Friday, July 11, 2025

The Solemnity of St Benedict 2025

Gloriosus Confessor Domini, orationem faciens, benedictionem dedit; et lapis, super quem antiquus hostis sedebat, subito levatus est. (3rd antiphon of Vespers on the Solemnity of St Benedict.)

The episode referred to in the antiphon above, depicted in the sacristy of the church of San Miniato in Florence by Spinello Aretino, 1388.
The Lord’s glorious confessor, making his prayer, gave the blessing, and the stone, upon which the ancient enemy sat, was at once lifted up.

In the Second Book of St Gregory the Great’s Dialogues, dedicated to the life and miracles of St Benedict, the episode is recounted thus in chapter nine:
On a certain day, when the monks were building up the cells of the same abbey, there lay a stone which they meant to employ about that business: and when two or three were not able to remove it, they called for more company, but all in vain, for it remained so immovable as though it had grown to the very earth.
They plainly perceived that the devil himself sat on it, seeing so many men’s hands could not so much as once move it: wherefore, finding that their own labors could do nothing, they sent for the man of God, to help them with his prayers against the devil, who hindered the removing of that stone. The holy man came, and after some praying, he gave it his blessing, and then they carried it away so quickly, as though it had been of no weight at all.
St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing”. There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the Abbey of Monte Cassino in Italy, founded by the Saint himself, and the French Abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine Calendar.

Saturday, March 22, 2025

Pictures of Montecassino Abbey

Following up on yesterday’s post of pictures of the crypt of Montecassino Abbey, here are some of the main church and some of the things around it, starting with the most important part of it, the burial site of St Benedict and his sister St Scholastica, behind the high altar.

As I am sure our readers know, Montecassino Abbey was heavily bombed during World War II, and painstakingly restored afterwards. The magnificent baroque architectural decorations were very well restored, but the fresco work within parts of it is new - not ugly, and not exactly incongruous with the style of the rest of the building, but somehow lacking.  
The abbatial cathedra. Many abbeys have very nice thrones for the abbot, but in this case, it is set up like that of a bishop because until quite recently, Montecassino was a territorial abbey, meaning that the abbot functioned as the ordinary of the region around it. (For things that only a bishop can do, such as priestly ordinations, a bishop would visit from elsewhere.)

A very nice marble intarsia of the stem of Pope Benedict XVI, recently added to the base of one of the pillars.

Friday, March 21, 2025

The Crypt of Montecassino Abbey

For the feast of St Benedict, here are some pictures of the crypt of the abbey of Montecassino, the site where he ended his days. The crypt was built in the early 16th century, and originally decorated with frescoes, but by the end of the 19th century, these had deteriorated so badly from the humidity that they were deemed unsalvageable. The decision was therefore made to replace them with mosaics designed and executed by monks of the famous artistic school of the German abbey of Beuron; this project was completed after 12 years of work. When the abbey was bombed in February of 1944, part of the central vault was destroyed (subsequently repaired), but the rest of it remained almost completely intact.

The relics of Ss Benedict and Scholastica are not in this chapel, but behind it, under the altar of the main church. (I will share some pictures of the latter tomorrow.)
The monuments to either side of the chapel which show them lying in effigy are cenotaphs, i.e., monuments made to look something like sarcophagi, but empty. 
On the proscenium arch just outside the sanctuary, an Angel stands in front of the kneeling figures of the titular abbot, and actual abbot, and Fr Desiderius Lenz, the monk of Beauron who led the project. I am not quite sure which scene is represented in the relief image below it.
On the opposite side, Popes Leo XIII and St Pius X, during whose reigns the project was executed.

Monday, February 10, 2025

The Feast of Saint Scholastica

Scholastica, the sister of our venerable Father Benedict, who was dedicated to the Lord Almighty from her infancy, was wont to come visit her brother once a year. The man of God went to her not far from the gate (of his monastery), at a place that belonged to it. Once, she came according to her custom, and her venerable brother with his monks went there to meet her, and they spent the whole day in the praises of God and spiritual talk, and when it was almost night, they dined together. As they were yet sitting at the table, speaking of devout matters, and the hour grew late, the holy nun, his sister, entreated him, saying, “I ask you not to leave me this night, that we may speak of the joys of the heavenly life until morning.” To which he replied, “What are you saying, sister? In no wise can I stay outside my cell!”

The final meeting between Ss Benedict and Scholastica, depicted in a 14th-century fresco in the Sacro Speco of Subiaco.
At that time, the sky was so clear that no cloud was to be seen. The holy nun, hearing this refusal of her brother, joined her hands together, laid them on the table, bowed her head on her hands, and prayed to almighty God. And when she lifted her head from the table, there fell suddenly such a tempest of lightning and thundering, and such abundance of rain, that neither venerable Benedict, nor his monks that were with him, could put their heads out of doors. The holy nun, having rested her head on her hands, poured forth such a flood of tears on the table, that she transformed the clear air to a watery sky.

After the end of her devotions, that storm of rain followed; her prayer and the rain so met together, that as she lifted up her head from the table, the thunder began. So it was that in one and the very same instant that she lifted up her head, she brought down the rain. The man of God, seeing that he could not, in the midst of such thunder and lightning and great abundance of rain return to his Abbey, began to be heavy and to complain to his sister, saying: “God forgive you, what have you done?” She answered him, “I desired you to stay, and you would not hear me; I have desired it of our good Lord, and he has granted my petition. Therefore if you can now depart, in God’s name return to your monastery, and leave me here alone.” But the good father, not being able to leave, tarried there against his will where before he would not have stayed willingly. By that means, they watched all night and with spiritual and heavenly talk mutually comforted one another.

The next day the venerable woman returned to her monastery, and the man of God to his abbey. Three days later, standing in his cell, and lifting up his eyes to heaven, he beheld the soul of his sister (which was departed from her body) ascend into heaven in the likeness of a dove. Rejoicing much to see her great glory, with hymns and praise he gave thanks to almighty God, and imparted the news of her death to his monks. He sent them presently to bring her body to his Abbey, to have it buried in that grave which he had provided for himself. By this means it fell out that, as their souls were always one in God while they lived, so their bodies continued together after their deaths. (From the Second Book of the Dialogues of St Gregory the Great, chapters 33 and 34, read in the Roman Breviary on the feast of St Scholastica.)

