On Monday, November 2nd, for the Commemoration of All the Faithful Departed, Our Lady of Mount Carmel Church in New Bedford, Massachusetts (diocese of Fall River), will celebrate a sung Requiem Mass (usus recentior, ad orientem) beginning at 7:00 PM. Tomás Luis de Victoria’s Requiem of 1605 will be performed by the Greater New Bedford Choral Society. The church is located at 230 Bonney Street, in the city’s south end. No tickets or admission is required.
Tuesday, October 27, 2026
Wednesday, November 22, 2023
Durandus on Prayer for the Dead (Part 4): Funeral Customs
Gregory DiPippoThis post concludes our series of excerpts from the entry on All Souls’ Day in William Durandus’ Rationale Divinorum Officiorum (7.35), the Summa Theologiae of medieval liturgical commentaries. This entry is one of the longest sections of the seventh book, which covers the Sanctoral cycle, and covers basically every aspect of the Church’s prayers for the dead. Click these links to read part 1, part 2 and part 3.
Now we must see how a body ought to be buried. When a man seems to be in extremis, he should be laid on the ground upon ashes, or at least upon hay, which indicates that he is dust, and unto dust he shall return. This is done following the example of the blessed Martin, who ended his life lying upon ashes, in order to give an example to others. And if the person dying is literate, the passion of the Lord should be read in his presence, or at least a part of it, so that he may be moved to greater compunction. A cross should be set up at his feet, so that as he is dying, he may by looking upon it be more contrite, and be converted. He should also lie on his back, so that with his face upright, he may look upon heaven, following the example of the blessed Martin, and his soul be commended to the Lord before he expires.
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| The Death of St Martin, 1490, by the workshop of the German painter Derick Baegert (1440-1515). Note the straw mat under his body; one can hardly fail to note the two-headed demon at the head of the bed, to whom Martin said just before he died, “Why are you standing here, cruel beast? You shall find no cause for grief in me!” (Public domain image from Wikimedia Commons.) |
Nonetheless, since Mary Magdalene anointed the Lord before his passion (for when He was about to die, she did this, which she could not have done once He had already died, as the Lord says, “She is come beforehand to anoint my body for burial”), from this it can be proved that the bodies of the dead are to be washed. For as Jerome says, in those parts of the world, they use ointments instead of baths.
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| Mary Magdalene Anoints the Feet of Christ in the House of Simon the Pharisee, ca. 1520, by the Veronese painter Bonifazio de’ Pitati, also known as Bonifacio Veronese (1487-1553). Image from Wikimedia Commons by Sailko, CC BY 3.0. |
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A bishop incenses a cross with three candles on its, set up for the solemn blessing of a cemetery according to the Pontifical of Clement VIII. (Image used by the kind permission of the Pitts Theological Library, Candler School of Theology at Emory University.) |
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| The Funeral of St Martin, 1322-26, depicted in the chapel dedicated to him in the lower basilica of St Francis in Assisi, by the Sienese painter Simone Martini (1284-1344). Public domain image from Wikimedia Commons. |
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| The Last Judgment, painted by Michelangelo in the Sistine Chapel from 1536-41. The nudity of the great majority of the figures, (the object of much criticism at the time the painting was made), expresses the Church’s belief that in “the resurrection of the flesh”, the sin of Adam will be finally and definitively undone, and with it, the shame which we feel over our nakedness, caused by that sin. (Public domain image from Wikimedia Commons.) |
Wednesday, November 15, 2023
Durandus on Prayer for the Dead (Part 3): the Mass and Divine Office
Gregory DiPippoThe following is taken from the entry on All Souls’ Day in William Durandus’ Rationale Divinorum Officiorum (7.35), the Summa Theologiae of medieval liturgical commentaries. This is one of the longest sections of the seventh book, which covers the Sanctoral cycle, and is being presented in several parts over the course of this month especially dedicated to prayer for the dead; click here to read part 1 and part 2. On four occasions, Durandus refers his reader to other parts of the Rationale where he has already explained something; the reference numbers to these are given in red at the beginning of the relevant paragraphs.
