Vespers and Procession of the Assumption in Paris

In February of 1638, the wife of King Louis XIII of France, Anne of Austria, was in the early months of her fifth pregnancy, after four stillbirths; this was in the twenty-third year of their marriage, the Queen then being thirty-seven years old. Hoping to obtain by the Virgin Mary’s intercession the safe birth of a royal heir, the king declared a vow of consecration to Her of his own person and family, and of France itself, promising to honor Her by a special procession every year on the feast of the Assumption. On September 5 of that year, the Queen gave birth to a son who was called Louis “Dieudonné - given by God”, the future Louis XIV, who would rule France for so long (1643-1715) that he was succeeded by his great-grandson. In the 19th-century editions of the Parisian Missal and Breviary, this event was even marked by a special feast on the Sunday within the Octave of the Assumption, called “The Commemoration of the Vow of the Most Christian King Louis XIII.”

The Vow of Louis XIII by Jean-Auguste-Dominique Ingres, an 1824; from the Cathedral of the Assumption in Montauban. (Public domain image from Wikipedia.)

In this video taken last week at the church of St Eugène in Paris, you can hear Second Vespers of the feast of the Assumption sung by our friends of the Schola Sainte-Cécile, followed by the procession. The Litany of Loreto is sung as the procession passes outside, then returns and makes it way to the Lady altar, where the choir sings Sub tuum praesidium, followed by a versicle and prayer; the celebrant then reads the text of the vow of King Louis. Psalm 19 is sung as the procession returns to the main sanctuary, followed by another versicle and the following prayer. “O God, governor and guardian of kings and kingdoms, Who will that Thy only-begotten Son our Lord should be subject upon the earth to the most holy Virgin Mother, that Thou might show us in Him an example of humility and obedience; bestow Thy merciful favor upon the vows of Thy servant the most Christian King Louis: so that those who consecrate themselves to the protection of the same Virgin by this devout promise, may obtain the rewards of perpetual tranquility in this life, and everlasting freedom in heaven.” The full program of the ceremony can be seen here in Latin and French; the text of the vow is available here in English.

The Mass of the Assumption

How Medieval Christians Celebrated the Rogation Days (with a Dragon)

The following description of the Rogation Processions comes from a canon of the cathedral of Siena named Oderico, who in the year 1213 wrote a detailed account of the liturgical texts and ceremonies used in his church.

“Mindful of that promise of the Gospel, ‘Ask, and ye shall receive,’ (John 16, 24; from the Gospel of the Sunday which precedes the Lesser Litanies) St Mamertus, bishop of Vienne, in this week instituted the three days of the Litanies, because of an urgent necessity … days which are greatly celebrated by every church with fasts and prayers. The Greek word ‘litany’ means ‘supplication,’ because in the Litanies we beseech the Lord that he may defend us from every adversity, and sudden death; and we pray the Saints that they may intercede for us before the Lord. … The Church celebrates the Litanies with devotion in these three days, with (processional) crosses, banners, and relics She goes from church to church, humbly praying the Saints that they may intercede with God for our excesses, ‘that we may obtain by their intercession what we cannot obtain by our own merits.’ (citing a commonly used votive Collect of all the Saints.) ...

It is the custom of certain churches also to carry a dragon on the first two days before the Cross and banner, with a long, inflated tail, but on the third day, (it goes) behind the Cross and banners, with its tail down. This is the devil, who in three periods, before the Law, under the Law, and under grace, deceives us, or wishes to do so. In the first two (periods) he was, as it were, the lord of the world; therefore, he is called the Prince or God of this world, and for this reason, in the first day, he goes with his tail inflated. In the time of grace, however, he was conquered by Christ, nor dares he to reign openly, but seduces men in a hidden way; this is the reason why on the last day he follows with his tail down.” (Ordo Officiorum Ecclesiae Senensis, 222)

Oderico does not describe the dragon, but given that Siena is in Tuscany, still a major center of leather-working to this day, we may imagine that the dragon itself was a large wooden image mounted on wheels or a cart, and the inflatable tail something like a leather bellows. It should be noted that in addition to the processional cross, Oderico mentions both banners and relics as part of the processional apparatus. In the medieval period, it was considered particularly important to carry relics in procession; so much so that, for example, a rubric of the Sarum Missal prescribes that a bier with relics in it be carried even in the Palm Sunday procession. A typical bier for these processions is shown in the lower right corner of this page of the famous Book of Hours known as the Très Riches Heures du duc de Berry. made by the Limbourg brothers between 1411 and 1416.

Durandus on the Minor Litanies

The following excerpts are taken from book VI, chapter 102 of William Durandus’ treatise on the Divine Offices.

On the three days before the feast of the Lord’s Ascension, the Rogations, which are also called the Litanies: the Greek word “litania” in Latin is “supplication”, or “rogation” (from ‘rogare – to ask’), on which the Holy Church asks God… to destroy the counsel of those who wish to live outside Her peace. At the same time, we also beseech God that He may defend us from a sudden death, and from every infirmity, and we ask the Saints, that they may intercede for us before God. …

The Procession of St Gregory the Great, by an anonymous Sienese painter of the mid-16th century. The traditional story recounts that when the procession described below reached the Mausoleum of Hadrian, which is fairly close to St Peter’s Basilica, an angel appeared over it with a drawn sword in his hand, which he then sheathed, symbolizing the end of the plague as in 2 Samuel 24.

