Tuesday, May 13, 2025

Interesting Saints on May 13th

May 13th is now occupied by two different feasts on the general calendar, one in the Ordinary Form, and one in the Extraordinary Form. For most of the history of the Roman Rite, it was not occupied by any feast of general observance at all, but an interesting collection of local feasts and observances is kept on this date.

St Robert Bellarmine, the second Jesuit to be made a cardinal, and one of the most famous scholars and controversialists of his era, spent much of his life in Rome as an adviser to a series of Popes in the later 16th and early 17th century. At his behest, Pope Paul V added the feast of the Stigmata of St Francis to the calendar on September 17th, the day on which it had long been kept by the Franciscans. By one of those particular acts of providence which seem to touch so many Saints, Robert himself then died on that day in 1621. When Pope Pius XI canonized him in 1930, and declared him a Doctor of the Church the following year, his feast was assigned to May 13th on the general calendar, the date of his beatification in 1923, since his death day was already occupied. September 17th was then freed by the suppression of the Stigmata of St Francis in 1960, and St Robert was moved to that date in the post-Conciliar reform.

A well-known photograph of Ss Francisco and Jacinta Martos (middle and right), together with their cousin Lúcia Santos, whose cause for canonization is in process. St Francisco died on April 9, 1919, at the age of 10, St Jacinta the following year on February 20, at the age of 9, both of them victims of the great influenza pandemic which raged though the years 1918-20, one of the greatest natural catastrophes in human history. (More deaths were caused by the so-called Spanish flu than by the First World War.) Sister Lúcia died on February 13, 2005, at the age of 97, almost 56 years after her profession as a Discalced Carmelite.
May 13th remained without any general feast until the promulgation of the revised Roman Missal of 2002, in which Pope St John Paul II assigned to it the feast of Our Lady of Fatima as an optional memorial. This was the date on which the three shepherd children had their first vision of the Virgin Mary in 1917; Ss Francisco and Jacinta Martos were canonized on this same date 8 years ago, the centenary of that first apparition. It is a well-known fact that it was also on this day in 1981 that John Paul II was shot in St Peter’s Square, while moving though the crowds at the weekly papal audience. His Holiness always ascribed the preservation of his life to the direct intervention of Our Lady of Fatima; as a sign of gratitude for his deliverance, the bullet which just missed his heart is now mounted in the crown of Her famous statue.

Less well known is the fact that in 1792, the same day saw the birth of Bl. Pius IX, the Pope who would later formally define the dogma of the Immaculate Conception. As a young man, he had suffered from some kind of seizure disorder (it does not appear to be precisely known which one), of which he was cured at the most important Marian shrine in Italy, that of Loreto. Even more remarkably, Eugenio Pacelli, who as Pope Pius XII would formally define the dogma of the Assumption in 1950, was being ordained a bishop in the Sistine Chapel at the very same time that the first apparition of the Virgin was taking place at Fatima.

Before St Robert’s feast was put on the general calendar, the first entry in the Martyrology for May 13th was the dedication of the Pantheon in Rome as a church dedicated to the Virgin Mary and All Martyrs, which took place in the year 609, in the reign of Pope St Boniface IV. As I have noted on more than one occasion, the name “Pantheon” means “building of all the gods”, but there is no evidence that there was any kind of collective worship of all the gods in the ancient Roman world, and no evidence that the building was a temple. The idea is probably a misunderstanding which arose in the Carolingian period, when much of ancient Rome lay in ruins; to an early medieval Christian’s eyes, the imposing mass of the structure, dominating the center of the city, could hardly have appeared as anything other than a religious building. Nevertheless, the legend persists that the building was dedicated to All Martyrs, and hence to All Saints, because it had previously been a temple of all the gods. On the basis of this tradition, when the Benedictines revised their calendar in 1915, they put the feast of All Relics on this same day.

