– The Ceremonies of the Roman Rite Described, by Adrian Fortescue and J.B. O’Connell, updated by Dom Alcuin Reid
– Authentic Liturgical Renewal in Contemporary Perspective (Proceedings of the Sacra Liturgia Conference held in London in 2016)
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One of many choirs at this year's Colloquium |
This conflict between the traditional principles of African spirituality and Western cultural influence creates an unfamiliar context for many liturgical progressives, who have often explicitly seen their proposals as attempts to come to terms with the triumph of post-Enlightenment culture, a triumph which, in their view, can no longer be contested. However we might assess this project in the context of the developed world, the proposal to make concessions to Rationalism, for example, by excluding silence and complex ceremonial from the liturgy, or to make concessions to Romanticism, by promoting informality and spontaneity, take on very different appearance in the African context. There is a real danger of such tendencies assisting the neo-colonial attack on indigenous African spirituality.This observation certainly seems like a persuasive argument in regard to Africa (or, for that matter, any non-Western society that has its own native religious traditions). But what intrigues me is the general claim that Rationalism and Romanticism — the two great counterforces of modernity, each an extreme reacting against the other — are the two slave-drivers behind the liturgical reform.[2]
It is my experience that opposition in matters of the ’eart is useless, feedin’, as it so to speak does, the flame. Young people, your lordship, if I may be pardoned for employing the expression in the present case, are naturally romantic and if you keep ’em away from a thing they sit and pity themselves and want it all the more. And in the end you may be sure they get it. There’s no way of stoppin’ them.[3]Indeed: the traditional movement is not going away. Meanwhile, our shepherds stand to gain glory or shame, depending on how they react to this impetus of the Holy Spirit. Let us pray for them daily.
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The procession moves up 66th Street. Photo courtesy of St. Hugh of Cluny Society |
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Bishop Perry giving Benediction Photo courtesy of St. Hugh of Cluny Society |
Posted Wednesday, June 17, 2015
Labels: Arrys Ortanez, Corpus Christi, Photopost, Sacra Liturgia 2015
Christ offers the very source and norm of ecstatic being within the order of hierarchy. Finite, hierarchical being now shows itself as a being through which we stand within ourselves as outside of ourselves—offered up, or given over, in sacrifice. . . . To die with Christ (and thus to be saved) is to become an offering through fire, a burnt sacrifice. The desire that burns within all hierarchical beings is the fire of holocaust, in which those beings are offered ecstatically to their source. Such an offering ignites the true movement of death, realized first in Christ and offered through Christ for imitation. Christ saves the finite being whose very identity consists in self-transcendence.[1]Taking one’s time with an action like this gives it its full weight. There are no excuses or apologies for the lengthy ceremony. No one is in a rush; no one’s private agenda is permitted to dictate that we must get done as quickly as possible. If individuals need to come and go, they are free to do so; but the liturgy proceeds on its own time, in its own domain, with a blessed freedom and a sort of holy indifference to the world. Spurning the utilitarianism of our time, we should not want to “get things over with” as quickly as possible, so that we can get back to our oh-so-important secular lives; and the liturgies in New York City taught us that preeminently valuable lesson.