Now the Litanies are two, the Greater and the Lesser. The Greater is on the feast of the blessed Mark, and was created by the blessed Gregory (the Great), because of a plague, which caused a swelling of the groin. Paul, a monk of Monte Cassino, the author of “The History of the Lombards”, wrote the story of its institution, saying that in the time of Pope Pelagius (II, 579-90) there was so great a flood in Italy, that the waters rose as high as the upper windows of the temple of Nero in Rome … Then there came forth up the Tiber a multitude of serpents, and one very large dragon among them, whose breath corrupted the air; from this came the plague in the groin, from which men died suddenly all over the place. When nearly the whole population of Rome had been destroyed, Pelagius declared a fast and procession for all, but during it, he himself died, along with seventy others. Gregory I, who is also called the Great, took his place, and commanded that this Litany be observed throughout the world; it is therefore called the Gregorian or Roman Litany. It is also called “Black Crosses”, since, as a sign of mourning for the death of so many men, and as a sign of penance, people wear black clothing, and the crosses and altars are veiled in black.

A folio of the Echternach Sacramentary, 895AD, with the stational prayers for the Greater Litanies as they were done in Rome; the stations are at the church of San Lorenzo in Lucina, St Valentine (very far up the Tiber), “ad Pontem Olbi”, a corruption of “ad Pontem Milvium – at the Milvian bridge”, “at the Cross”, which was a station set up along the way, and two “in the atrium” of St Peter’s Basilica. (Bibliothèque nationale de France. Département des Manuscrits. Latin 9433; folio 76r.)

The Lesser Litanies, which are also called Rogations and processions, take place on the three days before the Ascension, … they were created in Vienne by the blessed Mamertus, bishop of that city. Because of a plague of wolves and other wild beasts, who were ferociously killing men in Gaul, and because of the dangerous earthquakes which were frequently taking place there, he enjoined a fast of three days on the people, and instituted the Litanies. But when the danger had passed, the fast became a custom of annual observance … This latter is called the Lesser Litany, because it was instituted by a lesser person, that is, by a simple bishop, and in a less important place, Vienne, while the Greater (Litany) is so called because it was instituted in a more important place, namely, Rome, and by a greater person, namely, Gregory the Great, and because of a great and very serious plague. However, the Lesser Litany is older, since it was instituted when Zeno was Emperor (ca. 470 AD), and the Greater in the time of the Emperor Maurice (582-602)

Litanies are also held for many other reasons, wherefore Pope Liberius established that a litany should be held for war, famine, pestilence, and other imminent adversities of this sort, so that we may escape from them by supplications, prayers and fasts. Therefore, because in this time of the year especially wars are wont to break out, and the fruits of the earth, which are still in bud or flower, can easily be corrupted in many different ways, the litanies are held, so that we may ask God to turn these things away from us, and to defend and deliver us from bad weather, and war, and the enemies of the Christian religion, as we also implore the patronage of the Saints …

… we beseech the Saints, because of our poverty, and their glory, and reverence for God. And when we celebrate the Litany because of imminent dangers, in penitential and mournful garb, we represent that last procession of the women who wept after the Lord when He was being led to the Cross, weeping, according to the Lord’s command, for ourselves and our children.

The imposition of ashes before the Rogation procession celebrated in 2017 in Milan; in the Ambrosian Rite, the penitential character of the Rogation days is far more marked than in the Roman Rite.

The Litanies also take place in this time, since the Church now asks more confidently, because Christ ascends, Who said, “Ask and ye shall receive.” (In the Gospel of the Sunday before the Ascension, John 16, 23-30.) She fasts at this time and prays, that through the mortification of the flesh, She may have little to do with it, and gain wings for herself through prayer, which is the wing by which the soul flies up to heaven. Thus is She is able to freely follow Christ as He ascends, and opens the way for us, and flies upon the wings of the wind. This is the reason why we join the last litany, the last fast, to the Ascension, so that through prayers and fasts, we may be able to lay aside the weight of the flesh, and follow Christ as He ascends.

Therefore, during the Litanies, there is a procession, and in some churches, (the antiphon) Exsurge, Domine is sung at the beginning. The Gospel canticle “Holy God, holy mighty one, holy immortal one, have mercy on us,” is also to be sung repeatedly by the boys’ choir, for John of Damascus tells the story … that in Constantinople, litanies were held because of some trouble, and a boy was taken up to heaven from the midst of the people, and there taught this chant; and returning to the people, sang it before everyone, and at once the trouble ceased. This chant was approved by the Council of Chalcedon, and therefore it is considered praiseworthy and authoritative …

… in the procession itself, the Cross goes first, and the reliquaries of the Saints, so that by the banner of the Cross, and the prayers of the Saints, demons may be repelled…

A banner is also carried to represent the victory of Christ’s Resurrection and Ascension, since He went up to heaven with great spoils … just as the multitude of the faithful follow the banner in the procession, so also a great gathering of the Saints accompanies Christ as He ascends. Banners are also carried in imitation of that which is said by Isaiah (11, 12), “And he shall set up a standard unto the nations, and shall assemble the fugitives of Israel, and shall gather together the dispersed of Juda from the four quarters of the earth.” The Church took the carrying of banners and crosses from Constantine, who, when in a dream he saw the sign of the Cross, and heard the words ‘By this sign thou shalt conquer’, ordered the Cross to be marked on his war banners. The fact that in the Litanies the cross-bearer takes his cross from the altar reminds us that Simon of Cyrene took it from Christ’s shoulders.

A Rogation procession held in the village of Balatonderics, Hungary in 2017.

