Friday, June 04, 2021

A First Mass at St Vincent Archabbey

Continuing with some recent photopost submissions of first Masses: on Pentecost Sunday, the day after his priestly ordination, Fr Cassian Edwards OSB offered his first Solemn Mass at the basilica of St Vincent Archabbey in Latrobe, Pennsylvania, assisted by his confereres Br Barnabas O’Reilly as deacon, and Fr Boniface Hicks as subdeacon. The vestment set was taken out of the Abbey Art Gallery after many decades and put back to its proper use; it is part of a full abbatial solemn set made in the late 1800s. This was the first “first Mass” offered in the Traditional Rite by a newly ordained priest of the community since the liturgical changes. Our congratulations to Fr Cassian, to his religious family, and to all those who helped him with such a beautiful celebration for his first Mass – feliciter! (All photos courtesy of Mr David Sao.)

Tradition will always be for the young!

Saturday, November 17, 2018

Beautiful Newly-Made Vestments at the Catholic Arts Exhibition

The seventh edition of the Catholic Arts Competition recently held at the St Vincent Gallery in Latrobe, Pennsylvania, also included among the submissions some very beautiful new vestments, which deserve a post of their own. The first one is a green chasuble from Altarworthy Handmade Vestments, similar to the one seen below in a painting of the 15th century.



The cut of this chasuble (55” x 55”) is a modified bell shape, the origins of which is found in the very earliest conical vestments derived from common ancient Roman attire. The front pillar and Tau cross on back are ornamented with carnelian and pearl; carnelian (ruby) was the first of twelve stones, representing the 12 tribes of Israel, on the breastplate of the high priest in the Old Tesatment, while pearls are often referred to in the Bible as a symbol of the virtue of Faith. The silk shantung lining is a terracotta/clay hue which reminds us of our earthly nature, made from dust, and to dust we will return. This silk damask faithfully reproduces the textile worn by St Martin of Tours in this painting of the Mass of Saint Martin of Tours by an anonymous Franco-Rhenish Master, ca. 1440 Silk, carnelian gems, pearls, metallic brocades, and trims
The second one, also from Altarworthy, is inspired by the Tenth Station of the Cross, in which Jesus is stripped of His garments; this is represented on the back in a painting by Susan Jasper. The silk and metallic brocade incorporates both thistles and pomegranates. The former refers to the punishment for Original Sin stated in the Book of Genesis, 3, 17-18, “…cursed is the earth in thy work; with labour and toil shalt thou eat thereof all the days of they life. Thorns and thistles shall it bring forth to thee…” Pomegranates, which denote royalty, are prescribed in the book of Exodus for the design of the high priest’s vestments, while the tightly ordered conforming seeds of the fruit have long been associated with the fruitfulness of Holy Mother Church. Liturgically, red is used for martyrs’ feast days or Pentecost; the black accents clarify this as a set especially for martyrs.

Thursday, November 15, 2018

Exhibition on the Catholic Arts Competition at St Vincent Gallery

The Saint Vincent Gallery, located on the campus of Saint Vincent College in Latrobe, Pennsylvana, is currently hosting the exhibition of the 44 entries selected for Biennial Juried Catholic Arts Competition. This event was established in 2001 by the late Br Nathan Cochran, O.S.B., to cultivate and revive the sacred arts, and give artists who engage Catholic subject matter an opportunity to dialogue with the Church and pastors, in the hope of creating new, original artworks for churches and liturgical spaces. As seen below, some very nice vestments were also included in the competition; tomorrow we will have some more photos of these, and some interesting details about how they were created.



The juror for the seventh edition of the competition was Dr Elizabeth Lev, an art historian who specializes in Christian art and architecture, Baroque painting and sculpture and High Renaissance art, and professor of art and architecture for the Italian campus of Duquesne University. In her lecture by entitled Catholic Art of the Modern Age: New Images for an Ancient Story preceded the exhibition on October 28, she noted, “The works of the Catholic Arts Exhibition demonstrate that art can still persuasively communicate ancient truths to the modern Church through the exploration of critical contemporary themes such as fatherhood, universality and religious persecution.”

The exhibition continues through Sunday, Dec. 2. Gallery hours are from 1 to 4 p.m. Tuesday through Sunday, and Thursday until 7 p.m. The Gallery is closed on Mondays and Nov. 21-26 for Thanksgiving. A complementary catalogue accompanies the exhibition.