Solemn Mass in the traditional rite celebrated in the Pantheon on May 13, 2009, the 14th centenary of its dedication as a church.
The entry that follows in the Martyrology is that of St Mucius (“Mokios” in Greek), a priest who was martyred at Byzantium in 304, during the persecution of Diocletian. His traditional legend is not considered historically reliable, but there is no doubt that he is an authentic martyr and that his cultus is very ancient. There was a church dedicated to him at Constantinople by the end of the 4th century, but it may have been built even earlier than that, by Constantine himself, as part of his first refounding of Byzantium as New Rome. In the Byzantine Rite, his feast is kept on May 11th, which is also celebrated liturgically as the anniversary of that refounding, while May 13th is the feast of another martyr of the same region, a virgin named Glyceria. Her acts are also historically unreliable, but she is also an authentic martyr, killed on that day at Heraclea in Propontis in the later part of the 2nd century. (As an episcopal see, Byzantium was originally suffragan to Heraclea.) There are actually quite a number of cases where martyrdoms took place in the same place on or around the same date, but at a distance of many years or decades, as is the case with these two. This is because the officials who were in charge of the courts that tried and sentenced capital crimes traveled from place to place, and the schedule by which they arrived on the same date in the same city each year was maintained for long spans of time.

In the Low Countries and many other parts of northern Europe, May 13th is traditionally the feast of St Servatius (“Servais” in French, “Servaas” in Dutch), bishop of Tongres in modern Belgium, who is said have come to that area from Armenia as a missionary, to have received St Athanasius during his exile to Trier, and defended the Catholic Faith against Arianism at various councils in the mid-4th century. The see of Tongres was later transferred to Maastricht, where a large and very beautiful church dedicated to him preserves the relics of his body, and several items said to be his.

In the Dominican Rite, his feast was kept on May 22nd, because of the story given as follows in the Order’s Breviary. “When Louis of Bavaria, who was very hostile to the Church and to the Order, learned that the friars had been summoned to hold a general chapter in his domain, he laid plans to put them to death. As historical records testify, St Servatius appeared in a dream to one of our brethren, and warned the friars to flee to another city; thus did he save them from certain slaughter. Wherefore, because the Order was delivered from such great peril, the fathers decreed that henceforth his feast should be forever observed.” In his History of the Dominican Liturgy, Fr William Bonniwell notes that this story rests on very shaky historical foundations, and the feast was suppressed from the Dominican calendar in 1962.

A reliquary bust of St Servatius, 1579; image from Wikimedia Commons by Kleon3, CC BY-SA 4.0
The last entry of the day in the traditional Martyrology is that of St John the Silent, an Armenian monk who was consecrated bishop, much against his will, in the year 482 AD, at the age of only 28. After serving for nine years, he determined to lay down his pastoral charge, partly out of a sense of his own unworthiness, partly from a desire to return to the monastic life. He did this, not by formally resigning, but by disappearing; making his way to Jerusalem, and led by a miraculous sign, he entered the famous Lavra of St Sabbas, then still governed by the founder for whom it is named. However, he told no one of his past, and was received as a layman, working as an ordinary laborer.

As has often been the case, it was impossible to hide the light of holiness under a bushel, and several years later, Sabbas deemed him worthy to be presented to the Patriarch of Jerusalem, St Elias, for priestly ordination. Before the ordination could take place, John insisted on having a private meeting with Elias, at which he revealed his past, and swore him to secrecy. Elias could not, of course, ordain him a priest, but also could not reveal the reason to John’s superior, who unsurprisingly feared the worst, but the true reason for the refusal was later made known to him by a revelation of God. St John lived for 56 years after this incident, to the age of 104, without ever resuming the function of the episcopal office.

Saturday, May 13, 2023

Architectural Reflections on the Shrine of Our Lady of Fatima

Basilica of the Rosary, Fatima Shrine

Today, May 13, is the Feast of Our Lady of Fatima. I recently had the privilege of visiting the shrine in Portugal, a large complex of several buildings formally known as the Sanctuary of Our Lady of the Rosary of Fatima. The most touching aspect of the space is the piety of the pilgrims who flock there to honor the Mother of God and the three little shepherds who saw her. But the architecture is also difficult to ignore. In particular, I was struck by a dichotomy between the message of Fatima--especially the prediction that Russia would spread her errors around the world--and the shrine's own artistic statements.