In some places, the litany is done in the fields, so that demons may be expelled from the crops, or rather, so that the crops may be preserved by the Lord. … It has also become the custom that a dragon with a long tail, upright and inflated, should go before the Cross and banners on the first two days, but on the last day, looking back, with its tail deflated and lowered, it follows behind. For this dragon symbolizes the devil, who in three periods, that is, before the law, and under the law, and in the time of grace, which these three days symbolize, has deceived men, and even now seeks to deceive them. In the first two periods, he reigned, and as if he were the lord of the world, had a long tail, which shows his power, and inflated, which symbolizes his pride. For this reason, Christ calls him the prince of this world (John 12, 31) and John says in the Apocalypse (12, 4) that the dragon, falling from heaven, drew with him the third part of the stars, which symbolize people. And the Lord says in the Gospel, “I saw Satan falling like a lightning bolt from heaven” (Luke 10, 18), as a figure of which, on two days he goes at the head … But in the time of grace, he is beaten by Christ, and power is given to the Apostles to cast out unclean spirits; therefore, on the third day he follows after the Cross, to show that his power is lost through the spread of the Faith, and his tail is deflated, and hangs down, and is not long, because he does not dare to reign as mightily as he formerly did, but rather seduces men through suggestion, and in a hidden way, those whom he sees to be lazy and remiss in good works, and who follow not the way of life, as if he were looking back like a thief, to see if someone may wander and fall away from the righteousness of the Faith, so that he can draw that person to himself …

A page from an 1882 scholarly edition of the Sarum Processional, by W.G. Henderson, showing the order of the Rogation procession. The rubric above the image mentions both a dragon and a lion carried in the procession, the latter presumably in reference to the words of Apocalypse 5, 5, “Behold the lion from the tribe of Judah hath conquered.”

On the Litanies, all must abstain from servile labor, … and be present for the procession until the end, so that, just as all have sinned, so all may ask for forgiveness, and all raise their hearts to God, with their hands, that is, raise up their zeal for prayer.

But since on the preceding days, a double Alleluia, is sung, why on these days is only one sung? And again, since Alleluia is not said on other fast days, why is it said on this one? To the first question, we answer that ... a double Alleluia is sung on the preceding days because of the double stole which will be given in the general resurrection, namely, that of the soul and of the body. But the liturgy of Easter, which this signifies, is now finished, and therefore, the cause being taken removed, the effect is also removed . To the second, we answer that on the other fast days, Alleluia is not sung because it is a song of joy, and those fasts are held because of sins, wherefore they are called fasts of mourning; but this fast, and that of Pentecost, are matters of rejoicing, because they are not held for sins, but so that the power of the devil, and the plague, may be removed; and therefore, Alleluia is sung on them.

More Pictures of the Feast of St Agatha in Catania

Last week, we shared Peter’s pictures of the celebrations of the feast of St Agatha in her native city of Catania in Sicily. Another friend of ours, Dom Jakobus, a canon regular of Herzogenburg Abbey in Austria, was also there, and graciously agreed to share his pictures with us. Those of the Saint’s reliquary and the procession of it through the city in the first part were taken on the eve of the feast, February 4th.

The reliquary in the sanctuary of the cathedral...

with an honor guard.

The faithful touching pieces of cloth to the reliquary, which then become a relic by contact. (This is a very ancient custom, already attested at the tombs of the Apostles in Rome in the earliest years of the Constantinian peace.)

The reliquary is carried through the city. 

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The Feast of St Agatha in Catania, Sicily

Yesterday was the feast of St Agatha, the patron Saint of her native city of Catania in Sicily. Dr Kwasniewski is currently there with a pilgrimage group, and took these pictures of the procession with her relics on the eve of the feast. The local custom is to carry decorated candles during the procession, and with the classically southern Italian idea that if a thing is worth doing, it’s worth overdoing, some of these candles are absolutely enormous, weighing about a hundred pounds. There are also some very lovely photos of the very tall floats made by various confraternities and religious for the processions.

Peter wrote about attending this event, “I saw today in Catania one of the most extraordinary sights of my life: hundreds of thousands of Sicilians paying homage to their patroness St Agatha—in the carrying of hundred-pound (and more) enormous candles; in the offering of countless individual candles and bouquets of flowers; in waiting for hours for the Saint’s relics to pass by, borne on a gigantic silver reliquary float pulled by hundreds of devotees wearing white garments and medallions; in the elaborate carved representations of each historic guild; in shouting ‘Viva Sant’ Agatha!’," and fireworks—an ENTIRE CITY completely given over to a three-day ritual of devotion that has been repeated for centuries. NOTHING like this exists in the Anglo world. I have serious civilizational envy. My eyes welled with tears several times. How could one not be moved to the depth of one’s being?”

The cathedral decorated and lit up for the feast.

Illuminated arches set up over the streets along the processional route.

The giant silver reliquary carried in the procession.

LOTS of candles!

An honor guard stays with the reliquary when it is in the cathedral. The military unit providing the guard is called the Carabinieri (riflemen), which is a kind of national police force, but is legally part of the Italian army. It originated as a company within the army of the Kingdom of the Two Sicilies, and retains a colorful parade uniform from the 19th century.
 

Parade floats of various confraternities.

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The Feast of St Louis at the Oratory of Ss Gregory and Augustine

We are very glad to share these pictures from the Oratory of Ss Gregory and Augustine in St Louis, Missouri, of the celebrations of the city’s patron Saint at the end of August: solemn Vespers on the eve of the feast, and solemn Mass on the day itself, followed by a procession to the statue of St Louis in Forest Park. Once, again, we can see that these young people have no time for nostalgia; they are too busy building the city of God and evangelizing through beauty - Feliciter! And many thanks to Kiera Petrick for sharing her lovely photos with us.