Thursday, October 04, 2018

Catholic Arts Exhibition at St Vincent Gallery in Latrobe, Pennsylvania, Oct. 28

The Seventh Juried Catholic Arts Exhibition will open at the Saint Vincent Gallery, with a prize award ceremony and reception, from 3:30 to 6 p.m. on Sunday, Oct. 28. Admission is free and open to the public. This biennial Competition and Exhibition was established at Saint Vincent College in Latrobe, Pennsylvania, in 2001 by the late Br. Nathan Cochran, O.S.B., whose untiring efforts to cultivate and revive the Sacred Arts were the catalyst for its creation. Br. Nathan wanted to give artists who engage Catholic subject matter an opportunity to dialogue with the Church, pastors, and lay faithful, in the hope of creating new, original artworks for churches, liturgical spaces, and private spaces. (Here are some examples from among this year’s submissions.)

Christ Cannot be Kept Out of the History of Man, by John Del Monte

Christ Our Teacher by David and Suzann Miriello
Coptic Martyrs of Libya, by Jordan Hainsey
Since its inception, the competition has received global attention, bringing in submissions and artworks from South America to all across Europe, and has been very successful in fostering a relationship between artists working in the Catholic Arts. It has been featured in the Washington Post, EWTN, Sirius Radio, Huff Post, and the U.S. Embassy to the Holy See. World-renowned and acclaimed jurors working in the areas of Sacred Art and Art History have brought their expertise to the Competition and Exhibition. Past jurors include: Dr. Frima Fox Hofrichter, an art historian specializing in Baroque and Rococo; Duncan G. Stroik, an architect and professor working in classical and sacred architecture; Sr. Wendy Beckett, an art historian and BBC personality; Dr. John T. Spike, an expert in Renaissance and Baroque art who directs and curates the Muscarelle Museum of Art at the College of William and Mary and past director of the Florence Biennial; Janet McKenzie, an artist working in sacred art; and Dr. Denis R. McNamara, an architectural historian specializing in the theology of liturgical art at the Liturgical Institute at the University of Saint Mary on the Lake, Mundelein.

Three hundred eleven artworks from 127 artists working in 30 states and five countries were submitted for the competition this year; 44 were selected for exhibition, including two international submissions from Malta and Italy. “The remarkable submissions to the Catholic Arts Competition testify to that fact that sacred art is very much alive, but it needs the support of the faithful to flourish,” commented this year’s juror, Dr Elizabeth Lev. For more information, visit: gallery.stvincent.edu

Fiat Mihi Secundum Verbum Tuum, by Manuel Farrugia
Mary with the Stolen Chibok Girl, by Janet McKenzie
Regina Caeli, Laetare, by Margaret Farr
An opening lecture with the 2018 juror, Dr. Elizabeth Lev, entitled “Catholic Art of the Modern Age: New Images for an Ancient Story”, precedes the exhibition’s opening reception, beginning at 2 p.m. in the Fred M. Rogers Center. Admission is free and open to the public, but reservations are required by calling 724-805-2177. Prof. Lev is an American-born art historian who specializes in Christian art and architecture, Baroque painting and sculpture and High Renaissance art. She is a professor of art and architecture for the Italian campuses of Christendom College and Duquesne University, and a licensed guide for the city of Rome and the Vatican Museums. Lev holds a bachelor of arts degree in art history from the University of Chicago and a Ph.D. in art history from the University of Bologna.


Thursday, July 26, 2018

Catholic Arts Competition: Final Call for Artists

The Saint Vincent Gallery has asked us to publish a reminder (which we are very happy to do) that the deadline is drawing near for submissions to the Seventh Nationwide Juried Catholic Arts Competition and Exhibition.

The Biennial Nationwide Juried Catholic Arts Competition and Exhibition was established in 2001 by the late Br. Nathan Cochran, O.S.B, the fruit of his untiring pursuit of the cultivation and revival of the Sacred Arts. His hope was to give artists who work in Catholic subject matter an opportunity to dialogue with the Church and pastors, in the hope of creating new, original artworks for churches and liturgical spaces. For the third Competition and Exhibition, famed British art historian Sister Wendy Beckett served as judge; she praised Br. Nathan’s endeavors, noting that, “Artists often come to understand their faith by the actual creation of artworks. We need these artworks, these attempts by artists known or unknown, to share with us their understanding of what it means to be a Christian. Would that there were hundreds of Brother Nathans in all countries!”

Some previous entries: “Crucifixion” by James Langley

“St Michael” by David and Suzann Miriello

He has Risen by Jeffery and Anna Koh Varilla
The postmark entry deadline for artwork is Monday, Aug. 3 and Monday Aug. 3 at 11:59 p.m. for online submissions. Cash prizes will be awarded at the opening of the exhibit on Sunday, Oct. 28. These include a $1,000 best-of-show, $750 second place award, $500 third place award and four juror mentions of $250 each. The exhibition will be held from Tuesday, Oct. 30, through Sunday, Dec. 2, in The Saint Vincent Gallery located on the third floor of the Robert S. Carey Student Center. The competition is open to any artist, professional or amateur, of any religious background, who is age 21 or older. All entries must be original by the submitting artist and created within the past five years. Previously submitted works are ineligible.

