Monday, October 07, 2024

“The Reactionary Vernacular”, by Erik von Kuehnelt-Leddhin

Here is a marvelous article written by distinguished political philosopher Erik von Kuehnelt-Leddhin and published in January 1968 in Triumph magazine. To my knowledge, it has never before been available online, so we have transcribed it. While some claims he makes are dated, overall the wisdom of his words has aged well. Here is another witness, ignored of course by the leaders of the day, who saw through the glittering rhetoric to the shallowness of its foundations. - PAK
(source)

The Reactionary Vernacular

By Erik von Kuehnelt-Leddhin
January 1968
Triumph Magazine
The blithe hopes for what the vernacular Mass would do for Catholic worship is a beautiful illustration of de Tocqueville’s une fausse idée claire. For, unfortunately, it was ‘‘a clear but wrong idea’’ that once the Mass was translated into the language of the people it would at long last be really understood: that a genuine and vocal participation would drive hordes of men, women and children to the nearest church. After all, the argument ran, Latin was ‘known to only a few Catholics; the majority were subjected to watching the sacred ritual in a state of bored passivity. And at Vatican II, this argument prevailed.

But ironically enough, the move to the vernacular, like most of the Conciliar innovations, was a revival. Our Latin Mass is the result of an early vernacular movement, when Greek, the language of educated persons, was supplanted by the more popular Latin. (The Kyrie Eleison, as well as a short Good Friday text, are remnants of the Greek liturgy.) After the adoption of Latin, Greek unfortunately fell into total oblivion in the Western Church; even St. Thomas Aquinas was unable to read the Scriptures in the original. It was the Humanists who rediscovered the language of early Christianity—a language that is indispensable to any serious theological study and discussion.

Latin, in time, also died as a vernacular; but it remained the language of the liturgy. This was hardly unusual; after all not only Catholicism, but every great religion has its sacred language—and a large number of them are ‘‘dead.’” Almost all of the Eastern Rites, for example, use a dead language—Old Slavonic, classic Greek, Syriac, etc.; the Hindus use Sanskrit; the Buddhists, Pali; and the Moslems a classic Arabic which is neither spoken nor easily understood by the Arab masses, let alone by the vast majority of non-Arabic Moslems. All of these faiths use dead languages not only because they impart a sense of the sacred and the sublime, but because they imply permanence.

But beyond its attribute (actually an advantage) of being ‘‘dead,’’ Latin was a unifying influence in the Church, a common bond for Catholics on six continents. In Europe alone it has been used by people of Celtic, Romance, Germanic, Slavic, Iberian, Greek, Baltic, Finno-Ugric and Semitic stock—which means that the Mass was celebrated in the same language by nations as different from each other as the Irish and the Flemings, the Poles and the Maltese. Luther himself, in his preface to the ‘‘German Mass,’’ insisted that his translation into the vernacular was only for the young and the uneducated, and that Latin would and should retain its place.

Nevertheless (according to today’s enthusiasts for the vernacular Mass), the Church must accommodate herself to the modern age! The enthusiasts overlook at least one important aspect of the modern age. Yesterday’s nationalism, born of the French Revolution and German Romanticism, though by no means dead, is yielding to an internationalism fostered by technology—the new fast means of transportation and communication. Nationalism is a dividing, internationalism a unifying force; and their mutually opposed action in the world should certainly make us ponder.

The experience of Hungary comes to mind in this connection. The official language of that country until 1844 was Latin. It was then replaced by Magyar, and this proved to be Hungary’s undoing. The Magyars, of course, knew their own idiom, but it was alien to the other ‘‘nationalities’’ in the country—Slovaks, Vallakhs, Serbs, Germans, Carpatho-Ukrainians and Croats—and deeply resented. The result was disunity and, finally, the catastrophic fall of one of Europe’s most ancient realms.

The idea of a unifying sacred language brings up an old and still raging question. Since Latin is the classic language only of Western civilization, why should the Church—being catholic, world-wide and encompassing all cultures—choose this Western tongue as the universal sacred language? Anti-Latinists still bemoan the defeat of the Jesuits on this point in the eighteenth- century quarrel over the Rites of Eastern Asia. Had the Jesuit position then prevailed, they say, that crucial part of the globe might have been won for the Church. It follows that this opportunity, once ruined by a narrow Europeanism, must be attended to right now!

I must confess that before I became a world traveller I thought this a very sensible argument. It is perfectly true that the eighteenth-century Jesuits were right, and it is a real tragedy that Jansenist intrigues ruined their chances. But it is part of the wisdom of the Church that she restrain herself from adopting immediately, unhesitatingly and unthinkingly every passing fad and fashion. Every idea, it is true, has its kairos, its ‘‘right time.’’ The question now is: Is this the time for the Church to accommodate herself to the various, still-existing, independent cultures? There are actually only a few areas left on the globe devoid of a desperate craving for total and utter Westernization. This is deplorable, in a way, but it is nonetheless true. China has adopted the ideas of an unbalanced son of a Prussian lawyer. In Japan the surgical removal of the Mongol lid is now the feminine rage. Even prior to World War II, Japanese Catholics furiously boycotted a church in Nara built in the style of a tera, a Buddhist temple. India, though struggling to preserve its own culture, will be linguistically English in a few generations. And the main African complaint against the European colonial powers is their failure to do a thorough job of Europeanizing them. Western manners, languages, customs, political institutions, technical inventions, philosophies, ideologies and religions are sweeping the world. In the past, the Latin liturgy might have been considered a Western imposition. But no longer. (Significantly, at the Munich Eucharistic World Congress in 1960 it was the white bishops of Africa, not the native bishops, who opted for the vernacular. The latter understood, among other things, that many Christian concepts do not exist in African vocabularies.)

The world is moving toward a common civilization which will inevitably have, in many significant respects, a Western character. (Whether it is the great Christian values or merely the West’s fecal matter which shall prevail is moot.) The world is shrinking. There are millions of expatriates; millions of Europeans work in foreign countries; and millions of tourists swarm all over the Continent. In my own small Tyrolean village, which is not a resort, about one fifth of the Sunday congregation in the summer are foreigners; in the next village they amount to more than one half. Should they all be exposed to a strange tongue, rather than to Latin which, at least, is familiar to them?

And what about dialects and dialectical inflections? Americans should not forget that German, for instance, is an artificial language; German humor is essentially rooted in the local dialects, and literary German is as different from either the Tyrolean, the Rhenish or the Low German idioms as English is from Saxon. The vernacular in southern France is not French, but the langue d’oc; the German-Swiss speak Schwyzerdutsch among themselves, and their accent, carried into literary German, is quite frankly funny to non-Swiss ears. To attend a vernacular Mass with devotion in that region is almost impossible for a non-Swiss. In short, in ancient and diversified nations the vernacular and the mother tongue are by no means the same.

To make matters worse, ethnic and national animosities are still creating havoc, as in the aforementioned case of Hungary. True, a number of countries are fairly uniform insofar as their literary language goes. This was true of Germany before the invasion of foreign workers, and remains true of large parts of Italy, France and the Netherlands. But many other countries, in and out of Europe, are multi-lingual, and quite often the various nationalities do not particularly like each other. Formerly, though sermons were a problem, these mutual antipathies were kept out of the churches, thanks to the Latin liturgy which united the warring factions. This, of course, is no longer the case.

The difficulties are intensified when politics come into play. For instance, in Catalonia the introduction of the vernacular has been called a ‘political time bomb.’ Mass in Spanish? Mass in Catalan? (The tourists understand neither.) What a sorry spectacle it is to see politics dragged to the steps of the altar—not simply ideological politics, but ethnic animosities and rancor, which can be a great deal more bitter.