First Vespers and Benediction

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The Remarkable Procession of St Rose of Viterbo

On September 4th, the Italian city of Viterbo (roughly 50 miles to the north north-west of Rome) celebrates the feast of its patron Saint, a young woman named Rose who died in 1251 or ’52 at the age of only 17. The details of her life are poorly documented. In her time, Italy was wracked by political conflict between the Popes and the Holy Roman Emperors, and their factional supporters, known as the Guelfs (the papal side) and Ghibellines (the imperials.) This conflict is one of the most complicated aspects of all European history, and I could not even begin to explain it in a post such as this. Suffice it to say that Rose became famous when, at the age of only twelve, she began to rouse the people of her city to resist the Ghibelline occupation; so effectively, in fact, that she and her family were sent into exile.

St Rose of Viterbo Receiving Communion, ca. 1667, by the Spanish painter Juan Antonio de Frías y Escalante (1633-69). Public domain image from Wikimedia Commons.

Rose predicted the imminent death of the Emperor Frederick II in December of 1250, and with his passing, the Guelfs regained control of the city, and she was able to return. She now sought to enter the local Franciscan convent, but was refused either because of her poor health, or for lack of a dowry, or perhaps both. This may seem rather inappropriate for the Poor Clares, but they were still a very new movement (St Clare herself was still alive), and Viterbo was not a large or particularly rich city, so the sisters likely could ill afford a mouth to feed with no provisions at all. Rose is said to have replied to the abbess, “You will not have me now, but perhaps you will be more willing when I am dead.”

With the aid of her parish priest, she and a few other young women formed a small community of their own, but the nuns prevailed upon the Pope to order its suppression, since they had been granted the privilege of having no other women’s religious house near their own within a certain distance. (Petty clashes of this sort were all too common a feature of medieval religious life, alas.) Rose therefore returned to her parents’ house, and died shortly thereafter. The very same Pope who had ordered the suppression of her little community, Innocent IV (1243-54), ordered that the cause for her canonization be opened; it was brought to completion in 1457. On September 4, 1258, her mortal remains were translated from their original place of burial to the very same convent to which she had been refused entry as a religious, just as she herself had foretold.

The shrine of St Rose in Viterbo, with the previous “macchina” (explained below), in front of it. After decades of more modern looking towers, the current designer, Raffaele Ascenzi, has made a happy return to the Gothic style that prevailed in the 19th century. The church’s very dull façade is the result of a particularly unfortunate neo-classical renovation done in 1850... our own is not the first generation of barbarians. (Image from Wikimedia Commons by LucaFernandi, CC BY-SA 4.0)

St Rose’s relics. (Image from Wikimedia Commons by Sailko, CC BY 3.0)

Although the day of her death was March 6, Viterbo keeps her feast on the anniversary of this translation. Since time out of mind, it has been the city’s custom to mark the day by building a tower with an image of the Saint at or near the top, and carrying it through the streets and piazzas, following the route of the original translation. Over the centuries, as new towers have been commissioned, they have grown to the extraordinary height of nearly 100 feet, and weight of over 5½ tons, requiring 100 men or more to carry them. As may be imagined, the procession of the “macchina”, as it is called in Italian, has seen some unfortunate incidents, and some rather comical failures. In 1790, the macchina collapsed, and in 1814, a different one fell backwards, and a few of the men carrying it were killed. In 1967, a newly designed one (pictured right), commissioned too late in the year for its materials to be properly tested (ah, Italy...), got rained on, making it too heavy for the porters to finish the route. It was repaired, however, and used for 12 years.

Since 1952, the macchine have been given names. A new one, scheduled to be used until 2028 inclusively, debuted yesterday, and is called “Dies natalis”, Latin for “birthday”. This is also the technical term used very often in the Martyrology, and many other Christian documents before it, for the day on which a Saint dies, and is therefore “born” into eternal life. It is difficult to think why this name was chosen, since Rose’s feast is not actually celebrated on her dies natalis. Here are two videos of it being carried for the very first time; in the first, it departs from the place where it was built, and in the second, it arrives at the piazza in front of the church were the relics are kept. Evviva Santa Rosa!

Vespers and Procession of the Assumption in Paris

In February of 1638, the wife of King Louis XIII of France, Anne of Austria, was in the early months of her fifth pregnancy, after four stillbirths; this was in the twenty-third year of their marriage, the Queen then being thirty-seven years old. Hoping to obtain by the Virgin Mary’s intercession the safe birth of a royal heir, the king declared a vow of consecration to Her of his own person and family, and of France itself, promising to honor Her by a special procession every year on the feast of the Assumption. On September 5 of that year, the Queen gave birth to a son who was called Louis “Dieudonné - given by God”, the future Louis XIV, who would rule France for so long (1643-1715) that he was succeeded by his great-grandson. In the 19th-century editions of the Parisian Missal and Breviary, this event was even marked by a special feast on the Sunday within the Octave of the Assumption, called “The Commemoration of the Vow of the Most Christian King Louis XIII.”

The Vow of Louis XIII by Jean-Auguste-Dominique Ingres, an 1824; from the Cathedral of the Assumption in Montauban. (Public domain image from Wikipedia.)

