![]() |
A modern drawing of the old St Peter’s Basilica. |
![]() |
A 16th-century Russian icon of the Transfiguration |
To submit news, send e-mail to the contact team.
![]() |
A modern drawing of the old St Peter’s Basilica. |
![]() |
A 16th-century Russian icon of the Transfiguration |
Some of the churches in the second post of our annual series on the Roman stational Masses make a point of putting out a large number of the relics on the day of the station, especially St Mary Major and St Peter’s, the stations of the Wednesday and Saturday Ember Days. Thanks as always to our friend Agnese for sharing these with us.
Posted Saturday, February 27, 2021
Labels: Pilgrimages, Relics, Roman Basilicas, Stational Churches of Lent
![]() |
The high altar of St Mary Major, decorated with relics for the Lenten station in 2017. Photo by the great Agnese. |
![]() |
The Coronation of the Virgin, apsidal mosaic of St. Mary Major by Jacopo Torriti, 1296 |
The Collect for the Second Sunday of Lent is:
Deus, qui cónspicis omni nos virtúte destítui: interius exteriusque custódi; ut ab ómnibus adversitátibus muniámur in córpore, et a pravis cogitatiónibus mundémur in mente. Per Dóminum.
O God, who seest that we are bereft of all virtue, guard us inside and out: that we may be defended from all adversities to our bodies and cleansed from all perverse thoughts in our minds. Through our Lord.
![]() |
The relevant rubric in the first edition of the Breviary of St Pius V |
![]() |
From the second post of our 2019 series of the Roman station Masses - the procession on Ember Friday from the church of the Holy Name of Mary to that of the Twelve Apostles. |
![]() |
A screen-shot taken last year of the website of the Ionisky Monastery in Kyiv, Ukraine, which keeps a Lenten schedule similar to that of the older Roman tradition. Beginning at 7am, they celebrate the Hours up to and including Vespers, and in the evening, Great Compline, and Matins of the following day. (This was the first day of Lent on the Julian calendar last year. I took this in order to ask a Ukrainian friend about the weird mistakes in the automatic translation, which turns “Hours” into “clocks”, thinks the word “izobrazitelny” means “fine” in Ukrainian but “pictorial” in Russian, and calls “litia”, a prayer for the dead similiar to the Roman absolution, “lithium.”) |
For the last year, there has been a regular weekly celebration of the Dominican Mass in L’viv, Ukraine; hitherto, always a low Mass, but this past Sunday, it was celebrated as a Missa cantata for the first time. Of course, we are always glad to report on the continued restoration of the traditional rites per se, but I also wanted to share these in particular because of the very particular decoration of the chapel where it was celebrated. As you can see in several of the photos, the frescoes on the walls are imitated from illuminated medieval liturgical manuscripts, a very clever idea! Our thanks to the photographer, Vita Jakubowska, for permission to reproduce these. (They go as far as the genuflection during the Creed.)
“Try this for 30 days, and if you don’t like it, we'll return your misery with interest!”
More than thirty years ago, I met by chance a man called David Birtwistle, who asked me this question: Are you as happy as you can be? It was an easy one for me to answer: “No.” “Would you like that to change?” “Yes.” “Let me show you how,” David said. I am using the image of the Prodigal Son as featured in yesterday’s post to represent myself in this scenario.
![]() |
The Prodigal Son, by John Macallan Swann, English, 19th century |
![]() |
Pascal studying the cycloid, by Augustin Pajou, 1785 |
![]() |
Blaise Pascal, a contemporary portrait |
![]() |
Blaise Pascal’s death mask |
![]() |
The Duomo, Florence, Italy |
![]() |
Dice players, Roman fresco, Pompeii, 1st century AD |
The parable of the Prodigal Son (Luke 15, 11-32) forms a narrative for repentance at its different stages, and like that of the Publican and Pharisee, is a traditional subject for reflection for Christians entering into the Lenten period. Sin is exile, repentance is the return from exile to our true home. We also learn of three things through this parable: the condition of the sinner, the rule of repentance, and the greatness of God’s compassion and mercy. These are themes also, of course that are applicable generally during the Lenten season.