The Death of St Scholastica, by Paul-Joseph Delcloche, from the Church of St James in Liège. (Public domain image from Wikimedia Commons.)

Wednesday, February 05, 2025

The Rhythms of Day and Night in the Rule of St. Benedict - Guest Article by a Monk

The following article was given to NLM by a monk of the Order of St. Benedict who writes under the pen name Placidus. Any reader who would like to get in touch with him may write to placidus12986@gmail.com.

I have often wondered how a monk would have spent his day in the time of St. Benedict. An overview of his Rule for Monasteries shows that he would typically divide his time between five things: praying, studying, working, eating, and sleeping. The way that these activities where distributed throughout the day, however, depended upon the amount of daylight available for artisanal or outdoor agrarian work, and the amount of darkness from which one could profit a full night’s sleep.

In St Benedict’s day, an hour was not counted by a division into 24 equal parts of the period from one solar noon to the next. Rather, one solar hour of the day was counted as one twelfth part of the period from sunrise to sunset, and a nocturnal hour was likewise one twelfth of the period between sunset and sunrise. At Montecassino, the total duration of the twelve daylight hours varies from about 15 conventional hours at the summer solstice to a bit more than 9 conventional hours at the winter solstice.

How one calculates an hour is somewhat arbitrary in the end, but the main principle is that it be based on some fixed law of motion, if, indeed, time is the numbering of motion according to an order of before and after. Whether one calculates time according to the daily motions of the sun, or the vibrations of a caesium atom, is a matter of taste and practicality. In a technocratic culture dependent upon world-wide commerce, communication, and travel, a system of time-keeping that admits of no variation anywhere in the world makes sense. But in an agrarian culture that is without such dependencies, as was that of rural Italy in the time of St. Benedict, the daily motion of the sun was the natural choice for tracking the day.

A Roman solar day near the summer solstice

A Roman solar day near the winter solstice

One of the reasons why St. Benedict calculates the hours according to the amount of daylight is because the liturgical day ends at sunset, and so the daily requirement of praying to God seven times a day (cf. Ps. 118, 164) was to be completed before then. Hence, for St. Benedict, a monk’s prayer was to be distributed according to evenly spaced solar hours between sunrise and sunset. Lauds, therefore, is generally prayed at first-light, such that it concludes near the moment of sunrise, Prime is one solar-hour after sunrise, Terce is around three later, Sext is at solar-noon, None is around nine solar-hours later, and Vespers occurs about an hour or so before sunset, whereas Compline is sung at sunset, during the twilight period, so as to close off the day. [1] All of these, St. Benedict says, must be sung while there is still some light in the sky.

However, Scripture also tells us to pray at night (Ps. 118, 62), and so St. Benedict prescribes that the office of Matins (or Vigils) be prayed after a full night’s sleep in winter (eight hours after sunset), and just before Lauds in Summer, since the time between sunset and sunrise for most of this season is not enough for a full night’s sleep. [2] To make up for these short nights, a siesta is added before None so that the monk still gets his total of eight hours of sleep each day.

In winter (October 1st to Easter), St. Benedict has his monks spend any available time between Matins and Terce and between None and Vespers doing lectio divina, the prayerful study and meditation on Sacred Scripture and the Church Fathers, or else the monks are to memorize those Psalms that have not yet been learned by heart. But the warmer and brighter hours between Terce and None during this season are spent outside doing manual labor. However, in summer (Easter to October 1st), the inverse occurs. The monk spends the hottest hours in the middle of the day between Terce and None inside the monastery doing his lectio divina, whereas he spends the cooler hours in the morning between Prime and Terce or in the evening between None and Vespers doing manual labor outside, or he spends it doing artisanal labor in one of the monastery’s workshops.

Yearly solar horarium according to the Rule of St. Benedict, chs. 8, 41, 48

In any medieval monastery, study was easily done in summertime within the cool, stone interior of the monastery’s scriptorium or cloister-walk, but in wintertime, it was done by candlelight at the fireside of the calefactory. However, indoor artisanal work requires at least daylight coming through the workshop windows, and agrarian labor also requires bearable outdoor temperatures, determined by the passing of the sun. The day is arranged, then, to make the most efficient use of light and temperature.

The taking of meals also reflects this harmony with and dependence upon the sun and seasonal changes. In fall and winter (beginning on September 14t), when there is less manual work to do outside, the monk eats less, taking his one main meal after None, or after Vespers during Lent, but in summer (beginning at Easter), when the manual work is more intense, the monk eats his main meal after Sext and also takes supper after Vespers. However, in accord with his Italian heritage, St. Benedict makes no mention of breakfast in the early morning.

Now, if we compare the total amount of time given to each activity, mentioned above, we can see that the monk spends an average of 5½ hours a day in manual labor and 4 hours in study. These vary inversely so that there is more work in the summer, but more study in the winter. The monk also has the option of replacing his siesta in summer with more study, if he wishes.

Likewise, the monk spends from around 4 to 5 hours a day in liturgical prayer and about ¾ to 1¼ hours at meals. These are similarly related inversely so that the extra time during the monastic fast between September 14th and Easter, when only one meal is taken rather than two, is replaced by more time in liturgical prayer, i.e. at Matins. The monk also has the option here of adding more time for personal prayer in the chapel on his own, perhaps during the long period between Matins and Lauds in Winter. Hence, as the night hours increase, study and prayer increase, but when the daylight hours increase, work and bodily nourishment increase.


There are many things that we can learn from this contemplative rhythm of life that is built around this daily ebb and flow of light and warmth. The monk sees the rising of the sun each day as he comes out from Lauds, having just admonished all creation to divine praises: “Praise him sun and moon, praise him every star and light” (Ps. 148, 3; cf. Dan. 3, 56-88), and thus he is reminded by the dawn of God’s loving Providence over all things. In the hymn at Lauds the monk praises God for having created night and day:
Maker of all, eternal King / Who day and night about dost bring / Who weary mortals to relieve / Dost in their times the seasons give.

Now the shrill cock proclaims the day / And calls the sun’s awakening ray / The wandering pilgrim’s guiding light / That marks the watches night by night. . . .