In this video taken last week at the church of St Eugène in Paris, you can hear Second Vespers of the feast of the Assumption sung by our friends of the Schola Sainte-Cécile, followed by the procession. The Litany of Loreto is sung as the procession passes outside, then returns and makes it way to the Lady altar, where the choir sings Sub tuum praesidium, followed by a versicle and prayer; the celebrant then reads the text of the vow of King Louis. Psalm 19 is sung as the procession returns to the main sanctuary, followed by another versicle and the following prayer. “O God, governor and guardian of kings and kingdoms, Who will that Thy only-begotten Son our Lord should be subject upon the earth to the most holy Virgin Mother, that Thou might show us in Him an example of humility and obedience; bestow Thy merciful favor upon the vows of Thy servant the most Christian King Louis: so that those who consecrate themselves to the protection of the same Virgin by this devout promise, may obtain the rewards of perpetual tranquility in this life, and everlasting freedom in heaven.” The full program of the ceremony can be seen here in Latin and French; the text of the vow is available here in English.

The Mass of the Assumption

Vespers and Procession of the Assumption in Paris

In February of 1638, the wife of King Louis XIII of France, Anne of Austria, was in the early months of her fifth pregnancy, after four stillbirths; this was in the twenty-third year of their marriage, the Queen then being thirty-seven years old. Hoping to obtain by the Virgin Mary’s intercession the safe birth of a royal heir, the king declared a vow of consecration to Her of his own person and family, and of France itself, promising to honor Her by a special procession every year on the feast of the Assumption. On September 5 of that year, the Queen gave birth to a son who was called Louis “Dieudonné - given by God”, the future Louis XIV, who would rule France for so long (1643-1715) that he was succeeded by his great-grandson. In the 19th-century editions of the Parisian Missal and Breviary, this event was even marked by a special feast on the Sunday within the Octave of the Assumption, called “The Commemoration of the Vow of the Most Christian King Louis XIII.”

The Vow of Louis XIII by Jean-Auguste-Dominique Ingres, an 1824; from the Cathedral of the Assumption in Montauban. (Public domain image from Wikipedia.)

In this video taken on Tuesday at the church of St Eugène in Paris, you can hear Second Vespers of the feast of the Assumption sung by our friends of the Schola Sainte-Cécile, followed by the procession. The Litany of Loreto is sung as the procession passes outside, then returns and makes it way to the Lady altar, where the choir sings Sub tuum praesidium, followed by a versicle and prayer; the celebrant then reads the text of the vow of King Louis. Psalm 19 is sung as the procession returns to the main sanctuary, followed by another versicle and the following prayer. “O God, governor and guardian of kings and kingdoms, Who will that Thy only-begotten Son our Lord should be subject upon the earth to the most holy Virgin Mother, that Thou might show us in Him an example of humility and obedience; bestow Thy merciful favor upon the vows of Thy servant the most Christian King Louis: so that those who consecrate themselves to the protection of the same Virgin by this devout promise, may obtain the rewards of perpetual tranquility in this life, and everlasting freedom in heaven.” The full program of the ceremony can be seen here in Latin and French; the text of the vow is available here in English.

The Mass of the Assumption

Relics of St Norbert

Today is the feast of St Norbert, the founder of the Premonstratensian Order, who died in 1134 as archbishop of Magdeburg, in the modern German state of Saxony-Anhalt, and was buried in the choir of his order’s local church. The city was one of the first to turn Protestant in the 16th-century, and although the Saint’s relics were not profaned, as were those of so many others, it was no longer possible for Catholics to venerate them. During the Thirty Years’ War, however, the abbot of Strahov, the Premonstratensian house in Prague, was able to recover them during a temporary Catholic occupation of the area, and bring them to back to his abbey, where they were officially installed on May 2nd, 1627, and have remained to this day.

A Facebook page dedicated to the various orders and congregations of Augustinian Canons Regular, including the Premonstratensians, published these photographs of the actual bones of St Norbert, which we share by the kind permission of Dom Jakobus, a canon of Herzogenburg Abbey in Austria, who administers the page. (It is frequently updated with many interesting pictures, both modern and historical, of the canons and their liturgies.)

The shrine of St Norbert in the choir of Strahov Abbey.

The Premonstratensians traditionally kept a feast on May 7th of the translation of St Norbert’s relics; the Matins lessons of the second nocturn state that when the original burial site was opened, the skeleton was found intact.

Here are some great old photographs of the shrine in Strahov Abbey, and of a procession held in Prague with the relics; they are not precisely dated, but František Kordač, who was Archbishop of Prague from 1919-31, is shown in the procession.

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Ambrosian Processional Chants for the Purification

In Rome, the blessing of candles on the feast of the Purification was originally done at the church of St Adrian in the Roman Forum, followed by a procession to the oldest church in the city and the world dedicated to the Virgin Mary, Santa Maria Maggiore on the Esquiline Hill. This custom gradually fell into disuse, and no station is mentioned in the Roman Missal on February 2, but of course, the blessing and procession are still held.

The Ambrosian Rite underwent a similar development. The clergy of the cathedral would traditionally bless the candles at a church called Santa Maria Beltrade, founded in 836, less than half a mile from the modern Piazza del Duomo, and then process back to the cathedral for the Mass. This procession has long since been transferred to the cathedral itself, which is also dedicated to the Virgin Mary, but a very ancient custom has been preserved of carrying an image of the Virgin and Child, known as the “Idea”, in the Candlemas procession. This is seen in a relief carving of the 12th century formerly in Santa Maria Beltrade; since the church was demolished in 1934, it has been at the Museum of the Castello Sforzesco. (Pictures of the Idea currently used, and of Santa Maria Beltrade, are given below.) 

The procession with the Idea in the Duomo of Milan in 2013.

The Ambrosian form of the blessing is rather simpler than the Roman. It begins with the same introductory formula used at the hours of the Divine Office in both the Roman and Ambrosian Rite (“Deus in adjotorium, etc.”), followed by a triple “Kyrie eleison” (a very frequent feature in all things Ambrosian), and then a prayer which is proper to the Rite.