Outside of Europe the vernacular presents even worse problems. The homesick Spanish worker in the Ruhr Valley who, upon entering a church, hears the same alien tongue which has irritated him all day long, is merely pathetic. In Africa and Asia, the situation can be tragic.

I do not wish to bore my readers needlessly with my own experiences, but my annual travels around the world have given me a global perspective. Surely all the practical problems of the Church should be viewed from this vantage point. For to respond to allegedly Roman provincialism with American, Dutch or New Zealand provincialism is a sorry way to solve the burning questions of a truly universal Faith. On my travels in the past, I could use my Missal as a linguistic passport for the entire world. Whether in Saigon, Nairobi, Poona, Sydney, Punta Arenas, Oslo, Chicago or Antwerp, I always heard Mass in Latin, a language which, I must admit, I never particularly liked, but which I understood, which was familiar to me—the language of the Church. Had I not had a classical education I still would have been able to get along with my bilingual missal. (My sister, who never learned Latin, picked it up by sheer osmosis, and there are many like her who came to understand almost every word in the Latin Mass.)

Nowadays, though I am truly multilingual, I feel stranded. Nor do my extensive travels make me a special case. Though there are not, as yet, a great many world travellers, the signs that there soon will be are apparent; and surely we should anticipate the future. I will be forgiven, I hope, if I consider myself only a prefiguration of the man of tomorrow who will think nothing of hopping over the weekend from Djakarta to Kankakee, or from Kalamazoo to Teheran. All signs point to future peripatetic generations. Will they, should they, have to endure my experiences?

Take, for instance, my travels in Vietnam. On my third visit to Saigon I hurried to the Cathedral one Sunday for the 8:00 Mass. A pleasant young man told me in French that “my Mass’” was at ten. He took me first for a Phat, a Frenchman, then for a My, an American. But I had no choice, a helicopter was waiting to take me inland. The dialogue Mass I had enjoyed in the past became a torture because a monosyllabic language with a specific pitch for each word made it impossible to pray or to meditate. For a Westerner each word is like a pin-prick. After Mass I spoke to an elderly Vietnamese and expressed my regret at the loss of a linguistic bond. To my surprise he was equally dismayed. It seems the priest had been a Tonkinese refugee and his accent grated on southern ears! I wonder what is being done in the back country where the so-called Montagnards speak languages that have no similarity whatsoever with Vietnamese; and I shudder at the complications for the Church if the Viets ever try to ‘‘denationalize’’ these aboriginal tribesmen.

In Kenya, the language of communication for Africans is Kisuaheli, the official language is English, and the most important tribal languages are Kikuyu, Luo and Massai. Most Catholics in Nairobi, however, are immigrated Goans, who speak Portuguese and Konkani. What, then, is the vernacular? The present solution is to say the Mass in English, the language of the former colonial power; but this is hardly ideal. The linguistic picture in Nigeria, and further west in Africa, is equally complex; and in Nigeria fierce tribal hatreds have led to the disruption of the republic. A few years ago I attended Mass in Kano. The Mass itself was in Latin, but the sermon in English, and each paragraph was translated twice—into Ibo and Yoruba. The priest later told me that these two languages were spoken by immigrants from the south, and that if the Haussas should join the Church, a third translation would be added. In Ghana this spring I was informed by the Fathers of the Society of the Divine Word that they are clinging to Latin—the only feasible and conducive way to peace and mutual understanding. Analogous problems exist in the Congo where the tribal rivalries are lethal, and in the Cameroons; they exist in the Fiji Islands, wracked with racial tensions, at the other end of the world; and they exist in Ceylon where Singhalese and Tamils are engaged in a bitter language fight which has resulted in manslaughter and murder.

The English ‘‘solution’’ has been adopted in India where that language is increasingly used; but in no way is it a language that comes from the “heart of the people.’’ Language is a most delicate subject in India where, only a few years ago, thousands of men and women were slaughtered during the frightful language riots in the Bombay region. To introduce such an issue into the Church is the height of folly.

The situation is equally delicate on the eastern islands of Indonesia where the government is pushing Bahasa Indonesia, the somewhat artificial Indonesian language which, however, is not the popular language of the Mollucca Islands.

Who’s a Reactionary?

Reviewing the entire situation, not on a local but on a global basis, one can hardly call the introduction of the vernacular a success. It is not only that the hopes for the innovation have not materialized; numerous drawbacks, even dangers, have cropped up, whose nature and implications have not yet been fully revealed. The vernacular movement might have made sense in the past, but it will become increasingly obsolete as the twenty-first century draws near, as we enter a conformist, anti-pluralistic age. (The notion that our present age, as compared with past centuries, is pluralistic can be maintained only by those ignorant of history and sociology, or who lack intellectual competence.)

All of this is not to say that the old order was perfect; but the strong support for a Latin liturgy that existed until very recently was not baseless. Where the vernacular was introduced by the bishops one is tempted to suspect that they were swayed partly by an urge to democratize and popularize; and partly by strong pressure from intellectual leaders, both lay and clerical. The Constitution on Sacred Liturgy (Article 54) clearly leaves the decision in each case to the bishops, most of whom stood in fear of being labeled ‘‘reactionary.’’ In fact, a truly forward-looking bishop would have been one who sought out the broader, international solution to the language problem of the Church.

Up from Babylon

It would be silly to deny that a problem did exist in the past. Here in Europe we were about to solve it through the widespread use of missals; those who really wanted to follow the Mass always had the means to do so. Moreover, liturgical Latin could and should have been taught to every Catholic. In this connection, the Austrian Una Voce society has established a quick course in Latin which is proving quite popular and effective. Even a German, whose language is not rooted in Latin, can acquire enough Latin in a few lessons to understand the Ordinary of the Mass. How much easier for a Latin, or an Anglo-Saxon!

Nor is Latin an obstacle to reunion; after all, most of the great works of the Reformers were written in that language. Whatever happens to Christianity, it can neither deny nor forget its Mediterranean roots. This is true of Christianity in Northern Europe, in the Western Hemisphere, and no less among the Afro-Americans. Origins are hard facts; and the past can never be unmade. Nor can we deny our Jewish heritage. Yet there are people among us who unconsciously continue the old Nazi warfare against Jerusalem, Athens and Rome. It is the Tower of Babel with all its linguistic confusions which they desperately want to rebuild. Against them we need courageous bishops—bishops who will unify the diverse, who will make order out of chaos.

Since the French Revolution the West has been obsessed by a neurotic fear of not being up to date. The chains of time are a characteristic worry of a godless, geocentric and materialistic outlook. But it is especially amusing today to see how our progressive neurotics, brandishing the banner of liturgical democratization, are pushing for the nationalization of the Mass in an increasingly international world. Our scientific age is in many ways ruled not by cold reason but by emotional fads; ruled, that is, by fausses idées claires.

Wednesday, October 02, 2024

St Robert Bellarmine’s Hymn for the Guardian Angels

St Robert Bellarmine was born in 1542, and in his youth, received a classical education typical of his era, showing himself to be a particular bright pupil at a very early age. It was an essential part of education in those days that people were trained not only to read and comment intelligently upon the Latin classics, but also to write their own Latin in both prose and verse, and Robert was already skilled at this as a boy. In his early years in the Society of Jesus, which he entered at age 18, he taught the classics in the order’s school in Florence. When he was transferred to Mondovi in Piedmont, he discovered that he was supposed to teach Cicero and Demosthenes, although he knew hardly any Greek at all; he therefore taught himself in one night the grammar lesson he was supposed to deliver the next day. In the midst of his vast output of theological writings, for which he was named a Doctor of the Church in 1931, and his many other scholarly achievements, he also continued to write poetry in both Latin and Italian throughout his life.