Chapel of the Apparitions
The three shepherds (Sr. Lucia, St. Jacinta, and St. Francisco) had visions in several different locations, but the most important was at Cova da Iria (Peaceful Hollow), where a total of six Marian apparitions occurred, including the disclosure of the Three Secrets and the Miracle of the Sun. In that cove, Our Lady appeared on top of a young holm-oak tree no more than a meter high. Within a year of the last apparition (October 13, 2017), the local townsfolk built on the site a small, charming chapel in obedience to one of Our Lady's commands. Anti-clerical fanatics bombed the chapel in 1922 but it was quickly restored. The humble monument is now encased in a modernist glass and wooden structure that can be mistaken for a highway rest stop and surrounded by a sparse, postconciliar sanctuary where Mass is celebrated on a free-standing altar. The interior of the chapel is inaccessible to pilgrims.
Chapel of the Apparitions
First Basilica
A much grander fulfillment of Our Lady’s command to build a chapel in her honor is found not far away at the top of the hill, where the children were play-making a small stone wall when they saw the “lightning” that preceded the first Marian apparition on May 13, 1917. The neo-Baroque Basilica of the Rosary, which was begun in 1928 and completed in 1953, contains the tombs of Sr. Lucia, St. Jacinta, and St. Francisco as well as fifteen altars in honor of the mysteries of the rosary. The cruciform church has many virtuous elements, including: an imposing spire that is topped with the same crown that adorns the statue of Our Lady of Fatima; a façade with a statue of the Immaculate Heart of Mary donated by American Catholics; and a robust representation of Portuguese saints and saints associated with the rosary both inside the church and atop the surrounding colonnade.
Yet the basilica, in my opinion, lacks the marvelous blend of transcendence and intimacy that some other Portuguese churches have. The grey interior has a cold vibe to it, the stained glass windows smack of a modernist antipathy to form, and some of the paintings of the events of Fatima are, well, strange. Above the high altar is a scene where the Blessed Virgin sends Saint Gabriel to distribute Holy Communion to the three children. The artist’s depiction of Our Lady reminds me of the ghostly, floating female figure in Raiders of the Lost Ark before she turns into a terrifying harpy and melts the faces off Nazis.
High altar of the Basilica of the Rosary
Outside Altar
A little further down the hill in front of the Basilica of the Rosary is a covered sanctuary where the most populous Masses are celebrated. Except for a cross-less image of Jesus either rising from the dead or jumping off the high dive, there are no architectural or ornamental indications that this is a place of importance, nor is there any sacramental symbolism. To a Catholic, it looks like a sanctuary on Holy Thursday after the stripping of the altars; to a non-Christian, it might be taken for an outdoor pavilion with limited seating and only one table.
Outside Altar in Front of the Basilica of the Rosary
Second Basilica
The outdoor altar looks over a vast, barren plaza that would be perfect for a remake of Triumph of the Will or a Soviet parade celebrating their victory in Stalingrad. At the other end of the plaza is the second basilica. The Church of the Holy Trinity was dedicated in 2007, the 90th anniversary of the apparitions. According to one of the many tourist booklets on the subject:
Under the authority of the Greek architect Alexandros Tombazis, the church represents a bold design with its main structure partially underground….It is constructed in a circular shape of 125 square metres in diameter, void of any supporting columns.[1]
Bold indeed. Chesterton argues that while the circle is an excellent symbol for madness and for centripetal religions like Buddhism, the cross is the symbol “at once of mystery and of health” and, of course, the centrifugal religion that is Christianity.[2] Unsurprisingly, the traditional design of a church, both in the West and in Mr. Tombazis’ native Greece, is cruciform. We may also add that like Leninist ideology, the circle is anti-hierarchical and radically egalitarian—except for the center which, like a geometrical Politburo, reigns over an infinite number of nameless radii.
The boast about the church being “void of any supporting columns” is also noteworthy. Columns are “abstracted people” (the Doric is based on the proportions of a man and the Ionic on the proportions of a woman), and so the columns of a church building betoken the “pillars of the Church,” those who uphold the Body of Christ and promote its spiritual mission.[3] A church “void of columns” therefore implies a Church without hierarchy or heroes.
The Plaza, a large crucifix and, in the background, the Basilica of the Holy Trinity
Other Features
The shrine has one distinctive monument that credits the fall of Soviet communism to Our Lady of Fatima. Bordering the plaza is a piece of the Berlin Wall. After it fell in 1989, Portuguese workers residing in Berlin commandeered a section of the wall and donated it to the shrine. Outside the shrine, Hungarians grateful for the end of communism in their country had stations of the cross built along the path that the children used to tend their sheep and where they received several apparitions. To the victor go the spoils.
Section of the Berlin Wall, Fatima Shrine
Conclusion
Despite these important reminders of the evils of communism, the shrine as a whole—thanks in large part to the plaza and the second basilica—feels like a product of communism. There are stylistic differences between modernist and Soviet architecture, but they share a contempt for celestial hierarchy, beauty, and form. If one did not know the history of the twentieth century, one would have thought that Russia began to spread her errors in the very spot where Our Lady warned us about Russia spreading her errors. It is a shame that the form of the Fatima shrine is so at odds with the content that inspired its creation.

