The Feast and Fast of Pentecost

On the vigil of Pentecost, as on that of Easter, the Roman station church is the cathedral of the Most Holy Savior, popularly known as St John in the Lateran. This is, of course, because of the day’s very ancient character as one of the two occasions for the celebration of baptism, following what the Acts of the Apostles say about the very first Pentecost (2, 41), when St Peter baptized about 3,000 people. In ancient times, it was an almost universal custom that a cathedral should have a baptistery right next to it, and Rome was no exception; furthermore, the administration of baptism was principally a duty of the bishop. This is also why the traditional Roman vigil of Pentecost repeats several elements from the vigil of Easter, most significantly, a series of catechetical prophecies, and the blessing of the baptismal font, a custom attested in all of the ancient liturgical books of the Roman Rite. [1] The collect of the Mass refers to the baptismal character of the rite even more explicitly than that of the Easter vigil, and the Hanc igitur of Easter is said, which speaks of those “whom (God has) deigned to regenerate of water and the Holy Spirit”, as also throughout the octave. [2]

The interior of the Lateran Baptistery

After the celebration of the Easter vigil at a church dedicated to the Savior, the stations of Easter week bring the newly baptized to the churches of the most important Saints, arranged in hierarchical order. Easter Sunday is celebrated at St Mary Major, the Virgin’s most ancient Roman church; the Masses of Monday, Tuesday and Wednesday are held at the tombs of Ss Peter, Paul and Lawrence respectively, the city’s three principal patrons. On Thursday the station is at the church of the Twelve Apostles, and on Friday at the Pantheon, dedicated to all the martyrs; Saturday returns to the Lateran, where St John represents the confessors. As detailed in the first article linked above, each one of these Masses contains clear references to the Saint or group of Saints to whom the station church is dedicated.

Of the seven station churches of the vigil, feast and octave of Easter, five are also kept at Pentecost, albeit in a different order. Starting from this fact, and from the common station for the vigil, the Bl. Ildephonse Schuster attempts in his book The Sacramentary (vol. 2, p. 397) to explain the stations of Pentecost and its octave in reference to those of Easter, according to a “deliberate design of making the two feasts equal”, and posits various reasons for the change in order. His explanation seems to me, however, to run aground by starting from an a priori assumption that since Pentecost imitates Easter in some ways, we should expect it to imitate Easter in all or most ways, which it clearly does not. For example, at the beginning of the Pentecost vigil, there is no blessing of a fire, even though this would arguably be an especially appropriate rite to celebrate the coming of the Holy Spirit in tongues of fire. [3] But much more significantly in regard to the stations, the texts of the Pentecost Masses, unlike those of Easter, have almost no relationship to the churches where they are celebrated. [4]

The organizing principle of the stations of Pentecost is rather that they are arranged in deliberate imitation of those of the first week of Lent, as shown in the following chart.

	First Week of Lent	Pentecost
vigil		Lateran
Sunday	Lateran	St Peter’s
Monday	St Peter in Chains	St Peter in Chains
Tuesday	St Anastasia	St Anastasia
Wednes.	St Mary Major	St Mary Major
Thurs.	St Lawrence in Panispera	St Lawrence Outside-the-Walls
Friday	Twelve Apostles	Twelve Apostles
Saturday	St Peter’s	St Peter’s

There are two places where the lists differ, Sunday and Thursday, both of which are easily explained. Before the creation of Ash Wednesday as a part of the liturgical year, Lent began on the First Sunday; the station is held at the cathedral as the most appropriate place for the Pope to begin the catechumenal rites which were such a prominent feature of the season. In the case of Pentecost, the station is at the Lateran on the vigil, and so on the feast, it is kept at St Peter’s instead. As the largest church in Rome, this is the logical choice for a solemnity of such importance, which would presumably draw a very big congregation; and indeed, the station is also held there on Epiphany, on the Ascension, originally on Christmas day, and on the city’s patronal feast.

In the case of Thursday, in Lent, it was originally an “aliturgical” day on which no Mass was celebrated, and this was also true of the Thursday after Pentecost. The custom of having aliturgical days was abolished in the early 8th century, for reasons which I have explained elsewhere, and stations appointed for those days; the Thursdays of the First Week of Lent and of Pentecost were then both assigned to churches dedicated to St Lawrence.

The Martyrdom of St Lawrence, by Titian, from the Spanish Royal Monastery of the Escorial. This is traditionally said to have taken place on the site where the church of St Lawrence in Panisperna now stands.

The question naturally arises as to why the stations of one of the greatest and most solemn feasts copy those of the beginning of the great fast. The answer lies, of course, in the Ember days. We have a total of 22 sermons by Pope St Leo I (444-61) preached on these fast days, four on those of Pentecost, and nine each on those of September and December. In them, he states several times that they were of apostolic institution; we cannot prove that this is in fact the case, but they are unquestionably very ancient. The stations for the Ember Days are always held at Mary Major on Wednesday, at the Twelve Apostles on Friday, and at St Peter’s on Saturday; this being the case, and the necessary exception having been made for Sunday, those of Monday and Tuesday simply reproduce those of the Monday and Tuesday of the First Week of Lent.

The liturgical texts for Pentecost and its octave, including the Ember days, and the stations of the vigil and the first four days of the feast, are attested with a very notable degree of consistency in the oldest liturgical books of the Roman Rite. However, it is also the case that in many early books, the Ember days appear as a feature of the liturgical year separate from the Pentecost octave. In the older version of the Gelasian Sacramentary (Vat. Lat. Reg. 316), they are placed between Pentecost and its octave day, but in the modified form attested in the Gellone Sacramentary, and in the earliest lectionaries, they are not just after the octave, but further separated from it by four feasts and two Sundays. The Mass of Ember Wednesday originally had the following preface, which is modeled fairly closely on a part of Pope Leo’s first sermon on the fast of Pentecost. [5]

“Truly it is worthy… For after those days of rejoicing, which we have kept in honor of the Lord who rose from the dead and ascended into heaven, and after receiving the gift of the Holy Spirit, then indeed have holy fasts been foreseen as necessary to us, so that those thing which have been divinely bestowed upon the Church may abide (i.e. continue to be present) in those who keep a pure manner of living. Through Christ our Lord.”

Folio 83v of the Gellone Sacramentary, ca 780AD, with the preface cited above incorporated into the Mass of Ember Wednesday within the Octave of Pentecost in the middle of the page. (Bibliothèque nationale de France. Département des Manuscrits. Latin 12048)

Therefore, just as the Ember days of Lent mark the beginning of the Church’s fast in preparation for the baptismal rites of Easter, this text presents the fast after Pentecost as a preparation for the rest of the liturgical year, the longest part of it, once all of the catechumens have joined the company of the faithful. “Therefore did these teachers (i.e. the Apostles), who imbued all the sons of the Church with their examples and traditions, begin the first service of Christian warfare with holy fasts, so that those who are about to fight against spiritual wickedness might take up the arms of abstinence, by which to cut off all incentives to vice.” (St Leo, ibid. cap. 2)

As in interesting aside, the title of the Ember days in the ancient Roman liturgical books is not “Quatuor Temporum”, as it is in the Tridentine books. Those of Pentecost are called “the fast of the fourth month”, those of September and December, “of the seventh” and “of the tenth month” respectively. [6] These titles come from a verse of the prophet Zachariah, 8, 19, which is included in the fourth prophecy of the Mass of Ember Saturday in September, “Thus saith the Lord of hosts: * The fast of the fourth month, and the fast of the fifth, and the fast of the seventh, and the fast of the tenth shall be to the house of Juda joy and gladness, and great solemnities: only love ye truth and peace.” That this is not mere coincidence is demonstrated by several early epistle lectionaries, in which the words “jejunium primi – the fast of the first (month)” are added to the Biblical text at the place marked with a star above, in order to include the Ember days of Lent.