O let us then like men arise / The cock rebukes the slumbering eye / Bestirs who still in sleep would lie / And shames who would their Lord deny. [3]
The Creator of the day speaks to us through nature, both by the rising light of dawn as by the rooster’s crow, which both attest to the ordered celestial laws that govern the days, months, and years, as well as to the necessary submission of nature to those same laws. If the rooster is obedient to the rising light and announces on time its maker’s glory, all the more are we encouraged to do so. Hence, St. Benedict rouses his monks to wakefulness in the Rule, saying,
Let us then rise at length, since the Scripture arouseth us, saying: “It is now the hour for us to rise from sleep” (Rom. 13, 11); and having opened our eyes to the deifying light, let us hear with awestruck ears what the divine voice, crying out daily, doth admonish us, saying: “Today, if you shall hear his voice, harden not your hearts” (Ps. 94, 8) . . . “Run whilst you have the light of life, that the darkness of death overtake you not” (John 12, 35). [4]
The urgency of his admonition is all the more apparent when the time one has for daily work is clearly marked by the unchanging laws of the sun. “Are there not twelve hours in the day? If any one walks in the day, he does not stumble, because he sees the light of this world” (John 11, 9). All that we have is today for our conversion; no man knows if the sun will rise for him again. “Night is coming when no man can work” (John 9, 4). The Scripture that is read each day at Lauds also warns us to cast off the night of our sins and to put on Christ.
The night is far gone, the day is at hand. Let us then cast off the works of darkness and put on the armor of light; let us conduct ourselves becomingly as in the day (Rom. 13, 12-13).
Singing Lauds just before sunrise reminds us that Christ himself is coming: “Awake, O sleeper, and arise from the dead, and Christ shall give you light” (Eph. 5, 14). Nearly every day the monk is reminded in song of this rising light, which he sees with his own eyes and knows in his own soul: the physical light that casts off the shadow of night, and the spiritual light that breaks through the darkness of sin. The rising light of day recalls to mind that we are given yet another chance to return to Christ: “Therefore, our days are lengthened to a truce for the amendment of the misdeeds of our present life.” [5]

Dusk on the mountain in November

At Vespers, the monks recalls again the ordered harmony of the celestial motions:
O God, whose hand hath spread the sky / And all its shining hosts on high / And painting it with fiery light / Made it so beauteous and so bright.

Thou, when the fourth day was begun / Didst frame the circle of the sun / And set the moon for ordered change / And planets for their wider range. [6]
These ordered laws that govern the heavenly motions are continually proposed to the monk for contemplation: the circuit of the sun, the phases of the moon, the wheeling stars and wandering planets. All of these point in their constant change to something changeless and eternal: the Divine Will and Providence, unchanging in its firmness, but which governs all things with love and sweetness, bringing them to their preordained consummation. Meditating on this divine rule in the ordered changes of the seasons, the great St. Boethius declared shortly before his execution,
Thou short the days dost make / When Winter from the trees the leaves doth take,
Thou, when the fiery sun / Doth Summer cause, makest the nights swiftly run.
Thy might doth rule the year / As northern winds the leaves away do bear . . .
None from Thy laws are free, / Nor can forsake their place ordained by Thee.
Thou to that certain end / Governest all things. [7]
Living by the rhythms of the sun, the monks of old were compelled to assent to its benign governance, and through submitting to its care, they were made to acknowledge the One who created it, and who is ever over all things, supreme.

NOTES 

[1] St. Benedict has Terce and None vary slightly according to the season, depending on the exigencies for outdoor manual labor and the time given to study or lectio divina.

[2] Lauds follows shortly after Matins from Easter to November. However, since Matins is longer from November until Easter by as much as ½ an hour due to lengthier readings, Lauds moves back to just before sunrise.

[3] From the hymn Ætérne rerum Cónditor, from Lauds on Sunday.

[4] Rule of St. Benedict, Prologue.

[5] Rule of St. Benedict, Prologue.

[6] From the hymn Cæli Deus sanctíssime, from Vespers on Wednesday. Cf. Gen. 1:14-19.

[7] St. Severinus Boethius, The Consolation of Philosophy, 1.5.

Wednesday, January 15, 2025

St Maurus, and a Famous Miracle of St Benedict

January 15th is the feast day of St Maurus, a disciple of St Benedict who is famous for his role in one of his master’s more impressive miracles. This is recounted by St Gregory the Great in chapter 7 of the Second Book of his Dialogues, which is devoted to the life of St Benedict.

“On a certain day, as the venerable Benedict was in his cell, the young Placidus, one of the Saint’s monks, went out to draw water from the lake; and putting his pail into the water carelessly, fell in after it. The water swiftly carried him away, and drew him nearly a bowshot from the land. Now the man of God, though he was in his cell, knew this at once, and called in haste for Maurus, saying: ‘Brother Maurus, run, for the boy who went to the lake to fetch water, has fallen in, and the water has already carried him a long way off!’

St Maurus Saves St Placid from Drowning, by Spinello Aretino, 1388, from the sacristy of San Miniato al Monte in Florence. The church is still to this day the home of a community of Olivetan monks; in accordance with a common medieval custom, St Benedict and his contemporaries are depicted in white Olivetan habit.
A marvelous thing, and unheard of since the time of the Apostle Peter! Having asked for and received a blessing, and departing in all haste at his father’s command, Maurus ran over the water to the place whither the young lad had been carried by the water, thinking that he was going over the land; and took him by the hair of his head, and swiftly returned with him. As soon as he touched the land, coming to himself, he looked back, and realized that he had run on the water. That which could not have presumed to do, being now done, he both marveled and was afraid of what he had done.

