Sunday, September 29, 2024

Saint Michael, Sacred Liturgy, and the Restoration of Beauty

I have the good fortune of being obligated, for professional reasons, to regularly spend quality time with a wide variety of (digitized) medieval manuscripts. One result of this enlightening research is an appreciation for the diversity of artistic styles in pre-Renaissance Western culture. Sometimes we may find ourselves thinking in terms of an oversimplified dichotomy between highly iconographic modes in the East and a mildly symbolic proto-naturalism in the West. In reality, pre-modern religious paintings in East and West form a diverse continuum of artistic techniques, and a few outstanding artifacts can help us to reflect upon this.

One would be the Lindisfarne Gospels, with its enigmatic fusion of styles and astonishing decorations:

Another is the book of biblical scenes painted by William de Brailes, an English illuminator active during the thirteenth century. The example below, which depicts the Israelites worshipping the golden calf, has strongly iconographic features.

The Codex Calixtinus, dating to the mid-twelfth century and associated with both western France and northern Spain, is highly stylized and difficult to categorize:

Also from Spain, perhaps Segovia or Burgos, is the Hours of Infante Don Alfonso of Castile. The foliate ornamentation and grisaille-with-gold tonality in this book are deeply pleasing to me; there is an intriguing sense of mysticism in the serene faces and expressionistic scenes, along with a strong note of surreality in the surrounding details.

However, when it comes to reimagining artistic dichotomies, nothing quite compares to a twelfth-century masterpiece known as the Stammheim Missal. The illuminations in this manuscript—almost sui generis in style, and apparently the work of one extraordinarily talented monk—combine vibrant colors, curvilinear forms, strong geometries, simplified human figures, fascinating visual poetry, and profound visual theology into yet more compelling evidence that traditional Christian liturgy was the heart of Europe’s artistic genius.

The personification of Wisdom beneath God the Creator.


The Stammheim Missal emerged from that fundamental engine of medieval learning and creativity: the Benedictine scriptorium. It was made in the twelfth century at Hildesheim Abbey, in north-central Germany, and eventually found its way to the Getty Museum in Los Angeles; reproductions can be found on the Getty’s website. Despite the fact that it was produced over eight hundred years ago, all the pages are intact, the colors haven’t faded, and the precious metals still shine. Rarely do I see such vivid proof that skilled craftsmen working with authentic, natural materials can produce artifacts of astounding quality and longevity, even in the total absence of advanced technology.

David with companion musicians.

The Michaeliskirche—the abbey church of Hildesheim—is a superb Romanesque structure. It was dedicated to St. Michael the Archangel on his feast day, September 29th, in the year 1022, and rededicated to him on the same day nine years later, when construction was complete. When I reflect on the life expectancy of modern buildings and institutions, the longevity is almost breathtaking. The church you see below was built one thousand years ago.

St. Michael’s Church in Hildesheim, Germany. Photo by Heinz-Josef Lücking.

In the culture that produced the monastery that produced the Stammheim Missal, the feast of St. Michael the Archangel was a high holy day and a rich folkloric celebration. It was also, of course, a very special day for the monks of Hildesheim, who were careful to colorfully accentuate the celebration of their patron in the missal’s September calendar page:

And the historiated initial that introduces St. Michael’s feast day is a captivating and mysterious interplay of stolid rectangles, absorbing curves, bold colors, mischievous beasts, and diversely occupied humans.

As Gregory DiPippo explained in an NLM article published on this same day two years ago, this feast is of venerable antiquity and is not restricted exclusively to St. Michael:

The traditional title of today’s feast is “The Dedication of St Michael the Archangel,” a term already found ca. 650 A.D. in the lectionary of Wurzburg, the oldest of the Roman Rite that survives, and in the ancient sacramentaries....
Despite the fact that the feast’s title refers specifically only to St Michael, September 29th is really the feast of all the Angels, as stated repeatedly in the texts of both the Office and Mass.

That Michael shares his feast with other angels subtracts nothing from the honor that we give to him on this day. Rather, it reinforces his exalted role in salvation history and Christian spirituality, for his celestial renown was gained not as a champion in single combat but as the victorious commander of the angelic host. And indeed, this is precisely how the Stammheim illuminator portrayed him in the portrait that precedes the prayers for his feast:

You can further explore the historical context and theological resonance of this remarkable image in an article that I co-authored with my Substack colleague Amelia Sims McKee. It includes vibrant, wonderfully detailed images of the painting, and I hope that it might serve as an enjoyable and profitable meditation for this great feast, nowadays sadly understated, of the prince of the heavenly armies.


Dr. Ena Giurescu Heller, former professor of art history and specialist in medieval art, makes a crucial observation about artwork produced in the Middle Ages. She suggests that the modern “understanding of and response to medieval religious art is completely different (antithetical, really) to the response of its contemporaries.” Medieval Christians were surrounded by church buildings, stained-glass narratives, frescoes, statues, vessels, vestments, and illuminations that, despite their aesthetic magnificence,

were neither objects of any veneration (least of all aesthetic), nor ends unto themselves. They were tools—tools for the liturgy, and ... tools for transporting their beholders to the divine realm they symbolize and serve.

Furthermore, these tools for the liturgy were also inspired by the liturgy, which preceded them and which even in the absence of sumptuous visual or musical artwork was artistic in the most fundamental and transcendent sense of the word.

I say again: traditional Christian liturgy was the heart of Europe’s artistic genius. The artistic consciousness of Western civilization has suffered from long, dismal years of cardiac arrest. And yet, as the psalmist says, in the sight of God all these years are “as yesterday when it is past, and as a watch in the night.” For three days and three nights the heart of Our Lord was still. The resurrection will come, and in the meantime, let us pray that St. Michael press onward in his campaign against the Church’s ancient Enemy. We know, as Milton did, who the victor will be:

Now Night her course began and over Heaven
Inducing darkness grateful truce imposed
And silence on the odious din of war.
Under her cloudy covert both retired,
Victor and vanquished: On the foughten field
Michaël and his angels prevalent
Encamping, placed in guard their watches round,
Cherubic waving fires. On th’ other part,
Satan with his rebellious disappeared.

Tuesday, September 24, 2024

Arranging the Breviary for the Rest of the Liturgical Year

This is our annual posting on one of the discrepancies between the traditional arrangement of the Roman Breviary and the new rubrics of 1960; this year, the first such discrepancy appears at Vespers this coming Saturday. In some years, but not this one, there is also a discrepancy between the traditional placement of the September Ember Days, and their placement according to the new rubrics.

One of the changes made to the Breviary in the revision of 1960 regards the arrangement of the months from August to November.