“Omnipotens sempiterne Deus, qui hodierna die cum legalibus sacrificiis in templo præsentari, et justi Simeonis ulnis gestari, dignatus es: benedic, quæsumus, hanc papyrum cerea pinguedine superductam; ut tuus eam populus, igne caritatis tuæ accensus, ad laudem, et gloriam nominis tui gestans; pietatis tuæ dono, indeficiens se lumen habere cognoscat. Qui vivis.

Almighty and everlasting God, who on this day deigned to be presented in the temple with the sacrifices of the Law, and borne in the arms of Simeon the just, bless, we pray, this papyrus covered in the richness of wax, that Thy people, enkindled with the fire of Thy love, bearing it to the praise and glory of Thy name, may know by the gift of Thy love, that it hath the unfailing Light who liveth and reigneth with Thee, etc.”

The candles are then sprinkled with holy water and incensed as in the Roman Rite, and distributed to the clergy and faithful, without any chant prescribed to accompany the distribution. This is the form found in the earliest Ambrosian liturgical sources, such as the 10th century Manual of Valtravaglia, but in the post-Tridentine reform of the Ambrosian Missal, several elements were added to the ceremony from the Roman Rite: the fourth and first of the five Roman prayers of the blessing, the Nunc dimittis with its antiphon, the antiphon Exsurge, and the concluding prayer. In the 1902 reform of the Missal, all of these elements were removed, and the ceremony returned to its original form.

The procession then begins, with the same ceremonies as in the Roman Rite (incense, processional cross, etc.) and is accompanied by a repertoire of 21 antiphons. The following recording has 8 of these, beginning at 2:15.

I Virgo Dei Genitrix, quem totus non capit orbis in tua te clausit viscera factus homo.	Virgin Mother of God, He whom the world could not contain enclosed Himself within Thy womb, having become a man.
II Beata progenies unde Christus natus est: Quam gloriosa est Virgo quae caeli Regem genuit!	Blessed is the daughter from whom Christ was born: how glorious is the Virgin who begot the King of heaven!
VI Virgo Verbum concepit, Virgo permansit, Virgo genuit Regem omnium regum.	The Virgin conceived the Word; a virgin She remained; the Virgin begot the King of all kings.
VII Beata es Maria, quae credidisti; perficientur in te quae dicta sunt tibi a Domino.	Blessed art Thou, o Mary, who be- lieved; the things which were said to Thee by the Lord shall be brought to pass.
X Beatam me dicent genera-    tiones; quia ancillam humilem respexit Deus.	The generations shall call me blessed, for God hath regarded the low estate of His handmaid.
XIII Magnificamus te, Dei Ge-    nitrix, quia ex te natus est Christus, salvans omnes qui te glorificant: sancta Domina Dei Genitrix, sanctificationes tuas transmit-    te nobis.	We magnify Thee, o Mother of God; for from Thee was born Christ, who saveth all that glorify Thee; holy Lady, Mother of God, impart to us Thy santifications.
XV Virgo hodie fidelis, etsi Verbum genuit incarnatum, Virgo mansit et post partum; quam laudantes omnes dicimus: Benedicta tu in mulieribus.	Today the faithful Virgin, though She begot the Word incarnate; remained a virgin even after birth; who we all praise and say, Blessed art Thou among women.
XVII Sub tuam misericordiam confugimus, Dei Genitrix, ut nostram deprecationem ne inducas in temptationem, sed de periculo libera nos, sola casta et benedicta.	Unto Thy mercy do we flee, o Mother of God, that Thou may not bring our supplication unto trial, but deliver us from danger, who alone are chaste and blessed.

If the procession has gone out of the church, when it returns to the door, the processional cross stops before it, while the clergy and servers stand facing each other in two lines, with the celebrant facing the cross. The choir sings twelve Kyrie, eleisons, six low and six high, and then an antiphon called a psallendum. As the choir sings Gloria Patri, all bow to the cross, and at Sicut erat, to the celebrant; the crossbearer then turns, and lead the procession into the church. (If the procession is done within the church, this ceremony is done at the chancel of the main sanctuary.)  

Psallendum Senex Puerum portabat, Puer autem senem regebat: quem Virgo concepit, et post partum virgo permansit; ipseum quem geniut, adoravit. Gloria Patri... Sicut erat... Senex Puerum...

Psallendum The old man carried the boy, but the boy ruled the old man, even He whom the Virgin conceived, and after the birth, remained a virgin; She adored Him whom She begot. Glory be... As it was... The old man...

The two sides of the Madonna dell’Idea, painted by Michelino and Leonardo da Besozzo in the 2nd quarter of the 15th century. (Both images from Wikimedia Commons by Dimitris Kamaras, CC BY 2.0)

The church of Santa Maria in Beltrade, which was reconstructed in 1601, as seen in this photograph taken not long before its demolition. 

The Feast of St Louis at the Oratory of Ss Gregory and Augustine

We are very glad to share these pictures from the Oratory of Ss Gregory and Augustine in St Louis, Missouri, of the celebrations of the city’s patron Saint at the end of August: solemn Vespers on the eve of the feast, and solemn Mass on the day itself, followed by a procession to the statue of St Louis in Forest Park. Once, again, we can see that these young people have no time for nostalgia; they are too busy building the city of God and evangelizing through beauty - Feliciter! Many thanks to Kiera Petrick for sharing these photos with us.