St Robert Bellarmine (Public domain image from Wikipedia.)
Formal liturgical devotion to the Guardian Angels is found sporadically in the Middle Ages and Renaissance, but really began to establish itself in the Counter-Reformation period, of which St Robert was such an important protagonist. Pope Paul V (1605-21), who kept him as one of his most valued counselors, was also the first post-Tridentine Pope to formally approve a feast of the Guardian Angels, which he granted to the Holy Roman Empire at the request of Ferdinand II of Austria. When the feast was extended to the universal church by Pope Clement X in 1670, it was given a proper Office, which includes two hymns composed by St Robert: Custodes hominum, which is sung at Matins and both Vespers, and Aeterne rector siderum for Lauds.

Ancient Greek and Latin poetry was not based on rhyme, which was considered a blemish on verse in antiquity, but on alternations of long and short syllables, according to various established patterns. The oldest Christian hymns, such as those of St Ambrose or Venantius Fortunatus, were similarly constructed, although often rather more loosely than in the classical period. In the Middle Ages, when Latin vowel quantities were mostly not heard or pronounced, rhyme established itself as the norm for new liturgical composition, and even extended itself beyond the various types of hymns into non-metrical forms like responsories. The Renaissance, however, which sought to imitate the classical world in all the arts, rejected rhyme and returned to metrical composition based on vowel quantity; this classicizing spirit in the use of Latin lasted much longer than the Renaissance itself did, and is found in new liturgical compositions of every period, up to and including the most recent texts of the post-Conciliar rite. In the same spirit, Pope Urban VIII (1623-44) had the whole corpus of hymns in the Roman Breviary revised and classicized, giving rise to the famous remark “Accessit Latinitas, recessit pietas - Latinity came in, piety went out.”

To judge by St Robert’s compositions for the Guardian Angels, it is a pity that he did not live to contribute to Pope Urban’s project, which might have been more successful with his input. His vocabulary is almost entirely within the established usage of Christian Latinity. The metrical form is one used by Horace in his odes, called the Third Asclepiadean, but he mostly avoids the contorted word order which the classical poets and their later imitators often employed. Here is a splendid recording by the Ensemble Venance Fortunat, in alternating chant and polyphony; a pure Gregorian version sung by the Gloriae Dei Cantores, alternating women’s and men’s voices, is given below. The English translation is that of Alan Gordon McDougall (1896-1965).

Custodes hominum, psallimus
Angelos,
Naturae fragili quos Pater addi-
dit,
Caelestis comites, insidianti-
bus,
Ne succumberet hostibus.
Angel guardians of men,
spirits and powers we sing,
Whom our Father hath sent,
aids to our weakly frame,
Heavenly friends and guides,
help from on high to bring,
Lest we fail through
the foeman’s wile.
Nam, quod corruerit proditor
angelus,
Concessis merito pulsus hono-
ribus
Ardens invidia pellere nititur
Quos caelo Deus advocat.
He, the spoiler of souls,
angel-traitor of old,
Cast in merited wrath out
of his honoured place,
Burns with envy and hate,
seeking their souls to gain
Whom God’s mercy
invites to heaven.
Huc, custos, igitur pervigil ad-
vola,
Avertens patria de tibi credita
Tam morbis animi quam requi-
scere
Quidquid non sinit incolas.
Therefore come to our help,
watchful ward of our lives:
Turn aside from the land,
God to thy care confides
Sickness and woe of soul,
yea, and what else of ill
Peace of heart
to its folk denies.
Sanctae sit Triadi laus pia jugi-
ter
Cujus perpetuo numine machi-
na
Triplex haec regitur, cujus in
omnia
Regnat gloria saecula. Amen.
Now to the Holy Three
praise evermore resound:
Under whose hand divine
resteth the triple world
Governed in wondrous wise:
glory be theirs and might
While the ages unending run.

A different and somewhat looser English version, by Fr Edward Caswall. (Fr Caswall, born in 1814, was an Anglican clergyman who converted to Catholicism in 1847. After the sudden death of his wife in 1849, he entered the Birmingham Oratory in 1850; he was ordained priest two years later, and died in 1878. He was a talented poet, and many of his English translations of the traditional Latin hymns were incorporated by John Crighton-Stuart, the Third Marquess of Bute, into his monumental English version of the Roman Breviary, including this one.)

Praise we those ministers celestial
Whom the dread Father chose
To be defenders of our nature frail,
Against our scheming foes.

For, since that from his glory in the skies
Th’ Apostate Angel fell,
Burning with envy, evermore he tries
To drown our souls in Hell.

Then hither, watchful Spirit, bend thy wing,
Our country’s Guardian blest!
Avert her threatening ills; expel each thing
That hindereth her rest.

Praise to the trinal Majesty, whose strength
This mighty fabric sways;
Whose glory reigns beyond the utmost length
Of everlasting days. Amen.

Monday, September 16, 2024

“The Liturgy Has Been Dismantled”: Portland Archbishop Robert Dwyer’s Assessment in 1971

Robert Joseph Dwyer (1908-76)

Those who read the works of Michael Davies will come across quotations from a wide variety of sources, and will sometimes wonder just who these people are, and what their full views might be (since Davies, like any author, seldom quotes more than a few sentences). One such figure is the American Robert Joseph Dwyer (1908-76), who was the second bishop of Reno, Nevada from 1952-66 (and in this capacity participated in all four sessions of the Council), and the fifth Archbishop of Portland, Oregon from 1966 to 1974.

Dwyer was a prolific writer, as the fine collection recently published by Arouca Press, Ecclesiastes: The Book of Archbishop Robert Dwyer—A Selection of His Writings, edited by Albert J. Steiss, makes plain: we find articles on European history and American history, lives of major Catholic figures, a fairly detailed account of his time at the Council (deserving to be mined: see pages 131–206), apologetics on behalf of the Faith, critiques of liturgical reform, reflections on the fine arts, pastoral letters, and bagatelles. In fact, he’s like a quieter version of Archbishop Fulton Sheen.


Where he differs decisively from Sheen is in his increasingly outspoken critiques of the liturgical reform. The famous quotes are those shared by Michael Davies:

The great mistake of the Council Fathers was to allow the implementation of the Constitution to fall into the hands of men who were either unscrupulous or incompetent. This is the so-called Liturgical Establishment, a Sacred Cow which acts more like a white elephant as it tramples the shards of a shattered liturgy with ponderous abandon.
And:
Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading into the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.
Could a bishop really have written such things? Or might this be a case of mistaken attribution or misquotation?

For the first quotation, Davies cites The Tidings of July 9, 1971 (see Pope Paul’s New Mass [Kansas City, MO: Angelus Press, 2009], 651). For the second, he cites the Twin Circle, October 26, 1973 (see Liturgical Timebombs in Vatican II [Rockford, IL: TAN Books, 2003], 65). In order to hunt the original articles down, I did what any sensible person would do: I hired Sharon Kabel as my research assistant!

Sure enough, she located both articles, and since our searching online indicates that these have never been transcribed and made available, I took the time to type them out, while attaching the originals below. If only we had a few more bold bishops like this today! (And can you imagine the newspaper of the archdiocese of Los Angeles—or any Catholic diocesan newspaper—publishing something like this today?) A piece like this, from 1971, counts as good evidence that at least some public figures were willing to state the obvious: the Catholic liturgy had, in fact, been dismantled past recognition, and this was an evil deed. Moreover, this bishop’s presence at all four sessions of the Council makes his claims about what the Council Fathers intended—at least to the extent that any on-the-ground participant could know the mens patrum from conversations, meetings, and documents—credible.