The fourth prophecy of Ember Saturday of September, Zachariah 8, 14-19, in the so-called Lectionary of Alcuin, an epistolary of the 9th century whose contents represent the state of the Roman lectionary in the early 7th century. The words “jejunium primi” are in the 5th and 4th line from the bottom. (Bibliothèque nationale de France, Département des Manuscrits, Latin 9452; folio 99r, image cropped.)

It is tempting to speculate that the “fast of the fifth month” may have been fulfilled with the four vigils kept at the end of June, those of Ss Protasius and Gervasius, St John the Baptist, Ss John and Paul, and Ss Peter and Paul, the second and fourth of which are still kept in the Extraordinary Form to this day. The very end of the reading serves as the ferial chapter of Prime in the Roman Breviary, a reminder to continually cultivate the virtues which the Church seeks to instill in us by periods of fasting throughout the year.

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NOTES: [1] This is also attested well before any surviving liturgical book, already at the end of the fourth century, in a letter of Pope St Siricius (384-399) to Himerius, bishop of Tarragon in Spain. (Epist. ad Himerium cap. 2: PL XIII, 1131B-1148A) Pope St Leo I (440-461) also asserts that this was the practice of the Church in a letter to the bishops of Sicily, exhorting them to follow the example of the Apostle Peter noted above. (Epist. XVI ad universos episcopos per Siciliam constitutos, PL LIV, 695B-704A).

[2] Further similarities between the vigils of Easter and Pentecost: the rite begins in the penitential color, violet. Six prophecies are repeated from the vigil of Easter, and the three tracts from Easter night are also repeated in their respective places. Each prophecy is followed by a prayer; the six prayers are different from those of the Easter vigil, but express many of the same ideas. At the Mass, the ministers change vestments and color; there is no Introit, and the bells are rung at the Gloria in excelsis. After the Alleluja of the Mass, the same Tract is sung as on Easter night. At the Gospel, the acolytes do not carry candles. Just as on Easter night the Resurrection is watched for, but not anticipated, so also with this same gesture, the Church watches for the coming of the Holy Spirit in tongues of fire, as Christ told His disciples to do, but does not anticipate it.

[3] Note further that the Divine Office of Pentecost has only one nocturn at Matins, like that of Easter, but otherwise shares none of the Paschal Office’s unique characteristics.

[4] The Mass of Pentecost Monday, with its station at St Peter in Chains, is a partial exception. The basilica was originally dedicated to both Ss Peter and Paul; the Collect refers to God giving “the Holy Spirit to (His) Apostles”, and the Epistle, Acts 10, 34 & 42-48, to the baptism of the gentiles, a mission fulfilled by both Peter and Paul in Rome.

[5] The Preface: VD: Post illos enim laetitiae dies, quos in honore Domini a mortuis resurgentis et in caelos ascendentis exigimus, postque perceptum sancti Spiritus donum, necessaria etenim nobis ieiunia sancta prouisa sunt, ut pura conversacione uiuentibus que diuinitus sunt aecclesiae conlata permaneant: per Christum dominum nostrum.
St Leo: Igitur post sanctae laetitiae dies, quos in honorem Domini a mortuis resurgentis, ac deinde in caelos ascendentis, exegimus, postque perceptum sancti Spiritus donum, salubriter et necessarie consuetudo est ordinata jejunii: ut si quid forte inter ipsa festivitatum gaudia negligens libertas et licentia inordinata praesumpsit, hoc religiosae abstinentiae censura castiget: quae ob hoc quoque studiosius exsequenda est, ut illa in nobis quae hac die Ecclesiae divinitus sunt collata permaneant. (De jejunio Pentecostes I, 3)

[6] The Roman calendar originally counted only ten months, starting with March, with the days between December and March as a month-less period. Although this impractical system was traditionally said to have been changed less than 50 years after the founding of the city, the Romans were a people who knew how to honor tradition; this is why the names of the last four months, which derive from “septem – seven”, “octo – eight” etc., were never changed. By this reckoning, March is the first month, and June the fourth.

The Feast of St John at the Latin Gate

John was an Apostle, an Evangelist, and a Prophet: an Apostle, because he wrote to the churches as a teacher; an Evangelist, because he wrote a book of the Gospels, which the other twelve Apostles did not do, apart from Matthew; and a Prophet, for on the island of Patmos, whither he had been banished by Domitian because of his testimony to the Lord, he beheld the Apocalypse, which contains such infinite mysteries of the future. And Tertullian says (De praescript. 36, ca. 200 A.D.) that at Rome, he was put into a vessel of boiling oil, but he came out cleaner and healthier than he went in.” (St Jerome in his treatise against Jovinian, the fifth lesson of Matins of the feast. In the homily on the day’s Gospel, St Matthew 20, 20-23, St Jerome explains the Lord’s prophecy to the sons of Zebedee that they will drink the cup of His Passion.)

The Martyrdom of St John the Evangelist, by Charles le Brun, 1641-42, from the church of St Nicholas du Chardonnet in Paris.

“The question arises how the sons of Zebedee, namely, James and John, drank the cup of martyrdom, since Scripture tells that only that James the Apostle was beheaded by Herod, but John died a natural death. But if we read the history of the Church, in which it is told that he also for the sake of his witness (to Christ) was cast into a vessel of boiling oil, and thence went forth as a champion of Christ to receive his crown, and was at once exiled to the island of Patmos, we see that his spirit did not fail at the prospect of martyrdom, and that John did drink the cup of confession that the three children in the fiery furnace also drank, although the persecutor did not shed their blood.” (Commentary on Matthew, book 3, chap. 20)

The right wing of the St John Altarpiece, by Hans Memling, ca. 1479, showing the Apostle John and his vision of the Trinity.

From the lessons at Matins cited above, one would reasonably assume that the principle object of today’s feast is the Apostle’s martyrdom. However, in the Pre-Tridentine Roman Breviary, different lessons were read which make no mention of it, although it is spoken of in the Magnificat antiphon, which carried over into the Breviary of St Pius V: “In ferventis olei dolium missus beatus Joannes Apostolus, divina se protegente gratia, illaesus exivit, alleluia. - Cast into a pot of boiling oil, the blessed Apostle John, protected by divine grace, came out unharmed, alleluia.” From its first appearance in the late 8th-century, it is known as the feast of St John “before the Latin Gate”, even though the walls of which the Latin Gate are a part were built 200 years after St John’s time. The feast therefore most likely originated, like many secondary feasts, as the dedication feast of the small church built in St John’s honor near the Latin Gate, and was only later associated with the episode of the pot of oil.

