Our Triduum photopost series continues with the ceremonies of Good Friday. There will be at least one more of these before we move on to the Easter vigil and Easter Sunday, and late submissions are always very welcome, so please feel free to send them in to photopost@newliturgicalmovement.org, remembering to include the name and location of the church. Once again, our thanks to everyone who contributed!
Wednesday, April 24, 2024
Good Friday 2024 Photopost (Part 1)
Gregory DiPippoThe Bells of Easter, Part 2: Bell-Song of the Risen Christ - Guest Article by Robert Keim
Gregory DiPippoOnec again, we are grateful to Mr Robert Keim for sharing some of his writing with us, this time in a two part article on the subject of the liturgical use of bells. Part 1 of this article, which explores the paschal significance of bells in Old Testament liturgy, may be found here. Mr Keim is a secular brother of the London Oratory of St. Philip Neri, a linguist, and a literary scholar specializing in the poetic and dramatic literature of the English Renaissance. A longtime student of the arts and spirituality of sacred liturgy, he teaches university courses in rhetoric and is pursuing research into the devotional, scriptural, and liturgical culture of medieval England.
Though bells are present in Catholic worship throughout the annual cycle of feasts and fasts, the Church teaches us in her liturgy that they bear a special relationship to the Resurrection of Our Lord: it is only during the days immediately preceding Easter that altar bells are formally prohibited. The stark, jarring sound of their replacement—a wooden clapper known as a crotalus—is an unforgettable feature of the Roman rite’s Triduum ceremonies. It powerfully evokes the dismal, dissonant state of a world that has chosen Barabbas over the divine Musician, and it ensures that the return of sweet-sounding bells on Holy Saturday will be closely associated with Christ’s glorious return to life.
The holy women of Easter Sunday are depicted in this fourteenth-century Italian illumination (tempera, ink, and gold on parchment). |
This fourteenth-century bronze bell includes figures of four Apostles in relief and an abbreviated form of a Latin inscription meaning “Christ conquers, Christ reigns, Christ rules.” |
A Romanian Orthodox church |
A late-sixteenth-century Italian example of a campaniform bell. |
The gleaming, glorified body of Christ in a fourteenth-century Anastasis icon (tempera on wood with gilding). |
A rapture where the anthems are,
A chancel-vault of gloom and star,
A thunder when the organ swells:
Alas, man’s daily life—what else?—
Is out of tune with daily bells.
While Paradise accords the chimes
Of Earth and Heaven: its patient pause
Is rest fulfilling music’s laws.
Saints sit and gaze, where oftentimes
Precursive flush of morning climbs
And air vibrates with coming chimes.
Tuesday, April 23, 2024
Seeking Essayists for Latin Mass and Youth Project
Gregory DiPippoPhillip Campbell, author of the blog Unam Sanctam Catholicam, and of a lot of books, is putting together a book project about young people and their love for the traditional Latin Mass. We are glad to share his post about it, and encourage our readers to consider participating.
Photo by Allison Girone |
- A narrative of how they discovered the TLM.
- How the TLM has benefited their spiritual lives.
- How the TLM has helped them enter into liturgical worship more fully.
- What they learned about the Catholic faith through the TLM.
- Any personal stories or anecdotes relating to love of the traditional Mass. ~ Anything relating to the place the traditional liturgy plays in their lives
The Feast of St George
Gregory DiPippo
St George Slaying the Dragon, by Paris Bordone, 1525; now in the Painting Gallery of the Vatican Museums.
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In the Breviary of St Pius V, not even this brief notice was retained, and generic lessons from the common of Martyrs in Eastertide are read instead. The feast itself, however, remained as a semidouble, even though many other Saints with dubious passions were either removed from the calendar, or reduced to commemorations. (In 1568, when the first edition was published, semidouble was the second of three grades of feasts.) This would seem to be an act of recognition that the skepticism of the hagiographers, however long-standing or well-founded it may be, must yield to popular devotion; a principle also recognized, for example, when the feast of St Catherine of Alexandria was restored to the general Calendar in 2002.
The Western Church’s reserve towards St George’s history does not seem to have impeded that devotion in the least, as witnessed among other things by the popularity of his name, which derives from the Greek word “geōrgos – a farmer.” He is honored as the Patron Saint of many places, including over 150 cities and towns in Italy, and most famously, of England, although it is not clear how exactly the latter came about.