Returning therefore to the father, he told him what had happened. And the venerable Benedict did not attribute this to his own merits, but to the obedience of Maurus. Maurus, on the contrary, said that it was done only in accord with his command, and that he had nothing to do with that miracle, not knowing at that time what he did. But in this amicable contention of mutual humility, the youth who had been saved came as judge; for he said, ‘When I was being drawn out of the water, I saw the Abbot’s garment over my head, and perceived that it was he that drew me out of the water.’ ”

Thursday, July 11, 2024

The Solemnity of St Benedict 2024

O caelestis norma vitae, doctor et dux, Benedicte, cujus cum Christo spiritus exsultat in caelestibus, gregem, pastor alme, serva, sancta prece corrobora, via caelos clarescente fac te duce penetrare. – O rule of the heavenly life, teacher and leader, whose spirit rejoiceth with Christ in heaven, Benedict, preserve thy flock, a kindly shepherd, strenghten it with thy holy prayer; lead it and bring into the heavens by the bright path. (The antiphon for the Magnificat at Second Vespers of the Solemnity of St Benedict.)
The Triumphal Way of St Benedict, by Johann Michael Rottmayr, 1722; fresco on the ceiling of Melk Abbey in Austria. (Image from Wikimedia Commons by Uoaei1; click to enlarge.) – The pomp of the world is represented on the left side by a book full of alchemical symbols, two demons, one of which holds a censer, and a figure with a theatrical mask, being speared in the throat by an angel. (The censer refers to the pagan sacrifices which St Benedict found still happening on Monte Cassino when he moved there, and to which he put an end.) On the right, a figure with a Cross and a whip drives away two other female figures, one bare-chested, the other holding rich clothing and a crown; below them, a figure with thorny branches drives away another demon, a reference to St Benedict’s conquest of the vice of lust by rolling around in a bramble. Underneath St Benedict are angels holding a miter and crook, used by the abbot of Melk, a book with the opening words of the Rule, and a glass with serpent emerging from it; the last refers to an attempt by some very bad monks to poison St Benedict, who made the sign of the Cross over the glass, “which broke as if he had thrown a stone.”
St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing.” There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the Abbey of Monte Cassino in Italy, founded by the Saint himself, and the French Abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine Calendar.

Thursday, March 21, 2024

A Sequence for the Feast of St Benedict

For the feast of St Benedict, here is the Sequence which is sung at his Mass by those Benedictines who use Missale Romano-Monasticum. It is first documented in a missal printed for the use of the Monte Cassino Benedictine congregation in 1506, and was later adopted by some other congregations, including the Cluniacs. The opening words were originally “Laeta quies – the happy rest”, since March 21 is the day of Benedict’s death; for the use of those who keep the feast on July 11th, this is changed to “Laeta dies – the happy day.” (This variant is attested very close to the time of its composition.)


(My dull prose translation)
The joyful day of the great leader, bringing the gifts of a new light, is celebrated today.

Grace is given to the loving soul; let that which is brought forth (in song) resound in ardent hearts.
Let us admire him as he ascends by the way of the East in the likeness of a patriarch.
The greatness of his posterity made him like the sun, and similar to Abraham.
You see the crow that serves him; hence, recognize one like Elijah, lying hidden in a little cave.
Elisha is also recognized (in him) when the axe is called back from the bed of the river.
His purity made him like Joseph, his mind that knew the future made him like Jacob.
May he, mindful of his people, bring us to the joys of Christ, who endureth forever. Amen.
St Benedict at Prayer in the Cave, by the anonymous Master of Messkirch, ca. 1520-40. Early on in his career as a monk, St Benedict withdrew to a cave at Subiaco, and was fed by another monk called Romanus, who was the only who knew he was there. In the upper part, a devil is breaking the bell which Romanus would ring to let Benedict know that he had arrived. (Public domain image from Wikimedia Commons.)
The mention of Elijah here refers to a time when St Benedict had his food provided for him by a crow, when Romanus was unable to come to him, and just like Elijah, Benedict made an axe head lost in a river float so it could be recovered.

Tuesday, July 11, 2023

The Solemnity of St Benedict 2023

Vir Domini Benedictus ferrum de profundo resiliens Gotho reddidit, dicens: * Ecce, labora, et noli contristari. V. Vix enim manubrium misit ad lacum, ferrum de profundo rediit, quod reddens dixit: Ecce. Gloria Patri. Ecce. (The 4th responsory of the Solemnity of St Benedict in the Monastic Breviary.)

The episode referred to in the responsory above, depicted by Spinello Aretino, 1388, in the sacristy of the church of San Miniato in Florence.
R. Benedict, the man of God, returned to the Goth the iron that leapt up from the deep, saying, * Behold, work on, and do not be sad. V. For scarcely did he put the handle near the lake, and the iron returned from the deep; and giving it back, he said, Behold... Glory be... Behold.
In the Second Book of St Gregory the Great’s Dialogues, dedicated to the life and miracles of St Benedict, this episode of a miracle also performed by the Prophet Elisha (4 Kings 6, 1-7) is recounted thus in chapter six:
(A) certain Goth, poor of spirit, came to conversion (i.e., became a monk) whom the man of God Benedict most gladly; and one day, commanded him to take ... a sickle, and cut away the briars from a certain plot of ground, so that a garden might be made there. Now this place, which the Goth had undertaken to clear, was by the side of a lake, and while he was cutting away the cluster of briars with all his strength, the head of the sickle flew off the handle and fell into the water, in a place where it was so deep that there was no hope of getting it back. The Goth, in great fear, ran to the monk Maurus, and told him what he had lost, confessing his own fault, and Maurus went to the servant of God Benedict and told him. Therefore, the man of God Benedict went to the lake, took the handle from the Goth’s hand, and put it into the water, and soon the iron head came up from the deep, and entered again into the handle (of the sickle), which he returned at once to the Goth, saying, ‘Behold, work on, and be sad no more.’
St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing”. There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the abbey of Monte Cassino in Italy, founded by the Saint himself, and the French abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine calendar.

Tuesday, March 21, 2023

The Feast of St Benedict 2023

O the praiseworthy and glorious merits of St Benedict, who, while he spurned his native place and the pomp of the world for Christ, obtained a share in the company of all the blessed, * and shared in their eternal rewards. V. Among the choirs of the Confessors he holds a splendid place, and beholds the very source of all good things. And shared... (The 5th responsory of Matins in the Monastic Office of St Benedict.)

