — and we certainly can’t evangelise aright. If there is some kind of malfunction in the Church’s approach to the sacred mysteries, there will always be a corresponding malfunction in the Church’s ability to evangelize. Is this not a serious betrayal of the mandate we have been given by the Church to become true agents of the New Evangelization?
(Listen to the whole talk here.)
With his permission, I am attaching a short excerpt of the talk, to whet the appetite.
PREFERRING THE WORK OF GOD: BENEDICTINE LITURGICAL IDEALS AND THE NEW EVANGELISATION
Dom Benedict Maria Andersen, OSB
The year is 988. Emissaries of Vladimir, the grand prince of Kiev, have been sent out on mission on a vitally important mission. Their orders are to find among the various nations a new religion which will be able to lure their tribes away from servitude to the cruel gods of their fathers, and which can forge them into one people, praising one Creator with one voice, one heart, and one mind. After many months of searching, the emissaries of Vladimir finally find what they had been looking for within the walls of the great imperial church of Holy Wisdom (Hagia Sophia) in Constantinople. They sent the following report home:[T]he Greeks led us to the edifices where they worship they worship their God, and we knew not whether we were in heaven or on earth. For on earth, there is no such splendour or such beauty, and we are at a loss how to describe it. We know only that God dwells there among men, and their service is fairer than the ceremonies of other nations. For we cannot forget that beauty.Fast forward about a thousand years, to rural Kentucky, 1941. A young bohemian writer, a recent convert to Catholicism, arrives at the Abbey of Gethsemani to consider his vocation in life. Early in the morning, before the dawn, he witnesses simultaneous celebrations of the Holy Sacrifice of the Mass by an army of priest-monks. The experience somehow hits the young man with the full force of a mystical revelation, akin to the lifting of the veil separating heaven from earth. “The overpowering atmosphere of prayers so fervent that they were almost tangible,” he says, “choked [him] with love and reverence” to the point where he “could only get the air in gasps.” “Here,” he writes,
even through only ordinary channels, came to me graces that overwhelmed me like a tidal wave, truths that drowned me with the force of their impact: and all through the plain, normal means of the liturgy — but the liturgy used properly, and with reverence, by souls inured to sacrifice. […] The eloquence of this liturgy was even more tremendous: and what it said was one, simple, cogent, tremendous truth: this church, the court of the Queen of Heaven, is the real capital of the country in which we are living. This is the center of all the vitality that is in America. This is the cause and reason why the nation is holding together. These men, hidden in the anonymity of their choir and their white cowls, are doing for their land what no army, no congress, no president could ever do as such: they are winning for it the grace and the protection and the friendship of God.Reflecting on this first experience of monastic worship, Father Louis Merton remarks:
Certainly one thing the monk does not, or cannot, realize is the effect which these liturgical functions, performed by a group as such, have upon those who see them. The lessons, the truths, the incidents and values portrayed are simply overwhelming.I open with these stories — from 10th century Russia and the 20th century American South — to illustrate something which, I believe, is absolutely crucial to the challence of carrying out the New Evangelisation: the leading of souls along the via pulchritudinis, a glimpse of that heavenly splendor that so seduced the Kievan pagans to Christ, and caused a young American man to leave all and take up his Cross in the obscurity of the cloister. And where better to find a school of Catholic spirituality so thoroughly infused a sense of this primacy than in traditional monasticism? If, as history shows us, monasticism was the spiritual engine of the “Old Evangelization” of Europe, then it stands to reason that a healthy, robust, renewed monasticism might once again become for the Church a source of inspiration and new vitality as she labors for the turning of believers and unbelievers alike to Christ, so that they, with St Ambrose, can say: “Face to face, thou hast made thyself known to me, O Christ; I have found thee in thy mysteries.”
Cardinal Ratzinger once wrote: “How we attend to liturgy determines the fate of the faith and the Church.” When we cannot pray aright, we as a Church can’t think aright, we can’t live aright — and we certainly can’t evangelise aright. If there is some kind of malfunction in the Church’s approach to the sacred mysteries, there will always be a corresponding malfunction in the Church’s ability to evangelize. Is this not a serious betrayal of the mandate we have been given by the Church to become true agents of the New Evangelization?
(Listen to the whole talk here.)
Tuesday, February 09, 2016
New Altar Cards from Silverstream Priory
Peter Kwasniewski
The monks of Silverstream Priory are no stranger to the pages of NLM. This new and vibrant Benedictine foundation in Ireland celebrates the Holy Sacrifice of the Mass and the monastic Divine Office in all of their traditional fullness.