In any case, enjoy the crisp and piquant style of the good archbishop.
 
(Click to enlarge)

The Liturgy Has Been Dismantled
Archbishop Robert Dwyer
The Tidings (Catholic Newspaper of Los Angeles)
July 9, 1971
In the remote caverns of memory the image flickers in the candlelight: Marius on the Ruins of Carthage. What somber text of Ancient History this was designed to illustrate we have long forgotten, but the figure of the Roman general, triumphant at last over the Punic power, contemplating the wreckage of war, meditating upon the Dead Sea fruits of victory, has never quite faded.

The other day the image was refreshed by a re-telling of the familiar jest at the expense of a gun-and-camera tourist: “Mrs. C. Humphrey Jones on the Ruins of Carthage (the ruins are to the left).”

But another image, alas, overlays that of the baffled conqueror in our contemporary illustration. It is that of Mother Church seated amid the ruins of the liturgy. No less disconsolate is she, no less sorrowfully pensive.

Some six years ago she had reached that point in her Renewal where it seemed beyond question or cavil that she could summon to her aid, in her monumental task of re-interpreting the Christian message to the modern world, all the services of liturgical art and drama, all the treasures of biblical science and patristic lore, all the riches of music and sacred literature, to enhance the supreme act of divine worship, the Holy Sacrifice of the Mass. Surely that was the confident expectation of the Council Fathers when they hailed with overwhelming affirmation the Constitution on the Liturgy.

In the euphoria of that moment cankerous doubt and cantankerous misgivings were cavalierly set aside. All would be well, we assured ourselves, and all things would be well, as Blessed Juliana of Norwich had so calmly predicted. All that was needed was a touch of genius to muster all the arts of expression and exposition to achieve the perfect rendering of the liturgy in every language under the sun, and for every living culture known to man. We all devoutly made our act of faith in the immediate availability of that touch of genius.

Documents Insipid

Wherein, under the blessing of hindsight undoubtedly we made our first mistake. For there are times and seasons in man’s history, the history of his culture, when genius touches the liturgy, and times, alack, when it simply does not. It is as though the lines of communication, faithfully relaying its messages, were abruptly to be cut off.

It is not necessary, in our reading of the liturgical texts which have been foisted upon us, to suspect the poisoned pen of the heretic or the velvet glove covering the mailed fist of the Communist conspiracy working through the channels of the Sacred Congregation for Divine Worship. It is enough to note that the touch of genius has so far absented itself from these documents which reach us with such monotonous regularity and insipidity, as to suggest a total substitution of dross for gold.

It was not so in ages past when Basil and John Chrysostom and Gregory formulated the texts and set the patterns for the prayer of the Church, East and West. It was not so when those unknown masters of rhythmic melody devised and developed the liturgical chant, the noblest music man has ever sung, nor was it so when the flowering of polyphony enriched the musical treasury of the liturgy with works of classic dignity and grace.

The Renaissance and Trent hardened the liturgy into molds perhaps too rigid and ungiving, but the authentic note of dignity and greatness was by no means wanting. With the Baroque the liturgy left the austere confines of the sanctuary to mingle with the multitudes crowding the nave and aisles, to undergo, at least in some aspects, a process of vulgarization, but however much the liturgy stood in need of refurbishing and reform as our day approached, it was still recognizable as an original work of religious genius. It was by no means a shambles.

The malady must be reported of the rendering of the liturgy into the vernacular. To focus exclusively here upon our English experience, it is commonly recognized that only once or twice in a millennium have we any right to expect a translator of such power as Thomas Cranmer. Whatever his other merits or demerits, he possessed the gift of noble expression and haunting phrase, so as to mold the language our forebears have spoken these 400 years and more. And while he had no Catholic rivals to contest his mastery, he set a standard to which they must needs approximate or publicly confess their inadequacy.

Liturgists Incompetent

And for the most part, those commissioned or inspired to render the liturgy into the vernacular for the English-speaking Catholic world had done a commendable if not a brilliant job. [1] Why their work, present and available, was ignored and set aside, and even spoken of with contumely by the current generation of Martin Mar-Texts [2] is a mystery beyond our ken.

The liturgy needed reform by 1965; there was no call for dismantling it. It was intended that the vernacular would enhance the Latin, not supplant it. It was not, emphatically, the mind of the Council Fathers to jettison Gregorian Chant, or to encourage the banal secularization of Church music, so as now to surpass in crudity the worst aberrations of the Howling Pentecostals.

It was anticipated that the liturgical texts, along with the Biblical readings for the Mass and the Divine Office, would be so translated as to reflect the beauty and suppleness of our tongue in the praise and worship of God. If any Council Father—for this we can vouch—leaving the aula of St. Peter’s on that day when the Constitution on the Liturgy was proclaimed, had seen in vision the liturgical calamities which have befallen us in this short span of time, it is conceivable that he would have had a heart attack, then and there.

The first mistake, then, was dependence upon the Dabitur Vobis [3], a brash confidence that the touch of genius would not be lacking. The second, in uncomfortably close alliance, was to allow the interpretation and implementation of the Constitution on the Sacred Liturgy to fall into the hands of men who were either unscrupulous or incompetent. This is the so-called “Liturgical Establishment,” a Sacred Cow which acts more like a White Elephant as it tramples the shards of a shattered liturgy with ponderous abandon. [4]

The third mistake, fully as destructive as either of the foregoing, was the genial supposition that widespread “experimentation” could be sanctioned, with any hope of holding the line thereafter. This is not to condemn experimentation; it is useful and necessary from time to time, under certain controlled circumstances.

But the broad permissiveness granted or even encouraged by the Sacred Congregation and by various Episcopal Conference committees, has led to what must be described, without exaggeration, as a state of chaos. Everyman is now his own liturgist, just as he is his own pope; the Parish Liturgical Commission, made up, for the most part, of good and well-meaning folk whose liturgical competence is on the kindergarten level, legislates for all the world as though it were the Sacred Congregation itself. Or perhaps, what is by no means unthinkable, with far greater assurance and authority.

How long, do you suppose, will it take for another Hercules to clean up these Augean Stables?

Next week, we will publish the transcription of His Exellency’s 1973 article. 

NOTES

[1] Dwyer is referring here to the first translations from the 1960s, which were all replaced by the tawdry claptrap of ICEL when the Novus Ordo was rolled out. He may also be referring to the many translations that existed in hand missals for many decades prior to the Council.

[2] This seems to be a reference to “Martin Mar-prelate,” “the name used by the anonymous author or authors of the seven Marprelate tracts that circulated illegally in England in the years 1588 and 1589. Their principal focus was an attack on the episcopacy of the Anglican Church” (source).

[3] See Luke 11, 9: “Petite, et dabitur vobis” (Ask, and it shall be given).

[4] This is the paragraph quoted by Davies, with some minor differences that do not alter the meaning.

A young Dwyer holding a model of a church (backstory unknown)

Visit Dr. Kwasniewski’s Substack “Tradition & Sanity”; personal site; composer site; publishing house Os Justi Press and YouTube, SoundCloud, and Spotify pages.

Monday, February 06, 2023

Was Liturgical Latin Introduced As (and Because It Was) the “Common Tongue”?

In a lecture published recently at Church Life Journal, “In the Swarm: The Liturgy and Liquid Identity,” Angela Franks offers an intriguing analysis of “solid” and “liquid” aspects of Christianity and the impact this should have on our concept of pastoral care. The article — a keynote address for the Society for Catholic Liturgy — contains much insight: her general line is reminiscent of John Henry Newman’s emphasis on ecclesial development as an enrichment and articulation of what is always already given in Christ and in the deposit of faith.