The first Sunday of each of these months is the day on which the Church begins to read a new set of Scriptural books at Matins, with their accompanying responsories, and Magnificat antiphons at Saturday Vespers. These readings are part of a system which goes back to the sixth century: in August, the books of Wisdom are read; in September, Job, Tobias, Judith and Esther; in October the books of the Maccabees; in November, Ezekiel, Daniel, and the twelve minor Prophets. (September is actually divided into two sets of readings, Job having a different set of responsories from the other three books.)
Folio 99r of the antiphonary of Compiègne, 860-77 AD, with the responsories taken from the books of the Maccabees. (Bibliothèque nationale de France. Département des Manuscrits. Latin 17436)
The “first Sunday” of each of these months is traditionally that which occurs closest to the first calendar day of the month, even if that day occurs within the end of the previous month. This year, for example, the first Sunday “of October” is actually September 29th, the Sunday closest to the first day of October.

In the 1960 revision, however, the first Sunday of the months from August to November is always that which occurs first within the calendar month. According to this system, the first Sunday of October is the 6th this year.

This change also accounts for one of the many peculiarities of the 1960 Breviary, the fact that November has four weeks, which are called the First, Third, Fourth and Fifth. According to the older calculation, November has five weeks when the 5th of the month is a Sunday, as it was last year. (This is also the arrangement that has the shortest possible Advent of three weeks and one day.) According to the newer calculation, November may have three or four weeks, but never five. In order to accommodate the new system, one of the weeks had to be removed; the second week of November was chosen, to maintain the tradition that at least a bit of each of the Prophets would continue to be read in the Breviary. However, in some years, November only has three weeks, and the first one is also omitted, but this is not the case this year.

One further note regarding a major discrepancy between the Roman Rite and the post-Conciliar Rite. On September 29th, the Roman Rite celebrates the feast known as “the Dedication of St Michael”, since it originated with the dedication of a basilica titled to him off the via Salaria, about 7 miles from the gates of Rome. Despite this name, it is really a feast of all the angels, and already in the so-called Leonine Sacramentary, the oldest surviving collection of Roman liturgical texts, there are prayers that refer to this broader understanding of it.
The central panel of The Last Judgment, by Rogier van der Weyden, 1446-52, showing Christ above, and below, St Michael weighing the souls of the dead.
In 1917, Pope Benedict XV raised this feast to the highest grade; it remains so in the 1960 rubrics, and thus, when it falls on a Sunday after Pentecost, as it does this year, it takes precedence over it. In the post-Conciliar Rite, however, it has been downgraded to the second rank, and is impeded by an occurring Sunday of Ordinary Time. Since the post-Conciliar Rite also does not have commemorations, and almost never transfers impeded feasts, this year, it will have no general celebration of the angels at all. (In the many places where one of the three archangels is a principal patronal, it is raised to a solemnity, and takes precedence over the Sunday.)
The Sundays for the rest of the liturgical year, according to the traditional system:

September 29 – the 1st Sunday of October (XIX after Pentecost, commemorated on the feast of St Michael and All Angels)

October 6 – the 2nd Sunday of October (XX after Pentecost)
October 13 – the 3rd Sunday of October (XXI after Pentecost)
October 20 – the 4th Sunday of October (XXII after Pentecost)
October 27 – the 5th Sunday of October (XXIII after Pentecost, commemorated on the feast of Christ the King)

November 3 – the 1st Sunday of November (IV after Epiphany resumed)
November 10 – the 3rd Sunday of November (V after Epiphany resumed)
November 17 – the 4th Sunday of November (VI after Epiphany resumed)
November 24 – the 5th Sunday of November (XXIV and last after Pentecost)

T
he Sundays for the rest of the liturgical year, according to the 1960 system:

September 29 – the 5th Sunday of September (XIX after Pentecost, commemorated)

October 6 – the 1st Sunday of October (XX after Pentecost)
October 13 – the 2nd Sunday of October (XXI after Pentecost)
October 20 – the 3rd Sunday of October (XXII after Pentecost)
October 27 – the 4th Sunday of October (XXIII after Pentecost, omitted on the feast of Christ the King)

November 3 – the 1st Sunday of November (IV after Epiphany resumed)
November 10 – the 3rd Sunday of November (V after Epiphany resumed)
November 17 – the 4th Sunday of November (VI after Epiphany resumed)
November 24 – the 5th Sunday of November (XXIV and last after Pentecost)
The calculation of the Sundays after Pentecost also calls for a note here. (The discrepancies between the Missals of St Pius V and St John XXIII are very slight in this regard.)
The number of Sundays “after Pentecost” assigned to the Missal is 24, but the actual number varies between 23 and 28. The “24th” is always celebrated on the last Sunday before Advent. If there are more than 24, the gap between the 23rd and 24th is filled with the Sundays after Epiphany that had no place at the beginning of the year. The prayers and readings of those Sundays are inserted into the Mass of the 23rd Sunday (i.e., the set of Gregorian propers.) The Breviary homily on the Sunday Gospel and the concomitant antiphons of the Benedictus and Magnificat also carry over in the Office. This year, therefore, on November 12th, the Mass is that of the V Sunday after Epiphany resumed, and on November 19th, that of the VI Sunday after Epiphany resumed.

If this all seems a little complicated, bear in mind that the oldest arrangement of the Mass lectionary that we know of was even more so. The oldest lectionary of the Roman Rite, a manuscript now in Wurzburg, Germany, dates to ca. 700, and represents the system used at Rome about 50 years earlier. It has a very disorganized and incomplete set of readings for the period after Pentecost; the Sundays are counted as 2 after Pentecost, 7 after Ss Peter and Paul, 5 after St Lawrence, and 6 after St Cyprian, a total of only 20. There are also ten Sundays after Epiphany, even though Septuagesima is also noted in the manuscript, and the largest number of Sundays that can occur between Epiphany and Septuagesima is only six.

Wednesday, May 08, 2024

The Apparition of St Michael

In addition to the universal feasts of the Mother of God, from the Immaculate Conception to the Assumption, the Church also keeps local feasts connected with major centers of Marian devotion such as Loreto in Italy, Walsingham in England, Guadalupe in Mexico etc. A similar custom holds in regard to the Archangel Michael, and in one sense, may be called a universal custom of the Western Church. His principal feast on September 29th originated with the dedication of a church built in his honor a few miles outside Rome off the via Salaria; this feast’s title remained “The Dedication of St Michael” for centuries after the church itself fell into ruins and was abandoned. The Ambrosian liturgy received the feast from Rome, and kept it with the same title, using several of the Mass chants, as well as the Epistle and Gospel, from the common Mass for the dedication of a church.

St Michael, by Fra Filippo Lippi
The Roman Breviary states in the lessons for May 8th that Pope Boniface II (530-32) built a church in honor of St Michael “in the great circus”; this statement seems to confuse the Circus Maximus with the smaller Circus Flaminius, which no longer exists, but was opposite the Tiber Island, in the area of the modern Jewish quarter. Next to its former location stands a Roman portico, built by the Emperor Augustus in honor of his sister Octavia, and within the portico, a small church dedicated to St Michael. This was the traditional location of Rome’s fish-market, well into the 19th century, in fact, and the church is therefore called “Sant’ Angelo in Pescheria – The Holy Angel in the Fish-Market.”