Notes
[1] Fernando Leite, S.I., The Apparitions of Fatima (Secretariado Nacional Do Apostolado Da Oracao: 2017), 42-43.
[2] Chesterton, Orthodoxy 
[3] Denis McNamara, How to Read Churches (Rizzoli: 2017), 30.

Wednesday, May 13, 2020

Interesting Saints on May 13th

May 13th is now occupied by two different feasts on the general calendar, one in the Ordinary Form, and one in the Extraordinary Form. For most of the history of the Roman Rite, it was not occupied by any feast of general observance at all, but an interesting collection of local feasts and observances is kept on this date.

St Robert Bellarmine, the second Jesuit to be made a cardinal, and one of the most famous scholars and controversialists of his era, spent much of his life in Rome as an adviser to a series of Popes in the later 16th and early 17th century. At his behest, Pope Paul V added the feast of the Stigmata of St Francis to the calendar on September 17th, the day on which it had long been kept by the Franciscans. By one of those particular acts of providence which seem to touch so many Saints, Robert himself then died on that day in 1621. When Pope Pius XI canonized him in 1930, and declared him a Doctor of the Church the following year, his feast was assigned to May 13th on the general calendar, the date of his beatification in 1923, since his death day was already occupied. September 17th was then freed by the suppression of the Stigmata of St Francis in 1960, and St Robert was moved to that date in the post-Conciliar reform.

A well-known photograph of Ss Francisco and Jacinta Martos (middle and right), together with their cousin Lúcia Santos, whose cause for canonization is in process. St Francisco died on April 9, 1919, at the age of 10, St Jacinta the following year on February 20, at the age of 9, both of them victims of the great influenza pandemic which raged though the years 1918-20, one of the greatest natural catastrophes in human history. (More deaths were caused by the so-called Spanish flu than by the First World War.) Sister Lúcia died on February 13, 2005, at the age of 97, almost 56 years after her profession as a Discalced Carmelite.
May 13th remained without any general feast until the promulgation of the revised Roman Missal of 2002, in which Pope St John Paul II assigned to it the feast of Our Lady of Fatima as an optional memorial. This was the date on which the three shepherd children had their first vision of the Virgin Mary in 1917; Ss Francisco and Jacinta Martos were canonized on this same date 3 years ago, the centenary of that first apparition. It is a well-known fact that it was also on this day in 1981 that John Paul II was shot in St Peter’s Square, while moving though the crowds at the weekly papal audience. His Holiness always ascribed the preservation of his life to the direct intervention of Our Lady of Fatima; as a sign of gratitude for his deliverance, the bullet which just missed his heart is now mounted in the crown of Her famous statue.