One must, however, take exception to an illustration Dr. Franks offers from liturgical history, where she unfortunately repeats a misconception that has shown a remarkable resilience against all attempts to correct it. Here is what she writes:
We need solidity… Let us not, however, dismiss too quickly the balancing reality of liquidity. The history of the development of the liturgy and of sacramental theology bears this out as well. I will not attempt to delve into this history, but let us take one simple example: the changes in the liturgical languages of the Church. Very early Christian liturgy privileged Greek (although not exclusively), as the language of Scripture and the universal “common” (koine) tongue, but other rites in the vernacular have ancient roots, such as Coptic and Syrian. The standardization of Latin as the Western liturgical language began to occur when Latin became the “common” tongue. In this and in many other ways, liturgy has developed and changed under the guidance of the Church.
The assertion here is a familiar one: the Christian liturgy was “done in the vernacular,” and whenever the vernacular changed, the language of the liturgy also changed (or, presumably, should have changed). The Latinization of the liturgy in the fourth century is therefore explained simply in terms of wishing to move from an earlier but no longer accessible vernacular (koine Greek) to the vernacular of the day (Latin).

The trouble with this assertion is that it is highly misleading, to say the least, and downright incorrect in some respects. In her classic work Liturgical Latin: Its Origins and Character, published by CUA Press in 1957 (and happily back in print), Christine Mohrmann (1903–88) explained at length, with an abundance of examples, that the Latin of the early Roman liturgy is anything but the vernacular Latin of its time. It abounded in archaicisms, Hebraisms, legalisms, odd or intricate syntax, and rhetorical tropes. In this respect it was similar to the unusual Greek of the Septuagint and of early Greek Christian liturgies—which should hardly surprise us, given that the Jews themselves continued to use Hebrew in their worship, which, by then, was a language no longer commonly spoken. Indeed, the Son of God would have conducted the Last Supper at least partially in an archaic sacral language. [1]

The discussion of language in Michael Fiedrowicz’s The Traditional Mass: History, Form, and Theology of the Classical Roman Rite is quite illuminating. The entire section (153–78) is well worth reading; I shall quote here only the most immediately pertinent passages.
…Latin translations of the Bible originated in the middle of the second century. But even these developments were not simply a colloquial element within the divine worship. These texts also possessed a sacred stylizing, insofar as the Latin translations bore a strong biblical complexion through a certain literalism, that is, a close following of the scriptural forms of speech, and in this way they acquired a peculiarly foreign style, soon felt to be holy….
       An appreciation for the sacred formation of the holy texts was the inheritance of old Roman religiosity. In order to conform to the requirements of a hieratic style, Christian Latinity first had to be perfected to a certain degree and be capable of rising above everyday speech. If the development of a Christian sacred language thoroughly drew on particular elements of style of old Roman traditions, then such an impartial use of Rome’s cultural inheritance was conceivable only in the later peacetime of the Church (from 313 on) when the pagan religion no longer presented a serious threat to Christianity; and just as confidently as the Church introduced the spoils of heathen temples into her own basilicas, she made the stylistic forms of ancient prayer texts her own. (156–57)
       The use of Latin as a sacred language that stylistically tied in with old Roman traditions would especially have won over to the Christian Faith the influential elite of the empire, who at this time [fourth century] had just begun to discover anew their texts of classical literature. The Church had at its disposal a language of prayer whose content was renewed by revelation and at the same time formally bound to the Roman tradition. (157–58)
And most to the point:
The introduction of Latin into the Roman liturgy, then, certainly did not indicate the abandonment of the principle of a sacred language. In that sense, Latinization cannot be understood as an argument for the vernacular, as though with the change of the liturgical language, the Church in Rome were simply accounting for the fact that the majority of the faithful by then were no longer Greek-speaking, but Latin-speaking Christians. The Latin of the liturgy was identical with neither the classical Latin of Cicero nor the colloquial language, Vulgar Latin. It was, at least in the texts of prayers, a highly stylized form of language, which was not readily understandable to the average Roman of the fourth and fifth centuries: “No Roman had ever spoken in the language or style of the Canon or the prayers of the Roman Mass.”
       It was rather a language that sought to awaken the experience of the sacred and to raise man above the things of this world to God. This rising up to God was accomplished neither by a complete renunciation of language (holy silence, silentium mysticum) nor in the form of glossolalia, the gift of tongues (cf. 1 Cor 14:2), which no longer possessed its communicative character; rather, it was accomplished by means of a sacred language that drew from biblical sources as well as from the hieratic idiom of pagan Rome and, not least of all, also made use of ancient rhetoric. As a glance at the historical development demonstrates, the Church did not slip Latin on as a garment that could be replaced with another at any time. Rather, the Roman Church artistically forged for herself her own Latin for her liturgy, and in it she uniquely expressed her identity. (158)
In his new book The Liturgy, the Family, and the Crisis of Modernity—which, incidentally, engages with many of the issues raised by Dr. Franks in her lecture—Dr. Joseph Shaw summarizes and comments on Dr. Mohrmann’s research:
The argument from “expedience” may seem particularly weak today, in light of the stress laid by the reformist party on how the liturgy was translated into Latin to aid the comprehension of the faithful, and how it has been translated into a number of other languages by the churches of the East. This argument, familiar as it is, is misleading. We do not have any records of the reasoning behind the composition of the Latin liturgy, but the kind of Latin used suggests that popular comprehension was not the overriding consideration, in contrast to the importance of appropriating the tradition of solemn and sacred Latin for the use of the Church at a moment when Paganism was no longer a threat….
       The Roman Canon would have been at least as incomprehensible to fourth-century prostitutes and bums as Cicero’s convoluted orations would have been to their predecessors. In such cases the style, vocabulary, and in general the register is not designed for immediate and universal comprehension. In the case of the Roman Canon, we find archaisms, neologisms, Hebraisms and other foreign loan words, and echoes of the unnatural syntax of sacred and legal language. In any case, from an early date, and quite possibly from the start, it was said silently, by a celebrant hidden from the congregation in the nave by curtains. If verbal comprehension was the object of the Latin liturgy’s composition, Pope Damasus (if it was he) and his collaborators went about their task in a most surprising way. (60, 72)
With considerations like these in mind, it becomes clear why we need to be extremely cautious about making claims like “Christian liturgy privileged…the universal ‘common’ tongue” and “the standardization of Latin as the Western liturgical language began to occur when Latin became the ‘common’ tongue.” Both of these claims are demonstrably false.

As to the first, Christian liturgy, even when first rendered in the language of a certain people or cultural sphere, always exhibited peculiar traits that linguists describe as sacral or hieratic, and which would already have sounded that way even to those at the time it was first used, but much more so to those who come in the generations after, given both the continual development of the vernacular and the tendency toward a strong conservatism of forms on the part of the Church in every one of its historic rites.