In art, St George is traditionally shown as a knight on horseback in the act of killing a dragon, which in a particular region (the Golden Legend says a city in Libya, but there are many versions of the story), was about to eat the local king’s daughter. Surprisingly, this is not the legend to which the Gelasian Decree refers as a possible occasion for mockery, as it was unknown before the 12th century. This fact this has not stopped some of the more cynical hagiographers (perhaps “credulous” would be a better way to describe them,) from describing St George as a Christianized version of the Greek mythological character Perseus, who slew a different and much larger monster as it was about to eat a king’s daughter.
The Byzantine Rite has no such reservations about St George, as is often the case with some of the best loved legends and traditions about the Saints. He is honored with the titles “Great Martyr”, meaning one who suffered many and various torments during his martyrdom, and “Bearer of the Standard of Victory”; in the preparation rite of the Divine Liturgy, he is named in the company of martyrs second only to St Stephen. His feast always occurs in Eastertide, unless it be impeded by Holy Week or Easter week; one of the texts for Vespers of his feast refers to this in a very clever way.
Thou didst suffer along with the Savior, and having willingly imitated His death by death (thanato ton thanaton … mimesamenos), o glorious one, thou reignest with Him, clothed in bright splendor, adorned with thy blood, decorated with the scepter of thy prizes, outstanding with the crown of victory, for endless ages, o Great-Martyr George.The phrase “having willingly imitated His death by death” makes an obvious reference to words of the well-known Paschal troparion, “Christ is risen from the dead, by death he conquered death (thanato ton thanaton … patesas), and gave life to those in the tomb.”
A famous icon of the Virgin and Child with Ss George (left) and Theodore, from the monastery of St Catherine on Mt Sinai, ca. 600 A.D. (public domain image from Wikipedia.)
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Monday, April 22, 2024
“Aquae Sanctae Terrae”: The Spiritual Signification of the Waters of the Holy Land (Part 1)
Peter KwasniewskiNLM is grateful to S.K., a seminarian from the Midwest, for sharing this recent paper with us. – PAK
Jordan River as it runs through northern Israel |
“Aquae Sanctae Terrae”: The Spiritual Signification of the Waters of the Holy Land
In the Fourth Book of Kings, Naaman the Syrian, derides the Jordan River when Elisha tells him to wash in it. He declares, “Are not the Abana, and the Pharphar, rivers of Damascus, better than all the waters of Israel, that I may wash in them, and be made clean?” [1]
At first glance, Naaman’s assessment seems accurate. Although the Jordan River, the springs that feed it, and the Sea of Galilee, are attractive bodies of water, they are not physically impressive. The Jordan is only 223 miles long. In comparison, the Tigris and Euphrates rivers each measure well over 1,000 miles. The Nile flows over 4,000 miles from its source in Lake Victoria. The Sea of Galilee at thirteen miles long and eight miles wide is equally unimpressive. It could fit into Lake Michigan 350 times. The other Holy Land lakes have even less to speak of. In most biblical maps, one will notice a small lake ten miles to the north of the Sea of Galilee. This is Lake Hula, or the Waters of Merom. At about three miles long and three miles wide, it is barely noted in the scriptures at all. The last lake, the Dead Sea, is the largest, but also the most repulsive. It is about three times larger than the Sea of Galilee. The sea’s water is so salty it cannot support any forms of life and is bitter to the taste. After a few minutes, it will also sting the flesh of those who swim in it.
Thus, if the waters of the Holy Land are not that special, why must Naaman wash in the Jordan? What makes this river and the waters of the Holy Land significant? The answer can be found on a map, but not a physical one. Hiding beneath the underwhelming marks these waters make on a physical map, is another map — a spiritual one. In this essay, I will do some spiritual cartography and map out the spiritual places these waters represent — revealing their true significance.
Water is one of the richest symbols in the scriptures. The Bible is packed with stories set in or around water. In the Old Testament, a few examples include: the gathering of the oceans during the creation narrative, the great flood, the crossing of the Red Sea, Moses striking the rock, and the crossing of the Jordan in the book of Joshua. In the New Testament, we read of Christ’s baptism in the Jordan, the miracle at the wedding in Cana, Christ sleeping in the boat during the storm on the Sea of Galilee, Christ walking on the Sea of Galilee, and water flowing from Christ’s side during the passion. Since I cannot cover every reference to water in this essay, I will limit myself primarily to the major events that occurred at the Jordan River and its lakes (Lake Hula, the Sea of Galilee, and the Dead Sea). Water is an important element because it is a symbol of life. Water by its purity also signifies cleanliness and innocence. Finally, water is the matter used in the sacrament of baptism, which means there is a real material connection between water and sanctifying grace. These are the main attributes of water that will be covered in this essay.