I was delighted to learn that they have recently launched an online gift shop, which they intend to expand over time. For now, they are selling a beautiful new set of altar cards for the usus antiquior, designed by their own Dom Benedict Andersen and inspired by the so-called "Editio Lacensis” of the Missale Romanum published by the Abbey of Maria Laach in 1931. The set is available (unframed) from the Priory for €23 (including shipping in Ireland), €24 (with shipping in the UK), and €25 (shipping in the rest of the world). They have also made available their “Prayers at the Foot of the Altar” and a Litany for the Holy Father (which we featured here), printed on nice card stock.
In the near future other products will be added, such as Father Prior’s Way of the Cross for Priests, Dom Morin’s book The Ideal of the Monastic Life Found in the Apostolic Age, and various prayer cards. Please give their shop a visit and check it out from time to time.
I was delighted to learn that they have recently launched an online gift shop, which they intend to expand over time. For now, they are selling a beautiful new set of altar cards for the usus antiquior, designed by their own Dom Benedict Andersen and inspired by the so-called "Editio Lacensis” of the Missale Romanum published by the Abbey of Maria Laach in 1931. The set is available (unframed) from the Priory for €23 (including shipping in Ireland), €24 (with shipping in the UK), and €25 (shipping in the rest of the world). They have also made available their “Prayers at the Foot of the Altar” and a Litany for the Holy Father (which we featured here), printed on nice card stock.
In the near future other products will be added, such as Father Prior’s Way of the Cross for Priests, Dom Morin’s book The Ideal of the Monastic Life Found in the Apostolic Age, and various prayer cards. Please give their shop a visit and check it out from time to time.
Posted Tuesday, February 09, 2016
Labels: altar cards, Benedict Andersen, Benedictines, Silverstream Priory, typesetting
Tuesday, September 22, 2015
The Art of Typesetting and Layout: A Gallery of Pages
Peter Kwasniewski
As one who has made hundreds of booklets, pamphlets, "worship aids," prayer cards, signs, and posters over the years, I have invested a lot of time learning how to make these simple items look beautiful. Fonts, styles, images, colors, borders, ornaments are all taken into account, the moreso as the occasion is more solemn. My attitude is that of Eric Gill and others who considered nothing so pedestrian or trivial that it should not be dignified by attention to detail, care in presentation, creativity in approach, and permanence of quality. I would imagine that similar thoughts prevail among the readership of NLM.
It is therefore a special delight to be able to share with you some examples of the extremely fine typesetting work of Dom Benedict Andersen, O.S.B., of Silverstream Priory, whose "Litany for the Holy Father" I was able to present two weeks ago. Those who attended Sacra Liturgia in 2013 in Rome would have seen the remarkable black hardcover that contained the texts for all the liturgies (solemn Masses and Vespers) of the conference -- in parallel Latin, Italian, French, Spanish, German, and English translations! (A couple of pages from this book are below.) Dom Benedict's work is characterized by elegant lines, balanced elements, a judicious use of typographical variations, and, most of all, an eye for tiny details of punctuation and spacing. He truly offers us a model that can inspire our own efforts in this area.
When Dom Benedict and I were corresponding about the art of printing, he did specifically ask me to say that he is not available for commissions, as the routine work of producing materials for the monastery and for special occasions as requested by prelates is already keeping his hands quite full, and maybe overfull.
It is therefore a special delight to be able to share with you some examples of the extremely fine typesetting work of Dom Benedict Andersen, O.S.B., of Silverstream Priory, whose "Litany for the Holy Father" I was able to present two weeks ago. Those who attended Sacra Liturgia in 2013 in Rome would have seen the remarkable black hardcover that contained the texts for all the liturgies (solemn Masses and Vespers) of the conference -- in parallel Latin, Italian, French, Spanish, German, and English translations! (A couple of pages from this book are below.) Dom Benedict's work is characterized by elegant lines, balanced elements, a judicious use of typographical variations, and, most of all, an eye for tiny details of punctuation and spacing. He truly offers us a model that can inspire our own efforts in this area.
When Dom Benedict and I were corresponding about the art of printing, he did specifically ask me to say that he is not available for commissions, as the routine work of producing materials for the monastery and for special occasions as requested by prelates is already keeping his hands quite full, and maybe overfull.
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| from the Sacra Liturgia 2013 book |
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| also from Sacra Liturgia 2013 |
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| Sacra Liturgia 2013 |






