The church of St John at the Latin Gate is the station church of the Saturday before Palm Sunday, here photographed by our Roman pilgrim friend Agnese on that occasion in 2014. (interior below)

Next door to the main church is the small oratory known as “Saint John in oleo”, said to be on the very spot where the pot of oil was set up; it is attributed to Donatello Bramante, the original architect in charge of rebuilding St Peter’s Basilica in the early 16th-century.

It is also unlikely a mere coincidence that the Byzantine Rite also keeps a secondary feast of St John only two days later. His principal feast is on September 26; since the Byzantine liturgical year begins on September 1st, he is the first in the year among the Twelve Apostles. On May 8th, a commemoration is made of a miracle whereby a manna-like substance came forth from his tomb in the city of Ephesus, which healed the faithful both physically and spiritually. This day was already occupied in the West, from very ancient times, by the feast of the Apparition of St Michael, and this might explain the slight discrepancy in the dates.

St John the Evangelist writing his Gospel on a scroll, ca. 1450, by the Cretan icon painter Andreas Ritzos (1421-92)  

The Station Churches of the Easter Octave (Part 3)

Alongside the Apostles, the martyrs were held in special honor among the early Christians; their feasts are the oldest and most universal in the early liturgical calendars, and the first among them, St. Stephen and the Holy Innocents, are celebrated immediately after the birth of Christ. It was anciently the custom in some places to commemorate those who have shared most especially in the Passion and Resurrection with a collective feast on the Friday of Easter Week, a custom still kept by Chaldean Christians. For this reason, the Roman station is held the same day in the ancient building known as the Pantheon, dedicated as a church with the name “St. Mary at the Martyrs” in 609 A.D.

The Pantheon, by Ippolito Caffi, first half of the 19th century

There is very good reason to believe that the Pantheon was not in point of fact a temple at all. (See Amanda Claridge’s Rome: An Oxford Archeological Guide, p. 206 of the 1998 edition.) Nevertheless, it was believed by early medieval Christians to have been a temple of all the countless gods of pagan Rome; its dedication as a church was therefore understood to have re-founded it as a monument to the triumph of Christianity over every pagan cult and superstition at once. This idea fits well with the stational Mass’ Gospel, Matthew 28, 16-20, and the Communion antiphon taken from it: “All power is given to me in heaven and in earth, alleluia; go and teach ye all nations, baptizing them in the name of the Father, and of the Son, and of the Holy Ghost, alleluia, alleluia.”

On Saturday, the station was kept once again at the Lateran, eight days after the station of Holy Saturday. The Mass of the Easter vigil is not traditionally a first Mass of Easter, as the midnight Mass of December 24th is the first Mass of Christmas; it is a vigil, a keeping watch for the Resurrection, which is not truly revealed in the liturgy until the morning of Sunday. For this reason, the vigil Mass is textually incomplete; the Introit, Creed, Offertory and Agnus Dei are all omitted, the Alleluia which is said after the Epistle is nothing like the normal Alleluia said between the readings, and the Communion antiphon is substituted by Vespers. The Mass of Low Saturday, therefore, brings the Church back to the Archbasilica of the Holy Savior to celebrate Easter with the fullest solemnity on the octave day of Holy Saturday.

The Epistle of the Mass (1 Peter 2, 1-10) describes the baptized as “newly born infants”, words which are repeated in the Introit of the following day, when they would put off the white garments which they had worn throughout the week and take their place among the rest of the faithful. The Communion antiphon of the Mass is the same text sung by the Byzantines at the Easter vigil before the Epistle: “All ye who have been baptized in Christ, have put on Christ, alleluia.”

Fragments of medieval Agnus Dei’s in the Vatican Museums’ collection of relics from the Sancta Sanctorum. These were traditionally distributed by the Pope on the Saturday of Easter Week at the stational Mass.

The final station, that of Low Sunday, is the only one kept at the basilica of St. Pancras, an orphan who was martyred in Rome during the persecution of Diocletian at the age of fourteen. In the Roman world, this was roughly the earliest age at which a young man could receive the toga virilis, which signified that he was now entering adulthood. Thus, the white garments of spiritual infancy were laid aside at the tomb of one who gave his life for Christ when he had just become an adult, and legally capable of being killed for his faith. Over the course of Lent, the catechumens had visited the churches of many different martyrs; on the day they become adults within the Church, they are reminded that although they are just at the very beginning of their spiritual adulthood, they must give their whole lives to Christ, who gave His own for the salvation of the world.

The altar of San Pancrazio decorated for Mass on Low Sunday, following the common Polish custom of draping a stole over the Crucifix in Eastertide.

The Station Churches of the Easter Octave (Part 2)

The first part of this series, covering the Sunday and Monday of Easter, was published two days ago.

The Introit of Tuesday’s Mass also clearly refers to the Saint at whose church the station is kept. As the Pope comes to the tomb of St. Paul, the “vessel of election, to carry (Jesus’) name before the gentiles, and kings, and the children of Israel”, the Church sings “He gave them the water of wisdom to drink, alleluia; he shall be made strong in them, and he shall not be moved, alleluia: he shall exalt them forever, alleluia, alleluia.”

In the Epistle from Acts 13, St. Paul preaches the Resurrection in the synagogue at Antioch of Pisidia.

And when they had fulfilled all things that were written of Him, taking Him down from the tree, they laid Him in a sepulcher. But God raised Him up from the dead the third day: Who was seen for many days, by them who came up with Him from Galilee to Jerusalem, who to this present (day) are His witnesses to the people. And we declare unto you, that the promise which was made to our fathers, this same God hath fulfilled to our children, raising up Jesus Christ, our Lord.

Each day of the Easter octave, the first part of the Gradual is the same verse of Psalm 117, “This is the day which the Lord hath made: let us be glad and rejoice therein.” The verse, however, changes daily, and on this day is taken from Psalm 106: “Let them say so that have been redeemed by the Lord, whom He hath redeemed from the hand of the enemy, and gathered out of the countries.” St. Paul himself was such a one, redeemed from the hand of the enemy whose purposes he served when he persecuted the Church; and by his work, many were gathered from the nations of the world.

The Alleluia verse that follows looks back to the first words of the Epistle cited above, “The Lord hath risen from the sepulcher, even He who for us hung upon the tree.”

The Communion antiphon then cites the Epistle of St. Paul which is sung at the Mass of the Easter vigil: “If you be risen with Christ, seek the things that are above; where Christ is sitting at the right hand of God, alleluia: mind the things that are above, alleluia.” (Colossians 3, 1-2)

Detail of Michelangelo’s Conversion of Saul in the Capella Farnese, Vatican City (1542-5)

In the Mass of Wednesday at the tomb of St. Lawrence, the Introit is taken from the Old Latin version of the Gospel of the first Monday of Lent, “Come, ye blessed of my Father, receive ye the kingdom, alleluia, which was prepared for you from the beginning of the world, alleluia, alleluia, alleluia.”