Photo by Lawrence Lew OP (source) |
The first place to pin on the spiritual map is Heaven. Where does this overlap with the physical map of the Holy Land? The answer is at the sources of the Jordan River.
The Jordan is formed by three small spring fed rivers that converge in the Hula Valley to form the Jordan River. [2] The three springs are located at an elevation of around 1,800 feet and are all near the foot of Mount Hermon in Lebanon. With their constant outflow of water, springs have an everlasting character, which reminds us of God, eternity, and Heaven.
There are also several places in the scriptures where we see springs and rivers flowing out of Heaven or places that resemble Heaven. In Genesis, we read that the Garden of Eden, a type of proto-heaven, was watered by a spring, “But a spring rose out of the earth, watering all the surface of the earth.” [3] This spring forms a river several verses later, “And a river went out of the place of pleasure to water paradise.” [4] Adam and Eve lost paradise through their sin. God, however, promises to make a new Heaven, which is symbolized by Ezekiel’s vision of a rebuilt Jerusalem. [5] The exiled Israelites returning to their home represent all believers (of the Old and New Testaments) returning to their true home of Heaven.
A life-giving spring is also depicted as flowing from the temple of this new Jerusalem. We know this does not represent a physical place, because no such spring flows or has ever flowed from the temple in Jerusalem, which means this is a depiction of something spiritual, such as spiritual temple or heavenly temple. This spiritual temple is Christ’s own body which was pierced on the right side and released a flow of purifying water. The verse from Ezekiel predicts this, “And behold there ran out waters on the right side.” [6] We read further that the spring forms a river which heals wherever it flows. The waters represent the healing effects of sanctifying grace which was merited by Christ’s passion and death. There is one place, however, that cannot be healed — Hell. This is signified by the verse, “But on the shore thereof, and in the fenny places they shall not be healed, because they shall be turned into saltpits.” [7] The springs in Eden, the temple of the new Jerusalem, and Christ’s side, all provide support for the idea that the three springs of the Jordan River represent Heaven.
Since there are three springs, a connection can be made between them and the three persons of the Holy Trinity. The formula for the sacrament of Baptism can also be linked with the three springs. In the sacrament, the minister pours a separate stream of water as he names each member of the Holy Trinity, one pour for each spring.
On a map, the three springs roughly form an inverted triangle. In the northwest, there is the spring which feeds the Hasbani River, in the middle/south, there is the spring which supplies the Dan River, and in the northeast, there is the spring which turns into the Baniyas River. All of the springs are renowned for their purity and natural beauty. The eastern spring and river get their names from the Greek nature god, Pan, who had a shrine located in a niche outside the cave where the spring begins. Above the cave is a massive rock wall about 200 feet high and 500 feet wide. [8] Located within sight of the cave, Philip the tetrarch, built the city of Caeserea Philippi in honor of Caesar Augustus. [9] On top of the rock wall, there was a white marble temple dedicated to Caesar. [10]
Father Stanley Jaki, a contemporary Bible scholar, argues that this was the location where Christ chose Saint Peter to be the head of the Church. He bases his theory on the verses from Matthew beginning with, “And Jesus came into the quarters of Cesarea Philippi: and asked his disciples, saying: Whom do men say that the Son of man is?” [11] Peter replies, “Thou art Christ, the Son of the living God.” [12] To which our Lord responds,
Blessed art thou, Simon Bar-Jona: because flesh and blood hath not revealed it to thee, but my Father who is in heaven. And I say to thee: That thou art Peter; and upon this rock I will build my church, and the gates of hell shall not prevail against it. And I will give to thee the keys of the kingdom of heaven. [13]
Father Jaki proposes that this scene took place outside of Pan’s cave under the large rock wall. Jesus and the Apostles would not have gone right up to the spring because of the presence of the pagan shrine. [14] He writes, “Standing at a distance, Jesus and the Twelve must have been impressed by the massive wall of rock rising over the source of the Jordan.” [15] The rock wall provides an appropriate background for Christ to speak these words to Peter. In the presence of the pagan temples and false gods, who vie conspicuously close to Christ and the source of the holy Jordan River, Peter boldly declares Jesus as the true God. The symbolism is obvious. Peter (whose name means rock) is likened to the massive rock wall. Christ rewards Peter’s faith by promising to build the Church on top of him. Christ is asserting His power over the false gods that dwell above and below the physical rock wall that they are standing in front of. Any remnants of these pagan images will be washed away by the Jordan.