The Office of the Dead imitates the three days of Christ’s burial in every way, for just as on the Triduum, so also in this Office we omit all the songs of praise, and take away all the signs of solemnity. In the Mass, we do not ask for blessings from the bishop (or priest), and in the Office, we do not say “Lord, thou shalt open my lips”, nor “God, come to my assistance” nor “Let us bless the Lord”, nor even the invitatory (unless the body is present), nor “Glory be to the Father” at the responsories and the end of the Psalms, nor do we ask for or give a blessing at the lessons, nor do we say “Tu autem, Domine” or “Thanks be to God”; in the Mass, we do not say Alleluja, nor the Gloria in excelsis, nor Ite, Missa est. For in the old Law it was prohibited to offer the oil of rejoicing and the incense of sweetness for sin. Death is the avenging of sin, and for this reason, where there is sin, there is also darkness, nor should there be rejoicing or the singing of the joyful songs where there is mourning and sadness of the spirit, and funeral rites are celebrated for the dead with mourning.
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| The Burial of Christ, ca. 1865-79, by the Danish painter Carl Bloch (1834-90). (Public domain image from Wikimedia Commons.) |
Furthermore, although in a Mass for the living all should be incensed, to signify that their prayers are directed towards heaven, nevertheless, in the Mass for the dead, the altar and the choir incense should not to be incensed, but only the body… Therefore no one is incensed in this service, to signify the dead can no longer merit anything by their praises, whence the psalmist says (113, 25), “the dead shall not praise thee, o Lord.”
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| The deacon incensing the catafalque during the Absolution in the Ambrosian Rite. |
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| The readings described below in a breviary according to the Use of Bamberg, printed in 1501. |
Posted Wednesday, November 15, 2023
Labels: All Souls, divine office, Requiem Mass, William Durandus
Wednesday, November 08, 2023
Durandus on Prayer for the Dead (Part 2)
Gregory DiPippoThe following is taken from the entry on All Souls’ Day in William Durandus’ Rationale Divinorum Officiorum (7.35), the Summa Theologiae of medieval liturgical commentaries. This is one of the longest sections of the seventh book, which covers the Sanctoral cycle, and will be presented in several parts in this month especially dedicated to prayer for the dead. Click here to read part 1.
On a (major) feast day, an anniversary Requiem ought not to be celebrated, nor should a Mass for the dead be said unless the body is present. But in every season the Mass for the dead can be celebrated if the cadaver is present, except on Good Friday, since on that day the body ought not to be buried, but rather reserved for the next day. And then on Saturday the Mass can be sung for it, and the body buried. Likewise, if anyone should die on Easter, let his body be laid aside for the next day, and then be buried with the celebration of the Mass, for a body ought not to be buried without a Mass, although the contrary is done in very many places.
And although according to the Council of Chalon, prayer and sacrifice should be offered for the dead daily, on the aforementioned days (the third, seventh and thirtieth after burial, and on the anniversary), this is done especially by the friends (of the deceased). Indeed, some people generally pray for the dead at the evening and morning Office in all seasons, excepting only feast days; others celebrate Mass for them daily, others at the beginning of each month sing nine psalms, nine readings and nine responsories (i.e. the Office of the dead with three nocturns at Matins), and indeed, it is a holy thought and profitable to salvation to pray for the dead, that they may be released from sin. (2 Macc. 12, 46; from the Epistle for the anniversary Requiem.)![]() |
| The Four Latin Doctors of the Church, 1632, by the Dutch painter Abraham Bloemaert (1564-1651). Public domain image from Wikimedia Commons. |
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| Dante and Vergil converse with the envious on the second ledge of Purgatory. Illustration by Priamo della Quercia, in a manuscript of the Divine Comedy produced in Siena in the mid-15th century, now known as the Yates Thompson Dante. Public domain image from Wikimedia Commons. |
Thursday, November 02, 2023
Durandus on Prayer for the Dead (Part 1)
Gregory DiPippoThe following is taken from the entry on All Souls’ Day in William Durandus’ Rationale Divinorum Officiorum (7.35), the Summa Theologiae of medieval liturgical commentaries. This is one of the longest sections of the seventh book, which covers the Sanctoral cycle, and will be presented in several parts as we begin the month especially dedicated to prayer for the dead.