These words are spoken by Christ in Matthew 25 to those who practice the corporal works of mercy, doing to Him whatever they do to even the least of His brethren. This was indeed the work of St. Lawrence, who was placed in charge of the Roman church’s charitable funds by Pope St. Sixtus II in the mid-3rd century. When ordered to hand over to the Romans the riches of the Church, Lawrence distributed everything at his disposal to the poor, whom he then brought to the house of the city prefect, saying, “These are the riches of the Church.”

Detail of Fra Angelico’s St. Lawrence Distributing Alms in the Capella Niccolina, Vatican City (1447-9)

In this same Mass, St. Peter also figures prominently once again. The Epistle is taken from the speech which he makes to the crowds after healing the paralytic at the Beautiful Gate, (Acts 3, 13-15 and 17-19), the Alleluia repeats the words of the Communion antiphon of Monday, cited above, and the Gospel, John 21, 1-14, tells of the appearance of the Lord to Peter and several of the other Apostles at the sea of Tiberias. The liturgy appropriately celebrates the witness of the first Pope to the Resurrection at the tomb of a martyr who served so nobly under a successor of Peter in the see of Rome.

On Thursday, the church commemorates the whole of the “glorious choir of the Apostles” at the basilica dedicated to them, also the station church of the four Ember Fridays. It was originally dedicated only to Ss. Philip and James, whose relics are kept in the large crypt beneath the main altar. The Apostle Philip was often confused with the deacon Philip (Acts 6, 5) who evangelized Samaria and converted the eunuch of the Queen of Ethiopia, (Acts 8, 5-14 and 26-40); as we find, for example, in book 3, 31 of Eusebius’ Ecclesiastical History. This is certainly part of the reason why the story of Philip and the Ethiopian eunuch is read at this Mass. It is also a reminder that the Apostles instituted the diaconate under the guidance of the Holy Spirit, to help their evangelizing mission, and that the true preachers of the Gospel are those sent by them and their successors, the bishops of the Catholic Church.

Philip the Deacon Catechizes the Ethiopian Eunuch, from a illustrated Bible by Jean de Tournes père, Lyons, 1558. Image courtesy of the Pitts Theological Library, Candler School of Theology at Emory University.

The Introit of this Mass is taken from the tenth chapter of the book of Wisdom, commenting on the Exodus: “They praised with one accord thy victorious hand, o Lord, alleluia; for wisdom opened the mouth of the dumb, and made the tongues of infants eloquent, alleluia, alleluia.”

On Monday, the Church has sung of Baptism as the new Exodus, and Peter as the new Moses; today, she celebrates the unified witness to the Resurrection of all the Apostles together, whose “sound hath gone forth into all the earth, and their words unto the ends of the world.” (Psalm 18) The “tongues of the dumb” here are those of the Apostles, which at the time of His Passion kept silent and betrayed Him, though they swore they would die with Him; in the Resurrection and the coming of the Holy Spirit, they are made eloquent before all nations in their fearless preaching, for the sake of which they were all eventually martyred. The Offertory of this Mass also looks back to the Mass of Monday, partly repeating the words of its Introit, “On the day of your solemnity, sayeth the Lord, I will being you into the land that floweth with milk and honey, alleluia.”

In a number of early Christian sarcophagi, the Apostles are shown standing together around the Chi-Rho monogram, the symbol of Christ’s victory, and offering crowns in homage; the two soldiers kneeling before it are the symbol of His triumph over death and the devil. (Arles, later 4th century)

The Station Churches of the Easter Octave (Part 1)

For the newly baptized Christians of the church of Rome, the octave of Easter was the culmination of both their baptismal preparation, and of the seven-week long series of stational visits that brought them and the Pope to most of the important churches of the city.

The station of the Easter vigil is of course at the cathedral of Rome, the Archbasilica of the Most Holy Savior, where the Popes also resided from the time of the Emperor Constantine until the beginning of the 14th century. The city’s main baptistery, dedicated to St. John the Baptist, still stands behind the church where Constantine first built it, one of the few surviving parts of the once very large complex of structures that surrounded the Lateran Basilica. (Like the cathedral itself, it has been rebuilt and renovated several times.) After hearing their final set lessons from the Old Testament, the twelve prophecies sung after the Exsultet, the catechumens would process with the Pope and clergy to the baptistery; there the waters of the font were blessed, and the catechumens finally received the sacrament by which they were “buried together with (Christ) into death; that as Christ is risen from the dead by the glory of the Father, so we also may walk in newness of life”. (Romans 6, 4) As a symbol of the new life into which they had just entered, they were then clothed in white garments; they would wear these at Mass each day of the Easter octave, and at Vespers, which they attended daily at the Lateran.

A view of the Lateran Baptistery from within the colonnade that surrounds the font in the center, showing the various phases of its building and restoration. The colonnade itself was made in the fifth century of ancient materials despoiled from various structures; the window shows the crest of Pope Urban VIII Barberini, (1623-44), who also restored the lantern; next to it on the left is a portrait of Carlo Card. Rezzonico, Archpriest of the Lateran Basilica from 1780-81, and nephew of Pope Clement XIII; the paintings above are modern copies of originals by Andrea Sacchi (1599-1661). Photograph courtesy of Fr. Lawrence Lew, O.P.

Having begun the celebration of Easter at a church dedicated to the Savior, the six stations that follow form a hierarchical itinerary of visits to the Roman churches of the most important Saints. In other seasons, the stations are often determined by the liturgical texts, particularly the scriptural lessons, which in many cases were part of the lectionary well before the legalization of Christianity and the building of public churches. In the case of Easter and its octave, the hierarchical nature of this itinerary established the order of the stations, and many of the liturgical texts were then chosen in reference to them.

On Easter Sunday, the Mass is held at St. Mary Major, the Virgin’s most ancient Roman church, a short distance from the Lateran; the Mass is wholly occupied with the Resurrection, and contains no reference to the Queen of all the Saints. This silence is fitting, for the Gospels themselves do not tell us when the risen Christ first appeared to Her. Over the next three days, the newly-baptized were brought to the tombs of Rome’s three principal patron Saints, the Apostles Peter and Paul, and the martyr St. Lawrence; the three churches that keep their sacred relics are also grouped together in the stational observances of Septuagesima, the very beginning of that part of the temporal cycle which is formed around Easter.

The Mass of Easter Monday contains several references to St. Peter, the first being the Introit, from Exodus 13: “The Lord has brought you into a land that floweth with milk and honey, alleluia, that also the law of the Lord may be always in your mouth, alleluia, alleluia.”

