Our thanks to Mr Mark Cousineau for providing us these photos of the church of St Paul the Apostle in Westerville, Ohio, and to Mr Bruce Buchanan for his description of the project to install in the church 164 stained glass windows, many of which were rescued from recently closed churches in the Diocese of Cleveland. The project was just completed a few days a Click here to read an article about the project from the Columbus Dispatch, which quotes Dennis McNamara, whom we have featured here many times, one the return to traditional church designs, and away from “churches that look like airplane hangars.”
|Working on a window of Our Lady of t Carmel|
|The finished product, along with St Sebastian|
Saint Paul purchased stained glass windows, all between 70 to 100 years old, from three separate closed churches. One set had incredibly colorful geometric patterns and dozens of medallions of saints and religious symbols, another group had large narrative scenes of the New and Old Testament, with ornate painted scrollwork borders. The third set had large round windows with scenes from the life of Christ. All of the windows were beautiful in their own way, but markedly different in style; the challenge would be to synthesize the windows into a cohesive overall scheme.
A decorative zig-zag border pattern was pulled from the geometric windows, then copied and used in
Given that the windows were so old, they all benefited from being taken apart, cleaned, and rebuilt with new lead, a typical procedure with older, time-worn stained glass panels. Once apart, they could be re-arranged to the new specifications. Some parts, like the geometric knot patterns and the painted scenes were rebuilt exactly as they had been. Other decorative painted pieces were too good not to re-purpose and incorporate wherever possible. New glass borders and backgrounds were cut to frame the painted scenes and medallions.
There were dozens of windows to re-arrange and fit into the new church’s design scheme, but one could hardly expect the found treasures to meet all of the needs of the new church. There were Saints and symbols that would need to be made from scratch to match the old glass. In the end, two dozen new medallions were painted to complete the clerestory, confessionals, and shrines. A series of 40 new standing-figure Saint windows were created to line the ambulatory around the perimeter of the church. Working with the parish and the donors to design the medallions and Saint windows was an incredible learning process, which gave us the opportunity to research lesser known Saints and learn more about the ones we thought we knew.
|St Charles Borromeo|
|Preparatory work for a window of St Damian of Molokai, and the final product.|
Over the course of the years, it has been satisfying to see Saint Paul the Apostle Church slowly filled with stained glass. Bit by bit, window by window, patron by patron, the place has been transformed. It will be satisfying to install the last of the remaining windows, but the biggest change came last December when the final windows in the sanctuary itself were installed. The natural light in the church was forever changed. The outside world was obscured, and the sacred space inside felt different, becoming quieter and more serene. Old stained glass windows that had watched over worshippers for 100 years were once again doing their work.
(more pictures below)