However, the Roman Martyrology refers the September feast to neither of these churches, but rather to the shrine of St Michael on Mount Gargano in the Puglia region of Italy, generally honored as the first church dedicated to him in the West. Today’s feast is called the “Apparition of St Michael” from a story which takes places at the end of the 5th century, and is not reported consistently in ancient sources. The version given in the Breviary is that a bull belonging to a fellow named Garganus wandered into and got stuck in a cave on the side of the mountain. When someone launched an arrow at it, it flew back at him; the inhabitants of the area then asked their bishop what to do about this portent. The bishop declared that they should pray and fast for three days, after which, St Michael appeared to him and told him that the place was under his protection, and a church should be built there in his honor.

The apparition of St Michael on Mt Gargano, by Cesare Nebbia and students, from the Gallery of the Maps in the Vatican Museums, 1580-84.
The Martyrology describes this church as “vili quidem facta schemate, sed caelesti praestans virtute – made in a mean fashion, but outstanding in heavenly might.” In point of fact, much of the church is not “made” at all, at least not by human hands. Mt Gargano is a large massif, rather more like a mesa than a hill, very steep on the northern side where the sanctuary is, with the town of Monte Sant’Angelo located on top. One enters the shrine through a forecourt in the town, and after passing the doors, descends to the church by a considerable number of steps. The church itself is one half natural cave, and one half a set of rooms, including a choir and a relic chapel, built in front of the cave’s opening, and supported from beneath by enormous buttresses that reach quite far down the massif.

In northern Europe, Mont-Saint-Michel holds the same place that Monte Gargano holds in Italy, and the feast of St Michael’s apparition there is kept on October 16th. In the Sarum Breviary, the Matins lessons for this feast begin with an acknowledgement that the devotion to him on Gargano was older. “After the Frankish nation, marked by the grace of Christ, far and wide throughout the provinces on all sides had subdued the necks of the proud, the Archangel Michael, who is set in charge of Paradise, who had formerly shown that he wished to be venerated on Mount Gargano, by many signs showed that now he ought to be honored in the place which is called by the inhabitants ‘Tumba.’ ” (Mons Tumba is the Latin name for the Mont-Saint Michel.) The story continues that in the early 8th century, St Michael appeared three times to the local bishop, St Aubert, and ordered him to build not just a sanctuary, but a replica of the one on Gargano.

The Byzantine Rite keeps a feast on a similar line, related to a shrine in Phrygia, in west-central Asia Minor. At Chonai, near the city of Colossae, (the Christians of which received a letter from St Paul), St Michael appeared to the father of a mute girl, directing him to bring his daughter to a nearby spring, where she miraculously gained her speech. A church was then built over the spring, which attracted many Christians and led to many conversions. The local pagans thought to destroy the church by diverting two nearby rivers towards it, but St Michael came to defend his shrine personally; as he struck a rock nearby, a fissure opened in it which swallowed the rush of water. The feast of “the Miracle of St Michael the Archangel at Chonai” is kept on September 6th. There were several churches in Constantinople itself dedicated to St Michael; the dedication feast of one of these became the general commemoration “of All the Bodiless Powers”, celebrated on November 8th, just as the Roman feast on September 29th also became the feast of All Angels.
A 12th-century icon of the Miracle of St Michael defending the church of the springs at Chonai, probably made in Constantinople, now at the monastery of St Catherine on Mt Sinai.
The two hymns of St Michael were among the most drastically altered in the revision of Pope Urban VIII; here is a nice recording of the original text of the Vesper hymn, retained by the Benedictines and the religious orders with proper Uses, in alternating Gregorian chant and polyphony.

Tibi, Christe, splendor Patris, vita, virtus cordium, / in conspectu Angelorum votis, voce psallimus: / Alternantes concrepando melos damus vocibus. (To Thee, o Christ, splendor of the Father, life and strength of our hearts, in the sight of the angels, we sing with prayer and voice. Our choirs resounding give forth the song.)

Collaudamus venerantes omnes cæli milites, / Sed præcipue Primatem cælestis exercitus, / Michaelem, in virtute conterentem zabulum. (In veneration we praise all the soldiers of heaven, but especially the Leader of the heavenly army, Michael, as in might he destroys the devil.)

Quo custode procul pelle, Rex Christe piissime, / omne nefas inimici: Mundo corde et corpore, / Paradiso redde tuo nos sola clementia. (With him as our guardian, drive far away, Christ, most holy king, every wickedness of the enemy; with pure heart and body, bring us back to Paradise by Thy clemency alone.)

Gloriam Patri melódis personemus vocibus, / Gloriam Christo canamus, Gloriam Paraclito, / Qui trinus et unus Deus exstat ante sæcula. Amen. (Let us sound forth glory with melodious voices to the Father, let us sing glory to Christ, glory to the Paraclete, who is God one and three before the ages. Amen.)

Friday, September 29, 2023

St Michael in the Apocrypha

The Archangel Michael is mentioned three times in the book of Daniel, once in the Apocalypse, and once in the Epistle of St Jude, and these are all of his Biblical appearances. Both New Testament authors introduce him quite abruptly, taking it for granted that their readers already know who he is. “And there was a great battle in heaven, Michael and his angels fought with the dragon…” (Apoc. 12, 7) This would certainly be due to his prominence in pre-Christian Jewish literature, works of the sort which we now call (rather inexactly) apocrypha. And indeed, the mention of him in the Epistle of St Jude is taken from such a work.

St Michael Defeating the Devil, by Guido Reni, 1635
“When Michael the Archangel, disputing with the devil, contended about the body of Moses, he durst not bring against him the judgment of railing speech, but said: The Lord command thee.” (verse 9) These words refer to an episode in a Jewish apocryphal work called The Assumption of Moses, which is only partially preserved; it is not in the part that survives, but ancient scholars such as Origen, who had the complete text to hand, say that it is in the work cited by St Jude. One explanation of the story is that the devil sought to claim possession of Moses’ body as that of a murderer, since he had killed the Egyptian, (Exod. 2, 11-12), and it was for this that St Michael said, “May God rebuke thee.” (In this context, it should be remembered that the Greek word “diabolos” means “slanderer.”) Another explanation is based on a tradition which goes all the way back to Tertullian, that idolatry was taught to mankind by the devil; therefore, in the story cited by St Jude, the devil’s purpose in trying to get the body of Moses would be to have the Jews worship it as an idol.