First Vespers and Benediction

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Vespers and Procession of the Assumption in Paris

In February of 1638, the wife of King Louis XIII of France, Anne of Austria, was in the early months of her fifth pregnancy, after four stillbirths; this was in the twenty-third year of their marriage, the Queen then being thirty-seven years old. Hoping to obtain by the Virgin Mary’s intercession the safe birth of a royal heir, the king declared a vow of consecration to Her of his own person and family, and of France itself, promising to honor Her by a special procession every year on the feast of the Assumption. On September 5 of that year, the Queen gave birth to a son who was called Louis “Dieudonné - given by God”, the future Louis XIV, who would rule France for so long (1643-1715) that he was succeeded by his great-grandson. In the 19th-century editions of the Parisian Missal and Breviary, this event was even marked by a special feast on the Sunday within the Octave of the Assumption, called “The Commemoration of the Vow of the Most Christian King Louis XIII.”

The Vow of Louis XIII by Jean-Auguste-Dominique Ingres, an 1824; from the Cathedral of the Assumption in Montauban. (Public domain image from Wikipedia.)

In this video taken on Monday at the church of St Eugène in Paris, you can hear Second Vespers of the feast of the Assumption sung by our friends of the Schola Sainte-Cécile, followed by the procession. The Litany of Loreto is sung as the procession makes it way to the Lady altar, where the choir sings Sub tuum praesidium, followed by a versicle and prayer; the celebrant then reads the text of the vow of King Louis. Psalm 19 is sung as the procession returns to the main sanctuary, followed by another versicle and the following prayer. “O God, governor and guardian of kings and kingdoms, Who will that Thy only-begotten Son our Lord should be subject upon the earth to the most holy Virgin Mother, that Thou might show us in Him an example of humility and obedience; bestow Thy merciful favor upon the vows of Thy servant the most Christian King Louis: so that those who consecrate themselves to the protection of the same Virgin by this devout promise, may obtain the rewards of perpetual tranquility in this life, and everlasting freedom in heaven.” The full program of the ceremony can be seen here in Latin and French; the text of the vow is available here in English.

Durandus on the Minor Litanies

The following excerpts are taken from book VI, chapter 102 of William Durandus’ treatise on the Divine Offices.

On the three days before the feast of the Lord’s Ascension, the Rogations, which are also called the Litanies: the Greek word “litania” in Latin is “supplication”, or “rogation” (from ‘rogare – to ask’), on which the Holy Church asks God… to destroy the counsel of those who wish to live outside Her peace. At the same time, we also beseech God that He may defend us from a sudden death, and from every infirmity, and we ask the Saints, that they may intercede for us before God. …

The Procession of St Gregory the Great, by an anonymous Sienese painter of the mid-16th century. The traditional story recounts that when the procession described below reached the Mausoleum of Hadrian, which is fairly close to St Peter’s Basilica, an angel appeared over it with a drawn sword in his hand, which he then sheathed, symbolizing the end of the plague as in 2 Samuel 24.

Now the Litanies are two, the Greater and the Lesser. The Greater is on the feast of the blessed Mark, and was created by the blessed Gregory (the Great), because of a plague, which caused a swelling of the groin. Paul, a monk of Monte Cassino, the author of “The History of the Lombards”, wrote the story of its institution, saying that in the time of Pope Pelagius (II, 579-90) there was so great a flood in Italy, that the waters rose as high as the upper windows of the temple of Nero in Rome … Then there came forth up the Tiber a multitude of serpents, and one very large dragon among them, whose breath corrupted the air; from this came the plague in the groin, from which men died suddenly all over the place. When nearly the whole population of Rome had been destroyed, Pelagius declared a fast and procession for all, but during it, he himself died, along with seventy others. Gregory I, who is also called the Great, took his place, and commanded that this Litany be observed throughout the world; it is therefore called the Gregorian or Roman Litany. It is also called “Black Crosses”, since, as a sign of mourning for the death of so many men, and as a sign of penance, people wear black clothing, and the crosses and altars are veiled in black.

A folio of the Echternach Sacramentary, 895AD, with the stational prayers for the Greater Litanies as they were done in Rome; the stations are at the church of San Lorenzo in Lucina, St Valentine (very far up the Tiber), “ad Pontem Olbi”, a corruption of “ad Pontem Milvium – at the Milvian bridge”, “at the Cross”, which was a station set up along the way, and two “in the atrium” of St Peter’s Basilica. (Bibliothèque nationale de France. Département des Manuscrits. Latin 9433; folio 76r.)

The Lesser Litanies, which are also called Rogations and processions, take place on the three days before the Ascension, … they were created in Vienne by the blessed Mamertus, bishop of that city. Because of a plague of wolves and other wild beasts, who were ferociously killing men in Gaul, and because of the dangerous earthquakes which were frequently taking place there, he enjoined a fast of three days on the people, and instituted the Litanies. But when the danger had passed, the fast became a custom of annual observance … This latter is called the Lesser Litany, because it was instituted by a lesser person, that is, by a simple bishop, and in a less important place, Vienne, while the Greater (Litany) is so called because it was instituted in a more important place, namely, Rome, and by a greater person, namely, Gregory the Great, and because of a great and very serious plague. However, the Lesser Litany is older, since it was instituted when Zeno was Emperor (ca. 470 AD), and the Greater in the time of the Emperor Maurice (582-602)

Litanies are also held for many other reasons, wherefore Pope Liberius established that a litany should be held for war, famine, pestilence, and other imminent adversities of this sort, so that we may escape from them by supplications, prayers and fasts. Therefore, because in this time of the year especially wars are wont to break out, and the fruits of the earth, which are still in bud or flower, can easily be corrupted in many different ways, the litanies are held, so that we may ask God to turn these things away from us, and to defend and deliver us from bad weather, and war, and the enemies of the Christian religion, as we also implore the patronage of the Saints …

… we beseech the Saints, because of our poverty, and their glory, and reverence for God. And when we celebrate the Litany because of imminent dangers, in penitential and mournful garb, we represent that last procession of the women who wept after the Lord when He was being led to the Cross, weeping, according to the Lord’s command, for ourselves and our children.

