I was recently asked about resources for learning about the symbolism traditionally used in Christian sacred art. These are the books I recommended my inquirer read, which might also be of interest to some of you. I would be happy to hear about any other good sources you can recommend.
If you are after books on the symbolism in Christian art, I would go for the following, starting with foundational references and progressing to more specialized liturgical and narrative sources:First, Signs and Symbols in Christian Art by George Ferguson, which lists individual symbols, e.g., the lily represents purity. Next, the Getty Museum has published a series of excellent books, which are particularly valuable because they focus on particular images and explain the content—for example, paintings of particular saints or feasts of the Roman liturgy.
Another resource is the Golden Legend, or Legenda Aurea, which is a medieval compilation of 153 hagiographies of saints, written around 1298 by Jacobus de Voragine, a Dominican friar and later Archbishop of Genoa. (A modern publication of this by Princeton University Press has an introduction by Eamon Duffy). Intended to edify and encourage devotion, it combines historical accounts, legends, and moral lessons, becoming one of the most influential and widely disseminated books of the Late Middle Ages in Europe, and a huge influence on popular piety. Some of the details from the lives of the saints are contested by contemporary historians, but if, like me, you are not concerned about contradicting the judgements of those who doubt tradition and promote the historical-critical method, then there is much of value here.
Third, I would go for Festal Icons: History and Meaning by Aidan Hart. This focuses on the Twelve Great Feasts of the Byzantine Rite, giving Scriptural sources for the imagery. For example, here is my commentary on the Nativity icon, which is based directly on that which appears in Aidan’s book.
| The Nativity Icon, by Aidan Hart |
![]() |
| The Hospitality of Abraham, by Cuban Iconographer José Garcia Cortés |
I find allegories and symbols described in these hymns for which, as far as I am aware, there are no images currently, but which could become images in the future. For example, I wrote an article on one, Mary, as the Untilled Field That Bears the ‘Wheat Divine’.