The story has attracted almost no attention from artists, with one very prominent exception, a fresco of it in the Sistine Chapel. When the chapel was originally constructed, Pope Sixtus IV (1471-84) commissioned a group of some of the most prominent painters of the era (Sandro Botticelli, Domenico Ghirlandaio, and Perugino among them) to paint eight episodes each from the lives of Moses and Christ; they are paired to show how the Church understands the life of Moses, the lawgiver of the Old Testament, as a prophecy of the life of Christ, the lawgiver of the New Testament. The final two, however, The Dispute over the Body of Moses and The Resurrection of Christ, break the parallelism; Moses, the giver of the old Law, dies and stays dead, but Christ, the giver of the new Law, rises from the dead.

These last two are on the chapel’s back wall, which has a large door in the middle, under part of each of the paintings. On Christmas Day of 1522, the architrave over the door suddenly cracked and fell, just after Pope Hadrian VI had passed under it while processing into the chapel to say Mass. (Two of his guards were killed.) This break would eventually lead to the complete deterioration of the paintings; around 1575, Matteo da Lecce replaced the original Dispute over the Body of Moses with the same subject, but in a very different style, as Hendrick van den Broeck had done about 20 years earlier with the Resurrection.


St Michael also figures very prominently in another apocryphal work, The Testament of Abraham, which exists in two recensions; the longer of these mentions him 24 times, the shorter 44 times. The basic idea of both is that he is sent to Abraham, whose life is extended from the Biblical 175 years (Genesis 25, 7) to 995 in the long recension, to persuade him to accept that his time has come to die. When Abraham’s son Isaac comes to meet the Archangel, the latter says to him, “the Lord God will grant you his promise that he made to your father Abraham and to his seed.” (chapter 3) Later on, Abraham meets Death himself, who appears to him with the heads of various animals, including a “terrible lion.” (chapter 17) Finally, when Abraham dies, “the archangel Michael came with a multitude of angels and took up his precious soul in his hands … and they tended the body of the just Abraham …. but the angels received his precious soul.” (chapter 20) These passage were clearly the inspiration for the first part of the Offertory chant of the Requiem Mass.

“O Lord Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell and from the bottomless pit; deliver them out of the lion’s mouth, lest hell should swallow them up, lest they fall into darkness; but let Thy standard-bearer, Saint Michael, bring them into Thy holy light, which Thou didst promise of old to Abraham and to his seed.”

Michaelmas Treats

The great feast of St. Michael the Archangel is upon us, and it behooves us, in the tradition of our ancestors, to honor him in food and drink.

Drinks
Having a drink has long been a customary part of Michaelmas festivity. Michelsminne, or St. Michael’s Love, was the name given in some parts of northern Europe for wine consumed on St. Michael’s Day. The custom has been especially popular in Denmark.
In addition, we give you permission to drink the love of St. Michael in the form of a cocktail, such as our Drinking with the Saints concoction, St. Michael’s Sword. According to an old Irish legend, when St. Michael cast Lucifer out of Heaven, the devil fell on a blackberry bush and cursed and spat on the blackberries, thereby rendering them sour after September 29. Consequently, folks would eat blackberries on Michaelmas but not after. The legend gave rise to another nickname for Michaelmas: Devil’s Spit Day.
The St. Michael’s Sword Cocktail nods to this legend with blackberry brandy, as well as Jim Beam’s Devil’s Cut Bourbon. The “Angels’ share” is the portion of the whiskey that escapes into the air during distillation, but the “Devil’s cut” is the portion that seeps into the wood of the barrels. Jim Beam’s claims to have stolen this cut back from the Devil, and so we gratefully offer this portion to St. Michael for a job well done.
St. Michael’s Sword
1½ oz. Jim Beam’s Devil’s Cut bourbon
¾ oz. blackberry brandy
2 dashes orange bitters
1 cherry for garnish
Pour all ingredients except cherry in a shaker with ice and shake forty times. Strain into a cocktail glass. Use a cocktail spear (St. Michael’s sword) to transfix the cherry (the Devil, red with shame and rage).
And for those who are abstaining from strong drink (very angelic of you!), we have a mocktail that also hearkens to the Irish blackberry tradition.
St. Michael’s Dagger
1 oz. blackberry syrup
½ oz. fresh lemon juice
4-6 oz. sparkling water
Pour syrup and lemon juice in a shaker with ice and shake forty times. Strain into a cocktail glass and top with sparkling water. Garnish with a cocktail sword and a red cherry to symbolize Michael’s victory over Lucifer, who like the cherry is red with rage and shame.

Food
There are several culinary traditions surrounding Michaelmas. One is to make waffles baked in a gaufrette iron (if you do not have a true French gaufrier, you can use an American waffle iron). Crown your achievement with a blackberry syrup—made, of course, from blackberries picked before September 29.
In Scotland, the treat of the day was St Michael’s Bannock or Struan Micheil. This large scone-like cake is traditionally “made from cereals grown on the family’s land during the year, representing the fruits of the fields, and is cooked on a lamb skin, representing the fruit of the flocks.” When the eldest daughter of the family made the Bannock, she prayed: “Progeny and prosperity of family, Mystery of Michael, Protection of the Trinity.” You can honor this tradition by borrowing the Bannock recipe for Lammas Day.
As for side dishes, Scottish women would harvest carrots on this day with a three-pronged mattock, digging triangular holes. (No doubt they did so in honor of the Holy Trinity whom St. Michael serves so well, but the mattock can also symbolize a trident in the hands of the Archangel.)
And the main course was roasted goose. On “Goose Day” (another Michaelmas moniker), farmers held “goose fairs” and brought their geese to market. A Michaelmas goose was an appropriate way to celebrate the end of the harvest in Ireland and England, especially when the bird in question was a “stubble-goose,” an adult that had grown plump on the stubble of autumn wheat fields. A large-winged creature makes a fitting tribute to an angel, and a nice fat goose auspiciously evokes the financial hopes of the quarter days. Hence the old superstition:
Eat a goose on Michaelmas Day,
Want not for money all the year.
Michaelmas geese were popular in Ireland and England and have recently experienced a minor comeback in Great Britain. But since roasting a goose is too much of a hassle for most Americans (even with the promise of money!), how about a delicious duck? Duck was also a popular option for Michaelmas in medieval times. An when it comes to duck recipes, ours is a sure-fire, easy, and delicious way to get the duck crispy yet juicy, savory and yet sweet, and quickly prepared for a hungry family. A well-feathered duck evokes the tradition of St. Michael leaving a feather from his angelic wings as a relic for people who have a devotion him. The orange zest brings about a deeper citrus flavor, while the orange juice helps to flavor the gravy. The bright colors from the oranges and carrots are reminiscent of Michael’s pointed spear that is ablaze with the fire of God’s justice, while the carrots pay homage to the old Scottish tradition of carrots for Michaelmas.
Side Note: In this year of Our Lord 2023, Michaelmas falls on a Friday. If you are reluctant to have meat on this day, transfer the culinary component of Michaelmas to tomorrow. That will give you more time to go shopping, for I assume that you don't have duck in your refrigerator at the moment.
Roasted Duck with Oranges and Carrots
Cooking Time: 2.45 minutes
Serves 4-6 people
1 duck, approximately 5 lbs, cleaned and at room temperature
2 large oranges, zested and juiced
2 cloves of garlic, finely minced
2 tsp salt
2 tsp black pepper
2 tsp paprika
1 Bouquet Garni (tied up herbs of 1 rosemary, 4-5 sprigs of thyme, 3-4 sage leaves, 4-5 parsley stems)
2 Tbsp of butter
1 cup of chicken broth 4-6 carrots, pealed but kept whole
2 tsp flour
Instructions
1. Preheat oven to 375 degrees
2. Make the bouquet garni by using cooking twine to tie up the herbs listed in the ingredients and set aside
3. In a small bowl, combine the orange zest, garlic, salt, pepper and paprika and mix together. Rub this all over the duck, inside and out. Any left over, place inside the duck.
4. Place the duck legs upward on a roasting rack inside a roasting pan
5. Insert the bouquet garni inside the cavity of the duck
6. Place in the oven for 45 minutes
7. While the duck is roasting, use a small sauce pot to melt the butter and the chicken broth and bring it to a boil
8. Use this broth to baste the duck after 45 minutes
9. After 1 hour and thirty minutes, carefully remove the duck from the oven and and place the carrots in the roasting pan underneath the duck so that the melted duck fat can confit the carrots
10. Return the duck and cook for another 30 minutes
11. The duck should be dark golden brown with crispy skin with an internal temperature of 160 degrees. At that point remove the roasting rack and set aside for the duck to rest
12. Remove the carrots and place in a saute pan and cook until it begins to caramelize, 2-3 minutes and set aside
13. Make duck fat gravy by carefully removing about 2 tablespoons of duck fat and place in a small saucepan over medium heat. Add the flour and whisk together to make a paste and cook for 1-2 minutes. Add the basting broth, a little at a time to the saucepan, whisking constantly to incorporate the flour with the broth. Use about ½ cup of broth to saucepan. Add the orange juice and whisk together to make a gravy. Add a pinch of salt to taste.
14. To present the duck, remove the bouquet garni from the cavity and discard.
15. Serve the duck over a bed of arugula greens, with the carrot spears around the duck and a gravy boat with the orange infused duck fat gravy.
Food for Thought
During dinner, raise a glass and say, “May St. Michael the Archangel defend us in the day of battle.”
The cocktail recipe is taken from Drinking with the Saints; the duck recipe is taken from Dining with the Saints; and the mocktail recipe will, God willing, appear in a forthcoming book tentatively titled Abstaining with the Saints.