The imposition of ashes before the Rogation procession celebrated in 2017 in Milan; in the Ambrosian Rite, the penitential character of the Rogation days is far more marked than in the Roman Rite.

The Litanies also take place in this time, since the Church now asks more confidently, because Christ ascends, Who said, “Ask and ye shall receive.” (In the Gospel of the Sunday before the Ascension, John 16, 23-30.) She fasts at this time and prays, that through the mortification of the flesh, She may have little to do with it, and gain wings for herself through prayer, which is the wing by which the soul flies up to heaven. Thus is She is able to freely follow Christ as He ascends, and opens the way for us, and flies upon the wings of the wind. This is the reason why we join the last litany, the last fast, to the Ascension, so that through prayers and fasts, we may be able to lay aside the weight of the flesh, and follow Christ as He ascends.

Therefore, during the Litanies, there is a procession, and in some churches, (the antiphon) Exsurge, Domine is sung at the beginning. The Gospel canticle “Holy God, holy mighty one, holy immortal one, have mercy on us,” is also to be sung repeatedly by the boys’ choir, for John of Damascus tells the story … that in Constantinople, litanies were held because of some trouble, and a boy was taken up to heaven from the midst of the people, and there taught this chant; and returning to the people, sang it before everyone, and at once the trouble ceased. This chant was approved by the Council of Chalcedon, and therefore it is considered praiseworthy and authoritative …

… in the procession itself, the Cross goes first, and the reliquaries of the Saints, so that by the banner of the Cross, and the prayers of the Saints, demons may be repelled…

A banner is also carried to represent the victory of Christ’s Resurrection and Ascension, since He went up to heaven with great spoils … just as the multitude of the faithful follow the banner in the procession, so also a great gathering of the Saints accompanies Christ as He ascends. Banners are also carried in imitation of that which is said by Isaiah (11, 12), “And he shall set up a standard unto the nations, and shall assemble the fugitives of Israel, and shall gather together the dispersed of Juda from the four quarters of the earth.” The Church took the carrying of banners and crosses from Constantine, who, when in a dream he saw the sign of the Cross, and heard the words ‘By this sign thou shalt conquer’, ordered the Cross to be marked on his war banners. The fact that in the Litanies the cross-bearer takes his cross from the altar reminds us that Simon of Cyrene took it from Christ’s shoulders.

A Rogation procession held in the village of Balatonderics, Hungary in 2017.

In some places, the litany is done in the fields, so that demons may be expelled from the crops, or rather, so that the crops may be preserved by the Lord. … It has also become the custom that a dragon with a long tail, upright and inflated, should go before the Cross and banners on the first two days, but on the last day, looking back, with its tail deflated and lowered, it follows behind. For this dragon symbolizes the devil, who in three periods, that is, before the law, and under the law, and in the time of grace, which these three days symbolize, has deceived men, and even now seeks to deceive them. In the first two periods, he reigned, and as if he were the lord of the world, had a long tail, which shows his power, and inflated, which symbolizes his pride. For this reason, Christ calls him the prince of this world (John 12, 31) and John says in the Apocalypse (12, 4) that the dragon, falling from heaven, drew with him the third part of the stars, which symbolize people. And the Lord says in the Gospel, “I saw Satan falling like a lightning bolt from heaven” (Luke 10, 18), as a figure of which, on two days he goes at the head … But in the time of grace, he is beaten by Christ, and power is given to the Apostles to cast out unclean spirits; therefore, on the third day he follows after the Cross, to show that his power is lost through the spread of the Faith, and his tail is deflated, and hangs down, and is not long, because he does not dare to reign as mightily as he formerly did, but rather seduces men through suggestion, and in a hidden way, those whom he sees to be lazy and remiss in good works, and who follow not the way of life, as if he were looking back like a thief, to see if someone may wander and fall away from the righteousness of the Faith, so that he can draw that person to himself …

A page from an 1882 scholarly edition of the Sarum Processional, by W.G. Henderson, showing the order of the Rogation procession. The rubric above the image mentions both a dragon and a lion carried in the procession, the latter presumably in reference to the words of Apocalypse 5, 5, “Behold the lion from the tribe of Judah hath conquered.”

On the Litanies, all must abstain from servile labor, … and be present for the procession until the end, so that, just as all have sinned, so all may ask for forgiveness, and all raise their hearts to God, with their hands, that is, raise up their zeal for prayer.

But since on the preceding days, a double Alleluia, is sung, why on these days is only one sung? And again, since Alleluia is not said on other fast days, why is it said on this one? To the first question, we answer that ... a double Alleluia is sung on the preceding days because of the double stole which will be given in the general resurrection, namely, that of the soul and of the body. But the liturgy of Easter, which this signifies, is now finished, and therefore, the cause being taken removed, the effect is also removed . To the second, we answer that on the other fast days, Alleluia is not sung because it is a song of joy, and those fasts are held because of sins, wherefore they are called fasts of mourning; but this fast, and that of Pentecost, are matters of rejoicing, because they are not held for sins, but so that the power of the devil, and the plague, may be removed; and therefore, Alleluia is sung on them.