The Saint Gregory Institute of Sacred Music is pleased to announce the launch of its Certificate in Sacred Music. Designed for individuals who already possess a bachelor’s degree in any musical discipline, the Certificate curriculum offers intensive study in traditional Roman Catholic sacred music with master musician-teachers in beautiful and historic facilities at a minimal cost. A full complement of courses, which are also open to students not enrolled in the Certificate program, will commence on September 3, 2020, taught by a newly-expanded faculty. Information on courses, faculty, facilities, and tuition costs can be found at saintgregoryinstitute.org. Inquiries can be made to Nicholas Will, Founder & President, at saintgregoryinstitute@gmail.com.
From July 22 and 24, the newly founded St Gregory Institute of Sacred Music held its Chant and Polyphony Workshop for Parish Musicians at two different churches in suburban Pittsburgh. The workshop, attended by fifteen music directors, choristers, and students from various parts of western Pennsylvania and eastern Ohio, culminated in an Extraordinary Form Votive Mass of the Holy Ghost at Mary, Help of Christians Church in McKees Rocks. The Mass, offered by Fr. Alek Schrenk on the occasion of the founding of the Institute, was attended by over 100 people and featured Gregorian propers, Hassler’s Missa Secunda, and motets by Pitoni and Croce. (Our readers may remember Fr Schrenk from his contributions to our annual series on the Lenten stations in 2018.)
Here are some audio files from the concluding Mass, and below, Father’s homily.
Gradual Beata gens.
Offertory motet Cantate Domino by Giuseppe Pitoni
The Sanctus of Hassler’s Missa Secunda
The Benedictus
The Agnus Dei
The Communio Factus est repente
Today concludes the first three-day workshop offered by the newly founded St. Gregory Institute of Sacred Music. With this Votive Mass of the Holy Ghost offered in the ancient form of the Roman Rite, we implore God to send down abundant graces upon this noble project. Music is integral to our worship; it is, in fact, an act of worship itself.
Saint John Paul II, speaking on the topic of sacred music in 1988, affirmed that music in the sacred liturgy “performs a function which is noble, unique, and irreplaceable. When it is truly beautiful and inspired, it speaks to us more than all the other arts of goodness, virtue, peace; of matters holy and divine.”
If you will permit me to wax poetic for a moment, the sacred music of the Church — and especially the venerable treasury of Gregorian chant, which is the unique and organic expression of the Church’s voice at prayer — reveals to us something of the very Spirit of God. At the very beginning of time, Genesis tells us that “the earth was void and empty, and darkness was upon the face of the deep. And the spirit of God moved over the waters.”
The word “spirit”, Latin “spiritus”, is also the word for “breath.” And so when Christ appears to his Apostles after the Resurrection there is an echo — or perhaps, a fulfillment — of that primal Spirit of Genesis. The Gospel of Saint John tells us that “he breathed on them; and he said to them: ‘Receive ye the Holy Ghost.’ ” Risen from the dead, Christ comes to impart this new life into his Body, the Church; and through that breath, he is creating the world anew. Just as the Spirit of God moved upon the waters, that same Spirit moves within the Church, moving her to speak “in psalms, and hymns, and spiritual canticles.” When we speak in the Church’s language and sing in the voice of her own song, it is truly the Holy Ghost who speaks through us; it is truly the Holy Ghost in whose voice we sing.
“The Paraclete, the Holy Ghost whom the Father will send in my name; he will teach you all things.” The sacred music of the Church has much to teach us. In the psalms, we find expressions of joy, sorrow, hope, and trust; and in time, as we sing these words and meditate upon them, they became our own voice of prayer.
Like a child learning how speak, there is a certain effort involved in this process. The sober restraint, flowing cadence, and occasional exuberant and melismatic expressions of the Church’s chant are not the native musical language of anyone living today; but then again, these songs sounded just as alien to the ears of Mozart as they do to us. Perhaps they have always been so.
And I so I would like to commend the effort of those who have participated in the Institute’s workshops for the past three days. Their efforts find a fitting culmination and fulfillment here in the sacred liturgy, where all the arts and all our human efforts are crowned by the Most Holy Sacrifice of the Mass. Upon this altar, we offer to God the best of what we have, grateful that these sincere efforts are accepted and perfected by God for his glory and for our salvation.
On my own account, I would like to thank Mr. Nicholas Will for the invitation to celebrate this Mass and to be present for the inauguration of this important initiative. May the experience of these past three days bear much fruit for all who have participated in them, and through the intercession of Saint Gregory the Great, may the future of this institute be richly blessed.
The first Mass will be held on Monday, July 22, the feast of St Mary Magdalene, at 6:30 pm at Holy Trinity Church, with English propers and chants from the Roman Missal. The church is located at 5718 Steubenville Pike in Robinson Township, Pennsylvania.
The second Mass will be on Tuesday, July 23, the Memorial of Saint Bridget, also at 6:30 pm at Holy Trinity, featuring English propers, the Missa de Angelis, and a motet by Thomas Tallis.
The third Mass on Wednesday, July 24, at 5:00 pm, will be a votive Mass of the Holy Spirit celebrated in the Extraordinary Form at St John of God Parish (St Mary Church), with the Gregorian propers in Latin, the Missa Secunda of Hans Leo Hassler, and polyphonic motets. The church is located at 1011 Church Avenue in McKees Rocks, Pennsylvania.
The choir will be under the direction of Prof. Nicholas Will, the founder and director of the St Gregory Institute of Sacred Music, Director of Liturgical Music at the Pontifical North American College in Rome, and Coordinator of the Sacred Music Program (in absentia) at Franciscan University of Steubenville. More information can be found at saintgregoryinstitute.org or by contacting saintgregoryinstitute@gmail.com.