Wednesday, September 28, 2022

The Orations of Michaelmas

St Michael the Archangel, Castel Sant’ Angelo, Rome
Lost in Translation #78

The feast of St. Michael has a long and storied history in the Roman Rite. In the 1962 Missal it is known as the feast [of the anniversary of] the Dedication of St. Michael, a basilica that was dedicated to the Archangel on the Salarian Way about seven miles from Rome in A.D. 530 by Pope Boniface II. In the traditional rite, the feast maintains this title, even though the basilica it commemorates disappeared over a thousand years ago.

In the new Missal, the feast is that of “Saints Michael, Gabriel and Raphael, Archangels,” although it is indirectly extended to all Angels. The old rite has separate feasts for Gabriel and Raphael (March 24 and October 24, respectively), but is also shares a broader sensibility for all of God’s faithful heavenly spirts. Thus the Collect:
Deus, qui, miro órdine, Angelórum ministeria hominumque dispensas: concéde propítius; ut, a quibus tibi ministrántibus in cælo semper assístitur, ab his in terra vita nostra muniátur. Per Dóminum.
Which I translate as:
O God who, through a wonderful order, dost manage the ministries of Angels and men: graciously grant that as our life is forever assisted by those ministering to Thee in Heaven, may it also be defended by them on earth. Through our Lord.
The 2011 English translation of the new Missal (which retains this Collect) gets the gist of the prayer’s grammar where the old St. Andrew’s Missal does not, for the latter less clearly connects the ministry of the Angels in Heaven to our life on earth:
O God, who in a wonderful order hast established the ministry of angels and of men, mercifully grant that even as Thy holy angels ever do Thee service in heaven so at all times they may defend our lives on earth. Through our Lord.
The key is that when the Angels are ministering to God in Heaven, they are ministering to us, preparing us for heavenly rewards. We know this, for this is what these marvelous spirits do: they serve God, who wants them to serve us. Our only petition is that they do the same on earth as well. There is a nice contrast between “assistitur - assisted” (literally, to sit or stand by) and “muniatur - defended” (building a wall). Just as the Angels stand at the court of Heaven to help us, like soldiers on guard, so too do we hope that they will build a wall on earth to protect us against evils.
The subordinate clause for God, “He who dispenses ministries of Angels and men through a wonderful order,” is also noteworthy. God has delegated roles for His two intellectual creatures, the pure spirits known as Angels as well as human beings, a unique union of reason/intellect and animality. He allocates these roles through a “mirus ordo - wonderful order”, that is, an order that is not fully grasped by the human mind but elicits wonder and awe. We will never know, this side of the grave, all that the Angels do for us.
The Secret is:
Hostias tibi, Domine, laudis offérimus, supplíciter deprecantes: ut easdem, angélico pro nobis interveniente suffragio, et placátus accipias, et ad salútem nostram proveníre concédas. Per Dóminum.
Which I translate as:
O Lord, we offer up to Thee the sacrifice of praise, humbly praying that: by the angelic suffrage interceding for us, Thou wouldst graciously receive it and grant to attain our salvation. Through our Lord.
Unlike the fallen angels, who resent our inclusion in the economy of salvation, the good Angels, though superior beings, want us measly creatures to be saved! We offer up our Mass that God will accept their intercession and make it so. Suffragio, which I have translated as “suffrage,” can also mean “applause.” The Angels, these great spirits, are cheering for us in Heaven! Commenting on the Epistle to the Hebrews, Monsignor Ronald Knox writes: “If you are ever feeling rather down-hearted about your second-rate efforts to live a good Christian life, think of the Saints in heaven bending over the balconies in front of them and shouting out ‘Stick it it!’ as people do when they are watching a race. (The Creed in Slow Motion (Aeterna Press, 2014; repr. Sheed & Ward, 1949), p. 122.)
And thanks be to God, the nine choirs of Angels are doing the same.
The Postcommunion is:
Beáti Archángeli tui Michaélis intercessióne suffulti: súpplices te Dómine, deprecámur; ut, quod ore proséquimur, contingámus et mente. Per Dóminum nostrum.
Which I translate as:
Propped up by the intercession of Thy blessed Archangel Michael, we humbly beseech Thee, O Lord, that what we have pursued through our lips may also touch our souls. Through our Lord.
Ah, finally a reference to St. Michael on Michaelmas!
“Suffulti - Propped up” is rare in the Roman orations: it only appears one other time, in a Secret in a Votive Mass to Saint Joseph. If we are propped up by Saint Michael, the implication is that we need propping up, that we are constantly tottering without him in a world full of demons and other dangers. 
But here we make a more specific request: that St. Michael may help us have a more efficacious Holy Communion (which we have just received). Unlike the great Archangel, our heavenly aid is mediated through sacraments like the Eucharist, which we take through our carnal lips. But such a reception means nothing if it does not touch our souls, and so we ask God that through His faithful servant, Michael, our physical reception of the Eucharist may lead to a spiritual union with Him. Perhaps Michael is even guiding our souls to the divine target as he yells, “Stick it!”