In their original context, these words are spoken by Moses to the children of Israel, who have been delivered from the land of slavery and bondage. The Exodus from Egypt and the crossing of the Red Sea have been understood by the Church from the earliest times as symbols of the soul’s delivery from sin and death in the sacrament of Baptism. In the New Testament, St. Peter is the first to preach and exhort the people to receive Baptism, at the very first Pentecost (Acts 2, 37-41); in early Christian art, therefore, he is often depicted as the new Moses, and shown making water run from a rock as Moses did in the desert. The “law of the Lord… always in your mouth” refers to the new Law given to the Church by Christ to replace the Mosaic Law; this is the basis of another common scene in early Christian art in which St. Peter also figures prominently, the “traditio Legis – handing down of the Law.”

The “traditio Legis” scene depicted on a sarcophagus in the Vatican Museums’ Pio-Christian collection; note the streams of water flowing from the rock between Peter and Paul.

This oblique reference to the “traditio Legis”, in which the Church receives its new Law from Christ through St. Peter, also determines the choice of the Epistle, Acts 10, 37-43. Here Peter testifies to the Resurrection before the Roman Cornelius, no ordinary gentile, but a centurion, and as such, a representative of the might of the empire which then ruled over the Holy Land. Peter speaks in the house of a Jew, Simon the tanner, but to a mixed crowd of Jews and Roman pagans, right after the vision of the clean and unclean animals in the linen sheet; by this vision, it is revealed to him not only that the Mosaic dietary laws are now laid aside, but also that no man shall be called common or unclean. Those among the newly-baptized who still felt themselves close to their Jewish roots were thus reminded by this reading that they were no longer obliged to observe the Law of Moses, while those of pagan origin were reminded that they were not second-class citizens within the Church. “There is neither Jew nor Greek … for you are all one in Christ Jesus. And if you be Christ’s, then are you the seed of Abraham, heirs according to the promise.” (Galatians 3, 28-29) The Communion antiphon of the Mass then also refers to Peter, in the words of the day’s Gospel, St. Luke 24, 13-35, “The Lord has risen, and hath appeared to Simon, alleluia.”

An American Diocese Institutes Lenten Stational Churches

My thanks to Kathy Pluth, whose excellent work on hymns I have often cited, for bringing this item to my attention. The Diocese of Bridgeport, Connecticut, which comprises the southwest corner of the state, has instituted a daily Lenten pilgrimage, following the very ancient modeled of the Roman station churches. In this video, His Excellency Frank Caggiano, who has led the diocese since July of 2013, announces that the stations will be held every evening at a different church on the weekdays and Saturdays, starting on Ash Wednesday at the cathedral of St Augustine.

Rome was, of course, not by any means the only place that kept stational observances; e.g., we ran a series in 2019 by Henri de Villiers on those of Paris. There is no reason why other dioceses cannot follow suit and institute a similar custom themselves, and as a reminder, it is not even necessary to have them every day. (The Parisian church only kept them on Mondays, Wednesdays and Fridays of Lent.) We congratulate Bishop Caggiano for this fine initiative, and very much hope that it will be widely copied - feliciter!

The Station Churches of Septuagesima

The institution of the three Sundays before Lent, Septuagesima, Sexagesima and Quinquagesima, is attributed to Pope Saint Gregory the Great, who reigned from 590 to 604. The plague which killed his predecessor, St Pelagius II, and lead to his election, was only one in a long series of disasters that befell the city of Rome and the Italian peninsula in the course of the sixth century. Constant warfare between the Goths, the Lombards and the Byzantines had brought to ruins much of the former Capital of the World, which in Gregory’s time was also largely abandoned. In the year 546, the Gothic king Totila had expelled most of the inhabitants from the city; small numbers of people returned, but the city would not be properly re-populated for centuries. The introit of the first of these Sundays, Septuagesima, reflects the turbulent and mournful age in which it was composed: “The groans of death have surrounded me, the pains of death have surrounded me, and in my tribulation I called upon the Lord, and he heard my voice from His holy temple.” The theme of calling upon the Lord in a time of tribulation is repeated frequently though the Masses of these Sundays.

The station churches of this pre-Lenten period comprise a series of visits to the tombs of the major patrons of Rome, invoking their aid and protection for the beleaguered city. On Septuagesima, the station is kept at the church of Saint-Lawrence-outside-the-Walls, built over the tomb of the famous deacon and martyr. On Sexagesima, the station is at Saint-Paul’s-outside-the-Walls, and on Quinquagesima at Saint Peter’s Basilica in the Vatican, both of which have the tombs of the Apostles for whom they are named under the main altar. On the following Sunday, the first of Lent, the station is at the cathedral of Rome, the Archbasilica of the Most Holy Savior, commonly called Saint John in the Lateran. The stations of the pre-Lenten period therefore repeat those of the Easter octave in reverse order: Saint John on the Easter vigil, Saint Peter on Easter Monday, Saint Paul on Tuesday and Saint Lawrence on Wednesday. The station at Mary Major for the feast of the Purification, which often falls within the season of Septuagesima, corresponds to the same stational observance on Easter Sunday.

The epistles of the three Masses are chosen in reference to the station churches. On Septuagesima, St Paul compares the Christian life to the athletic contests of the ancient Romans: “but they contend for a corruptible crown, we for an incorruptible one.” (1 Cor. 9, 24 – 10, 5) From the earliest times, the martyrs have been called the ‘athletae – champions or combatants’ of Christ par excellence, and the word ‘athleta’ is used in countless liturgical Offices. The symbol of victory in the Roman athletic stadium, the palm branch, is still used as a symbol of martyrdom; this epistle is therefore fittingly read at the tomb of St Lawrence. Over the course of Lent, stations will be kept at four different churches dedicated to this most renowned among Rome’s many martyrs; a great many other churches and chapels, including the private chapel of the Papal household, were dedicated to him in the Middle Ages.

The entrance to the tomb of Saint Lawrence at San Lorenzo fuori le Mura

The epistle of Sexagesima is the longest Sunday epistle of the year. (2 Cor. 11, 19 – 12, 9) The collect of this Mass is one of two in the temporal cycle that refer to the Saint in whose honor the stational church is dedicated; it may have been borrowed from a group of collects originally used on the Commemoration of Saint Paul on June 30th, also celebrated with a station at his church. At the tomb of Saint Paul, the Church reads his lengthy apologia for his works as an Apostle, in which he recalls the sufferings he has undergone in his mission to proclaim the Gospel. In the Ambrosian rite, this same epistle is read on the feast of Saints Peter and Paul on June 29th; the church of Milan seems to have borrowed this reading from the Mass of Sexagesima. (Pictured right - Ss Peter and Paul, by El Greco; 1590-1600)

On Quinquagesima, although the station is at St Peter’s, the epistle is not taken from either of his Biblical letters; rather, the so-called Hymn of Charity from the first Epistle of St. Paul to the Corinthians is read. (chapter 13) The Vatican is not only the site of Saint Peter’s tomb, but also of his death in the circus of Caligula, in the area on the south side of the Basilica. An ancient tradition tells us that Peter was crucified upside-down at his own request, saying to the Roman executioners that he was unworthy to die in precisely the same manner as the Lord, and wished his cross to be turned so that he might look towards Heaven. This happened in fulfillment of the words of Christ to Peter, “thou shalt stretch forth thy hands, and another will gird thee, and lead thee where thou wouldst not.” This prophecy was given just after Peter had three times answered the question “Simon, do you love me?” with the answer, “Lord, you know that I love you”, rendering a threefold confession for his threefold denial, as Saint Augustine says. At the place where the sacred relics of the Prince of the Apostles are kept and venerated, it is his fellow Apostle and co-founder of the Roman Church who speaks of the love of God, for the sake of which St. Peter embraced his martyrdom, a stone’s throw away from his tomb.