Less well known is the fact that in 1792, the same day saw the birth of Bl. Pius IX, the Pope who would later formally define the dogma of the Immaculate Conception. As a young man, he had suffered from some kind of seizure disorder (it does not appear to be precisely known which one), of which he was cured at the most important Marian shrine in Italy, that of Loreto. Even more remarkably, Eugenio Pacelli, who as Pope Pius XII would formally define the dogma of the Assumption in 1950, was being ordained a bishop in the Sistine Chapel at the very same time that the first apparition of the Virgin was taking place at Fatima.

Before St Robert’s feast was put on the general calendar, the first entry in the Martyrology for May 13th was the dedication of the Pantheon in Rome as a church dedicated to the Virgin Mary and All Martyrs, which took place in the year 609, in the reign of Pope St Boniface IV. As I have noted on more than one occasion, the name “Pantheon” means “building of all the gods”, but there is no evidence that there was any kind of collective worship of all the gods in the ancient Roman world, and no evidence that the building was a temple. The idea is probably a misunderstanding which arose in the Carolingian period, when much of ancient Rome lay in ruins; to an early medieval Christian’s eyes, the imposing mass of the structure, dominating the center of the city, could hardly have appeared as anything other than a religious building. Nevertheless, the legend persists that the building was dedicated to All Martyrs, and hence to All Saints, because it had previously been a temple of all the gods. On the basis of this tradition, when the Benedictines revised their calendar in 1915, they put the feast of All Relics on this same day.

Solemn Mass in the traditional rite celebrated in the Pantheon on May 13, 2009, the 14th centenary of its dedication as a church.
The entry that follows in the Martyrology is that of St Mucius (“Mokios” in Greek), a priest who was martyred at Byzantium in 304, during the persecution of Diocletian. His traditional legend is not considered historically reliable, but there is no doubt that he is an authentic martyr and that his cultus is very ancient. There was a church dedicated to him at Constantinople by the end of the 4th century, but it may have been built even earlier than that, by Constantine himself, as part of his first refounding of Byzantium as New Rome. In the Byzantine Rite, his feast is kept on May 11th, which is also celebrated liturgically as the anniversary of that refounding, while May 13th is the feast of another martyr of the same region, a virgin named Glyceria. Her acts are also historically unreliable, but she is also an authentic martyr, killed on that day at Heraclea in Propontis in the later part of the 2nd century. (As an episcopal see, Byzantium was originally suffragan to Heraclea.) There are actually quite a number of cases where martyrdoms took place in the same place on or around the same date, but at a distance of many years or decades, as is the case with these two. This is because the officials who were in charge of the courts that tried and sentenced capital crimes traveled from place to place, and the schedule by which they arrived on the same date in the same city each year was maintained for long spans of time.

In the Low Countries and many other parts of northern Europe, May 13th is traditionally the feast of St Servatius (“Servais” in French, “Servaas” in Dutch), bishop of Tongres in modern Belgium, who is said have come to that area from Armenia as a missionary, to have received St Athanasius during his exile to Trier, and defended the Catholic Faith against Arianism at various councils in the mid-4th century. The see of Tongres was later transferred to Maastricht, where a large and very beautiful church dedicated to him preserves the relics of his body, and several items said to be his.

In the Dominican Rite, his feast was kept on May 22nd, because of the story given as follows in the Order’s Breviary. “When Louis of Bavaria, who was very hostile to the Church and to the Order, learned that the friars had been summoned to hold a general chapter in his domain, he laid plans to put them to death. As historical records testify, St Servatius appeared in a dream to one of our brethren, and warned the friars to flee to another city; thus did he save them from certain slaughter. Wherefore, because the Order was delivered from such great peril, the fathers decreed that henceforth his feast should be forever observed.” In his History of the Dominican Liturgy, Fr William Bonniwell notes that this story rests on very shaky historical foundations, and the feast was suppressed from the Dominican calendar in 1962.