Wednesday, September 29, 2021

Michaelmas Day and its Customs

A 14th-century Russian Icon of St Michael
The following article originally appeared in the Fall 2018 issue of The Latin Mass 27:3 magazine (pp. 42-46); many thanks to the editors for allowing its publication here.

Feast days are typically assigned on or near the date that a Saint passes from this world to the next, but what happens with a heavenly spirit? For the feast of Saint Gabriel on March 24, it was the Archangel’s role in asking the Blessed Virgin to become the Mother of God that inspired the Church to honor him on the day before the feast of the Annunciation. For Saint Raphael, it may have been the relative proximity of the feasts of St. Michael (September 29) and the Guardian Angels (October 2) that led to his feast falling on October 24--though truth be told, the reason why that date was chosen remains something of a mystery.

For Saint Michael’s primary feast on September 29, the answer lies in a different logic. But before we discover what it is, let us learn more about the humble angelic prince whose name means “Who is like God?”
Prince of the Heavenly Hosts
Along with Gabriel and Raphael, Michael is one of only three Angels mentioned by name in the canonical Scriptures, and the only one explicitly called an Archangel (see Jude 1, 9). [1] In Greek, archangelos can mean “chief Angel” as well as “Archangel,” the second lowest of the nine angelic choirs. Opinions have therefore varied as to Michael’s exact rank and essence. The Church Fathers saw him as head of all heavenly spirits. Several, drawing from Jewish apocrypha, thought he was the cherub who guarded Eden “to keep the way of the tree of life” (Genesis 3, 24); they referred to him as the Praepositus Paradisi or Overseer of Paradise. [2] Centuries later Saint Bonaventure would go even further and posit that Michael is the chief among the Seraphim, the highest angelic order. Saint Thomas Aquinas, on the other hand, places him among the Archangels, the order directly above the Angels but below the Seraphim, Cherubim, Thrones, Dominions, Virtues, Powers, and Principalities. [3]
Perhaps the resolution to these diverging accounts is that Michael was an Archangel promoted by God from the lower ranks to defeat Lucifer, who is believed to have been one of the Cherubim. [4] If so, Lucifer’s defeat at his hand would have constituted a special humiliation for the arrogant upstart; it would be like a haughty colonel getting routed by a staff sergeant who was suddenly made, as the Byzantine tradition calls Michael, Archistrategos or “Highest General.” Just as the Blessed Virgin Mary is Queen of the Angels by grace but not by nature (as a human being, she is inferior to the spirits above), so too may Michael be “Prince of the Heavenly Hosts” by a divinely-appointed elevation above his natural status.
St Michael Defeats the Devil, by Guido Reni, 1630-35 ca.; from the church of St Mary of the Immaculate Conception in Rome. (Public domain image from Wikimedia.)
Michael in Scripture and Tradition
Michael appears explicitly only five times in the Bible, three in the Old Testament and two in the New.
The Book of Daniel mentions him by name thrice. In Daniel 10, 13, we read, “The prince of the kingdom of the Persians resisted me one and twenty days: and behold Michael, one of the chief princes, came to help me.” The princes in question are ostensibly guardian Archangels of nations; the “prince” of the Persians is the guardian Archangel of Persia who, seeking the spiritual good of the people entrusted to him, resists the effort to remove the Jews from Persia. Michael, however, sides with the Jews, for in Daniel 10, 21, he is called “your prince,” that is, prince of the prophet Daniel and by extension the people of Israel.
Similarly, in the third and final Old Testament reference to Michael, when an angel speaks of the end of the world, he declares, “At that time shall Michael rise up, the great prince, who standeth for the children of Thy people” (Daniel 12,1). The “children of God’s people” are again a reference to ancient Israel, but they also signify the Church, the new Israel, guarded by Michael in these last times. Based on this protection, there is even a tradition that he is the guardian angel of the Pope.
In the New Testament, one of the most curious references to Michael inside the Bible or out is found in Jude 1, 9.
When Michael the Archangel, disputing with the devil, contended about the body of Moses, he durst not bring against him the judgment of railing speech, but said: “The Lord command thee.”
Nicolai Abraham Abildgaard, Archangel Michael and Satan Disputing about the Body of Moses (ca. 1782)
According to early Christians like Gelasius of Cyzicus and Origen, Saint Jude is alluding to a Jewish tradition found in the apocryphal text The Assumption of Moses in which Satan wished to make known the tomb of Moses in order to seduce the Hebrews into idolatrous hero-worship, while Michael fought successfully to keep its location hidden.
Finally, in the Book of Revelation we read:
And there was a great battle in heaven, Michael and his angels fought with the dragon, and the dragon fought and his angels: And they prevailed not, neither was their place found any more in heaven. And that great dragon was cast out, that old serpent, who is called the devil and Satan, who seduceth the whole world; and he was cast unto the earth, and his angels were thrown down with him (12, 7-9).
Saint John speaks here of the end of time, but because his apocalyptic visions also describe events from earlier in sacred history (such as the Blessed Virgin Mary giving birth to the Son of God in Apocalypse 12, 1), the passage about Michael and the dragon is also seen as describing a battle that occurred at the beginning of time--or rather, before time even began. Thus, the deed for which Michael is most famous, casting the Devil out of Heaven, is only hinted at indirectly in Sacred Scripture.
The Church Fathers inferred Michael’s presence in other biblical passages as well. For some, as we have already noted, he was a cherub keeping man out of Eden with a flaming sword (Genesis 3, 24). For others, he was the angel through whom God revealed the Ten Commandments to Moses, the angel who blocked Balaam (Numbers 22, 22ff.), and the angel who routed the army of Sennacherib (2 Kings 19, 35).
The sacred liturgy mentions additional accomplishments. In the traditional Roman rite, the incense prayer Per intercessionem identifies Michael as the angel who stands near the altar of the temple with a golden censer (Apocalypse 8,3). [5] And the Epistle reading for his Mass (Apocalypse , 1-5) suggests that hel is the angel who gave Saint John his vision of the Last Days. The Magnificat antiphon for First Vespers of the feast even includes a direct quote from Michael not found in the Bible, in which he pleads for forgiveness on behalf of God’s people to the Lamb of God who was found worthy of opening the book and loosening its seals (Apocalypse 5, 5-8). The importance of Michael in the Roman Rite is also attested in the Confiteor, which places him behind the Blessed Virgin and ahead of John the Baptist.
Finally, the usus antiquior invokes Michael as a protector of the Elect not only on earth but in Purgatory. In the third antiphon for Lauds and Vespers on Saint Michael’s Day, the Church sings words that are ascribed to God: “O Archangel Michael, I have appointed thee prince over all souls to be received into eternity.” And in the Offertory Verse at every Requiem Mass, the Church prays that “Michael the standard-bearer may put them [the souls of the faithful departed] into the presence of the holy light which Thou once promised to Abraham and his seed.” He also has the office of Seelenwäger or “Weigher of Souls” and can be found in artistic portrayals of the Last Judgment holding a pair of scales containing the deceased. Consequently, cemetery chapels in Europe were routinely dedicated to him, and Masses offered there once a week in his honor and for the souls in Purgatory. [6]
Master of Messkirch (1500–1543), Der Erzengel Michael als Seelenwäger
Michael’s conducting of the dead may even have extended to the Blessed Virgin. In one version of an early Christian genre of literature known as “The Passage of Mary,” Our Lord gives the soul of His deceased mother to Saint Michael for safekeeping and her body to Saint Peter for entombment. Later, our Lord commands him to return with Mary’s soul and remove the stone from the entrance to her tomb. When Michael does so, Jesus reunites His mother’s body and soul moments before she is assumed into Heaven. [7]
Patron of the Sick
In the Jewish apocryphal text The Apocalypse of Moses, Michael denies a request from Eve and Seth for some oil from the Tree of Life, but promises to distribute the healing ointment at the end of time. It is perhaps this colorful legend that inspired the early Church to look to him as a patron of the sick.
His cult began in the Near East, where medicinal springs dedicated to him at Chairotopa near Colossae (present-day Khonas, Turkey) were said to cure all who bathed there while invoking the Blessed Trinity and Michael. There were also miraculous springs in Colossae itself. According to a Greek tradition, which is immortalized in a Byzantine feast on September 6, pagans redirected a stream against a sanctuary dedicated to him, but the Archangel split a rock with lightning to change the stream’s course and forever sanctify it.
Michael and water were often intertwined in early Christian imagination; hot springs, for example, were dedicated to Michael throughout Asia Minor. In Constantinople, a famous dedicated church to him was built at the thermal baths of the Emperor Arcadius; the Byzantine rite’s principle feast to Michael was celebrated there on November 8. Egyptian Christians, in turn, adapted this feast vis-à-vis their most important river. On June 12, “they keep as a holiday of obligation the feast of Michael ‘for the rising of the Nile.’ ” [8]