These same three Roman patron saints, Peter, Paul and Lawrence, were also essential to the transformation of the heart of pagan Rome into a Christian sacred space. The main street of the Roman Forum was called the Via Sacra, the Sacred Way, because it passes by several of the most ancient and notable temples. Close to the Capitoline Hill, from which the great temple of Jupiter Optimus Maximus looked down over the city, it comes very close to the Mamertine Prison, where important prisoners awaited judgment and execution. In 141 A.D., the Emperor Antoninus Pius built a new and imposing temple on the Via Sacra about half way through the Forum, in honor of his recently deceased and divinized wife, Faustina; when Antoninus died in 161, he was in due course divinized himself, and added to his wife’s temple.

Saint Justin Martyr and other early Church fathers knew of the tradition that Simon Magus, who sought to buy the power of the Holy Spirit from St. Peter (Acts 8), was in Rome at the same time as the Eternal City’s founding Apostles. The apocryphal Acts of St Peter tell the story that Simon sought to win the Emperor Nero to his teachings, which he would prove to be true by flying off a tower built in the Forum specifically for this purpose. As he was lifted up into the air by the agency of demons, Peter and Paul knelt on the street and prayed to God, whereon Simon was dropped, and soon after died of his injuries.

The Fall of Simon Magus, by Benozzo Gozzoli, 1461-62

The legend goes on to say that the enraged Nero arrested Peter and Paul and threw them into the Mamertine prison before their execution. There they converted the two wardens, Processus and Martinian, in whose acts it is told that St Peter caused a well to spring up from the ground so that he could baptize them. The site has been venerated as the place of the
Apostles’ imprisonment for many centuries, and pilgrims can still visit it to this day; a plaque near the door lists the famous Roman prisoners, such as King Jugurtha of Numidia, who were killed there, the saints who suffered and died within its walls, and the later saints who have come to venerate the site. On the opposite end of the Via Sacra, Pope St. Paul I built an oratory dedicated to Peter and Paul, nicknamed ‘ubi cecidit magus – where the magician fell.’ This oratory contained as its principal relic the stone upon which St. Peter knelt to pray for the defeat of Simon Magus (pictured right) and the vindication of the Christian faith. The oratory was later demolished, but the stone itself is preserved in the nearby church of Santa Maria Nuova. (Photo courtesy of J.P. Sonnen.)

Some of the numerous churches in Rome dedicated to Saint Lawrence are connected with the events of his martyrdom, such as San Lorenzo in Panisperna, which is venerated as the place where he was killed by being grilled over a fire. A tradition of uncertain origin claims that the great deacon-martyr was tried and sentenced to death on the steps of the temple of Antoninus Pius and Faustina. Sometime in the seventh or eighth century, the central part of this temple was complete rebuilt and transformed into a church, called San Lorenzo in Miranda.

The church of San Lorenzo in Miranda, within the temple of Antoninus Pius and Faustina.

The Mamertine, the Oratory of Ss. Peter and Paul, and San Lorenzo in Miranda are not the first Christian sites in the Roman Forum. Indeed, the church of Saints Cosmas and Damian fronts on the Via Sacra, and was dedicated in 527 A.D., less than twenty years before the depopulation of the city. However, Cosmas and Damian, although highly venerated throughout the Christian world, were Arabians, not Romans, and are depicted as such in their church. The later churches discussed here are particularly important, partly because they are on the Via Sacra, but much more so because they are dedicated to three Roman saints, honoring Peter and Paul on either end of the Forum, and Saint Lawrence right in the middle. Regardless of the truth or falsehood of the legends with which they are associated, by the end of the eighth century, the Sacred Way itself had become sacred to Christ, and to the memory of some of His most illustrious and most Roman ‘athletae’.

The Feasts of St Lawrence

Since the earliest times, St Lawrence has been venerated as a patron Saint of the city of Rome, along with Ss Peter and Paul, and his feast day has always been one of the most important in the ecclesiastical year. A remarkable number of Roman churches are dedicated to him, several more, in fact, than are dedicated to either of the Apostolic founders of the Church in the Eternal City. Among them are the Patriarchal Basilica of St Lawrence outside-the-Walls, where he is buried, and three of the most ancient parishes in the historical center of the city: San Lorenzo in Panisperna, (the reputed site of his martyrdom), San Lorenzo in Lucina, and San Lorenzo in Damaso. These four churches are frequently found on the list of station churches from Septuagesima Sunday to Low Sunday, in proximity to stational observances in honor of Ss Peter and Paul. San Lorenzo in Miranda was one of the first major churches to be built in the heart of the ancient city’s political and religious life, the Roman Forum; it sits within the portico of the temple of the divinized Emperor Antoninus Pius and his wife Faustina, on the steps of which the great martyr was said to have been tried and condemned.

The Basilica of Saint Lawrence outside-the-Walls, in an eighteenth century engraving by Giuseppe Vasi.

Two private chapels of the popes are also dedicated to him, San Lorenzo ‘in Palatio’ at the Lateran, and the Niccoline Chapel at the Vatican. The former was built in the mid-8th century, and after various restorations and embellishments, became a papal chapel about three centuries later; rebuilt by Nicholas III (1277-80), it now survives only in part within a building known as the Scala Sancta, across the street from the pope’s cathedral. The chapel’s nickname ‘Sancta Sanctorum – the Holy of Holies’, does not come from its status as a papal chapel, but from the amazing collection of relics formerly kept therein: among them, a piece of the grill on which St Lawrence was roasted alive, and some parts of his body.

In the 330-year period from 1048 to 1378, the popes spent roughly 250 years outside of Rome; after so long a period of neglect and partial abandonment, and two massive fires in the 14th century, most of the vast complex of buildings around the Lateran was in no state to be lived in. The popes therefore took up residence at the Vatican, and have been there ever since. In 1447, Nicholas V built a new chapel within the Vatican, and commissioned the Dominican painter Fra Angelico to paint the walls with stories of the two deacon martyrs, St Stephen and St Lawrence, to whom the chapel is jointly dedicated.

The Martyrdom of Saint Stephen, on the left wall of the Chapel of Nicholas V, by Fra Angelico. The martyrdom of Saint Lawrence is directly beneath it, but the part that shows Lawrence on the grill in the lower right hand corner is ruined.

The association of Ss Stephen and Lawrence, naturally suggested by the parallels between their lives and deaths, figures prominently in art and liturgy in Rome. Both were deacons under the authority of the pope in their respective cities, Stephen in Jerusalem under St Peter, and Lawrence in Rome under St Sixtus II, the most venerated of the early popes martyred after Peter. Both were put in charge of the Church’s charitable activities by the popes whom they served, and both were eloquent preachers of the Christian faith. Both suffered terrible martyrdoms, Stephen by stoning, as recounted in the Acts of the Apostles, while Lawrence was roasted alive.