A reliquary bust of St Servatius, 1579; image from Wikimedia Commons by Kleon3, CC BY-SA 4.0
The last entry of the day in the traditional Martyrology is that of St John the Silent, an Armenian monk who was consecrated bishop, much against his will, in the year 482 AD, at the age of only 28. After serving for nine years, he determined to lay down his pastoral charge, partly out of a sense of his own unworthiness, partly from a desire to return to the monastic life. He did this, not by formally resigning, but by disappearing; making his way to Jerusalem, and led by a miraculous sign, he entered the famous Lavra of St Sabbas, then still governed by the founder for whom it is named. However, he told no one of his past, and was received as a layman, working as an ordinary laborer.

As has often been the case, it was impossible to hide the light of holiness under a bushel, and several years later, Sabbas deemed him worthy to be presented to the Patriarch of Jerusalem, St Elias, for priestly ordination. Before the ordination could take place, John insisted on having a private meeting with Elias, at which he revealed his past, and swore him to secrecy. Elias could not, of course, ordain him a priest, but also could not reveal the reason to John’s superior, who unsurprisingly feared the worst, but the true reason for the refusal was later made known to him by a revelation of God. St John lived for 56 years after this incident, to the age of 104, without ever resuming the function of the episcopal office.

Monday, October 16, 2017

Fatima Centenary Celebrations at St John Cantius

There have been celebrations at St John Cantius, Chicago on the 13th of every month since last May to celebrate the centenary of the Fatima apparitions. This Friday, October 13th, over 3000 attended the final event commemorating the 100th anniversary of the 'Miracle of the Sun'. Bishop Joseph Perry celebrated Pontifical High Mass which was attended by a large number of the faithful, including many religious and clergy, as well as a large group of seminarians from Mundelein Seminary. Father Rocky Hoffman, Executive Director of Relevant Radio preached the sermon. Following Pontifical Mass, there was a candlelight ceremony to crown the statue of Our Lady of Fatima on the steps of the church. The statue was carried by members of the Chicago Police Department. More photos here.







Monday, October 09, 2017

CD Review: Renaissance Polyphony of Portugal for Our Lady of Fatima

As we come very near the centenary of the last apparition of the Blessed Virgin Mary at Fatima, it is an opportune moment to offer a brief review of a recent CD from the Choir of St. Cecilia at St. John Cantius Catholic Church, under the direction of Fr. Scott Haynes, SJC. This stunning disk of Portuguese polyphony brings the listener to the heart of the Iberian Renaissance and the Marian devotion prevalent at that time.

Renaissance Polyphony of Portugal for Our Lady of Fatima encompasses pieces by a wide range of lesser-known Renaissance composers, superbly sung by the St. Cecilia Choir. One of the most beautiful pieces is the very first track, Beata Dei Genetrix Maria by Francisco Guerrero. In six parts, this luscious motet sets a text from the feast of the Presentation. Guerrero’s setting of Ave Maria Dulcissima gives us a hint at Guerrero’s personal devotion to the Blessed Virgin. The informative liner notes tell us that “Because of Guerrero’s lively devotion to Our Lady, he composed many motets in her honor, earning the nickname ‘El cantor de Maria’ (the singer of Mary).” Dulcissima Maria, another offering of Guerrero on this disc, is a simple four part piece which flows on in peaceful counterpoint.

Some of the other composers on the recording include Duarte Lobo (1556-1646), Pedro de Escobar (1465-1535), and Manuel Cardoso (1566-1650). Pedro Escobar, a composer who lived earlier in the age of “Renaissance polyphony,” offers a delightful piece in Spanish (the only non-Latin piece on this CD), accompanied by drum, which delights with its more medieval harmonic and rhythmic style.