Without any doubt, praise awakens love and preserves it. Hence it is that the citizens of Jerusalem feed the flame of eternal love by eternal praises. They cease not to cry aloud so as to be steadfast in love. Their cry has no rest, because love knows no intermission. So praise is the food of love. And you, too, if deep within you there is a little spark of sacred love, do all you can to apply to this spark the oil of your praise, so that your tiny fire may live and grow.[2]
Posted Monday, June 15, 2015
Labels: Angels, Dionysius, hierarchy, Incense, Magnificat, Peter Kwasniewski, Sacra Liturgia 2015, Solemn Vespers
Bishop Argaya, Spanish, expressed a wish “de solemnibus . . . formis simplificandis” [concerning the solemn forms to be simplified]. The norms should be: pietas, simplicitas, et dignitas. Let everything be brought back to the spirit of the Gospel, especially in the Pontifical. We should eliminate everything that in dress and ceremonies resembles “alicui pompae humanae et mundanae” [some human and worldly pomp]. (p. 177)
Bishop Pham Ngoc Chi of Quinhen, Vietnam. No. 47: the ceremonies are too long and too complicated. (244)
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Too long and too complicated? Not for this consummate MC! |
A bishop from Vietnam. … Let us eliminate the maniple and the amice, useless. (277) [Note 2]
A bishop from Chile, in the name of numerous bishops of South America: on the necessity of poverty. Renounce all “vanitas”; vestments should be simpler. We must be Ecclesia docens, non verbo tantum, sed re [the teaching Church, not in word alone but also in deed]. (278)
An Italian bishop. … We can accept greater simplicity in the vestments. (278)
Bishop Paul Gouyon of Bayonne. Evangelical poverty. Simplify the vestments, even the liturgical ones, etc. (278)
Archbishop Joseph Urtasun of Avignon: on no. 89. (1) Missa pontificalis simplicior reddatur; minuantur honores externi. [Let the pontifical Mass be made simpler; let the external gestures of honor be reduced.] (281-82)
Archbishop Henrique Trindade of Botucatu, Brazil. … “humana vanitas” [human vanity]: yes, alas! … Remember that true beauty lies in simplicity; it is compatible with austerity and poverty. Remember also the demands of our times. … The temporal princes have disappeared, but, proh dolor! the Church preserves princely baubles. The legitimate tradition is the antiquissima et genuina liturgia [the most ancient and genuine liturgy]; that is, the life of Christ, consummata in cruce. For a serious reform, nunc est tempus opportunum [now is the opportune moment]. … All of us are acquainted with the social situation, the aversio a luxu et ostentatione [the aversion towards luxury and ostentation]. Reducantur res ad antiquam formam [Let things be brought back to the ancient form]. (283-84)
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Traditional liturgies abound in signs of honor |
Regarding worship, they [the modernists] say, the number of external devotions is to be reduced, and steps must be taken to prevent their further increase … They ask that the clergy should return to their primitive humility and poverty …From a more positive angle, Pope Pius X had praised the Church's cultivation of fine art in his encyclical on St. Gregory the Great, Iucunda Sane:
The arts modeled on the supreme exemplar of all beauty which is God Himself, from whom is derived all the beauty to be found in nature, are more securely withdrawn from vulgar concepts and more efficaciously rise towards the ideal, which is the life of all art. And how fruitful of good has been the principle of employing them in the service of divine worship and of offering to the Lord everything that is deemed to be worthy of him, by reason of its richness, its goodness, its elegance of form. This principle has created sacred art, which became and still continues to be the foundation of all profane art. We have recently touched upon this in a special motu proprio [viz., Tra Le Sollecitudini] when speaking of the restoration of the Roman Chant according to the ancient tradition and of sacred music. And the same rules are applicable to the other arts, each in its own sphere, so that what has been said of the Chant may also be said of painting, sculpture, architecture; and towards all these most noble creations of genius the Church has been lavish of inspiration and encouragement. The whole human race, fed on this sublime ideal, raises magnificent temples, and here in the House of God, as in its own house, lifts up its heart to heavenly things in the midst of the treasures of all beautiful art, with the majesty of liturgical ceremony, and to the accompaniment of the sweetest of song.
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Introibo ad altare Dei, ad Deum qui laetificat juventutem meam |
Bishop Luis Hernandez Almarcha of Léon (Spain). No. 99: do not allow ancient works of art to be destroyed. Revere and preserve ecclesiastical traditions. Guard our treasures. Found institutes of sacred art and practical schools. (282)
The Abbot of the Olivetans. De sacra supellectile [on sacred furnishings]. In our regions, no scandal; on the contrary, populus christianus videt cum magna laetitia [the Christian people regard with great joy] everything that contributes to the splendor of the ceremonies. Jesus, who was poor in his private life, received ointment on his feet. Cf. Saint Thomas, Prima Secundae, q. 102, art. 5, ad 10. And the holy Curé of Ars. The Church has always loved beautiful churches, etc. We must preserve our sacred patrimony, see to it that sacred objects do not become secular possessions. (282-83)
The Abbot of the Canons Regular of the Lateran. … Propter splendorem cultus divini [On account of the splendor of divine worship], do not suppress the usus pontificalium [the use of pontifical insignia]. He claimed to speak in the name of several canons regular and even of the Benedictine and Cistercian abbots. (283)Another archbishop warned of “the new iconoclasts” (p. 282) who wanted to strip the churches of their sacred images.
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The Procession entering St. John Nepomucene |
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Solemn Mass in the Basilica of St Mary Magdalene, during the 2014 Sacra Liturgia summer school |
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Photo © CNA Petrik Bohumil |
Posted Wednesday, December 10, 2014
Labels: Dominique Rey, Events, Liturgical Conferences, Sacra Liturgia 2015