In the office of St Stephen, the third antiphon of Lauds (partially quoting Psalm 62, with which it is sung), reads “Adhaesit anima mea post te, quia caro mea lapidata est pro te, Deus meus. – My soul hath stuck close to Thee, because my flesh was stoned for Thy sake, my God.” In the office of St Lawrence, this same antiphon is changed to “Adhaesit anima mea post te, quia caro mea igne cremata est pro te, Deus meus. – My soul hath stuck close to Thee, because my flesh was burnt for Thy sake, my God.” The artistic pairing of the two done so beautifully by Fra Angelico is also found twice in the Sancta Sanctorum which the Niccoline Chapel replaced, in the mosaics over the altar and in the frescoes that adorn its walls.

St Lawrence in the 11th century mosaics over the altar of the Sancta Sanctorum. (Image from Wikimedia Commons by Sailko, CC BY 3.0)

The martyrdom of St Lawrence in the late 13th-century frescoes on the walls of the Sancta Sanctorum. The Emperor Decius appears on the left; the medieval accounts of St. Lawrence usually place his death in the persecution of Decius in 250-51, rather than that of Valerian in 257-58.

On August 3rd, a two-week long cycle of feasts associated with St Lawrence begins with the Finding of St Stephen, a feast of the universal calendar of the Roman Rite until 1960. The body of St Stephen was discovered in the year 415, along with those of Gamaliel, his son Abibas, and Nicodemus, when Gamaliel appeared to Lucian, a priest of Jerusalem, and revealed the place of their collective burial. Relics of Stephen were brought to many places throughout the world; in the final book of The City of God, St Augustine describes a number of miracles that took place when a part of them came to Africa, including the raising from the dead of six people. Another portion of them was brought to Rome in the reign of Pope Pelagius II (579-90), who placed them in the basilica of St Lawrence outside-the-Walls; the Golden Legend tells the story that when the pope went to lay them in Lawrence’s tomb, the Roman martyr moved to one side to make room for his fellow Levite. The early 13th-century porch still has extensive remains of original frescoes of that period, illustrating the history of the two great deacon martyrs; sadly, these were already in poor condition when the church was hit with a bomb during World War II, damaging them further.

The relics of St Stephen being laid to rest in the tomb of St Lawrence, by Lorenzo di Niccolò, ca. 1412.; from the Brooklyn Museum.

On August 6th occurs the feast of St Sixtus II, who was martyred at the catacomb of Callixtus, along with six of the seven deacons of the church of Rome, the seventh being Lawrence. When the edict of persecution was issued by the Emperor Valerian in the year 257, the holy Pope ordered Lawrence to distribute all of the wealth of the church to the poor of the city. Having done so, Lawrence then saw Sixtus being led to martyrdom and, as told by St Ambrose, addressed him thus: “Whither goest thou without thy son, father? Whither, holy priest, dost thou hasten without thy deacon? Never wast thou want to offer sacrifice without thy minister. What then hath displeased thee in me, father? Hast thou found me ignoble? Make proof surely whether thou didst choose a worthy minister. Dost thou deny a share in thy blood to one to whom thou didst entrust the consecration of the Lord’s blood, and a share in the celebration of the sacraments?... Abraham offered his son, Peter sent Stephen before him…” To this Sixtus replied, “I do not leave or abandon thee, son, but greater contests await thee. We, as elder men, receive the way of an easier combat; a more glorious triumph against the tyrant awaiteth thee as a younger man. Soon shalt thou come after, cease weeping; after three days shalt thou follow me, as levite followeth priest.” (These words from the 39th chapter of St. Ambrose’s De Officiis form the basis of several antiphons and responsories in the office of Saint Lawrence.) Sixtus and his deacons were then beheaded by Roman soldiers.

The martyrdom of St. Sixtus and his deacons, from a 14th century manuscript of the lives of the saints.

St Sixtus is named in the traditional canon of the Mass, immediately after the first three successors of St Peter, followed by two contemporary bishops also martyred under Valerian, Pope Cornelius and St Cyprian of Carthage; St Lawrence is then named first among the non-bishops. A Roman station church near the Lateran is named for Sixtus; it was entrusted to Dominican nuns within the lifetime of St Dominic, who died on his feast day. (The church attached to the Dominicans’ Roman University of St Thomas, also called the Angelicum, is dedicated to both Sixtus and Dominic.) After their founder was canonized in 1234, the Order of Preachers kept his feast on the 5th of August, rather than the day of his death, in deference to the much older feast; this remained their custom until the reforms of the later 16th century, when he was moved back a day to make way for Our Lady of the Snows. Likewise, when Pope Callixtus III instituted the feast of the Transfiguration in 1456, assigning it to the sixth of August, many churches simply ignored it because the day was already occupied by St Sixtus.

The Madonna and Child with Ss Sixtus II and Barbara, generally known as “the Sistine Madonna”, by Raphael Sanzio, 1513-14; commissioned for the monastery of San Sisto in Piacenza, which had relics of both Saints.

The ninth of August, the vigil of St Lawrence, was formerly also kept as the feast of St Romanus, which was reduced to a commemoration in the Tridentine reform. He was said to have been a soldier converted to Christ by the preaching of Lawrence, who baptized him while in jail awaiting execution; Romanus was beheaded at the orders of the Emperor the day before Lawrence was killed.

The tenth is the feast of Lawrence himself, the day of his martyrdom by being roasted alive on a grill; the Byzantine tradition, which devoted the sixth of August to the Transfiguration centuries before the Latin church, commemorates Sixtus, his deacons, and Romanus all together along with Lawrence himself on this day. The story of his martyrdom is told thus in the Roman Breviary of 1529. (Valerian appears as an official under the previous persecuting emperor, Decius.)

And Decius said to the blessed Lawrence: Sacrifice to the gods. And he answered, “I offer myself as a sacrifice to God, unto the odor of sweetness, for a contrite spirit is a sacrifice to God.” But the executioners pressed on in adding the coals, and placing them under the grill… . The blessed Lawrence said, “Learn, wretched Valerian, how great is the might of my Lord, for thy coals bring me refreshment, but to thee eternal torment; for he knows that I denied not his holy name when accused, I confessed Christ when asked, I gave thanks while being roasted.” … And all those present began to marvel, since Decius had commanded him to be roasted alive. But with a most comely countenance he said, “I give thee thanks, Lord Jesus Christ, who hast deigned to strengthen me.” And lifting up his eyes to Valerian, he said, “Behold wretched man, thou hast roasted one side; turn me over, and eat.” Then giving thanks to the Lord, he said, “I give thee thanks, Lord Jesus Christ, because I have merited to enter thy gates.” And saying this he gave up his spirit.