Rome also honored Michael as a healer, though without the aquatic element. After leading a procession through the city to stop a plague, Pope Saint Gregory the Great saw him atop the Mausoleum of Hadrian sheathing his sword as a sign that the pestilence was over. The grateful Romans renamed Hadrian’s tomb Castel Sant’Angelo, and to this day a bronze statue of the Archangel adorns its summit.
Statue of Michael the Archangel atop Castel Sant’ Angelo (also named after the angel) by Peter Anton von Verschaffelt
Patron of Defenders
Michael’s violent expulsion of Satan and his manly defense of the Church (if an angel can be called manly) also made him an ideal candidate for a different kind of patronage: protecting Christian soldiers from pagan or heretical armies.
On May 8, 663, the Lombards of Siponto were attacked by Greek Neapolitans, who at the time were monothelite heretics. Mindful of the sanctuary of Monte Sant’Angelo nearby, the Lombards invoked Michael and carried the day. In the traditional calendar, the feast of the Apparition of Saint Michael honors his appearance in A.D. 492 on Monte Gargano (when he commissioned Monte Sant’Angelo to be built), but the date of May 8 was chosen not because it is the anniversary of the apparition but because it is the anniversary of the battle.
In 933 and 955, imperial troops in Bavaria invoked his intercession through prayer, song, and battle cry when they successfully repelled the invading Magyar heathen. [9] He was made patron saint of the Holy Roman Empire and later of Germany.
It was Michael who informed Saint Joan of Arc of her divine mission and guided her in her military victories over the English during the Hundred Years War (1337-1453).
In the East, Michael is said to have saved the city of Constantinople twice (in 626 and in 674-678), while Grand Duke Dmitry Ivanovich Donskoy (a saint in Eastern Orthodox churches) defeated the Mongols at the Battle of Kulikovo in 1380 with the help of an icon of him. [10]
Michael was also the patron saint of several knightly orders such as the French Ordre de Saint-Michel (1469) and a Bavarian order by the same name (1693). England retained him as a patron even after the Reformation, instituting in 1818 the Most Distinguished Order of Saint Michael and Saint George for leaders in the Mediterranean territories acquired by the British Empire during the Napoleonic Wars.
He is a patron of sailors and invoked against dangers at sea because of an ancient devotion at the famous Mont Saint-Michel on the coast of Normandy, France. In modern times, he is the patron saint of fencing, battle, paratroopers, police, security forces, the U.S. Air Force and the U.S. armed forces. One of the reasons that “Michael” was, with the exception of 1960, the most popular boys’ name in the United States from 1954 to 1998 was because the warrior Archangel who defeated Satan and his minions had been invoked to protect our troops against the wicked legions of Hitler and Tojo during World War II. The returning GIs remembered Michael’s patronage and gratefully named their sons after him.
Other Patronages
Modern devotion has kept the Archangel busy in other ways, too. In addition to England and Germany, he is a patron saint of France, Papua New Guinea, American Samoa, the Basque people (who observe Michaelmas with great festivity), and over a dozen cities and municipalities. One of those is Arkhangelsk in northwest Russia, named after him. According to legend, Michael slayed the Devil nearby and continues to watch over the city to prevent his return.
The Coat of Arms of the city of Arkhangelsk, Russia
Because he is a healer and coachman of souls, he is invoked by those who transport the sick such as EMTs, paramedics, and ambulance drivers. In 1941, the Holy See made him patron of radiologists and radiotherapists, explaining that radium treatments pose dangers to the health care workers who administer them. In 1957, Pope Pius XII named Michael the heavenly patron of bankers, perhaps because they are in danger of being attacked by robbers. And it may be for this reason that grocers turn to him as well. But why he is the patron saint of haberdashers and hat-makers is far from clear. Could it be because he is the “head” angel? [11] Catholic folk piety is not always based on sophisticated etiology.
Finally, the Archangel’s role in the End Times received renewed attention after Pope Leo XIII had a terrifying vision of the Church being subjected to demonic assault for a hundred years. The Pope subsequently composed a prayer to Saint Michael and included it in the “Leonine Prayers” recited after every Low Mass from 1886 until 1962. [12]
Michaelmas Day
As for the primary feast of Michael in the Roman Rite: in A.D. 530, Pope Boniface II consecrated a basilica in his honor on the Salarian Way about seven miles from Rome, with the ceremonies beginning on the evening of September 29 and ending the following day. Subsequent celebrations of this dedication were held first on September 30, and later on September 29. In the 1962 Roman Missal, the feast maintains the title “The Dedication of Saint Michael the Archangel,” even though the basilica it commemorates disappeared over a thousand years ago. For most English-speaking Christians, however, the feast was known as “Michaelmas” (MICK-əl-məs), an abbreviation of “Michael’s Mass.”
Customs
From the Middle Ages until the eighteenth century, Michaelmas was a holy day of obligation and a much-anticipated feast. Parades, fairs, and plays in honor of Michael were common. Michaelmas became a convergence of the sacred, the astronomical, and the practical. Its proximity to the fall equinox made it a magnet for autumnal and harvest observances. Among these were “quarter days,” one of the four times of the year when freemen in England, Ireland, Wales, and Germanic nations assembled to draw up laws, settle their financial accounts, make land deals, and hire servants. To this day the more traditional universities in the U.K. and Ireland call their Fall semester “Michaelmas term,” and courts in England, Wales, and Northern Ireland call the first of their four annual seasons by that name as well.
Besides “Michaelmas,” the feast of Saint Michael had at least two other nicknames. One was “Goose Day” because of a custom of feasting on geese and holding “goose fairs” in which farmers brought their geese to market. A Michaelmas goose was an appropriate way to celebrate the end of the harvest in Ireland and England, especially when the bird in question was a “stubble-goose,” an adult goose that had grown plump on the stubble of autumn wheat fields. A large winged creature makes a fitting tribute to an angel, and a nice fat goose auspiciously evokes the financial hopes of the quarter days. Hence the old superstition:
Eat a goose on Michaelmas Day,
Want not for money all the year.
Michaelmas geese were popular in Ireland and England and have recently experienced a minor comeback in Great Britain, [13] but in Scotland the treat of the day was St Michael’s Bannock or Struan Micheil. This large scone-like cake is traditionally “made from cereals grown on the family’s land during the year, representing the fruits of the fields, and is cooked on a lamb skin, representing the fruit of the flocks.” When the eldest daughter of the family made the Bannock, she prayed, “Progeny and prosperity of family, Mystery of Michael, Protection of the Trinity.” [14]
Michaelmas was also known as “Devil’s Spit Day.” When Lucifer was cast out of Heaven, he is said to have fallen on a blackberry bush and angrily spat on it. Consequently, one can eat blackberries on but not after either Michaelmas Day (September 29) or Old Michaelmas Day (October 4 or 11 in those parts of England that unofficially held on to the Julian calendar).
Of course, Michaelmas revelers need something to wash down all that food. Michelsminne or “Michael’s Love” was the name given in parts of northern Europe to any wine consumed on Michaelmas. The custom was especially popular in Denmark.
Finally, there is an old English custom of giving someone a Michaelmas Daisy (an aster) as a way of saying farewell. As Ben Johnson speculates, associating Michaelmas Daisies with goodbyes is perhaps an echo of saying farewell to a productive year. [15] Michaelmas Daisies are so named because they are one of the few flowers that bloom around this time of year. Hence the old poem:
The Michaelmas Daisies, among dede weeds,
Bloom for St Michael’s valorous deeds.
And seems the last of flowers that stood,
Till the feast of Saint Simon and Saint Jude [October 28].
Michaelmas in Modernity
Although Michaelmas has always been formally dedicated to Michael alone, the feast implicitly celebrates all angels, as the propers for the Mass and Divine Office attest. In 1670, Pope Clement X added the feast of the Guardian Angels to the universal calendar on October 2, the first available day after Michaelmas. And in 1921, Pope Benedict XV added separate feasts celebrating the “divine mission” of the Archangels Gabriel and Raphael in order to “increase piety” and because of their relation to the Holy Family: Gabriel announced the Incarnation, which began the Holy Family, and Raphael blessed all families when he blessed the family of Tobias. [16]
In the 1969 new Roman Missal, September 29 is the combined “feast of Sts. Michael, Gabriel, and Raphael, Archangels.” No official reason was given for what Peter Kwasniewski calls this “almost rabid smushing together” [17] of feasts, but it may have had something to do with the antiquarian tendencies of Archbishop Bugnini and his colleagues, who disdained relatively recent additions to the calendar.
Whatever the rationale, together with the 1962 demotion of the Leonine Prayers to optional status, the exclusion of Michael from the revised Confiteor and the prayers of the new Mass of Christian Burial, and the deletion of the incensation prayer mentioning him, this “smushing” has taken some liturgical luster off Michael’s cult. Lord knows when the end of the world will come, but it does seem odd that the Church should lessen her devotion to the Archangel of the Apocalypse as the Apocalypse draws nigh. Saint Michael the Archangel, defend us in the day of battle.

