Yesterday, the feast of the Most Precious Blood, saw an historic occasion for the preservation of the traditional Roman liturgy. Following a number of sung Slavonic Masses of the Melbourne Croatian chaplaincy in recent years, the Croatian Catholic community of Sydney was blessed with its first ever High Mass according to the traditional Slavonic Missal (i.e., the “Vajs” Missal of 1927). It is believed that this is the first of its kind for the Croatian diaspora of Australia since a High Mass celebrated in Adelaide prior to the Council. (The current owner of the Missal used, Fr Velimir Maglica, was present for this Mass as a child).
For readers unfamiliar with the Glagolitic (or more correctly, Slavonic) Mass, this liturgy traces its origins to the missionary work of Ss Cyril and Methodius to the Slavs. Following much controversy, the Slavic people were eventually afforded the peculiar privilege of celebrating a Western liturgy not in Latin, as was the norm throughout the West, but an adapted form of Slavonic, the historical ancestor of modern Slavic languages such as Croatian, Czech, Polish, and Bulgarian. This liturgy differs not only in language, but all in many aspects of its chant. Despite its origins in the work of the Moravian Mission, it would ultimately be on Croatian lands that this unique use would (until relatively recently) be best preserved.Thursday, July 02, 2026
A Solemn High Glagolitic Mass Celebrated in Australia
Gregory DiPippoAustralia, though far from this liturgy’s native soil, is home to a sizeable Croatian diaspora, among whom the unique case of the “Glagolitic” Mass, its associated script, and musical heritage are well known and celebrated, though seldom experienced - even despite the fact that its regular celebration still remains a part of living memory (one parishioner, for instance, was able to recall serving Slavonic Masses in one parish and Latin Masses in another). Aside from the local Croatian-Australian contingency, the packed church for yesterday’s celebration included a handful of faithful from overseas, including those who had travelled from as far as Czechia, Slovakia, Ukraine, and Italy.
The Mass was celebrated by Fr Mateusz Markiewicz IBP, who is no stranger to the traditional Slavonic liturgy, having previously offered it for the faithful of Zagreb; the deacon and subdeacon came in from Adelaide and Perth respectively to assist. The Mass featured an Ordinary and Propers fitted to Gregorian melodies and accompanied by organ. More characteristically “Glagolitic” melodies could be heard, for instance, in the Epistle, which was sung according to a traditional tone from the island of Hvar. Altar cards used previously in Melbourne returned to Sydney for the occasion. As for the missal, it was discovered in Zagreb before making its way to Melbourne, and eventually Sydney, where it will remain on loan for future Masses.
Where “nostalgia” remains among the most common charges against the Church’s traditional liturgy, this Mass for the Most Precious Blood testifies to the fact that the traditional rites touch the hearts of the faithful for far deeper reasons. Many if not most present at the liturgy were regulars not of traditional communities, but regular Croatian chaplaincies, and so experienced the traditional rite of Mass for the first time. While the (relative) familiarity of language surely facilitated, it is apparently that the beauty of the rites were a part of the overwhelmingly positive reception, for which reason future celebrations are already being planned. We are very grateful to New Ark Films for sharing these photographs with us.