Saint Lawrence, in the Mausoleum of Galla Placidia at Ravenna, ca. 450. The armoire on the left contains four books labelled with the names of the four Evangelists, a reference to the custom of keeping liturgical books locked in the sacristy in an era when any book was an expensive rarity. The deacon would process to the sacristy when it was time for the Gospel, receive the book from a porter, and process it out, a custom still found in the traditional Ambrosian liturgy.

The thirteenth of August is the feast of St Hippolytus, an officer of the guards in the prison where St Lawrence was held, and also converted by him to Christianity. In the Breviary of 1529, he is said to have taken the body of Lawrence for burial; reproved for this by the Emperor, and threatened with torture and death, he answered “May I merit to be a likeness of the blessed martyr Lawrence, whom you have dared to name with your polluted mouth.” After torture, he was killed by being torn apart by wild horses. The story is normally dismissed as a fabrication by modern scholars on the grounds that this manner of death, reported by the poet Prudentius, is the same as that of the Greek mythological character Hippolytus, the son of Theseus who was dragged to death by the horses of his chariot. It seems not to have occurred to any of the modern skeptics that the persecutors might have been inspired by his name to choose this manner of killing him in imitation of the mythological story.

It is certainly true, however, that there is much confusion about Hippolytus’ history; when Pope St Damasus I (366-84) placed an epitaph upon his tomb recounting his martyrdom, he stated that he himself “relied on purely oral tradition, which he does not guarantee: ‘Damasus tells these things which he has heard; it is Christ who maketh proof of them.’ ” (Loeb Classical Library, The Poems of Prudentius, p. 304, footnote) Prudentius also attests that he personally was healed of various ailments more than once while praying at Hippolytus’ tomb. In the Communicantes of the traditional Ambrosian canon, Sixtus, Lawrence and Hippolytus are named (in that order) immediately after the twelve Apostles, indicating how great the devotion to them was in the see of Milan in antiquity.

The Saint Hippolytus triptych by Dietric Bouts the Elder, ca. 1470.

Like all of the most important feasts, that of St Lawrence was traditionally celebrated with an octave; the octave day has a proper Mass, like the octave of Ss Peter and Paul, sharing only the Epistle and Gospel with the feast day. The introit of this Mass is taken from Psalm 16, which is also said at Matins of St Lawrence: “Thou hast proved my heart, and visited it by night, thou hast tried me by fire: and iniquity hath not been found in me.” The words “visited (my heart) by night” refer to the Emperor’s threat to torture Lawrence for the length of the night, to which the great Levite answered, “My night hath no darkness, but in it all things shine brightly in the light.”

“God So Loved the World” - The Gospel of Pentecost Monday

As noted last month, the first part of the Nicodemus Gospel, John 3, 1-15 or 16, was said at two other Masses before it was assigned to the Finding of the Cross. On the other hand, the second part, verses 16-21, is found in the very oldest Roman lectionaries on Pentecost Monday, and remains there to this day. This may seem an odd choice, given that it speaks entirely about the mission of the Son, without reference to the Holy Spirit. It is assigned to this day as a compliment to the Epistle of the Mass, which is determined by its Roman Station church.

On Easter Monday, the Station is at St Peter’s Basilica, and the Epistle, Acts 10, 37-43, is part of Peter’s discourse in the house of the centurion Cornelius.

You know the word which hath been published through all Judea: for it began from Galilee, after the baptism which John preached, Jesus of Nazareth: how God anointed him with the Holy Ghost, and with power, who went about doing good, and healing all that were oppressed by the devil, for God was with him. And we are witnesses of all things that he did in the land of the Jews and in Jerusalem, whom they killed, hanging him upon a tree. Him God raised up the third day, and gave him to be made manifest, not to all the people, but to witnesses preordained by God, even to us, who did eat and drink with him after he arose again from the dead; And he * commanded us to preach to the people, and to testify that it is he who was appointed by God, to be judge of the living and of the dead. To him all the prophets give testimony, that by his name all receive remission of sins, who believe in him.

On Pentecost Monday, the station is at the basilica of St-Peter-in-Chains; the Epistle repeats the last two verses of the Epistle of Easter Monday, (beginning at the star noted above,) and continues to verse 48.

While Peter was yet speaking these words, the Holy Ghost fell on all them that heard the word. And the faithful of the circumcision, who came with Peter, were astonished, for that the grace of the Holy Ghost was poured out upon the gentiles also. For they heard them speaking with tongues, and magnifying God. Then Peter answered: Can any man forbid water, that these should not be baptized, who have received the Holy Ghost, as well as we? And he commanded them to be baptized in the name of the Lord Jesus Christ.

The Baptism of Cornelius, represented on the bronze baptismal font of the church of St Bartholomew in Liège, by Reiner de Huy, completed by 1118.  Image from wikipedia by Jean-Pol Grandmont.

The second part of the Nicodemus Gospel, therefore, clarifies Peter’s statement that Christ is “judge of the living and of the dead.”

For God so loved the world, as to give his only begotten Son; that whosoever believeth in him, may not perish, but may have life everlasting. For God sent not his Son into the world, to judge the world, but that the world may be saved by him. He that believeth in him is not judged. But he that doth not believe, is already judged: because he believeth not in the name of the only begotten Son of God. And this is the judgment: because the light is come into the world, and men loved darkness rather than the light: for their works were evil. For every one that doth evil hateth the light, and cometh not to the light, that his works may not be reproved. But he that doth truth, cometh to the light, that his works may be made manifest, because they are done in God.

In the post-Conciliar lectionary, with the abolition of the Octave of Pentecost, this passage has been moved to the Wednesday after Low Sunday, as part of the lectio continua of the Gospel of John in Eastertide, broadly imitating the custom of the Byzantine Rite. A longer version, John 3, 14-21, is read on the 4th Sunday of Lent in the second year of the three-year cycle, and a shorter version, only verses 16-18, is read on Trinity Sunday in year A. Part of the Gospel is also assigned to the Exaltation of the Cross, verses 13-17. The first sentence is frequently used as an Alleluia verse in the new lectionary, although it is not part of the historical chant repertoire.

In the Byzantine Rite, this verse has a particularly prominent place, since it is cited at the celebration of every Divine Liturgy when the Anaphora of St John Chrysostom is used. During the Sanctus, the priest reads as follows.

We also with these blessed powers, o Lord and lover of mankind, cry out and say, ‘Holy art Thou, and all-holy, and Thy only-begotten Son, and Thy Holy Spirit. Holy art Thou and all-holy, and magnificent is Thy glory. Who did so love the world, that Thou gavest Thy only-begotten Son, that everyone that believeth in Him may not perish, but have eternal life.

This anaphora was created as a substitute for the much lengthier Anaphora of St Basil the Great, in which, by the word-count in Greek, the parallel prayer is almost exactly five times as long. Where St Basil recounts the whole history of our salvation, from the creation and fall of man to the Resurrection, Ascension and Second Coming of Christ, with many citations of the Sacred Scriptures, St John Chrysostom sums up the whole economy of salvation with a single verse: “For God so loved the world, as to give his only begotten Son; that whosoever believeth in him, may not perish, but may have life everlasting.”