As to the second claim, Latin was spoken for centuries before the Roman liturgy was rendered in Latin; the reason for the delay, therefore, was not that Latin was not a “common tongue” prior to this, but rather, that it still had pagan associations and lacked the resources needed for a distinctively Christian register suitable for divine worship. When Roman society (above all, in its aristocracy) had become more Christianized and an abundant Christian literature was available, the time was ripe for the Latinization of the Roman liturgy. As Fr Uwe Michael Lang writes in his recently published The Roman Mass: From Early Christian Origins to Tridentine Reform:
The formation of a Latin liturgical idiom was a major contribution to this project of evangelising Roman culture and thus attracting the influential elites of the city and the empire to the Christian faith. It would not be accurate to describe this process simply as the adoption of the vernacular language in the liturgy, if ‘vernacular’ is taken to mean ‘colloquial’. The Latin of the canon, of the collects and prefaces of the Mass transcended the conversationl idiom of ordinary people. This highly stylised form of speech, shaped to express complex theological ideas, would not have been easy to follow by the average Roman Christian of late antiquity. (109)
Fr Lang also explains why the East saw a profusion of languages (including the Coptic and Syrian of which Dr. Franks makes mention):
The Christian East was in a position to make use of several languages that carried with themselves a certain cultural, social and political weight: in addition to Greek, which retained a strong presence well into the fifth century, Syriac, Coptic Armenian, Georgian and Ethiopic began to be employed in the liturgy. In the Christian West, vernacular languages were not used in divine worship. The case of Roman North Africa is instructive: Augustine held Punic in esteem and made sure that the bishop chosen for a Punic-speaking region knew the language needed for his ministry. However, there are no extant documents of a Punic liturgy, whether Catholic or Donatist. The religious prestige of the Roman church and its bishop helped Latin become the only liturgical language of the West. This would prove an important factor in furthering ecclesiastical, cultural and political unity. Latinitas became one of the defining characteristics of Western Europe. (109–10) [2]
So successful was this endeavor that Latin would remain the mother tongue of the Western Church at prayer for the next 1,600 years. The core of the Roman rite continued intact, while growing organically in its calendar, prayer texts, lectionary, rubrical codification, and artistic externals. Truly one and the same Roman rite, as a person is one and the same, though he was once a child and is now a man; yet also the source of an endless profusion of cultural riches on every continent. Truly, the traditional liturgy demonstrates the most harmonious interplay of the “solid” and the “liquid” in Western history, in support of a transnational and transcultural unity of religion—an interplay and a unity that have been lost in the demotic babelization and ritual fragmentation caused by the postconciliar reforms.

NOTES

[1] “At the time of Christ, the Jews used the language of Old Hebraic for their services, though it was incomprehensible to the people. In the synagogues, only the readings and a few prayers relating to them were written in the mother tongue of Aramaic; the great, established prayer texts were recited in Hebrew. Although Christ adamantly attacked the formalism of the Pharisees in other respects, He never questioned this practice. Insofar as the Passover Meal was primarily celebrated with Hebrew prayers, the Last Supper was also characterized by elements of a sacred language. It is therefore possible that Christ spoke the words of Eucharistic consecration in the Hebrew lingua sacra” (Fiedrowicz, Traditional Mass, 153).

The same author defines “the characteristics of a sacred language” as: “(1) a conscious distancing from the words of colloquial language, which makes the “complete otherness” of the divine felt; (2) an archaizing or at least conservative tendency to favor antiquated expressions and adhere to certain speech forms from centuries ago, as is well-suited for the worship of an eternal and unchanging God; (3) the use of foreign words that evoke religious associations, as, for example, the Hebrew and Aramaic forms of the words alleluia, Sabaoth, hosanna, amen, maranatha in the Greek books of the New Testament; and finally, (4) syntactic and phonetic stylizations (e.g., parallelisms, alliterations, rhymes, and rhythmic sentence endings) that clearly structure the train of thought, are memorable and allow for easy recollection, and strive for tonal beauty” (154–55).

[2] Regarding Roman prestige: one can well understand why Charlemagne would have adopted for the Franks the Latin liturgy of Rome.

Monday, November 08, 2021

Why Archaic and Elevated Bible Translations Are Better, Especially for Liturgical Use

In an article last month, “Against Vernacular Readings in the Traditional Mass,” I spoke about why the traditional Latin Mass should remain in Latin for all of its parts, including the readings. However, I would not wish to be misunderstood as an opponent of vernacular translations of Scripture. On the contrary, there is an important twofold place for these translations: first, as a “support” to the congregation at Mass, either by way of their missals or from the pulpit before the homily; second, as a “mainstay” for lectio divina or personal meditation on Scripture. In keeping with the principle of St. Augustine, one should consult a variety of editions of the Bible because each will bring out meanings that the others do not. (The limit to this is merely a practical one: there are only so many Bibles one can juggle, and it is beneficial to have a “primary” Bible for the sake of memory and thorough familiarity.) Even knowledge of the original language of Scripture—Hebrew for the Old Testament and Greek for the New—does not obviate the need for other languages. For example, the Greek Septuagint offers invaluable insights into the Old Testament that the Masoretic text cannot supply.

This much is clear to me: for public proclamation of the Word of God, the translation we use should not be in “contemporary English” as it is spoken—or rather, cheapened and slaughtered—in today’s society. There are many reasons for this judgment in favor of archaic eloquence. Here I will present one set of reasons articulated by Fr. Luke Bell in his book Staying Tender: Contemplation, Pathway to Compassion (Angelico, 2020). Fr. Bell explains why he has chosen to quote from the King James Version:

Readers of early drafts of the book have suggested that this might be more difficult for people to get their head around than a modern version, so a word of explanation is in order. I don’t want you to get your head around it. I want it to get into your heart. I have chosen this version because it is poetic. T. S. Eliot observed (in connection with Dante) that “genuine poetry can communicate before it is understood.”
       That is to say that what comes through it is more than what the mind can grasp, at least to begin with. It speaks first of all to intuition rather than to any analytical faculty. That in us which sees the whole is touched by the poet’s own vision of the whole, its words awakening in us what awoke the words in him or her. Just as an inspiration of the oneness of creation can sometimes come through the beauty of nature, so a sense of the one divine source of all meaning can sometimes be received through poetry. It is the genre of the transcendent. Through it can be heard an echo of the music of eternity.
       If all this is true of poetry it should be true a fortiori of versions of Scripture, which is above all the text through which the transcendent comes to us. If we word it so it reflects back to us the quotidian banalities of our own speech with all the limitations of its vision, reducing in effect what it speaks of to that of which we speak, then we tend to make it tamer than it should be. We risk the complacency of thinking we have mastered it replacing the aspiration that it should master us…
       An older version, written when the language was richer and less abstract, is more likely to make us pause before the mystery, to humble us before the numinous, to open us to what comes from beyond.
Frontispiece of KJV, 1611 ed.
In Anthony Lo Bello’s extremely interesting, if eccentric and occasionally erroneous, Origins of Catholic Words: A Discursive Dictionary (Washington, D.C.: CUA Press, 2020), we read this marvelous quotation from Theodore Dwight Woolsey (1801–1889), chairman of the American New Testament Committee and ex-president of Yale University, who wrote in 1879, concerning the impending revision of the King James Version:
We would here guard against a wrong inference which might be drawn from our remarks, as if in a translation for the nineteenth century the words most in use in the century, and most familiar to the ears of the people, ought always to take the place of others less in use, which, however, retain their place in the language. This is far from being a safe rule. One of the most important impressions which the Word of God makes is made by its venerableness. The dignity and sanctity of the truth are supported by the elevation of the style, and woe to the translator who should seek to vulgarize the Bible, on the plea of rendering it more intelligible. Understood it must be, and this must be provided for by removing the ambiguities and obscurities to which changes in society and changes in the expression of thought give rise. But as long as the English is a living tongue, the style of the scriptures must be majestic, and removed from all vulgarity. Indeed, it must be such as it is now, with those exceptions, few in number, which time brings with it, and most of which will hardly be noticed by the cursory reader.
Another one of the revisers, A. B. Davidson (1831–1902), professor of Hebrew in Ediburgh, commented on the same topic:
The antique cast of style must be retained. Nothing that is not absolutely wrong, or not absolutely out of use, should be removed. The modern vocabulary, and the modern order of words, and the modern cast of sentence must be avoided. Any change of familiar passages will grate on the ear, and even on the heart, of the devout reader.
These men were part of the committee that produced what we now call the Revised Version (OT, 1881; NT, 1885). As Lo Bello wryly remarks, “another point of view was that to be discovered in the literary principle of the Roman Consilium” in connection with translations of the Roman Missal:
The language chosen should be that in “common” usage, that is, suited to the greater number of the faithful who speak it in everday use, even “children and persons of small education.” (Comme le prévoit, 1969)
Hmm. Let’s take the liturgy, the highest and most sublime public activity known to man, and render it into the most commonplace language we can manage, easy enough for little kids and the uneducated to follow. And then let’s ask people to listen to this week in, week out, for decades of their lives. What wonderful results can be predicted! They will fall in love with this facile discourse! They will mutter the memorable words as they go about their day, as people in former times would sing folksongs or savor tales. Their dreams will be permeated with the phrases and periods of the New American Bible, like so many susurrant winds or heaving waves. The very discourse of Catholics in the home and in the market will be shaped by the resonance of ICEL’s prose, as once upon a time the English tongue was leavened with the lines of the Bard of Avon.