Notes
[1] In the Book of Tobias/Tobit, Raphael states that he is one of the seven Angels “who stand before the Lord” (12, 15). Filling in the blanks, Eastern Orthodox and Byzantine Catholic Christians identify the other four Archangels as Uriel, Jegudiel or Jehudiel, Selaphiel or Salathiel, and Barachiel. The names of these angels, however, are taken from Jewish and Christian apocrypha and not from the Bible.
[2] See Transitus Mariae in The Elucidarium, ed. J. Morris Jones (Clarendon Press, 1894), 231.
[3] Summa Theologiae I.113.3.
[4] Tradition applies Ezekiel 28, 14—a verse originally referring to the King of Tyre—to Lucifer.
[5] See also the Offertory verse for Saint Michael’s Mass (September 29).
[6] See Francis X. Weiser, The Holyday Book (Harcourt, Brace, and Company, 1956), 190.
[7] Transitus Mariae, 234.
[8] Holweck, Frederick. “St. Michael the Archangel.” Catholic Encyclopedia, vol. 10 (Robert Appleton Company, 1911), 21 Jan. 2018 .
[9] See Weiser, 188.
[10] See “Heiliger Michael,” http://deacademic.com/dic.nsf/dewiki/592714.
[11] See Michael Walsh, Butler’s Lives of Patron Saints (Burns & Oates, 1987).
[12] See Kevin J. Symonds’ Pope Leo XIII and the Prayer to St. Michael (Preserving Christian Publications, 2015).
[13] Michelle Warwicker, “Are we ready to embrace the Michaelmas goose once again?” 29 September 2012, BBC Food, http://www.bbc.co.uk/food/0/19731413
[14] Ben Johnson, “Michaelmas,” Historic UK, http://www.historic-uk.com/CultureUK/Michaelmas/
[15] Ibid.
[16] AAS 13 (1921), 543.
[17] Noble Beauty, Transcendent Holiness (Angelico Press, 2017), 222.

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