This Office follows the feast of All Saints, and three consecutive days are dedicated to three mysteries. For the vigil of All Saints is a day of affliction; the solemnity is a day of exultation; but today is a day of prayer. On the first day, we afflict ourselves by fasting, as we remember the misery of this present life. On the second, we rejoice together with the blessedness of the Saints, bringing thanksgivings to the Lord. On the third, we pray for those who are detained in purgatory, obtaining for them with our prayers either a lesser suffering, or full absolution.
The commemoration of all the faithful departed was instituted by the Church on this day so that they might be helped by general services… for as Peter Damian says, St Odilo (born 962; abbot of Cluny from 994-1049), upon learning that at the volcano of Sicily (i.e. Mt Etna) frequent voices and wails of weeping demons were heard, because the souls of the deceased were being snatched away from their hands through almsgiving and prayers, decreed that in his monasteries, after the feast of All Saints, there should be a commemoration of the departed, which was afterwards approved by the whole Church. …![]() |
| A statue of St Odilo of Cluny in the basilica of St Urban in Troyes, France. As the inventor of All Souls’ Day, he is shown standing in the middle of the flames of Purgatory. (Image from Wikimedia Commons by GO69, CC0 1.0) |
| A Cretan icon of the 1490s. |
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| The Last Testament, Death and Burial of Moses, 1482, by Luca Signorelli. Fresco on a wall of the Sistine Chapel. |
The Premonstratensian Libera me, Domine
Gregory DiPippoR. Líbera me, Dómine, de morte aeterna * in die illa tremenda, * Quando caeli movendi sunt et terra, * dum véneris judicáre sáeculum per ignem.
V. j. Dies illa, dies irae, calamitátis et miseriæ, dies magna et amára valde, quando caeli movendi sunt et terra.
V. ij. Tremens factus sum ego et tímeo, dum discussio vénerit atque ventúra ira in die illa tremenda.
V. iij. Quid ego misérrimus, quid dicam, vel quid faciam, cum nil boni pérferam ante tantum júdicem in die illa tremenda?
V. iv. Plangent super se omnes tribus terrae; vix justus salvabitur, et ego miser ubi parebo in die illa tremenda?
V. v. Nunc, Christe, te déprecor, miserére, pie; qui venisti redímere nos, perpetim veni salvare in die illa tremenda, quando caeli movendi sunt et terra, dum véneris judicáre sáeculum per ignem.
R. Deliver me, O Lord, from eternal death on that awful day * when the heavens and the earth shall be shaken, when Thou shalt come to judge the world by fire.
V. j. That day shall be a day of wrath, of calamity and misery, a great day, and exceeding bitter. When the heavens and the earth shall be shaken.
V. ij. Trembling do I become, and fearful, when the trial and wrath shall come on that awful day.
V. iij. What shall I say or do, most wretched man that I am, since I have no good to bring before so great a judge on that awful day?
V. iv. All the tribes of the earth shal weep for themselves, the just man shall scarcely be saved, and where shall, a wretched man, appear on that awful day?
V. v. Now, o Christ, I beseech Thee, have mercy, o Good one; Thou who came to redeem us, come ever to save us on that awful day when the heavens and the earth shall be shaken, when Thou shalt come to judge the world by fire.
Tuesday, October 31, 2023
Photopost Request: All Saints and All Souls 2023
Gregory DiPippoOur next photopost series will be for the feast of All Saints and the Commemoration of All Souls, which will be celebrated tomorrow and Thursday. As always, we welcome pictures of Mass in either Form, or the Ordinariate Rite, as well as the vigil Mass of All Saints, celebrations of the Divine Office on any of these days, and displays of relics. We will also include celebrations of the feast of Christ the King, and other feasts occurring in these days, if anyone sends them in. Please be sure to include the name and location of the church, and always feel free to add any other information you think important; email them to photopost@newliturgicalmovement.org. (Zipfiles are preferred.) Evangelize through beauty!