I’m afraid not.

What's that about not judging a book by its cover? 

The truth of the matter is that an elevated diction, unusual rhetorical tropes, a spacious and ponderous feel, are all highly suitable to signifying that this book is like no other book, and that it is worthy of our attention and our effort. We must, to some extent, strain to it, in order to find out what it is saying; its lack of immediate comprehensibility is a shield against contempt. Anything easily understood is viewed by us as beneath us, inferior to our own power of understanding; at best, it will be classified as “useful,” at worst as worthless. I remember hearing one Sunday at Mass the word “froward” in the Epistle that was read from the pulpit before the homily: I said to myself: “What in the world does froward mean?” Much later, I learned that it meant difficult to deal with, contrary, ornery. The word actually stuck in my memory better because I did not know what it meant.

That reminds me, too, of times when our children would ask us what something meant in a story or a poem or at Mass. Usually they asked us about something strange in a text—something that went beyond their reading comprehension. And the answer provided by my wife or me was often an occasion for a brief catechetical lesson.

It seems to me that there is so much wisdom to be found in the practice, common to every religious tradition on earth, of using more archaic and more solemn forms of language as part of the act of worship. I would be remiss not to mention in this connection the stellar example given to the English-speaking world by the Anglican Ordinariate, which has brought into Catholic life, for the first time since the Council, a truly lofty and noble register of vernacular. And I daresay “even children and persons of small education” are instructed, inspired, and intrigued thereby.

Saturday, October 02, 2021

St Robert Bellarmine’s Hymn for the Guardian Angels

St Robert Bellarmine was born in 1542, and in his youth, received a classical education typical of his era, showing himself to be a particular bright pupil at a very early age. It was an essential part of education in those days that people were trained not only to read and comment intelligently upon the Latin classics, but also to write their own Latin in both prose and verse, and Robert was already skilled at this as a boy. In his early years in the Society of Jesus, which he entered at age 18, he taught the classics in the order’s school in Florence. When he was transferred to Mondovi in Piedmont, he discovered that he was supposed to teach Cicero and Demosthenes, although he knew hardly any Greek at all; he therefore taught himself in one night the grammar lesson he was supposed to deliver the next day. In the midst of his vast output of theological writings, for which he was named a Doctor of the Church in 1931, and his many other scholarly achievements, he also continued to write poetry in both Latin and Italian throughout his life.

St Robert Bellarmine (Public domain image from Wikipedia.) 
Formal liturgical devotion to the Guardian Angels is found sporadically in the Middle Ages and Renaissance, but really began to establish itself in the Counter-Reformation period, of which St Robert was such an important protagonist. Pope Paul V (1605-21), who kept him as one of his most valued counselors, was also the first post-Tridentine Pope to formally approve a feast of the Guardian Angels, which he granted to the Holy Roman Empire at the request of Ferdinand II of Austria. When the feast was extended to the universal church by Pope Clement X in 1670, it was given a proper Office, which includes two hymns composed by St Robert: Custodes hominum, which is sung at Matins and both Vespers, and Aeterne rector siderum for Lauds.

Ancient Greek and Latin poetry was not based on rhyme, which was considered a blemish on verse in antiquity, but on alternations of long and short syllables, according to various established patterns. The oldest Christian hymns, such as those of St Ambrose or Venantius Fortunatus, were similarly constructed, although often rather more loosely than in the classical period. In the Middle Ages, when Latin vowel quantities were mostly not heard or pronounced, rhyme established itself as the norm for new liturgical composition, and even extended itself beyond the various types of hymns into non-metrical forms like responsories. The Renaissance, however, which sought to imitate the classical world in all the arts, rejected rhyme and returned to metrical composition based on vowel quantity; this classicizing spirit in the use of Latin lasted much longer than the Renaissance itself did, and is found in new liturgical compositions of every period, up to and including the most recent texts of the post-Conciliar rite. In the same spirit, Pope Urban VIII (1623-44) had the whole corpus of hymns in the Roman Breviary revised and classicized, giving rise to the famous remark “Accessit Latinitas, recessit pietas - Latinity came in, piety went out.”

To judge by St Robert’s compositions for the Guardian Angels, it is a pity that he did not live to contribute to Pope Urban’s project, which might have been more successful with his input. His vocabulary is almost entirely within the established usage of Christian Latinity. The metrical form is one used by Horace in his odes, called the Third Asclepiadean, but he mostly avoids the contorted word order which the classical poets and their later imitators often employed. Here is a splendid recording by the Ensemble Venance Fortunat, in alternating chant and polyphony; a pure Gregorian version sung by the Gloriae Dei Cantores, alternating women’s and men’s voices, is given below. The English translation is that of Alan Gordon McDougall (1896-1965).


Custodes hominum, psallimus
Angelos,
Naturae fragili quos Pater addi-
dit,
Caelestis comites, insidianti-
bus,
Ne succumberet hostibus.
Angel guardians of men,
spirits and powers we sing,
Whom our Father hath sent,
aids to our weakly frame,
Heavenly friends and guides,
help from on high to bring,
Lest we fail through
the foeman’s wile.
Nam, quod corruerit proditor
angelus,
Concessis merito pulsus hono-
ribus
Ardens invidia pellere nititur
Quos caelo Deus advocat.
He, the spoiler of souls,
angel-traitor of old,
Cast in merited wrath out
of his honoured place,
Burns with envy and hate,
seeking their souls to gain
Whom God’s mercy
invites to heaven.
Huc, custos, igitur pervigil ad-
vola,
Avertens patria de tibi credita
Tam morbis animi quam requi-
scere
Quidquid non sinit incolas.
Therefore come to our help,
watchful ward of our lives:
Turn aside from the land,
God to thy care confides
Sickness and woe of soul,
yea, and what else of ill
Peace of heart
to its folk denies.
Sanctae sit Triadi laus pia jugi-
ter
Cujus perpetuo numine machi-
na
Triplex haec regitur, cujus in
omnia
Regnat gloria saecula. Amen.
Now to the Holy Three
praise evermore resound:
Under whose hand divine
resteth the triple world
Governed in wondrous wise:
glory be theirs and might
While the ages unending run.


A different and somewhat looser English version, by Fr Edward Caswall. (Fr Caswall, born in 1814, was an Anglican clergyman who converted to Catholicism in 1847. After the sudden death of his wife in 1849, he entered the Birmingham Oratory in 1850; he was ordained priest two years later, and died in 1878. He was a talented poet, and many of his English translations of the traditional Latin hymns were incorporated by John Crighton-Stuart, the Third Marquess of Bute, into his monumental English version of the Roman Breviary, including this one.)