St Benedict in the Glory of Heaven with the Saints; fresco on the ceiling of the abbey church of St Maurice in Ebersmunster, France, ca. 1727.
R. O laudanda sancti Benedicti mérita gloriósa, qui dum pro Christo patriam mundíque sprevit pompam, adeptus est omnium contubernium beatórum, * et párticeps factus praemiórum aeternórum. V. Inter choros Confessórum spléndidum póssidet locum, et ipsum fontem omnium intuétur bonórum. Et párticeps.

St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing.” There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the Abbey of Monte Cassino in Italy, founded by the Saint himself, and the French Abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine Calendar.

Monday, July 11, 2022

The Feasts of St. Benedict and Their Proper Texts in Benedictine Churches

Catholics attentive to the sanctoral cycle will have noticed two feasts of St. Benedict that appear in the calendar (depending on your location and the form of the Mass): the dies natalis of March 21, which almost always falls during Lent, and the summer feast on July 11, which historically originated as a feast of the translation of relics but has been simply accepted by most Benedictines as an opportune time to celebrate their holy father. Traditionally March 21 has no octave due to Lenten austerity but July 11 has a jubilant octave. In the Tridentine calendar, March 21 is the only feast of the saint, and sadly since John XXIII the day is rarely given over to the great patriarch of Western monasticism. Even if the feast is observed, it would be observed with the “Os Justi” Common.

However, Benedictines who keep their own traditions rejoice in three proper Masses for their holy founder: one on March 21; another on July 11; and a third on July 18 for the octave. I thought it would interest NLM readers to see the proper texts for all three, which are conveniently found in an appendix to the St. Andrew Daily Missal (reprint of the 1945 edition). I do not know if any other founder of a religious “order” (taking that term in the broadest possible sense) enjoys such a profusion of proper Masses! The texts are extraordinarily rich and well-suited to the saint, a luminous exemplar of how the usus antiquior coalesces its changing texts around the figure of a saint as an icon of Christ, as a figure that fulfills in his life the message of Sacred Scripture.

I would draw the reader's attention particularly to the Sequence and the proper Preface.

We should bear in mind thatt the July 11th feast as the translation of St Benedict’s relics, while very old, was not universally celebrated by the OSB before the 19th century, and the recasting of it as the “solemnity of St Benedict” with an octave is rather recent. E.g., it is not in this edition of the breviary from 1831.

UPDATE (7/12/22): I have been informed by several people that there is yet another feast of St. Benedict observed in some monasteries, namely, a December 11th "In Veneratione et Repositione Sacrae Reliquiae Capitis SS. Patriarchae Nostri Benedicti." I have not been able to get hold of the Propers but here's a screenshot that was shared with me:
 

March 21


The March 21st propers are conveniently available as a PDF online, from which the following images have been extracted.

Monday, March 21, 2022

Humility of Service in Fixity of Form: The Policy of St. Benedict of Nursia

March 21 is the dies natalis of one of the most influential of all saints, Benedict of Nursia, Patriarch of Western Monasticism and Co-Patron of Europe. Highly pertinent to this blog’s concerns are the many profound liturgical lessons contained in the Holy Rule. Today I would like to consider a point from chapter 5.

According to St. Benedict, the root of humility is that a man must live not by his own desires and passions but by the judgment and bidding of another: ambulantes alieno judicio et imperio. When St. Benedict comes around to ordering the monastic liturgy, he makes continual reference to how things are done elsewhere: the psalms prayed by our fathers, the Ambrosian hymn, the canticles used by the Church of Rome. Even when fashioning his monastic cycle of prayer, he is constantly looking to the models already in existence. In like manner, chapter 7 warns us against “doing our own will,” lest we become corrupt and abominable.

This is the true spirit of liturgical conservatism, piety towards elders, and the imitation of Christ. We are not the ones who determine the shape of our worship; we receive it in humility as an “alien judgment” that we make our own. To do otherwise is to put the axe to the tree of humility. (St. Benedict allows for a redistribution of the psalms, as long as monks rigorously hold to the principle of praying the full psalter in one week. Therefore it would not conflict with humility for a monastic community to make some adjustments to the cycle of psalms, yet it would smack of temerity to reject the most ancient and stable pillars of the office, such as the praying of the whole psalter each week, and, to take a couple of specific examples, Psalms 109–112 for Sunday Vespers and Psalms 66, 50, 117, 62, and 148–150 for Sunday Lauds.)

Liturgical prayer has always been the foremost way of inculcating submission to Christ and His Church, so that we can learn His ways, and assimilate His prayer, and drink of His wisdom—which will certainly not be something we ourselves could have “cooked up.” Thus we take His yoke upon us…the yoke of tradition.

Prior to the middle of the twentieth century, it was taken for granted in Catholic circles that it is a special perfection of the sacred liturgy to be fixed, constant, stable, an immovable rock on which to build one’s spiritual life. The liturgy’s numerous and exacting rubrics were understood as guiding the celebrant along a prayerful path of submissive obedience, in which he could submerge his personality into the Person of Christ and merge his individual voice with the chorus of the Church at prayer. The formal, hieratic gestures transmitted an eternally fresh symbolism while limiting (if not eliminating) the danger of subjectivism and emotionalism. The priest or other minister was conformed to Christ the servant, who came not to do His own will but the will of Him who sent Him; he is commanded what to speak and what to do; he never speaks of himself.

The Father who abides in the Son does the work of the Son, and the Son who abides in the priest likewise does the work of the priest. In this way, even as the Son was “emptied of glory” in taking on the form of a slave, so, too, is the priest who enters His kenosis, sharing the hiddenness, humiliation, passion, and death of Christ. We may even say that the priest imitates and participates in the descent of Christ into hell by offering the Holy Sacrifice for the release of souls in Purgatory, which has a certain resemblance to the limbo of the fathers.

The last Holy Communion of St. Benedict

Our Lord, the great High Priest of the New Covenant said: “I cannot do anything of myself” (Jn 5:30). Here we have perhaps the most radical statement of the priest’s being tethered to the liturgy. It is a tethering so complete that he may truthfully say: “I cannot do otherwise.” If he thinks or acts otherwise, he has not yet become a slave, in imitation of the One who assumed the likeness of a slave. Worse, if he is allowed to do otherwise by a liturgical book, that book is a smudged and fractured mirror that does not reflect the Word.