Complete entry guidelines, including submission forms, are available at http://gallery.stvincent.edu

Click to Submit Your Entry Online

Click to Download Entry Form

For information on contributing to the sponsorship of the Competition, see the St Vincent Gallery website, or this downloadable pdf.

Thursday, April 05, 2018

Catholic Arts Competition at St Vincent Gallery in Latrobe, Pennsylvania

The Saint Vincent Gallery is pleased to announce the Seventh Nationwide Juried Catholic Arts Competition and Exhibition to be held during Summer and Fall 2018 at Saint Vincent College, Latrobe, Pennsylvania.

The Biennial Nationwide Juried Catholic Arts Competition and Exhibition was established in 2001 by the late Br. Nathan Cochran, O.S.B. His untiring pursuit to cultivate and revive the Sacred Arts was the catalyst for the creation of this Competition and Exhibition. Br. Nathan wanted to give artists who engage Catholic subject matter an opportunity to dialogue with the Church and pastors, in the hope of creating new, original artworks for churches and liturgical spaces. For the third Competition and Exhibition, famed British art historian Sister Wendy Beckett served as judge. She praised Br. Nathan’s endeavors, noting that, “Artists often come to understand their faith by the actual creation of artworks. We need these artworks, these attempts by artists known or unknown, to share with us their understanding of what it means to be a Christian. Would that there were hundreds of Brother Nathans in all countries!”

Some previous entries: “Our Beloved Dominican Saints” by Bernadette Carstensen
“The Good Samaritan” by Christopher Ruane
Since its inception, the Competition and Exhibition has received national attention and has blossomed in global interest, spurring submissions and artworks for exhibition from South America to all across Europe. World-renowned and acclaimed jurors working in the areas of sacred art and art history have brought their expertise to the Competition and Exhibition. Past jurors include: Dr. Frima Fox Hofrichter, an art historian specializing in Baroque and Rococo; Duncan G. Stroik, an architect and professor working in classical and sacred architecture; Sr. Wendy Beckett, an art historian and BBC personality; Dr. John T. Spike, an expert in Renaissance and Baroque art who directs and curates the Muscarelle Museum of Art at the College of William and Mary; Janet McKenzie, an artist working in sacred art; and Dr. Denis R. McNamara, an architectural historian specializing in the theology of liturgical art at the Liturgical Institute at the University of Saint Mary on the Lake, Mundelein.

The 2018 Juror, Elizabeth Lev, Ph.D., is an American-born art historian who specializes in Christian art and architecture, Baroque painting and sculpture, and High Renaissance art. She is a Professor of Art and Architecture for the Italian campuses of Christendom College and Duquesne University, and a guide for the city of Rome and the Vatican Museums. Dr. Lev holds a B.A. in Art History from the University of Chicago and a Ph.D. in Art History from the University of Bologna. She has taught and lectured in numerous international venues including an address at the United Nations in New York entitled, “An Evening with Raphael: Raphael’s Art and Human Dignity,” and a TED talk representing the Vatican Museums entitled, “The Unheard Story of the Sistine Chapel.”

The postmark entry deadline for artwork is Monday, Aug. 3 and Monday Aug. 3 at 11:59 p.m. for online submissions.

Cash prizes will be awarded at the opening of the exhibit on Sunday, Oct. 28. These include a $1,000 best-of-show, $750 second place award, $500 third place award and four juror mentions of $250 each.

The exhibition will be held from Tuesday, Oct. 30, through Sunday, Dec. 2, in The Saint Vincent Gallery located on the third floor of the Robert S. Carey Student Center.

The competition is open to any artist, professional or amateur, of any religious background, who is age 21 or older. All entries must be original by the submitting artist and created within the past five years. Previously submitted works are ineligible.

Complete entry guidelines, including submission forms, are available at http://gallery.stvincent.edu

Click to Submit Your Entry Online

Click to Download Entry Form

Thursday, July 30, 2015

Video of Solemn Requiem at St Vincent Archabbey in Latrobe, PA

Saint Vincent Archabbey celebrated a Requiem High Mass in October last year for Br. Nathan Cochran, O.S.B., who passed away on July 30, 2014. H.I.R.H. Archduke Georg Habsburg-Lothringen of Salzburg, Austria, gave an opening address on behalf of the Habsburg Family and the Emperor Karl League of Prayers. It included words from League President, Fr. Marian Gruber, O.Cist., of Heiligenkreuz Abbey.