From the second post: Requiem Mass at the church of the Assumption and St Charles (Karlov) in Prague, the Czech Republic.
Mass for the feast of St Catherine of Alexandria in a church dedicated to her in Karis, Finland.
Saturday, November 26, 2022
Photopost Catch-Up for November
Gregory DiPippoBefore the beginning of the new liturgical year, here are a few photopost items, one sent in yesterday, and two others which ought to have gone in with the All Saints and All Souls posts, but slipped through the cracks of my email. (My apologies to those who sent them in.)
Posted Saturday, November 26, 2022
Labels: All Saints, All Souls, Christ the King, Patron Saints, Photopost
Saturday, November 19, 2022
All Saints, All Souls and Christ the King Photopost 2022 (Part 2)
Gregory DiPippoThe second part of our All Saints and All Souls photopost also includes three sets of images of celebrations on the feast of Christ the King, starting with a particularly nice set from one of our favorite photographers, Allison Girone. How encouraging it is to see such young people taking responsibility for preserving the authentic liturgical traditions of the Roman Rite, and passing them on to the coming generations - tradition will always be for the young!
Posted Saturday, November 19, 2022
Labels: All Saints, All Souls, Allison Girone, Arrys Ortanez, Christ the King, Photopost
Wednesday, November 16, 2022
All Saints and All Souls Photopost 2022 (Part 1)
Gregory DiPippoAs always, we are very grateful to all our photopost contributors, this time for the liturgies of All Saints’ day and the commemoration of All Souls, as well as some other recent major feasts. There will be at least one more post in this series, and there is always room for more, so you are always welcome to send your photos to photopost@newliturgicalmovement.org; remember to include the name and location of the church, and any other information you think important.
We begin with a beautiful custom which has been maintained for several years now at the FSSP’s parish in Rome, Santissima Trinità dei Pellegrini. On the feast of All Saints, all of the church’s relics are brought out and placed on the various altars; on the evening of the feast, they are officially presented to the faithful for veneration, one by one, after which Vespers is celebrated, and during the Magnificat, all of the altars are incensed. (The incensation of several altars can be done on any major feast.) Here we see the main altar set up for the solemn Mass of the feast.Friday, October 28, 2022
Photopost Request: All Saints and All Souls 2022
Gregory DiPippoOur next photopost series will be for the feast of All Saints and the Commemoration of All Souls, which will be celebrated next Tuesday and Wednesday. As always, we welcome pictures of Mass in either Form, or the Ordinariate Rite, as well as the vigil Mass of All Saints, celebrations of the Divine Office on any of these days, and displays of relics. We will also include celebrations of the traditional feast of Christ the King, and other feasts occurring in these days, if anyone sends them in. Please be sure to include the name and location of the church, and always feel free to add any other information you think important; email them to photopost@newliturgicalmovement.org. (Zipfiles are preferred.) Evangelize through beauty!
The chanting of the Gospel during the solemn Mass of All Saints at the Oratory of St Mary in Wausau, Wisconsin. (ICRSP)
From the third post: relics displayed on the high altar of Santissima Trinità dei Pellegrini, the FSSP church in Rome, on All Saints’ Day.
A Eucharistic procession on the feast of Christ the King at the church of the Holy Innocents in New York City.
Thursday, November 18, 2021
All Saints and All Souls 2021 Photopost (Part 3)
Gregory DiPippoPosted Thursday, November 18, 2021
Labels: All Saints, All Souls, Photopost, Relics, Santissima Trinità dei Pellegrini, Vespers
Wednesday, November 17, 2021
All Saints and All Souls 2021 Photopost (Part 2)
Gregory DiPippoFirst of all, my apologies to everyone who sent these in for not getting this post done sooner; I was traveling for several days, and had less time to work on NLM than I thought I would. I am now back home, and will be more diligent about finishing, because we still have more contributions than we can convenient fit into one post, and so there will be yet another within this series (this week, I promise!) So we can still fit in some late submissions, if anyone would care to send them in to photopost@newliturgicalmovement.org, always remembering to include the name and location of the church, and any other information you think important. Keep up the good work of evangelizing through beauty!





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