This is why we ought to be unnerved by one of the most notable novelties in the Missal of Paul VI and in all the revised liturgical books, namely, that by which the celebrant is given many options among which he may choose, as well as opportunities for crafting his own speech: “in these or similar words.”[1] Confronted with such a phrase, one might legitimately ask: “How similar is similar?” In reality, the word of the liturgy and the word of the minister ought to be homoousios, of one and the same substance, not homoiousios, of a similar substance.

In the action of selecting options and extemporizing texts, the celebrant no longer perfectly reflects the Word of God who, as the perfect Image of the Father, receives His words and does not originate them, who does the will of another and not His own will. The elective and extemporizing celebrant does not show forth the fundamental identity of the Christian: one who receives and bears fruit, like the Blessed Virgin Mary; one who conceives with no help of man, by the descent of the Spirit alone.[2]

Instead, he adopts the posture of one who originates; he removes this sphere of action from the master to whom he reports; he carves out for himself a zone of autonomy; he denies the Lord the privilege of commanding him and deprives himself of the guerdon of submission; for a moment he leaves the narrow way of being a tool and steps on to the broad way of being somebody. He becomes not only an actor but a playwright; his free choice as an individual is exalted into a principle of liturgy. He joins the madding crowd that says, in the words of the Psalmist: linguam nostram magnificabimus, labia nostra a nobis sunt; quis noster dominus est? “We will magnify our tongue; our lips are our own; who is Lord over us?” (Ps 11:5).

But since free choice is antithetical to liturgy as a fixed ritual received from our forebears and handed down to our successors, choice tends rather to be a principle of distraction, dilution, or dissolution in the liturgy than of its well-being. The same critique may be given of all of the ways in which the new liturgy permits the celebrant an indeterminate freedom of speech, bodily bearing, and movement. Such voluntarism strikes at the very essence of liturgy, which is a public, objective, formal, solemn, and common prayer, in which all Christians are equally participants, even when they are performing irreducibly distinct acts. The prayer of Christians belongs to everyone in common, which means it should not belong to anyone in particular. The moment a priest invents something that is not common, he sets himself up as a clerical overlord vis-à-vis the people, who must now submit not to a rule of Christ and the Church, but to the arbitrary rule of this individual.

In the liturgy above all, we must never speak “from ourselves,” but only from Christ and His beloved Bride, the Church.

The deepest cause of the missionary collapse of the Church in the Western world is that we have lost our institutional and personal subordination to Christ the High Priest, the principal actor in the liturgy, the Word to whom we lend our mouth, our hands, our bodies, our souls. For the past fifty years it has not been perfectly clear that we are in fact ministers and servants of another, intelligent instruments wholly at His disposal. On the contrary, the opposite message has been promoted over and over again, ad nauseam, whether in words or in deeds: we have “come of age,” we are shaping the world, the Church, the Mass, the entire Christian life, according to our own lights, and for our own purposes. It is not difficult to see both that this is an inversion of the preaching of Christ and of the tradition of the Church and that it cannot produce renewal, but rather, confusion, infidelity, boredom, and desolation. We see here an exact parallel to what has happened with marriage: when so-called “free love” entered into the picture, out went committed love and heroic sacrifice, and in came lust, selfishness, dissatisfaction, and an unspeakable plague of loneliness. “Without me, you can do nothing” (Jn 15:5). In the realm of sexual morality as in the realm of liturgical morality, we have given a compelling demonstration of what we can accomplish without Christ and without His gift of tradition—namely, nothing.

As if the Church had suddenly developed an autoimmune disease, churchmen in the twentieth century turned against ecclesiastical traditions, against greatness in music, art, and architecture, against rites and ceremonies, in a sterile love-affair with nothingness. We have witnessed an inbreaking of the underworld, an influx of demonic energy and chaos. Rejecting one’s past is rejecting oneself; this is what makes the comparison to an autoimmune condition apt. It does no good to pretend that we are dealing with anything less harmful than this, less dangerous, or less in need of exorcism.

I believe that we are much more on our guard now: the enemy of human nature has shown his cards and we are better prepared to detect his wiles. I would include in this category the flurry of thinking and writing that has taken place in recent years about the inherent limits of papal authority, the obligation of the pope to act as servant of the servants of God rather than an oriental (or South American) despot, and the inner connection between liturgy, dogma, and morality. As time goes on, I have no doubt that the truth of the axiom lex orandi, lex credendi, lex vivendi will be made manifest in a blazing light of obviousness that will swell the ranks of Catholic traditionalists and expose the modernism of their opponents past all gainsaying.

The liturgical humility taught and practiced by St. Benedict will be, once again, as it had already been for so many centuries of Church history, a vital force in the restoration of worship for which we pray and labor.

NOTES

[1] See Rev. Paul Turner, In These or Similar Words: Praying and Crafting the Language of the Liturgy (Franklin Park, IL: World Library Publications, 2014). A synopsis may be found at http://paulturner.org/wp-content/uploads/2015/01/ml-in-these-or-similar-words.pdf.

[2] See “The Spirit of the Liturgy in the Words and Actions of Our Lady” in Peter Kwasniewski, Noble Beauty, Transcendent Holiness: Why the Modern Age Needs the Mass of Ages (Kettering, OH: Angelico Press, 2017), 53–87.

Monday, March 14, 2022

“The Sacrifice of Praise and the Ecstatic Orientation of Man”: Dr. Kwasniewski’s Davenport Lecture

The following lecture was given in Davenport, Iowa, on March 2, 2022, at the invitation of Una Voce Quad City. I am grateful to the organizers for making a video, which is now on my YouTube page.

I am convinced that one of the greatest errors we are facing in the Church today—and one that, in a hidden way, drives a lot of other problems we are suffering under—is the dominance of an activist, utilitarian, this-worldly notion of what Christianity is all about. It’s taken for granted that religion is for the sake of social justice and improvement of quality of life, that it’s a matter of being busy with charitable projects, of making ourselves “useful,” and so forth—quite as if God is not very good at ruling His universe and needs a lot of help from us (“excuse me, Lord, let me step in and take care of this disaster”). At its extreme, as we see it too often in Vatican documents and activities, Catholicism looks like an interreligious, humanitarian social services operation, the “chaplain to the United Nations” as some wags have put it.