Br. Nathan was a monk of Saint Vincent Archabbey in Latrobe, Pennsylvania, where he taught art and music at Saint Vincent College and served as curator and director of The Saint Vincent Gallery for over 20 years. He is most well-known for his works as the Canadian and U.S.A. Delegate for the Kaiser-Karl-Gebetsliga für den Völkerfreiden, (Emperor Karl League of Prayers for Peace Among the Nations). He worked at Vatican City as the special secretary for the Beatification of Emperor Karl I of Austria. He received the Signum Memoriae Civilian Medal of Honor from H.I.R.H. Otto von Habsburg, Archduke and Crown Prince of Austria and King of Hungary; this was the first time the medal had been bestowed since 1898, and was presented in honor of Archduke Otto’s 95th birthday. Br. Nathan also initiated a Nationwide Juried Catholic Art Exhibition; for the such exhibit, he enlisted famed British art historian Sister Wendy Beckett to serve as judge. She praised his endeavors, noting that “artists often come to understand their faith by the actual creation of artworks. We need these artworks, these attempts by artists known or unknown, to share with us their understanding of what it means to be a Christian. Would that there were hundreds of Brother Nathans in all countries!”

In the video of the complete ceremony below, the homilist speaks about this concern for beauty and art in the Church. The Mass had a large attendance and was the first time a Requiem High Mass has been celebrated in the Saint Vincent Archabbey Basilica in over 50 years.


To learn more about Br. Nathan, visit: http://gallery.stvincent.edu/brother-nathan

Tuesday, April 07, 2015

Chant Workshops at Saint Vincent Archabbey, Latrobe PA

Saint Vincent Archabbey and College in Latrobe, PA will offer Gregorian Chant Workshops on June 15-19 and June 22-26. The first week is an Introduction to Historical Performance Practice of Gregorian Chant, the second an introduction to Gregorian Semiology and the new Science of Gregorian Modality. The workshops, which have been offered every summer since 2011, are taught by Saint Vincent College music faculty Fr. Stephen Concordia, O.S.B, who studied chant with Nino Albarosa and Alberto Turco at the Pontifical Institute of Sacred Music, Rome. Brochures are available for download at: http://www.stvincent.edu/SVC_Pulse/Events/Sacred_Music/Gregorian_Chant_Workshop/.
For more information contact Fr. Stephen at: stephen.concordia@stvincent.edu.

Thursday, April 10, 2014

“Deriving Beauty”: an Exhibition on Aurelius Stehle, OSB

The St. Vincent Gallery, on the campus of St Vincent Archabbey and College in Latrobe, Pennsylvania, is holding an exhibition to celebrate Archabbot Aurelius Stehle, who lead the oldest Benedictine monastery in the United States from 1918 until his death in 1930, and was the author of a well-regarded Manual of Episcopal Ceremonies. The assistant to the gallery director and creator of the display, Mr. Jordan Hainsey, has written this summary of Archabbot Stehle’s life.
Aurelius Stehle was born in Pittsburgh in 1877, and as a child moved with his family to Greensburg, Pennsylvania. There he attended the parochial school attached to the Benedictine church of the Most Blessed Sacrament and at the age of thirteen entered the scholasticate at Saint Vincent. Completing his studies at the college and seminary in 1899, Aurelius Stehle was ordained to the priesthood by Bishop Richard Phelan of Pittsburgh and for the next nineteen years served at the archabbey in various capacities, first as professor in the classical (college) course, and then, after 1911, as prefect and professor of Latin and Greek in the seminary. He was an accomplished Latinist and for twenty-five years (since his novitiate) had also been master of ceremonies in the monastery, in which capacity he had overseen the monastic celebrations of the liturgy. Aurelius was instrumental in the implementation of Pope Saint Pius X’s 1903 “motu proprio” (Tre le sollecitudini) on church music that restored Gregorian chant to the monastic liturgy. Throughout this time, Aurelius gained a reputation both at Saint Vincent and among churchmen throughout the United States as an expert on liturgy and was often sought out by diocesan liturgists around the country for advice on liturgical matters. In 1915 Aurelius published his “Manual for Episcopal Ceremonies.” While other such manuals were in circulation, this manual was lauded for its clarity and ability to be used and understood by sacristans, masters of ceremonies, seminarians, priests, and bishops. Bishop Canevin of Pittsburgh noted, “[Aurelius] has...not sacrificed clearness for the sake of brevity, nor has he spared labor in his endeavors to find the most reliable interpretations of obscure and doubtful points.”
This display at the Saint Vincent Gallery brings together Aurelius’ “Manual of Episcopal Ceremonies,” letters of correspondence, and liturgical items worn and used by him that highlight the beauty and splendor of the liturgy, as well as his role in the proper celebration of liturgical rites. For more information, visit: http://gallery.stvincent.edu/current_exhibition
Corpus Christ Procession, 1920
 

Some of the liturgical items used by Archabbot Stehle, including a copy of his Manual of Episcopal Ceremonies.
 


A portrait of Archabbot Stehle
A Solemn Profession at St Vincent in 1920

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