If Father Jaki’s theory is correct, it would also fit with the theory that the source of the Jordan represents Heaven. The Church is erected as the gate through which believers must enter Heaven. Christ appoints Peter as the gatekeeper of this gate and gives Him the keys. It is also interesting that this particular spring is the one that flows from the east. Throughout the scriptures, God and His power are always depicted as coming from the east.
Following the Jordan River south, we come to the Jordan’s first lake, Lake Hula, also referred to as the Waters of Merom. Historically it measured about three miles by three miles, and was five to ten feet deep. [16] The lake was drained in the 1950’s because it was a breeding ground for malarial mosquitoes. [17] Today only a small wetland remains.
On the spiritual map, Lake Hula represents Purgatory. At an elevation of about 230 feet, it is nestled between the Jordan headwaters at around 1,800 feet in elevation and the next lake down, the Sea of Galilee, which sits about 700 feet below sea level. Lake Hula is only mentioned once in the scriptures, and is referred to as the Waters of Merom in the book of Joshua. The lake is the sight of a major battle between the Israelites and a coalition of pagan nations. God promises Joshua that he will be victorious in battle and commands him to take no quarter. [18] Joshua is a figure for Jesus. We know that Jesus’ victory on the cross merited enough grace for all to be saved, but the grace is only efficacious for those who believe in God and do His will. The strict command to annihilate all of the enemies is a warning to all those who reject God’s grace. There is no salvation for those who oppose God. After the battle, Joshua purges the area of all pagan influence. We read of Joshua capturing Asor, “Now Asor of old was the head of of all these kingdoms. And he cut off all the souls that abode there: he left not in it any remains, but utterly destroyed all, and burned the city itself with fire.” [19]
Like the land around Asor and Lake Hula, Purgatory is also a place of fiery purification. It is the place where God’s refining fire cleanses souls of any remaining earthly attachments. This fire, however, is deadly for God’s enemies. The historical presence of malaria around this lake also points to additional suffering for those who dwell around it. Lake Hula then is a fitting spot for Purgatory. It is a place of painful purgation where only the saved can go, but one which they would rather bypass.
NOTES
[1] 4 Kings 5, 12 (All Bible quotes are from the Douay-Rheims translation)
[2] “Jordan River.” Encyclopedia Britannica, Encyclopedia Britannica, inc., 25 Nov. 2023, www.britannica.com/place/Jordan-River.
[3] Genesis 2, 6
[4] Genesis 2, 10
[5] Ezekiel 47
[6] Ezekiel 47, 2
[7] Ezekiel 47, 11
[8] Rev. Stanley Jaki, And on This Rock, (Front Royal, VA: Christendom Press, 1997), 10.
[9] Rev. Stanley Jaki, And on This Rock, 10.
[10] Rev. Stanley Jaki, And on This Rock, 15.
[11] Matthew 16, 13
[12] Matthew 16, 16
[13] Matthew 16, 17-19
[14] Rev. Stanley Jaki, And on This Rock, 77.
[15] Ibid. 77.
[16] “Jordan River.” Encyclopedia Britannica, Encyclopedia Britannica, inc., 25 Nov. 2023, www.britannica.com/place/Jordan-River.
[17] Ibid.
[18] Joshua 11, 6
[19] Joshua 11, 10-11
Sunday, April 21, 2024
The Sunday of the Paralytic
Gregory DiPippoRaise up my soul, o Lord, that is grievously paralyzed in sins of every kind, and unseemly deeds, by Thy divine care, as of old Thou didst also raise up the paralytic, that I may be saved and cry out: o Compassionate Christ, glory be to Thy might! (The Kontakion for today in the Byzantine Rite, the Fourth Sunday of Easter, on which is read the Gospel of the healing of the Paralytic, John 5, 1-15.)
A Romanian icon of the healing of the Paralytic. |
Saturday, April 20, 2024
Holy Thursday 2024 Photopost (Part 2)
Gregory DiPippoThis second Holy Thursday photopost shows us very nicely the beauty of the special ceremonies of that day: the Mass and procession to the altar of repose, the decoration of the latter, the washing of the feet, and the stripping of the altar. Thanks once again to everyone who contributed; next week, we move on to Good Friday. Keep up the good work of evangelizing through beauty!
Friday, April 19, 2024
More on the Restored Façade of Trinità dei Pellegrini in Rome
Gregory DiPippoWe recently noted that the façade of the FSSP church in Rome, Santissima Trinità dei Pellegrini, has been beautifully restored to its original appearance, after a cleaning project of several month’ duration. Our friend Jacob Stein, author of the blog Crux Stationalis, was on hand yesterday for the official unveiling, and has graciously shared with us some photos, as well of a video of the moment when the nighttime lighting was turned on for the first time. The Italian really excel at the design and set-up of this kind of outdoor illumination, and it has been used to magnificent on important buildings up and down the peninsula.