In my talk this evening I would like to present to you a totally different way of thinking of the meaning of Christianity and of the purpose of human life. I will offer you the traditional vision, which, needless to say, is not well understood. And I will do so starting from a book of the Bible that used to be at the heart of all of theology but has suffered enormous neglect in the modern Church, namely, the Epistle to the Hebrews, which is all about priesthood, sacrifice, and heaven, and the very title of which underlines the profound continuity between the worship of Israel instituted by God through Moses and its fulfillment in the worship of the New Israel instituted by the God-man Jesus Christ.

In this Epistle, whose author I will take to be St. Paul or certainly of St. Paul’s circle, a climactic verse of chapter 13 exhorts us: “By Him [our Lord Jesus Christ], therefore, let us continually offer the sacrifice of praise to God, that is to say, the fruit of lips confessing to His Name” (Heb 13:15). Given the relative paucity of explicit references in Hebrews to the Christian liturgy and how it is to be conducted here on earth,[1] this exhortation rings out all the more loudly, summoning us to a certain way of life: one in which we offer unto God, continually, the “sacrifice of praise,” which is the fruit of interior faith and its verbal confession. One might ask: Why does St. Paul sum up the Christian religion as a sacrificium laudis? What might we learn from the emphasis on praise?

Before digging into that question, it is worthwhile to point out how frequently Sacred Scripture uses this language. Apart from Hebrews 13:15, here are some other instances:

Offer to God the sacrifice of praise: and pay thy vows to the most High. (Psalm 49:14)

The sacrifice of praise shall glorify me: and there is the way by which I will shew him the salvation of God. (Psalm 49:23)

And let them sacrifice the sacrifice of praise: and declare his works with joy. (Psalm 106:22 )

I will sacrifice to thee the sacrifice of praise, and I will call upon the name of the Lord. (Psalm 115:8)

And offer a sacrifice of praise with leaven: and call free offerings, and proclaim it: for so you would do, O children of Israel, saith the Lord God. (Amos 4:5)

But I with the voice of praise will sacrifice to thee: I will pay whatsoever I have vowed for my salvation to the Lord. (Jonah 2:10)

And thou hast taken pity upon two only children. Make them, O Lord, bless thee more fully: and to offer up to thee a sacrifice of thy praise, and of their health, that all nations may know, that thou alone art God in all the earth. (Tobit 8:19)[2]
And there are countless verses that suggest the same in different language. We have, for instance, Psalm 70:8: “Let my mouth be filled with praise, that I may sing thy glory, thy greatness, all the day long”—a verse, incidentally, that is sung in the Divine Liturgy of St. John Chrysostom immediately after the reception of Holy Communion, in a way identifying Our Lord with the very act of praise: “Let my mouth be filled with praise.”[3] The Prophet Jeremiah says: quoniam laus mea tu es, “for Thou art my praise” (Jer 17:14).

Of all forms of prayer, praise is the one most “for its own sake.” In a sense, it is useless, in that it has no further ulterior motive or result we are seeking out of it.[4] Praise looks to the greatness, glory, beauty, and worthiness of the one praised and seeks to render to him a selfless homage; in the words of the Gloria, propter magnam gloriam tuam, or in the words of the final Psalm: laudate eum secundum multitudinem magnitudinis eius, “praise him according to his exceeding greatness!” (Ps 150:2). All forms of prayer, of course, are directed towards God, this being part of the very definition of prayer. That explains why the publican in the parable went home justified rather than the Pharisee, since the publican actually turned to God in self-abnegating repentance, whereas the Pharisee turned to himself in admiration of his own excellence.

All the same, other forms of prayer besides praise are unavoidably wrapped up with oneself. When we give thanks to God, we are recalling the good things He has done for us. When we supplicate Him, it’s about our own needs or the needs of others, and that’s perfectly fine; we are needy creatures, and the worst thing we can do is to pretend otherwise. When we accuse ourselves of wrongdoing and repent of it, we are recognizing that we have failed to live up to God’s just expectations of us, that we are at fault and deserving of punishment, and we beg for pardon. But when we praise, we are lifting up our hands, our voices, our minds, towards God who is almighty, all-glorious, awe-inspiring, worthy in Himself of the homage of the entire cosmos for all eternity, worthy of the total surrender of myself to Him. In a short story called “The Castle: A Parable,” George MacDonald gives us this magnificent prayer:
We thank Thee for Thyself.
Be what Thou art—our root and life,
our beginning and end, our all in all.
Thou livest; therefore we live.
Thou art—that is all our song.[5]
In order to have a concrete model in front of us, we might think of the sequence of psalms in the office of Lauds in the monastic tradition. On Sundays of Paschaltide, on Sundays in special seasons, and on Solemnities, Lauds is a time of prayer given over entirely to the pure praise of God: Psalms 66, 62, 92, 99, the Benedicite, and Psalms 148 to 150 (from which Laudate psalms the office derives its very name).[6] In contrast, when we look at Prime or the Little Hours, we can see how concerned they are with the labors and trials of the day, the ongoing struggle with our enemies who seek to surprise us and capture us, the need for help, mercy, and consolation in a time of exile or pilgrimage. While not excluding these themes, Lauds is principally a “sacrifice of praise,” a burning up of the incense of our time and of the fruit of our lips. It is an office we perform not in order to “get” something, but propter magnam gloriam tuam. May all the earth praise the Lord: every creature, every order of being, every man, woman, and child. We will stand in for them, voicing the praises of creation; we will announce and obey the divine imperative, laudate Dominum; we will give utterance to a sleeping world on its behalf.