Praise we those ministers celestial
Whom the dread Father chose
To be defenders of our nature frail,
Against our scheming foes.

For, since that from his glory in the skies
Th’ Apostate Angel fell,
Burning with envy, evermore he tries
To drown our souls in Hell.

Then hither, watchful Spirit, bend thy wing,
Our country’s Guardian blest!
Avert her threatening ills; expel each thing
That hindereth her rest.

Praise to the trinal Majesty, whose strength
This mighty fabric sways;
Whose glory reigns beyond the utmost length
Of everlasting days. Amen.

Thursday, March 04, 2021

A Look at the English Standard Version (Catholic Edition) Lectionary for the Ordinary Form

Readers of NLM may be aware that last year, the Catholic Bishops’ Conference of India (CBCI) promulgated a new translation of the lectionary for the Ordinary Form, using the English Standard Version: Catholic Edition (ESV-CE) except for the Psalms, which are from the Abbey Psalms and Canticles (APC).
The ESV was first published in 2001, and is fundamentally a revision of the Revised Standard Version (1971). It describes itself as an “essentially literal” translation, and “seeks to be transparent to the original text, letting the reader see as directly as possible the structure and exact force of the original”. [1] The translation was carried out by a group of more than one hundred Evangelical Protestant scholars and advisors, and has undergone a number of small revisions over the last two decades (2007, 2011, 2016).
In 2017, after a small group of Catholic scholars in India had been commissioned by the CBCI to examine the ESV and make any necessary changes to the text to ensure fidelity to the teaching of the Church, the ESV-CE was approved by the Indian Bishops as the first step towards the new OF lectionary translation. The ESV-CE Bible was published in India in 2018, and in the United States in late 2019 by The Augustine Institute; in the United Kingdom, it is scheduled for publication later this year. The Indian ESV-CE lectionary text was confirmed by the CDWDS in December 2019, and came into force in India on 5th April 2020 (Palm Sunday).
Following the hard work of the CBCI, the Bishops’ Conference of Scotland (BCS) voted last July to also adopt the ESV-CE (with APC) for a new translation of the OF lectionary, replacing the Jerusalem Bible (with the Grail Psalter). And just last month, the Catholic Bishops’ Conference of England and Wales (CBCEW) announced that they had decided to do the same. At the time of writing, the Irish, Australian, and New Zealand Bishops’ Conferences have yet to announce any replacement, but it looks as though that the ESV-CE is likely to be the de facto English-language Catholic Bible version outside of North America. [2]
So, as a result, I thought that NLM readers would appreciate a quick look at the Indian ESV-CE lectionary itself - especially as there seems very little in the way of information online about these volumes at the moment other than that they exist! I have been fortunate enough to acquire a copy, so here are some pictures, along with my observations, both positive and negative.
The CBCI decided on a three-volume layout:
  1. Sundays and Solemnities (xxxiv + 966 pp) - this contains Years A, B and C of the Sunday cycle of readings, plus Solemnities.
  2. Weekdays (xxviii + 1106 pp) - this contains Years I and II of the weekday cycle of readings.
  3. Proper of Saints, Commons, Ritual Masses, Masses for Various Needs and Occasions, Votive Masses, Masses for the Dead (xxx + 1152 pp) - basically, everything else!
This layout, like any other, has a number of things to recommend it, but also contains compromises. First, it means that the cost for parishes, currently ₹7,500 for all three volumes (about $103/£73), is lower than it would be for other possible publishing arrangements. There is a certain logic to having the Sunday readings in one volume and the weekday readings in another. However, in the medium-term this may come at the cost of longevity: for example, the Sundays and Solemnities volume is going to get three times as much use compared to if each year of the Sunday cycle were its own individual volume. Similarly, the fact that the Funeral Mass readings are at the back of Volume 3 is perhaps not ideal for longevity, though the quality of the binding is fair. (Please bear in mind that my copies have travelled halfway across the world!)
The BCS and CBCEW, in consultation with publishers, [3] may decide on other layouts, such as having three volumes for each year of the Sunday cycle, or separate volumes for Nuptial Masses, Funeral Masses, etc.
Volumes 1 and 2 have two ribbons, with Volume 3 having three ribbons. This is appreciated, but the third volume really could have done with just one more ribbon; I will explain why below.
Use is made of the reference numbers of the 1981 Ordo lectionum Missae, editio typica altera (OLM), with the 2015 additiones, which is good. The celebrations proper to India have also been added in without disturbing these reference numbers. However, the lack of small headings at the top of each page does make sections more difficult to find than they could have been otherwise - this is not really a problem in Volumes 1 or 2, but is much more so in Volume 3 due to the variety of material contained in that volume.

Wednesday, November 18, 2020

UK Bishops Fix the Conclusions of the Mass Prayers

I have just learned from a priest friend that the English and Welsh bishops have decided to fix the conclusion of the English Mass Collects by removing the superfluous word “one” before the word “God.” (I say “superfluous” because it is completely absent from the Latin.) The conclusion will now read “Through our Lord Jesus Christ your Son, who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever.” The shorter conclusion used when the Son has already been mentioned earlier in the prayer is the same, beginning at the words “who lives”, while the conclusion addressed to the Son says “who live and reign with God the Father in the unity etc.” This was done in accordance with a directive issued in May by Robert Cardinal Sarah, Prefect of the Congregation for Divine Worship, to the presidents of the various Bishops’ Conferences that are members of ICEL. (Click image to enlarge.)

A note accompanying the decree by which this change is promulgated explains why it has been made.

“The addition of ‘one’ could be construed as mistaken or problematic. On the one hand, it could serve to undermine the statement of the unique dignity of the Son within the Trinity which the Latin formulae so strongly convey. On the other hand, it could be interpreted as saying that Jesus is ‘one God.’ Either or both of these interpretations is injurious to the faith of the Church. The ‘one’ risks suggesting that Jesus became a god independent of the Blessed Trinity and is one god among many. Contrary to the Arian heresy, Jesus Christ, who is God, did not become God. He is God from all eternity, and taking human flesh at his Incarnation, became man. According to the ‘lex orandi,’ what we pray needs to express what the Church believes, requiring that, in liturgical formulae, we uphold the doctrine of the Blessed Trinity.

It is clear from the Latin texts that the doxology emphasises the divinity of Our Lord Jesus Christ, the Second Person of the Blessed Trinity, who as the Incarnate Son, intercedes on our behalf to the Father, the prayer being made ‘in the unity of the Holy Spirit.’ Thus, the Son’s role of priestly mediation is made clear. The doxological phrase was coined in Africa during the fourth century as a means to combat the Arian heresy. The reference of ‘Deus’ is intended Christologically.”

The note further observes that the standard translation in the Western European Romance languages and German have no equivalent of this added “one.” It remains for the other English-speaking Bishops’ Conferences to decide how to adjust the translations they use in accordance with this new directive; it seems like the best solution would be to just follow what the English and Welsh bishops have already done. It is also certainly an encouraging sign that the bishops are thinking closely and carefully about how to translate properly express the Church’s lex orandi in the vernacular.

Tuesday, December 18, 2018

Dynamic Equivalence, with Some Polyphony

Back in January, we noted that Google Translate seemed to have come out in favor of the older style of liturgical translation; when you ask it for the English equivalent of “Kyrie, eleison” in Greek letters, and with a comma between them, it gives “Sir, take it easy.” The problem has still not been fixed; this screen shot was taken today.

Kudos to Mr Sam Wamper for making the best of a bad translation, and sharing it with the world on his Youtube channel.
Mr Wamper, if you see this post: Google Translate also still thinks that “Christe, eleision” means “Christ, elected.” This just begs to be given a full nine-part setting!

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