The twenty-four singers of the St. Cecilia Choir exhibit a beautiful blend of voices; the sopranos gently arc with little vibrato over the peaks of the melody, while the altos and tenors supply beautifully phrased inner counterpoint. The basses are loud and rich, providing a strong underpinning for the whole auditory landscape. The CD is recorded in the church of Saint John Cantius in Chicago, the Cantians’ motherhouse, which has an acoustic perfectly suited to this repertoire. It also features the same church’s Oberlinger Portative Organ on three tracks, including beautiful variations on the hymn Maris Stella and Magnificat with the chant and variations alternating, by the composer Manuel Rodrigues Coelho. The organ variations are meditative and give good opportunity for the woody-sounding flute stops of the Oberlinger organ to be used to great advantage. The organ is also heard in a very pleasant Tiento sobre la Letanía de la Virgen by Pablo Bruna (1611-1679).

A highly recommended CD for your sacred music collection. The link at Cantius has extensive detail about the tracks as well as a short video presentation if you'd like a taste of the music.

Monday, June 12, 2017

Sacred Music from the Land of Fátima

The Smooth Stone Foundation has recently released a new album entitled I heard a voice from heaven... Sacred Music from the Land of FatimaIt commemorates the Marian Apparitions by a selection of (mostly) Marian music from the Spanish and Portuguese Renaissance. This CD is very exciting as it explores very little known composers and their works: of the nine tracks on this disk, five are first professional recordings. The works and composers featured are:
  • Gaudete cum laetitia and O Magnum Mysterium by Estevao Lopes Morago (1575-1630), a Spaniard by birth who chose Portugal as his home;
  • Dulcissima Maria by Francisco Guerrero (1528-1599), by far the best known composer on this recording;
  • Audivi vocem de caelo and Magnificat (II toni) by Duarte Lobo (1565-1646), a priest-composer who was maestro at the Lisbon Cathedral;
  • Turbae quae praecedabant and Accepit ergo Jesus panes by Mauel Cardoso (1566-1650), a Portuguese Carmelite friar and friend of Portugal’s composer-king John IV;
  • Ave Maria by Juan Esquivel (1560-1625), a Spanish composer who greatly influenced the course of Portuguese composition;
  • Salve Regina by Diogo Dias Melgás (1638-1700), who, while living well into the Baroque period, was very conservative in his musical style.
The works themselves vary in mood, but tend towards the dark and meditative style prevalent in the Iberian peninsula during the 16th and 17th centuries.

Morago’s calm and homophonic O Magnum Mysterium is a little gem of quiet, and I hope to sing it with my choir this coming Christmas.

The incredible setting of the Salve Regina by Melgás is very unique; it employs an almost madrigalist word-painting and audacious chromaticism. Starting with the plainchant incipit, it moves slowly and homophonically through the first part of the text, arriving at "clamamus" with a series of surprising and descending chords. "Ad te suspiramus" is heavily accented by the breaking up of the word with a rest between each syllable. The dissonatant "flentes," the haunting "lacrymarum vale" are agin accentuated by a series of arresting chords.

Duarte Lobo’s Audivi vocem de caelo is, in a way, the album’s title track, taken from Lobo’s Requiem Mass, setting the text: “I heard a voice from heaven saying unto me, Write, Blessed are the dead which die in the Lord.” With brilliant lines of polyphony that slide past each other in a dance of dissonance and consonance, I find this one of the most powerful pieces on the recording. On the word "mortui" Lobo uses long wailing melismas, ultimately leaving the piece eerily unresolved: the last chord of it will fall into place when we ourselves die, blessed, in the Lord. That is the sort of impression one gets from the music.

Timothy McDonnell conducts the Vera Voce choir for this recording. Overall they sing the repertoire extremely well. The ensemble has a good sense for the music. The sound quality or timbre of the voices is a little cool; perhaps the acoustic in which they were singing was not exceptionally reverberant. However, they have good intonation throughout, with a supple feel for dynamics and cadences. The singers are well-balanced in their straight-tone style (none of the "death by soprano overdose" problem that so many Renaissance recordings have).