As with the religious life in general, Lauds is not concerned with going out into the streets, knocking on doors, engaging in conversations, making the Gospel relevant or intelligible. Those things are important and have their place, but first comes praise, the precondition and promise of the fruitfulness of anything else we may do.[7] A priest once wrote to me these words:
I know of no great thinker, no great advocate of justice or mercy or great keeper of an institution, who was not first an ardent laudator (giver of praise). I also do not know true intercessors who did not do this ministry in the context of praise. Self-forgetting praise is our foretaste of Heaven.[8]
This is the message we modern Christians need to hear in the expression “sacrifice of praise.” We are steeped in a world of pragmatism, utilitarianism, and activism, where we place such a high premium on doing and making, where we ask “what good is it” and “what’s in it for me,” where we look for results, the bottom line, the cash value, the pay-off. It is so interesting to see how Our Lord in the Gospels repeatedly refuses to lower Himself to the level of quick victories over the roiling crowds, how He insists on the disciples taking time off to recollect themselves and to pray, and, most mysteriously of all, how He Himself spends whole nights in “the prayer of God,” as St. Luke says.[9] He who, as God, could not pray to Himself; He who, as man, was hypostatically united to the Word and therefore perpetually and perfectly communing with the Most Blessed Trinity in His human mind and heart, nevertheless really and truly exercised all the acts of prayer, including praise.

In this way He revealed to us that prayer is not something superficial and optional to man but, rather, is constitutive of his inmost identity as a rational creature fashioned by God, dependent on God, and destined for God. The one who does not pray is not living as a man; in any case, he cannot inherit the kingdom that a saint—that is, a man of prayer—is competent to receive. Jesus showed His disciples that prayer is an activity as necessary and as refreshing as eating and drinking when the body needs nourishment, as vital and fundamental as breathing in oxygen and breathing out carbon dioxide.[10] The poignant little prayer before the Divine Office brings out this point: “O Lord, in union with that divine intention with which You Yourself praised God while on earth, I offer You this hour.” This short prayer addresses Our Lord as the one who first lived and always lives the sacrificium laudis with utter completeness, with inexhaustible superabundance; we wish to unite our will to His pure, lofty, all-sufficient intention.

Saturday, January 15, 2022

St Maurus, and a Famous Miracle of St Benedict

January 15th is the feast day of St Maurus, a disciple of St Benedict who is famous for his role in one of his master’s more impressive miracles. This is recounted by St Gregory the Great in chapter 7 of the Second Book of his Dialogues, which is devoted to the life of St Benedict.

“On a certain day, as the venerable Benedict was in his cell, the young Placidus, one of the Saint’s monks, went out to draw water from the lake; and putting his pail into the water carelessly, fell in after it. The water swiftly carried him away, and drew him nearly a bowshot from the land. Now the man of God, though he was in his cell, knew this at once, and called in haste for Maurus, saying: ‘Brother Maurus, run, for the boy who went to the lake to fetch water, has fallen in, and the water has already carried him a long way off!’

St Maurus Saves St Placid from Drowning, by Spinello Aretino, 1388, from the sacristy of San Miniato al Monte in Florence. The church is still to this day the home of a community of Olivetan monks; in accordance with a common medieval custom, St Benedict and his contemporaries are depicted in white Olivetan habit.
A marvelous thing, and unheard of since the time of the Apostle Peter! Having asked for and received a blessing, and departing in all haste at his father’s command, Maurus ran over the water to the place whither the young lad had been carried by the water, thinking that he was going over the land; and took him by the hair of his head, and swiftly returned with him. As soon as he touched the land, coming to himself, he looked back, and realized that he had run on the water. That which could not have presumed to do, being now done, he both marveled and was afraid of what he had done.

Returning therefore to the father, he told him what had happened. And the venerable Benedict did not attribute this to his own merits, but to the obedience of Maurus. Maurus, on the contrary, said that it was done only in accord with his command, and that he had nothing to do with that miracle, not knowing at that time what he did. But in this amicable contention of mutual humility, the youth who had been saved came as judge; for he said, ‘When I was being drawn out of the water, I saw the Abbot’s garment over my head, and perceived that it was he that drew me out of the water.’ ”

Sunday, July 11, 2021

The Solemnity of St Benedict 2021

O caelestis norma vitae, doctor et dux, Benedicte, cujus cum Christo spiritus exsultat in caelestibus, gregem, pastor alme, serva, sancta prece corrobora, via caelos clarescente fac te duce penetrare. – O rule of the heavenly life, teacher and leader, whose spirit rejoiceth with Christ in heaven, Benedict, preserve thy flock, a kindly shepherd, strenghten it with thy holy prayer; lead it and bring into the heavens by the bright path. (The antiphon for the Magnificat at Second Vespers of the Solemnity of St Benedict.)
The Triumphal Way of St Benedict, by Johann Michael Rottmayr, 1722; fresco on the ceiling of Melk Abbey in Austria. (Image from Wikimedia Commons by Uoaei1; click to enlarge.) – The pomp of the world is represented on the left side by a book full of alchemical symbols, two demons, one of which holds a censer, and a figure with a theatrical mask, being speared in the throat by an angel. (The censer refers to the pagan sacrifices which St Benedict found still happening on Monte Cassino when he moved there, and to which he put an end.) On the right, a figure with a Cross and a whip drives away two other female figures, one bare-chested, the other holding rich clothing and a crown; below them, a figure with thorny branches drives away another demon, a reference to St Benedict’s conquest of the vice of lust by rolling around in a bramble. Underneath St Benedict are angels holding a miter and crook, used by the abbot of Melk, a book with the opening words of the Rule, and a glass with serpent emerging from it; the last refers to an attempt by some very bad monks to poison St Benedict, who made the sign of the Cross over the glass, “which broke as if he had thrown a stone.”
St Benedict died on March 21 in the year 543 or 547, and this was the date on which his principal feast was traditionally kept, and is still kept by Benedictines; it is sometimes referred to on the calendars of Benedictine liturgical books as the “Transitus - Passing.” There was also a second feast to honor the translation of his relics, which was kept on July 11. The location to which the relics were translated is still a matter of dispute, with the Abbey of Monte Cassino in Italy, founded by the Saint himself, and the French Abbey of Fleury, also known as Saint-Benoît-sur-Loire, both claiming to possess them. This second feast is found in many medieval missals and breviaries, even in places not served by monastic communities. (It was not, however, observed by either the Cistercians or Carthusians.). The second feast was in a certain sense the more solemn in the traditional use of the Benedictines; March 21 always falls in Lent, and the celebration of octaves in Lent was prohibited, but most monastic missals have the July 11 feast with an octave. In the post-Conciliar reform of the Calendar, many Saints, including St Benedict, were moved out of Lent; in his case, to the day of this second feast in the Benedictine Calendar.

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