A beautiful shot which also captures the church’s artistic masterpiece, Guido Reni’s Trinity over the high altar.Image from Wikimedia Commons by Dedi62, CC BY-SA 4.0 |
Review of Harry Crocker, Triumph: The Power and the Glory of the Catholic Church - A 2,000 Year History (Regnery, 2023)
Michael P. FoleyHarry W. Crocker III is no stranger to traditionalist debates and The Latin Mass magazine. In the 2002 Summer issue, Thomas Woods robustly endorsed his monograph Triumph: The Power and the Glory of the Catholic Church - A 2,000 Year History. In the next issue, he wrote a review of Vladimir Soloviev’s The Russian Church and the Papacy, which argues that Eastern Orthodox churches desperately need the papacy. His positive review drew the vehement ire of TLM’s few Eastern Orthodox readers and led to a lively exchange in the Winter 2003 issue between him and his critics. One can see why Orthodox feathers were ruffled. Crocker begins his review with: “As Newman might have said, but didn’t, ‘To be deep in history is to realize that the Eastern Orthodox are crazy.’ They are now, they were then, and they always have been.” [1]
hand-holding during the Our Father and cupping one’s hands in imitation of the priest—offenses that should have been dealt with under sharia law, adopting the Islamic punishment for thievery, as part of the Church’s new openness to other religions (516).
But if Francis’s pontificate made anything clear, it was that the Church needed to move on from the liberal platitudes about the spirit of Vatican II, platitudes that would (even if this was not his intention) have the Church conform to the liberalism of the world, the dictatorship of relativism, as the only acceptable dogma (536-37).
The triumph of the Catholic Church, from its beginnings with the Apostles filing out from the Holy Land, to its rising to be monarch over kings, to its continued survival and worldwide development against every conceivable persecution, is the most extraordinary story in the world (541).
Thursday, April 18, 2024
The Bells of Easter, Part 1: The Golden Bells of the High Priest - Guest Article by Robert Keim
Gregory DiPippoOnec again, we are grateful to Mr Robert Keim for sharing some of his writing with us, this time in a two part article on the subject of the liturgical use of bells. Mr Keim is a secular brother of the London Oratory of St. Philip Neri, a linguist, and a literary scholar specializing in the poetic and dramatic literature of the English Renaissance. A longtime student of the arts and spirituality of sacred liturgy, he teaches university courses in rhetoric and is pursuing research into the devotional, scriptural, and liturgical culture of medieval England.
One of my most cherished experiences during the liturgical year is made possible by a rather unhistorical mingling of rites. I typically entrust my Lenten journey to the plaintive beauty and deprivation of the Roman liturgy. But after enduring six weeks of penance and ritual austerity, my soul is thirsty for paschal joys, and I prefer to seek them in the effusive Easter Sunday celebrations of the Byzantine rite. Honestly, though, one hardly needs to seek them, for they are all but inescapable at certain moments—for instance, when the priest, vested in the brilliant white of the Resurrection, walks among the faithful and reminds them again and again that “Christ is risen.” His voice is exultant and insistent, and his words are accompanied by the gladsome song of thurible bells.
And thou shalt make the tunic of the ephod all of violet.... And beneath at the feet of the same tunic, round about, thou shalt make as it were pomegranates, of violet, and purple, and scarlet twice dyed, with little bells set between: so that there shall be a golden bell and a pomegranate, and again another golden bell and a pomegranate. And Aaron shall be vested with it in the office of his ministry, that the sound may be heard, when he goeth in and cometh out of the sanctuary, in the sight of the Lord, and that he may not die. (Exodus 28, 31, 33–35)
for friends to dwell together:
like precious oil upon the head,
flowing down upon the beard:
Aaron’s beard, that cometh down
to the edge of his robe;
like dew of Khermón, that cometh down
upon the hills of Syón;
for there the Lord ordained a blessing:
life, to ages and forever. (Psalm 132)
The Hours of Catherine de’ Medici, Queen of France
Gregory DiPippoAfter I did a post on Tuesday about the book of hours of King Henry II of France (born 1519; reigned 1547-59), reader Steven Hensley noted in the combox that his Queen, Catherine de’ Medici (1519-89), also had a very beautiful book of Hours, illuminated in a similar style. Fortunately, this is also in the public domain through the website of the Bibliothèque national de France (Smith-Lesouëf 42.)
A fairly small number of pages have a colored border decorated with animals and floral motifs; this is part of the Passion of St John.