All in all, this recording is both intriguing for the obscurity and beauty of its repertoire, while also being eminently listenable. I highly recommend it as an addition to your Iberian and/or Marian polyphony collection. It is availible from the Smooth Stone website for $25. From visiting the site, one can see the variety of projects this and other items for sale are supporting.

Friday, June 02, 2017

Fourth Issue of Altare Dei Now Available, with New Layout and New Contributors

As readers of NLM will know, the new magazine Altare Dei has already made quite a splash, with many interesting articles on sacred music, the liturgy in both forms, interviews, commentaries, and especially the musical insert at the heart of each issue, which offers readers several pieces of sheet music, all at a cost that would usually be charged just for a single piece of music.

Thanks to reader feedback and editorial review, Altare Dei has adopted a new format, more elegant and attractive, and easier to read. The fourth issue also features a number of new writers and some very interesting themes. The table of contents may be found below. Allow me to draw your attention in particular to Marco Tosatti on Fatima, Cavalcoli on Schillebeeckx, an article from Denis Crouan (whom we in America have not heard from in a long time), and Fr. Spataro contributing a piece with the explosive title: "The Traditional Liturgy as Field Hospital." And lots of other good stuff. This is the best issue so far.

To purchase a copy (€6.80), visit here.

ALTARE DEI N. 4 – MAY 2017
Editorial
Aurelio Porfiri

TOP STORY

The Mysteries of Fatima
Marco Tosatti

LITURGICAL THEOLOGY

The Eucharist According to Edward Schillebeeckx
Giovanni Cavalcoli

LITURGY

Thoughts from Benedict
David M. Friel

Why does the Church’s liturgy bore the faithful so much
Denis Crouan

The substantial Benedict
David W. Fagerberg

Traditional Liturgy as Field Hospital
Roberto Spataro

The Problem of the Sacred
Samuel Nyom

Breaking Liturgical Bad Habits
Peter A. Kwasniewski

MUSICAL INSERT

DEO GRATIAS (SATB and Organ) Colin Mawby
VIRGO CLEMENS (SATB) Valentino Miserachs
DE MARIA NUMQUAM SATIS (SATB) Aurelio Porfiri
O SALUTARIS HOSTIA (SA and Organ) Aurelio Porfiri

SACRED MUSIC

The Singing of the Ministers in the Eucharistic Celebration
Aurelio Porfiri

CATHOLIC CULTURE

“Tradition is Christ Himself”: an interview with Cardinal Raymond Leo Burke
Aurelio Porfiri

“Tangentitis” and Its Cure
Aldo Maria Valli

Pastoral Practice in the Church
Antonio Livi

Victory over Evil
Silvana De Mari

25 Years Ago, Grace Entered my Life
Massimo Viglione

EVENTS

A Conference of African Theology
Joseph Ahmad

BOOK REVIEW

"The Shroud: History and Mystery"
Zachary J. Thomas

(Issue #4 is available here.)

Wednesday, May 17, 2017

Procession of Our Lady of Fatima in Chicago

Thousands came out to pray in a historic procession with Our Lady of Fatima Saturday for an end to violence in Chicago, following the Virgin Mary's request to pray for conversion of sinners and peace.

During the candlelight procession, which took place on the 100th anniversary of the first apparition at Fatima, Portugal, an estimated 2,000 people came to St. John Cantius Parish in Chicago, to take part in the first of six processions to be held on the anniversary of each of the apparitions. The procession was one mile long and concluded with benediction at St. Stanislaus Kostka Parish, celebrating its 150th anniversary this year.

The monthly events will culminate with a Solemn Pontifical High Mass celebrated by the Most Rev. Joseph N. Perry, Auxiliary Bishop of Chicago on Friday. October 13, the 100th anniversary of the Miracle of the Sun.

More information here.










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