This painting by the English artist John Macallan Swan was done in the year 1888, and is now in the Tate Gallery in London. He uses a naturalistic style; the focus is on the light that emanates from the torso of the son and makes the connection in our minds with the person of Christ, the Son, who is the Light of the World. Notice how the artist draws our attention to it by rendering most of the rest of the painting in reduced color and dark tones, as the Prodigal Son dreams of home, represented by the distant heavenly light on the horizon.Our thanks once again to Sharon Kabel for sharing her research with NLM, this time following up on her November article on the day-after-Thanksgiving indult for eating meat.
This sacrament should only be received by those who are fasting, unless out of necessity because of imminent death, lest it happen that someone should have to exit this life without viaticum. Fasting must be established in reverence for such a sacrament, for three reasons in particular. First, because of the very sanctity of the sacrament; so that the mouth of a Christian, by which it is to be consumed, would not be first drenched with other food, but would be reserved for its reception as something new and pure. Second, because of the devotion that is required on the part of the one receiving, and the attention that could be distracted by having taken food, with gases rising from the stomach to the head. Third, because of the danger of vomiting, and other things like that. (In IV Sent. d. 8, q. 1, a. 4, qa. 1)
On the other hand, even if it is highly fitting for worshipers to remain after Mass for a time of thanksgiving rather than immediately leaving the church building and tucking into regular food and drink, doing so would not carry the same gravity, since a time of thanksgiving is (at least theoretically) built into the Mass itself. Again St. Thomas:
According to the custom of the Church, out of reverence for so great a sacrament, after having received it, a man should remain in thanksgiving; and the prayer of thanksgiving after Communion in the Mass is also said, and the priests after celebrating Mass have special prayers for thanksgiving. And so it is fitting that there should be a certain interval between consuming the Eucharist and other foods. But since a great interval is not required, and what lacks something small seems to lack nothing, as it says in Physics 2, for this reason we might concede that in this sense a person can take other food immediately after receiving the Eucharist.
After all, the priest himself, in receiving the unconsecrated wine and water during the ablutions, is already consuming non-consecrated elements, at times only moments after having received Holy Communion. Obviously the vessels have to be cleansed, and there is no more efficient way to do it; but we should also not overlook the practical benefit to the priest in being able to clear his mouth of any fragments of the host that might have remained there. A sign that this concern is real may be gleaned from the Holy Rule of St. Benedict. In chapter 38, the legislator prescribes concerning the weekly reader during the meals: “Let the brother who is reader for the week take a little bread and wine before he begin to read, on account of the Holy Communion, and lest it be hard for him to fast so long. Afterwards let him take his meal with the weekly cooks and other servers.” On this passage, a commentator writes:
Saint Benedict prescribes “a little bread and wine before he begin to read, on account of the Holy Communion.” This is not only because the reader, if he waits until after the meal, risks a headache and weakness from too prolonged a fast; it is also out of reverence for the Most Holy Sacrament. The “little bread and wine” serve as an ablution of the mouth, lest in reading or chanting, the reader inadvertently expectorate particles of the Sacred Host in his saliva. The custom of an ablution of the mouth after receiving Holy Communion is very ancient; traces of the custom have perdured, not only among certain Orthodox faithful, but even in some places in the West. I remember very well that my paternal grandmother, who received her First Holy Communion in County Leitrim in about 1909, was taught to cleanse her mouth with water immediately upon returning home from Holy Mass and before eating or drinking anything. I can still see her coming in from the early morning Mass. She would, without removing her hat and coat, light the burner under the kettle for tea and, then, go straight to her pantry for the traditional post-Holy Communion glass of water. It is interesting that such a custom was still practiced in early 20th century rural Ireland.
Like readers, singers are aware of the “inadvertent expectoration” mentioned above, however rare it might be that it would contain a crumb of the divine manna. It only took one such experience to convince me of the benefit of taking a drink of water in the choir loft upon returning from communion and before beginning to sing the communion antiphon or motets. Later on, when I read the passage in the Holy Rule, and connected it with the ablutions, I realized that this awareness has long been present in the mind of the Church, if in an understated way.
Visit Dr. Kwasniewski’s website, SoundCloud page, and YouTube channel.
![]() |
The monastic reader in the refectory |
Posted Monday, February 22, 2021
Labels: choir, fasting, Peter Kwasniewski, Rule of St. Benedict, Thomas Aquinas, water
New Liturgical Movement is sponsored by the Church Music Association of America.